Read The Fat Man in History and Other Stories Online
Authors: Peter Carey
Tags: #Australia & New Zealand, #Short Stories (Single Author), #General, #Literary, #Fantasy, #Fiction, #Short Stories, #History
I stretch my hand, move it along the bed until it is behind her. Just by moving it … a fraction … just a fraction … I can grasp the shawl and pull it slowly away. It falls to the bed, covering my hand.
That was a mistake. A terrible mistake. My hand, already, is
searching for the small catch at the back of her pendant. It is difficult. My other hand joins in. The two hands work on the pendant, independent of my will. I am doing what I had planned not to do: rush.
I say, I am old. Soon I will die. It would be nice to make things last.
She says, you are morbid.
She says this as if it were a compliment.
My hands have removed the pendant. I place it on the bed. Now she raises her hands, her two hands, to my face. She says, smell …
I sniff. I smell nothing in particular, but then my sense of smell has never been good. While I sniff like some cagey old dog, my hands are busy with the campaign ribbons and plastic flowers which I remove one by one, dropping them to the floor.
She says, what do you smell?
I say, washing up.
She says, it is an antiseptic. I feel I have become soaked in antiseptic, to the marrow of my bones. It has come to upset me.
I say, it would be better if we ceased this discussion for a while, and had some food. We could talk about the food, I have fish fingers again.
She says, I have never told you this but the fish fingers always taste of antiseptic. Everything …
I say, you could have told me later, as we progressed. It is not important. It is good that you didn’t say, you should not have said, even now, you should have kept it for later.
She says, I’m not hungry, I would rather tell you the truth.
I say, I would rather you didn’t.
She says, you know George?
I say, you have mentioned him.
My hands are all of an itch. They have moved to her outermost garment, a peculiar coat, like the coat of a man’s suit. I help her out of it and fold it gently.
She says, George and my son … you remember.
I say, yes, I remember vaguely, only vaguely … if you could refresh my memory.
She says, you are teasing me.
I deny it.
I have started with the next upper garment, a sweater of some description which has a large number 7 on the back. She holds her arms up to make it easier to remove. She says (her voice muffled by
the sweater which is now over her head), I made up George, and the son.
I pretend not to hear.
She says, did you hear what I said?
I say, I am not sure.
She says, I made up George and my son … they were daydreams.
I say, you could have kept that for next year. You could have told me at Christmas, it would have been something to look forward to.
She says, how can you look forward to something you don’t know is coming?
I say, I know, I knew, that everything was coming, sooner or later, in its own time. I was in no hurry. I have perhaps five years left, it would have filled up the years.
She says, you are talking strangely today.
I say, it has been forced on me.
There is another garment, a blue cardigan, slightly grubby, but still a very pretty blue.
I say, what a beautiful blue.
She says, it is a powder blue.
I say, it is very beautiful, it suits you.
She says, oh, it is not really for me, it belonged to my sister … my younger sister.
I say, you never mentioned your younger sister.
She says, you never asked me.
I say, it was intentional.
Now I have all but lost control. The conversation goes on above or below me, somewhere else. I have removed the powder blue cardigan and the red, white, and blue embroidered sweater beneath it. Likewise a blouse which I unfortunately ripped in my haste. I apologized but she only bowed her head meekly.
She says, you have never told me anything about yourself … where you work …
I am busy with the second blouse, a white silk garment that looks almost new. I say, distractedly, it is as I said, I am unemployed.
She says, but before …
I say, I worked for the government for a number of years, a clerk …
She says, and before that?
I say, I was at school. It has not been very interesting. There have been few interesting things. Very boring, in fact. What I have had I
have eked out, I have made it last, if you understand me, made my few pleasures last. On one occasion I made love to a lady of my acquaintance for thirty-two hours, she was often asleep.
She smiles at me. She says, that sounds …
I say, the pity was it was only thirty-two hours, because after that I had to go home, and I had nothing left to do. There was nothing for years after that. It should be possible to do better than thirty-two hours.
She smiles again. I feel I may drown in a million gallons of milk. She says, we can do better than that.
I say, I know, but I had wished it for later. I had wished to save it up for several Christmases from now.
She says, it seems silly … to wait.
As I guessed her breasts are large and heavy. I remove the last blouse to reveal them, large and soft with small taut nipples. I transfer my attentions to her skirt, then to a second skirt, and thence to a rather tattered petticoat. Her stockings, I see, are attached to a girdle. I begin to unroll the stocking, unrolling it slowly down the length of her leg. Then the second stocking. And the girdle.
Now she sits, warm and naked, beside me, smiling.
There is only one thing left, an earring on the left ear.
I extend my hand to take it, but she grasps my hand.
She says, leave it.
I say, no.
She says, yes.
I am compelled to use force. I grasp the earring and pull it away. It is not, it would appear, an earring at all, but a zip or catch of some sort. As I pull, her face, then her breasts, peel away. Horrified, I continue to pull, unable to stop until I have stripped her of this unexpected layer.
Standing before me is a male of some twenty odd years. His face is the same as her face, his hair the same. But the breasts have gone, and the hips; they lie in a soft spongy heap on the floor beside the discarded pendant.
She (for I must, from habit, continue to refer to her as “she”) seems as surprised as I am. She takes her penis in her hand, curious, kneading it, watching it grow. I watch fascinated. Then I see, on the right ear, a second earring.
I say, excuse me.
She is too preoccupied with the penis to see me reach for the
second earring and give it a sharp pull. She sheds another skin, losing, this time, the new-found penis and revealing, once more, breasts, but smaller and tighter. She is, generally, slimmer, although she was never fat before.
I notice here that she is wearing a suspender belt and stockings. I unroll the first stocking and find the leg is disappearing as I unroll. I have no longer any control over myself. The right leg has disappeared. I begin to unroll the left stocking. The leg, perhaps sensitive to the light, disappears with the rolling.
She sits, legless, on the bed, apparently bemused by the two coats of skin on the floor.
I touch her hair, testing it. A wig. Underneath a bald head.
I take her hand, wishing to reassure her. It removes itself from her body. I am talking to her. Touching her, wishing that she should answer me. But with each touch she is dismembered, slowly, limb by limb. Until, headless, armless, legless, I carelessly lose my grip and she falls to the floor. There is a sharp noise, rather like breaking glass.
Bending down I discover among the fragments a small doll, hairless, eyeless, and white from head to toe.
Perhaps a few words about the role of the Cartographers in our present society are warranted.
To begin with one must understand the nature of the yearly census, a manifestation of our desire to know, always, exactly where we stand. The census, originally a count of the population, has gradually extended until it has become a total inventory of the contents of the nation, a mammoth task which is continuing all the time—no sooner has one census been announced than work on another begins.
The results of the census play an important part in our national life and have, for many years, been the pivot point for the yearly “Festival of the Corn” (an ancient festival, related to the wealth of the earth).
We have a passion for lists. And nowhere is this more clearly illustrated than in the Festival of the Corn which takes place in mid-summer, the weather always being fine and warm. On the night of the festival, the householders move their goods and possessions, all furniture, electrical goods, clothing, rugs, kitchen utensils, bathrobes, slippers, cushions, lawnmowers, curtains, doorstops, heirlooms, cameras, and anything else that can be moved into the street so that the census officials may the more easily check the inventory of each household.
The Festival of the Corn is, however, much more than a clerical affair. And, the day over and the night come, the householders invite each other to view their possessions which they refer to, on this night, as gifts. It is like nothing more than a wedding feast—there is much cooking, all sorts of traditional dishes, fine wines, strong liquors,
music is played loudly in quiet neighbourhoods, strangers copulate with strangers, men dance together, and maidens in yellow robes distribute small barley sugar corn-cobs to young and old alike.
And in all this the role of the Cartographers is perhaps the most important, for our people crave, more than anything else, to know the extent of the nation, to know, exactly, the shape of the coastline, to hear what land may have been lost to the sea, to know what has been reclaimed and what is still in doubt. If the Cartographers’ report is good the Festival of the Corn will be a good festival. If the report is bad, one can always sense, for all the dancing and drinking, a feeling of nervousness and apprehension in the revellers, a certain desperation. In the year of a bad Cartographers’ report there will always be fights and, occasionally, some property will be stolen as citizens attempt to compensate themselves for their sense of loss.
Because of the importance of their job the Cartographers have become an elite—well-paid, admired, envied, and having no small opinion of themselves. It is said by some that they are over-proud, immoral, vain and foot-loose, and it is perhaps the last charge (by necessity true) that brings about the others. For the Cartographers spend their years travelling up and down the coast, along the great rivers, traversing great mountains and vast deserts. They travel in small parties of three, four, sometimes five, making their own time, working as they please, because eventually it is their own responsibility to see that their team’s task is completed in time.
My father, a Cartographer himself, often told me stories about himself or his colleagues and the adventures they had in the wilderness.
There were other stories, however, that always remained in my mind and, as a child, caused me considerable anxiety. These were the stories of the nether regions and I doubt if they were known outside a very small circle of Cartographers and government officials. As a child in a house frequented by Cartographers, I often heard these tales which invariably made me cling closely to my mother’s skirts.
It appears that for some time certain regions of the country had become less and less real and these regions were regarded fearfully even by the Cartographers, who prided themselves on their courage. The regions in question were invariably uninhabited, unused for agriculture or industry. There were certain sections of the Halverson Ranges, vast stretches of the Greater Desert, and long pieces
of coastline which had begun to slowly disappear like the image on an improperly fixed photograph.
It was because of these nebulous areas that the Fischerscope was introduced. The Fischerscope is not unlike radar in its principle and is able to detect the presence of any object, no matter how de-materialized or insubstantial. In this way the Cartographers were still able to map the questionable parts of the nether regions. To have returned with blanks on the maps would have created such public anxiety that no one dared think what it might do to the stability of our society. I now have reason to believe that certain areas of the country disappeared so completely that even the Fischerscope could not detect them and the Cartographers, acting under political pressure, used old maps to fake-in the missing sections. If my theory is grounded in fact, and I am sure it is, it would explain my father’s cynicism about the Festival of the Corn.
My father was in his fifties but he had kept himself in good shape. His skin was brown and his muscles still firm. He was a tall man with a thick head of grey hair, a slightly less grey moustache and a long aquiline nose. Sitting on a horse he looked as proud and cruel as Genghis Khan. Lying on the beach clad only in bathers and sunglasses he still managed to retain his authoritative air.
Beside him I always felt as if I had betrayed him. I was slightly built, more like my mother.