The Creation of Anne Boleyn (62 page)

Cromwell and, [>]

Jane and, [>]

and misogyny, [>], [>]

Resnais, Alain, [>]

Rhys Meyers, Jonathan, [>], [>], [>], [>], [>], [>]

dramatic interpretation of Henry, [>]–[>], [>]

Richard Burton: Prince of Players
(Munn), [>]

Ridgway, Claire, [>]–[>], [>], [>]

Rise and Growth of the Anglican Schism, The
(Sander), [>], [>], [>], [>]–[>], [>], [>]

Rival, Paul:
The Six Wives of Henry VIII,
[>], [>]–[>]

Rochford, Jane, [>], [>]

Rochford, Lord, [>]

Roiphe, Katie:
The Morning After,
[>]

Roper, William, [>]

Rude Democracy
(Herbst), [>]

Ruiz, Juan, [>]

Sadler, Ralph, [>]

Sander, Nicholas, [>]

hostile portrait of Anne, [>]–[>], [>], [>]

The Rise and Growth of the Anglican Schism,
[>], [>], [>], [>]–[>], [>], [>]

Sanuto, Francesco: on Anne, [>], [>], [>]–[>], [>]–[>]

Savage, Elizabeth, [>]

Schism in England, The
(Calderón), [>]

Scofield, Paul, [>]

Secret Diary of Anne Boleyn, The
(Maxwell), [>], [>]

self, inner: sense of, [>]–[>]

Sexual Personae
(Paglia), [>], [>]

sexuality: in Tudor period, [>]–[>]

Seymour, Edward, [>], [>]

Seymour family: Henry and, [>], [>]

Seymour, Jane, [>], [>], [>], [>], [>], [>], [>], [>]

appearance, [>]

betrothed to Henry, [>], [>]

character & personality of, [>], [>]

compared to Anne, [>], [>]

and conspiracy to replace Anne, [>]–[>], [>]

fictional treatments of, [>]–[>]

Henry courts, [>], [>], [>]–[>], [>], [>]

Henry warns her not to meddle, [>]

and Mary, [>], [>]

and religious reform, [>]

seduces Henry, [>], [>]

Shakespeare, William: de Vere as, [>]

Henry VIII,
[>]–[>], [>], [>]

on Katherine, [>]

Shaw, Robert, [>]

Silverman, Ben, [>]

Simon, John, [>]

Simpson, O. J., [>], [>]

Singer, S. W.: on Anne, [>], [>]

Sisson, Rosemary, [>]

Six Wives of Henry VIII, The
(Rival), [>], [>]–[>]

Six Wives of Henry VIII, The
(TV miniseries), [>], [>], [>]–[>], [>], [>]

Six Wives of Henry VIII, The
(Weir), [>]–[>], [>], [>]–[>]

Six Wives
(Starkey), [>]–[>], [>], [>], [>]–[>], [>]

Skip, John, [>], [>]

Smeaton, Mark, [>]–[>], [>], [>], [>], [>]

arrest & trial, [>]–[>], [>], [>], [>], [>]

executed, [>], [>]

Smith, Lacey Baldwin, [>]

on Henry’s character, [>]

on sense of inner self, [>]

Smith, Maggie, [>]

Somerset, Elizabeth Browne: gives evidence against Anne, [>]

Spain: Anne’s reputation in, [>]–[>], [>]

relations with England, [>]–[>], [>], [>], [>]–[>], [>], [>], [>]

Spanish Chronicle,
[>], [>], [>]

stage: Anne portrayed on, [>], [>]–[>], [>]–[>], [>], [>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>]–[>], [>]

Stanley, Alessandra, [>]

Starkey, David: on Elizabeth, [>]–[>]

and gender issues, [>], [>], [>], [>], [>]

on Henry’s character, [>], [>], [>]–[>]

on Henry’s correspondence with Anne, [>]–[>], [>]–[>]

Six Wives,
[>]–[>], [>], [>], [>]–[>], [>]

on
The Tudors,
[>], [>]

on Wolsey’s fall, [>], [>]

Starmaker
(Wallis), [>]–[>]

Steel Magnolias
(film), [>]

Stepp, Laura, [>]

Stevens, Hampton, [>], [>]

Stokesley, John (bishop), [>]

Stone, Oliver:
JFK,
[>]

Streisand, Barbra, [>]

Strickland, Agnes & Elizabeth: historians’ reactions to, [>]–[>], [>]

Lives of the Queens of England,
[>], [>], [>]–[>], [>]–[>], [>], [>], [>]

Supplication for the Beggars
(Fish), [>], [>], [>]

Sweet, Natalie, [>], [>]

Swift, Jonathan: on Henry, [>]

Taylor, Don, [>]

Taylor, Elizabeth, [>], [>]–[>], [>], [>]–[>]

Taylor, Tom:
Anne Boleyn,
[>]

teenage culture: invention of, [>]–[>]

television miniseries.
See
films and television

Thelma & Louise
(film), [>], [>]

Thomas, Lewis: on death, [>], [>]

Threads
(Gavin), [>]

Torrent, Ana, [>]

Toulmin, Stephen: on sense of inner self, [>]

Tracy, Spencer, [>]

Travis, Clay, [>]

treason: Cromwell and redefinition of, [>], [>]–[>]

Tudor period: beauty in, [>]–[>], [>], [>]

courtly love in, [>]–[>], [>]–[>], [>]–[>]

ideals of femininity in, [>]–[>]

love and marriage in, [>], [>], [>]

portraiture in, [>]–[>]

sense of inner self in, [>]–[>]

sexuality in, [>]–[>], [>]–[>]

Tudor Tutor, The
(website), [>], [>]

Tudorhistory.org
(website), [>], [>]

“Tudorphilia,” [>]–[>]

Tudors, The
(TV series), [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>]

Borman on, [>]–[>]

critical reception of, [>]–[>], [>]–[>], [>], [>], [>]–[>]

de Lisle on, [>]

as exploitative, [>]–[>]

Gerard on, [>]

Guy on, [>]

Hirst films, [>]–[>], [>], [>], [>], [>]–[>]

historical inaccuracies in, [>]–[>], [>]–[>], [>], [>], [>], [>]

marketing of, [>]–[>], [>], [>]

popular reaction to, [>]–[>], [>], [>]–[>], [>]–[>], [>], [>], [>]–[>]

portrait of Henry in, [>]

sexuality in, [>]–[>], [>]–[>], [>]–[>]

Starkey on, [>], [>]

Warnicke on, [>]

Weir on, [>]

Tudors Wiki, The
(website), [>]–[>]

Tutin, Dorothy, [>], [>], [>], [>], [>]

Tyndale, William, [>]

The Obedience of a Christian Man,
[>]–[>], [>]–[>], [>]

publishes Bible, [>], [>], [>], [>]–[>], [>]

Vertue Betray’d: or, Anna Bullen
(Banks), [>]–[>], [>]–[>], [>]

Victorian period: attitudes toward Anne, [>]–[>]

beauty in, [>]

and role of history, [>]–[>]

Vives, Juan Luis:
Education of a Christian Woman,
[>]–[>], [>]

Walker, Greg, [>]

on Henry’s character, [>]–[>]

Wallis, Hal, [>]

films
Anne of the Thousand Days,
[>]–[>], [>]–[>], [>]–[>], [>]

Starmaker,
[>]–[>]

Wallop, John, [>]

Wappers, Gustave, [>]

Warnicke, Retha: on Anne, [>], [>], [>]

on Henry’s correspondence with Anne, [>]–[>]

on Henry’s physical decline, [>]

on
The Tudors,
[>]

Weir, Alison, [>], [>], [>], [>]

on Anne’s arrest & trial, [>], [>], [>], [>]

on Chapuys, [>]–[>]

on Henry’s correspondence with Anne, [>]–[>]

on Henry’s motives for executing Anne, [>]–[>]

The Lady in the Tower,
[>], [>]

Mary Boleyn,
[>], [>]

The Six Wives of Henry VIII,
[>]–[>], [>], [>]–[>]

on
The Tudors,
[>]

on Victorian historians, [>]

on Wolsey’s fall, [>], [>]

Wentworth, Sir William, [>]

Weston, Francis, [>], [>]

arrest & trial, [>], [>], [>]

executed, [>], [>]

“Where Have You Gone, Roseanne Barr?” (Douglas), [>]

Who’s Afraid of Virginia Woolf?
(Albee), [>]

Why Men Love Bitches
(Argov), [>]

Wilson, Derek, [>]

Winstone, Ray, [>]

witchcraft: Anne suspected of, [>]–[>], [>], [>]

Wolf Hall
(Mantel), [>], [>]–[>], [>], [>], [>]–[>], [>]–[>]

Wolf, Naomi:
Fire with Fire,
[>]

Wolsey, Thomas, [>], [>], [>], [>]

Anne and, [>]–[>], [>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>]

and Cromwell, [>]–[>]

fall of, [>], [>], [>], [>], [>], [>], [>], [>]

on Henry, [>]

and Henry’s divorce, [>]–[>], [>]

as manipulative, [>]

Starkey on fall of, [>], [>]

Weir on fall of, [>], [>]

women: Plato and, [>]

Wriothesley, Thomas, [>], [>]

on Anne’s execution, [>]

Wyatt, George: on Anne’s arrest & trial, [>], [>]

defense of Anne, [>]–[>]

on Elizabeth’s birth, [>]

Extracts from the Life of the Virtuous Christian and Renowned Queen Anne Boleigne,
[>], [>]–[>], [>], [>]

Wyatt, Thomas, [>]

arrested, [>]

love poems by, [>]

“Of the Courtier’s Life,” [>]–[>]

relationship with Anne, [>], [>]–[>], [>]–[>]

Zupanec, Sylwia Sobczak, [>], [>]

About the Author

S
USAN
B
ORDO
is the Otis A. Singletary Chair in the Humanities at the University of Kentucky. Her book
Unbearable Weight
has become a classic of feminist cultural studies. She is also the author of
The Flight to Objectivity
and
The Male Body.
She lives in Lexington, Kentucky, with her husband and daughter.