The Creation of Anne Boleyn (59 page)

Anouilh, Jean:
Becket,
[>]

Argov, Sherry:
Why Men Love Bitches,
[>]

Armstrong, Jessie, [>]

Art of Courtly Love, The
(Capellanus), [>], [>]

Arthur (prince), [>], [>], [>]

Atkinson, Brooks, [>]

Austen, Jane:
The History of England,
[>]

Autobiography of Henry VIII, The
(George), [>]

Bana, Eric, [>]

dramatic interpretation of Henry, [>]–[>]

Banks, John:
Vertue Betray’d: or, Anna Bullen,
[>]–[>], [>]–[>], [>]

Barfield, Owen: on sense of inner self, [>]

Barlow, John: on Anne, [>]

Barnes, Margaret Campbell:
Brief Gaudy Hour,
[>]–[>], [>]

Barrington, E.:
Anne Boleyn,
[>]–[>], [>]

Bayntun, Sir Edward, [>]

Beaufort, Margaret, [>]

beauty: in Tudor period, [>]–[>], [>], [>]

in Victorian period, [>]

Beauvoir, Simone de, [>]

on gender issues, [>]

Becket
(Anouilh), [>]

Becket
(film), [>]

Bellafante, Ginia, [>]

Benger, Elizabeth: historians’ reactions to, [>]–[>], [>]

Memoirs of the Life of Anne Boleyn,
[>], [>], [>]–[>], [>]

Bennett, Vanora: on Anne, [>]–[>]

Bergin, Joan, [>]

Bernard, G. W.:
Anne Boleyn: Fatal Attractions,
[>], [>]

The King’s Reformation,
[>], [>], [>]

Berry, Simon, [>]

Bible: Tyndale publishes, [>], [>], [>], [>]–[>], [>]

Blessington, Countess of:
Book of Beauty, or Regal Gallery,
[>]

Bloom, Allan:
The Closing of the American Mind,
[>]

Blount, Elizabeth: as Henry’s mistress, [>], [>], [>], [>], [>], [>]

Bluhdorn, Charles, [>]

Boker, George: on Henry’s character, [>]

Boleyn, Anne: accused of adultery & treason, [>], [>], [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>]–[>], [>]

accused of incest, [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>]

aids in Henry’s divorce, [>]–[>], [>]–[>], [>]

Ales on, [>], [>]

alleged deformities, [>], [>]–[>], [>]–[>], [>], [>]–[>], [>]

alleged promiscuity, [>], [>], [>], [>]–[>]

alleged romance with Percy, [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>], [>]

allegedly plots murder of Katherine & Mary, [>]–[>], [>], [>], [>], [>], [>]

appearance, [>], [>]–[>], [>]

arrest & trial, [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>], [>], [>], [>]

Barlow on, [>]

Bennett on, [>]–[>]

Bujold’s dramatic interpretation of, [>], [>]–[>], [>]–[>], [>], [>], [>]–[>]

burial, [>]

as calculating & manipulative, [>]–[>], [>]–[>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>], [>], [>]–[>], [>]

Chapuys’ hostile portrait of, [>], [>], [>]–[>], [>]–[>], [>], [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>]–[>], [>]

character & personality, [>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>], [>]–[>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>]–[>], [>]

compared to Jane, [>], [>]

coronation of, [>]–[>], [>], [>]–[>]

correspondence with Henry, [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>], [>]

Cromwell conspires against, [>], [>], [>]–[>], [>], [>]–[>], [>]–[>], [>]–[>], [>], [>], [>], [>]–[>], [>], [>], [>], [>]

damages Henry’s image, [>], [>], [>]–[>], [>]–[>], [>], [>]

de Carles on, [>], [>]

declining relationship with Henry, [>]–[>], [>], [>]–[>], [>]–[>], [>], [>]–[>], [>]–[>], [>]–[>]

defense at trial, [>], [>]–[>], [>], [>]

and dissolution of monasteries, [>]–[>], [>], [>], [>]

Dormer’s dramatic interpretation of, [>]–[>], [>]–[>], [>], [>], [>], [>]

as evil, [>], [>], [>], [>], [>], [>]

execution, [>]–[>], [>], [>]–[>], [>], [>]–[>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>], [>], [>]

fictional treatments of, [>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>]

film portrayals of, [>], [>]–[>], [>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]

and gender issues, [>]–[>], [>], [>]–[>]

George Wyatt’s defense of, [>]–[>], [>]

as glamorous, [>]

Goodman on, [>]

Hackett on, [>]

hair color, [>], [>]–[>], [>]–[>], [>], [>]

Henry attempts to erase memory of her, [>]–[>], [>], [>], [>], [>], [>]

Henry insists on her status, [>]

Henry marries, [>], [>]–[>], [>], [>]

Henry on, [>]

Henry’s infatuation with, [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>]

Henry’s motivations for executing, [>]–[>], [>]–[>], [>], [>]–[>]

Hirst on, [>]–[>], [>]

hopes for clemency, [>]–[>]

idealization of, [>], [>], [>]–[>]

as inspiration to young women, [>]–[>], [>]–[>]

interest in humanism, [>], [>]–[>], [>]

as interfering, [>], [>]

Jane and conspiracy to replace, [>]–[>], [>]

last letter to Henry, [>]–[>], [>]

as liberated woman, [>]

Loades on, [>]–[>], [>], [>]

as manipulated by family, [>]–[>], [>]

Mary refuses to acknowledge, [>], [>]

Mary’s hatred of, [>]–[>]

modern popular reactions to, [>]–[>]

More’s relationship with, [>]

in opera, [>], [>]

opposes Cromwell, [>]–[>]

paintings of, [>], [>]–[>], [>], [>], [>]

personal library of, [>], [>]–[>]

personal style, [>], [>]–[>]

as politically active, [>]–[>]

in popular memory, [>]–[>], [>]

portrayed as “human,” [>]–[>]

postwar interpretations of, [>]–[>]

as predatory, [>], [>], [>], [>], [>], [>]–[>]

pregnancies & miscarriages, [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>]–[>], [>]–[>], [>], [>]

pregnant with Elizabeth, [>]–[>]

preparations for death, [>]–[>], [>], [>]

Princess Diana on, [>]–[>]

public reaction to her execution, [>], [>]

as queen, [>]–[>], [>]

rehabilitation of her reputation, [>]–[>], [>]–[>], [>], [>]

as religious martyr, [>]–[>], [>], [>]

and religious reform, [>]–[>], [>], [>], [>], [>]

reputation in Spain, [>]–[>], [>]

role in English Reformation, [>]–[>], [>], [>], [>], [>], [>], [>]–[>], [>]–[>], [>], [>]

Sander’s hostile portrait of, [>]–[>], [>], [>]

Sanuto on, [>], [>], [>]–[>], [>]–[>]

sexual relationship with Henry, [>]–[>], [>]–[>], [>], [>], [>]–[>], [>]–[>], [>]

as sexually aggressive, [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>]

Singer on, [>], [>]

stage portrayals of, [>], [>]–[>], [>]–[>], [>], [>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>]–[>], [>]

suspected of witchcraft, [>]–[>], [>], [>]

as teenager, [>]–[>]

Thomas Wyatt’s relationship with, [>], [>]–[>], [>]–[>]

treatment of Mary & Elizabeth, [>]–[>], [>], [>]

unfounded speculation about, [>]–[>]

Victorian attitudes toward, [>]–[>]

Warnicke on, [>], [>], [>]

and Wolsey, [>]–[>], [>], [>]–[>], [>], [>]–[>], [>], [>], [>], [>]

youth & education, [>]–[>], [>]–[>], [>], [>]–[>], [>]

Boleyn, George: arrest & trial, [>], [>], [>], [>]

executed, [>], [>], [>]

Boleyn, Mary, [>], [>]

fictional treatments of, [>]–[>], [>]–[>], [>]–[>]

Gregory on, [>]–[>]

Henry’s affair with, [>]–[>], [>]–[>], [>], [>], [>], [>], [>]

Boleyn, Thomas, [>]–[>]

Bolt, Robert, [>], [>]

Bonham Carter, Helena, [>]

Book of Beauty, or Regal Gallery
(Countess of Blessington), [>]

Book of Martyrs
(Foxe), [>], [>]–[>], [>], [>], [>]

Book of the City of Ladies, The
(Pizan), [>], [>]

Book of the Courtier, The
(Castiglione), [>], [>]–[>], [>]

Booth, Sue, [>]

Borman, Tracy:
Elizabeth’s Women,
[>]–[>], [>]–[>]

on
The Tudors,
[>]–[>]

Bourdeilles Brantôme, Pierre de, [>]

Bradley, Mary Hastings, [>]

The Favor of Kings,
[>]–[>]

literary goals, [>]

Brandon, Charles, [>], [>], [>]

Breakfast at Tiffany’s
(film), [>]

Brenton, Howard:
Anne Boleyn,
[>], [>]–[>], [>]–[>], [>]–[>], [>], [>], [>]

on Henry’s character, [>]

Brereton, William: arrest & trial, [>], [>]

executed, [>], [>]

Briçonnet, Guillaume (bishop), [>]

Brief Gaudy Hour
(Barnes), [>]–[>], [>]

Bring Up the Bodies
(Mantel), [>], [>], [>]

Browne, Sir Anthony, [>]

Bryson, Sarah, [>]

Bujold, Geneviève, [>], [>], [>]

background, [>], [>]–[>]

dramatic interpretation of Anne, [>], [>]–[>], [>]–[>], [>], [>], [>]–[>]

Burnett, Gilbert, [>]

Burton, Richard, [>]–[>], [>]

Bush, Mrs. Forbes:
Memoirs of the Queens of France,
[>]

Calderón de la Barca, Pedro:
The Schism in England,
[>]

Callcott, Maria:
Little Arthur’s England,
[>]

Camelot
(play), [>]

Campeggio, Lorenzo, [>], [>], [>], [>], [>]

Canby, Vincent, [>]

Capellanus, Andreas:
The Art of Courtly Love,
[>], [>]

Carbone, Gina: on
The Other Boleyn Girl,
[>]

Carew, Nicholas, [>], [>]

Carley, James, [>]

Castiglione, Baldassare:
The Book of the Courtier,
[>], [>]–[>], [>]

Catholic Church: resistance to English Reformation, [>]–[>], [>], [>]–[>]

Cavendish, George:
The Life and Death of Cardinal Wolsey,
[>], [>], [>]–[>], [>], [>], [>], [>]–[>]

Chapuys, Eustace: on Anne’s arrest & trial, [>]–[>], [>]–[>], [>], [>], [>], [>]

on Anne’s execution, [>], [>]

Cromwell and, [>]–[>], [>], [>]–[>], [>]

doubts Anne’s guilt, [>]–[>]

on Elizabeth, [>]

friendly portrait of Katherine, [>]–[>], [>]–[>], [>]–[>], [>]

and Henry, [>], [>]

hostile portrait of Anne, [>], [>], [>]–[>], [>]–[>], [>], [>]–[>], [>]–[>], [>]–[>], [>], [>]–[>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>]–[>], [>]

motivations of, [>], [>]

public reputation of, [>]

supports Mary, [>]–[>], [>]–[>], [>], [>], [>], [>]–[>], [>], [>]–[>]

Weir on, [>]–[>]

Charles V (emperor), [>]–[>], [>]–[>], [>], [>], [>]–[>], [>], [>], [>]–[>], [>], [>], [>], [>], [>]–[>], [>]

Château Vert, [>]

Child’s History of England, A
(Dickens), [>]–[>]

chivalry: Henry and, [>]–[>], [>]–[>]

Church of England: Henry as head of, [>], [>], [>], [>]

Cibot, Edouard:
Anne Boleyn in the Tower,
[>]

Cifuentes, Count of, [>]

Claude (queen), [>], [>]–[>], [>], [>]

Clement VII (pope), [>], [>]

clergy: humanism and criticism of the, [>]–[>]

Closing of the American Mind, The
(Bloom), [>]

Codrington, Robert, [>]

Concubine, The
(Lofts), [>]–[>], [>], [>]

consumer culture, modern: gender issues in, [>]–[>], [>]–[>], [>], [>]–[>]

viciousness & stereotypes in, [>]–[>], [>]

Cooke, Alistair, [>]

Corcoran, Dee, [>]

Cox, Ted, [>]

Cranmer, Thomas (archbishop), [>], [>], [>]

and Anne’s arrest & trial, [>], [>], [>]

Cromwell, Thomas: Anne opposes, [>]–[>]

and Anne’s execution, [>]–[>]