The Glass Bead Game (30 page)

Joseph Knecht had been kept in close contact with the elite by his friend Tegularius. As an old player, moreover, he was fully sensitive to all these currents and moods. But he did not allow them to affect him. From the fourth or fifth day on he actually forbade Fritz to bother him with news about the Magister's illness. He felt, and quite well understood, the tragic cloud that hung over the festival; he thought of the Master with sorrow and deep concern, and of the Shadow Bertram—condemned as it were to sharing the Magister's death—with growing disquiet and compassion. But he sternly resisted being influenced by any authentic or mythical account, practiced the strictest concentration, surrendered gladly to the exercises and the course of the beautifully structured game, and in spite of all the discords and dark clouds his experience of the festival was one of grave exaltation.

At the end of the festival Bertram was spared the additional burden of having to receive congratulants and the Board in his capacity of vice-Magister. The traditional celebration for students of the Glass Bead Game was also cancelled. Immediately after the final musical performance of the festival, the Board announced the Magister's death, and the prescribed days of mourning began in the Vicus Lusorum. Joseph Knecht, still residing in the guest house, participated in the rites. The funeral of this fine man, whose memory is still held in high esteem, was celebrated with Castalia's customary simplicity. His Shadow, Bertram, who had summoned up his last reserves of strength in order to play his part to the end during the festival, understood his situation. He asked for a leave and went on a walking trip in the mountains.

There was mourning throughout the Game village, and indeed everywhere in Waldzell. Possibly no one had enjoyed intimate, strikingly friendly relations with the deceased Magister; but the superiority and flawlessness of his aristocratic nature, together with his intelligence and his finely developed feeling for form, had made of him a regent and representative such as Castalia with its fundamentally democratic temper did not often produce. The Castalians had been proud of him. If he had seemed to hold himself aloof from the realms of passion, love, and friendship, that made him all the more the object for youth's craving to venerate. This dignity and sovereign gracefulness—which incidentally had earned him the half-affectionate nickname “His Excellency”—had in the course of years, despite strong opposition, won him a special position in the Supreme Council of the Order and in the sessions and work of the Board of Educators.

Naturally, the question of his successor was hotly discussed, and nowhere so intensely as among the elite of the Glass Bead Game players. After the departure of the Shadow, whose overthrow these players had sought and achieved, the functions of the Magister's office were temporarily distributed by vote of the elite itself among three temporary deputies—only the internal functions in the Vicus Lusorum, of course, not the official work in the Board of Educators. In keeping with tradition, the Board would not permit the Magistracy to remain vacant more than three weeks. In cases in which a dying or departing Magister left a clear, uncontested successor, the office was in fact filled immediately, after only a single plenary session of the Board. This time the process would probably take rather longer.

During the period of mourning, Joseph Knecht occasionally talked with his friend about the festival game and its singularly troubled course.

“This deputy, Bertram,” Knecht said, “not only played his part tolerably well right up to the end—that is, tried to fill the role of a real Magister—but in my opinion did far more than that. He sacrificed himself to this
Ludus sollemnis
as his last and most solemn official act. You all were harsh—no, the word is cruel—to him. You could have saved the festival and saved Bertram, and you did not do so. I don't care to express an opinion about that conduct; I suppose you had your reasons. But now that poor Bertram has been eliminated and you have had your way, you should be generous. When he comes back you must meet him halfway and show that you have understood his sacrifice.”

Tegularius shook his head. “We did understand it,” he said, “and have accepted it. You were fortunate in being able to participate in the Game as a guest; as such you probably did not follow the course of events so very closely. No, Joseph, we will not have any opportunity to act on whatever feelings for Bertram we may have. He knows that his sacrifice was necessary and will not attempt to undo it.”

Only now did Knecht fully understand him. He fell into a troubled silence. Now he realized that he had not experienced these festival days as a real Waldzeller and a comrade of the others, but in truth much more like a guest; and only now did he grasp the nature of Bertram's sacrifice. Hitherto Bertram had seemed to him an ambitious man who had been undone by a task beyond his powers and who henceforth must renounce further ambitious goals and try to forget that he had once been a Master's Shadow and the leader of an annual Game. Only now, hearing his friend's last words, had he understood—with shock—that Bertram had been fully condemned by his judges and would not return. They had allowed him to conduct the festival Game to its conclusion, and had co-operated just enough so that it would go off without a public scandal; but they had done so only to spare Waldzell, not Bertram.

The fact was that the position of Shadow demanded more than the Magister's full confidence—Bertram had not lacked that. It depended to an equal degree on the confidence of the elite, and the unfortunate man had been unable to retain it. If he blundered, the hierarchy did not stand behind him to protect him, as it did behind his Master and model. And without the backing of such authority, he was at the mercy of his former comrades, the tutors. If they did not respect him, they became his judges. If they were unyielding, the Shadow was finished. Sure enough, Bertram did not return from his outing in the mountains, and after a while the story went round that he had fallen to his death from a cliff. The matter was discussed no further.

Meanwhile, day after day high officials and directors of the Order and of the Board of Educators appeared in the Game village. Members of the elite and of the civil service were summoned for questioning. Now and then some of the matters discussed leaked out, but only within the elite itself. Joseph Knecht, too, was summoned and queried, once by two directors of the Order, once by the philological Magister, then by Monsieur Dubois, and again by two Magisters. Tegularius, who was also called in for several such consultations, was pleasantly excited and joked about this conclave atmosphere, as he called it. Joseph had already noticed during the festival how little of his former intimacy with the elite had remained, and during the period of the conclave he was made more painfully aware of it. It was not only that he lived in the guest house like a visitor, and that the superiors seemed to deal with him as an equal. The members of the elite themselves, the tutors as a body, no longer received him in a comradely fashion. They displayed a mocking politeness toward him, or at best a temporizing coolness. They had already begun to drift away from him when he received his appointment to Mariafels, and that was only right and natural. Once a man had taken the step from freedom to service, from the life of student or tutor to member of the hierarchy, he was no longer a comrade, but on the way to becoming a superior or boss. He no longer belonged to the elite, and he had to realize that for the time being they would assume a critical attitude toward him. That happened to everyone in his position. The difference was that he felt the aloofness and coolness with particular intensity at this time, partly because the elite, orphaned as it now was and about to receive a new Magister, defensively closed its ranks; partly because it had just so harshly demonstrated its ruthlessness in the case of the Shadow, Bertram.

One evening Tegularius came running to the guest house in a state of extreme excitement. He found Joseph, drew him into an empty room, closed the door behind him, and burst out: “Joseph, Joseph! My God, I should have guessed it, I ought to have known, it was likely enough.… Oh, I'm altogether beside myself and truly don't know whether I ought to be glad.” And he, who was privy to all the sources of information in the Game village, babbled on: it was more than probable, already virtually certain, that Joseph Knecht would be elected Master of the Glass Bead Game. The director of the Archives, whom many had regarded as Master Thomas's predestined successor, had obviously been eliminated from the sifted group of prospects the day before yesterday. Of the three candidates from the elite whose names had hitherto headed the lists during the inquiries, none, apparently, enjoyed the special favor and recommendation of a Magister or of the directors of the Order. On the other hand, two directors of the Order as well as Monsieur Dubois were supporting Knecht. In addition to that, there was the weighty vote of the former Music Master, who to the certain knowledge of several persons had been consulted by several Masters.

“Joseph, they're going to make you Magister!” Fritz exclaimed once more. Whereupon his friend placed his hand over his mouth. For a moment Joseph had been no less surprised and stirred by the possibility than Fritz, and it had seemed to him altogether impossible. But even while Tegularius was reporting the various opinions circulating in the Game village about the status and course of the “conclave,” Knecht began to realize that his friend's guess was not likely to be wrong. Rather, in his heart he felt something akin to assent, a sense that he had known and expected this all along, that it was right and natural. And so he placed his hand on his excited friend's mouth, gave him an aloof, reproving look, as if he had suddenly been removed to a great distance, and said: “Don't talk so much,
amice;
I don't want to hear this gossip. Go to your comrades.”

Tegularius, though he had meant to say a great deal more, fell silent at once. He turned pale under the gaze of this utter stranger, and went out. Later he remarked that at first he had felt Knecht's remarkable calm and iciness at this moment as if it were a blow and an insult, a slap in the face and a betrayal of their old friendship and intimacy, an almost incomprehensible overstressing and anticipation of his impending position as supreme head of the Glass Bead Game. Only as he was leaving—and he actually went out like a man who had been slapped—did the meaning of that unforgettable look dawn on him, that remote, royal, but likewise suffering look, and he realized that his friend was not proud of what had fallen to his lot, but that he was accepting it in humility. He had been reminded, he said, of Joseph Knecht's thoughtful expression and the note of deep compassion in his voice when, recently, he had inquired about Bertram and his sacrifice. It was as if he himself were now on the point of sacrificing and extinguishing himself like the Shadow. His expression had been at once proud and humble, exalted and submissive, lonely and resigned; it was as if Joseph Knecht's face had become an effigy of all the Masters of Castalia who had ever been. “Go to your comrades,” he had said. Thus, in the very second he first heard of his new dignity, this incomprehensible man had fitted himself into it and saw the world from a new center, was no longer a comrade, would never be one again.

Knecht might easily have guessed that this last and highest of his calls, the appointment as Magister Ludi, was coming, or at least he might have seen it as possible, or even probable. But this time, too, his promotion startled him. He might have guessed it, he afterward told himself, and he smiled at his zealous friend Tegularius, who to be sure had not expected the appointment from the start, but all the same had calculated and predicted it several days before the decision and announcement. There were in fact no objections to Joseph's election to the highest Board except perhaps his youth; most of his predecessors had entered on their high office at the age of forty-five to fifty, whereas Joseph was still barely forty. But there was no law against any such early appointment.

Now, when Fritz surprised his friend with the results of his surmises and observations, the observations of an experienced elite player who knew down to its smallest detail the complex apparatus of the small Waldzell community, Knecht had immediately realized that Fritz was right; he had instantly grasped the fact of his election and accepted his fate. But his first reaction to the news had been that rejection of his friend, the refusal to “hear this gossip.” As soon as Fritz had left, stunned and very nearly insulted, Joseph went to a meditation room to order his thoughts. His meditation started from a memory that had assailed him with unusual force. In his vision he saw a bare room and a piano. Through the room fell the cool, blithe light of forenoon, and at the door of the room appeared a handsome, friendly man, an elderly man with graying hair and a lucid face full of kindness and dignity. Joseph himself was a small Latin school pupil who had waited in the room for the Music Master, partly frightened, partly overjoyed, and who now saw the venerated figure for the first time, the Master from the legendary Province of elite schools, and the Magister who had come to show him what music was, who then led him step by step into his Province, his realm, into the elite and the Order, and whose colleague and brother he had now become, while the old man had laid aside his magic wand, or his scepter, and had been transformed into an amiably taciturn, still kindly, still revered, but still mysterious elder whose look and example hovered over Joseph's life and who would always be a generation and several stages of life ahead of him, as well as immeasurably greater in dignity and also modesty, in mastership and in mystery, but would always remain his patron and model, gently compelling him to walk in his steps, as a rising and setting planet draws its brothers after it.

As long as Knecht permitted the flow of inner images to come without direction, as they do, like dreams, in the initial stage of relaxation, there were two principal scenes which emerged from the stream and lingered, two pictures or symbols, two parables. In the first Knecht, as a boy, followed the Master along a variety of ways. The Music Master strode before him as his guide, and each time he turned around and showed his face he looked older, more tranquil and venerable, visibly approaching an ideal of timeless wisdom and dignity, while he, Joseph Knecht, devotedly and obediently walked along after his exemplar, but all the time remaining the selfsame boy, at which he alternately felt at one moment shame, at another a certain rejoicing, if not something close to defiant satisfaction. And the second picture was this: the scene in the piano room, the old man's entering where the boy waited, was repeated again and again, an infinite number of times; the Master and the boy followed each other as if drawn along the wires of some mechanism, until soon it could no longer be discerned which was coming and which going, which following and which leading, the old or the young man. Now it seemed to be the young man who showed honor and obedience to the old man, to authority and dignity; now again it was apparently the old man who was required to follow, serve, worship the figure of youth, of beginning, of mirth. And as he watched this at once senseless and significant dream circle, the dreamer felt alternately identical with the old man and the boy, now revering and now revered, now leading, now obeying; and in the course of these pendulum shifts there came a moment in which he was both, was simultaneously Master and small pupil; or rather he stood above both, was the instigator, conceiver, operator, and onlooker of the cycle, this futile spinning race between age and youth. With shifting sensations he alternately slowed the pace and speeded it to a frantic rush. Out of this process there evolved a new conception, more akin to a symbol than a dream, more insight than image: the conception or rather the insight that this meaningful and meaningless cycle of master and pupil, this courtship of wisdom by youth, of youth by wisdom, this endless, oscillating game was the symbol of Castalia. In fact it was the game of life in general, divided into old and young, day and night, yang and yin, and pouring on without end. Having arrived at this in his meditation, Joseph Knecht found his way from a world of images to tranquility, and after long absorption returned strengthened and serenely cheerful.