The Collected Stories of Eudora Welty (79 page)

They moved on into an open plot beyond, of violent-green grass, spread before the green-and-white frame church with worked flower beds around it, flowerless poinsettias growing up to the windowsills. Beyond was a house, and left on the doorstep of the house a fresh-caught catfish the size of a baby—a fish wearing whiskers and bleeding. On a clothesline in the yard, a priest's black gown on a hanger hung airing, swaying at man's height, in a vague, trainlike, ladylike sweep along an evening breath that might otherwise have seemed imaginary from the unseen, felt river.

With the motor cut off, with the raging of the insects about them, they sat looking out at the green and white and black and red and pink as they leaned against the sides of the car.

"What is your wife like?" she asked. His right hand came up and spread—iron, wooden, manicured. She lifted her eyes to his face. He looked at her like that hand.

Then he lit a cigarette, and the portrait, and the right-hand testimonial it made, were blown away. She smiled, herself as unaffected as by some stage performance; and he was annoyed in the cemetery. They did not risk going on to her husband—if she had one.

Under the supporting posts of the priest's house, where a boat was, solid ground ended and palmettos and water hyacinths could not wait to begin; suddenly the rays of the sun, from behind the car, reached that lowness and struck the flowers. The priest came out onto the porch in his underwear, stared at the car a moment as if he wondered what time it was, then collected his robe off the line and his fish off the doorstep and returned inside. Vespers was next, for him.

After backing out between the tombs he drove on still south, in the sunset. They caught up with an old man walking in a sprightly way in their direction, all by himself, wearing a clean bright shirt printed with a pair of palm trees fanning green over his chest. It might better be a big colored woman's shirt, but she didn't have it. He flagged the car with gestures like hoops.

"You're coming to the end of the road," the old man told them. He pointed ahead, tipped his hat to the lady, and pointed again. "End of the road." They didn't understand that he meant, "Take me."

They drove on. "If we do go any further, it'll have to be by water—is that it?" he asked her, hesitating at this odd point.

"You know better than I do," she replied politely.

The road had for some time ceased to be paved; it was made of shells. It was leading into a small, sparse settlement like the others a few miles back, but with even more of the camp about it. On the lip of the clearing, directly before a green willow blaze with the sunset gone behind it, the row of houses and shacks faced out on broad, colored, moving water that stretched to reach the horizon and looked like an arm of the sea. The houses on their shaggy posts, patchily built, some with plank runways instead of steps, were flimsy and alike, and not much bigger than the boats tied up at the landing.

"Venice," she heard him announce, and he dropped the crackling map in her lap.

They coasted down the brief remainder. The end of the road—she could not remember ever seeing a road simply end—was a spoon shape, with a tree stump in the bowl to turn around by.

Around it, he stopped the car, and they stepped out, feeling put down in the midst of a sudden vast pause or subduement that was like a yawn. They made their way on foot toward the water, where at an idle-looking landing men in twos and threes stood with their backs to them.

The nearness of darkness, the still uncut trees, bright water partly under a sheet of flowers, shacks, silence, dark shapes of boats tied up, then the first sounds of people just on the other side of thin walls—all this reached them. Mounds of shells like day-old snow, pink-tinted, lay around a central shack with a beer sign on it. An old man up on the porch there sat holding an open newspaper, with a fat white goose sitting opposite him on the floor. Below, in the now shadowless and sunless open, another old man, with a colored pencil bright under his hat brim, was late mending a sail.

When she looked clear around, thinking they had a fire burning somewhere now, out of the heat had risen the full moon. Just beyond the trees, enormous, tangerine-colored, it was going solidly up. Other lights just striking into view, looking farther distant, showed moss shapes hanging, or slipped and broke matchlike on the water that so encroached upon the rim of ground they were standing on.

There was a touch at her arm—his, accidental.

"We're at the jumping-off place," he said.

She laughed, having thought his hand was a bat, while her eyes rushed downward toward a great pale drift of water hyacinths—still partly open, flushed and yet moonlit, level with her feet—through which paths of water for the boats had been hacked. She drew her hands up to her face under the brim of her hat; her own cheeks felt like the hyacinths to her, all her skin still full of too much light and sky, exposed. The harsh vesper bell was ringing.

"I believe there must be something wrong with me, that I came on this excursion to begin with," she said, as if he had already said this and she were merely in hopeful, willing, maddening agreement with him.

He took hold of her arm, and said, "Oh, come on—I see we can get something to drink here, at least."

But there was a beating, muffled sound from over the darkening water. One more boat was coming in, making its way through the tenacious, tough, dark flower traps, by the shaken light of what first appeared to be torches. He and she waited for the boat, as if on each other's patience. As if borne in on a mist of twilight or a breath, a horde of mosquitoes and gnats came singing and striking at them first. The boat bumped, men laughed. Somebody was offering somebody else some shrimp.

Then he might have cocked his dark city head down at her; she did not look up at him, only turned when he did. Now the shell mounds, like the shacks and trees, were solid purple. Lights had appeared in the not-quite-true window squares. A narrow neon sign, the lone sign, had come out in bright blush on the beer shack's roof: "Baba's Place." A light was on on the porch.

The barnlike interior was brightly lit and unpainted, looking not quite finished, with a partition dividing this room from what lay behind. One of the four cardplayers at a table in the middle of the floor was the newspaper reader; the paper was in his pants pocket. Midway along the partition was a bar, in the form of a pass-through to the other room, with a varnished, second-hand fretwork overhang. They crossed the floor and sat, alone there, on wooden stools. An eruption of humorous signs, newspaper cutouts and cartoons, razor-blade cards, and personal messages of significance to the owner or his friends decorated the overhang, framing where Baba should have been but wasn't.

Through there came a smell of garlic and cloves and red pepper, a blast of hot cloud escaped from a cauldron they could see now on a stove at the back of the other room. A massive back, presumably female, with a twist of gray hair on top, stood with a ladle akimbo. A young man joined her and with his fingers stole something out of the pot and ate it. At Baba's they were boiling shrimp.

When he got ready to wait on them, Baba strolled out to the counter, young, black-headed, and in very good humor.

"Coldest beer you've got. And food—What will you have?"

"Nothing for me, thank you," she said. "I'm not sure I could eat, after all."

"Well, I could," he said, shoving his jaw out. Baba smiled. "I want a good solid ham sandwich."

"I could have asked him for some water," she said, after he had gone.

While they sat waiting, it seemed very quiet. The bubbling of the shrimp, the distant laughing of Baba, and the slap of cards, like the beating of moths on the screens, seemed to come in fits and starts. The steady breathing they heard came from a big rough dog asleep in the corner. But it was bright. Electric lights were strung riotously over the room from a kind of spider web of old wires in the rafters. One of the written messages tacked before them read, "Joe! At the boyy!!" It looked very yellow, older than Baba's Place. Outside, the world was pure dark.

Two little boys, almost alike, almost the same size, and just cleaned up, dived into the room with a double bang of the screen door, and circled around the card game. They ran their hands into the men's pockets.

"Nickel for some pop!"

"Nickel for some pop!"

"Go 'way and let me play, you!"

They circled around and shrieked at the dog, ran under the lid of the counter and raced through the kitchen and back, and hung over the stools at the bar. One child had a live lizard on his shirt, clinging like a breast pin—like lapis lazuli.

Bringing in a strong odor of geranium talcum, some men had come in now—all in bright shirts. They drew near the counter, or stood and watched the game.

When Baba came out bringing the beer and sandwich, "Could I have some water?" she greeted him.

Baba laughed at everybody. She decided the woman back there must be Baba's mother.

Beside her, he was drinking his beer and eating his sandwich—ham, cheese, tomato, pickle, and mustard. Before he finished, one of the men who had come in beckoned from across the room. It was the old man in the palm-tree shirt.

She lifted her head to watch him leave her, and was looked at, from all over the room. As a minute passed, no cards were laid down. In a far-off way, like accepting the light from Arcturus, she accepted it that she was more beautiful or perhaps more fragile than the women they saw every day of their lives. It was just this thought coming into a woman's face, and at this hour, that seemed familiar to them.

Baba was smiling. He had set an opened, frosted brown bottle before her on the counter, and a thick sandwich, and stood looking at her. Baba made her eat some supper, for what she was.

"What the old fellow wanted," said he when he came back at last, "was to have a friend of his apologize. Seems church is just out. Seems the friend made a remark coming in just now. His pals told him there was a lady present."

"I see you bought him a beer," she said.

"Well, the old man looked like he wanted
something.
"

All at once the juke box interrupted from back in the corner, with the same old song as anywhere. The half-dozen slot machines along the wall were suddenly all run to like Maypoles, and thrown into action—taken over by further battalions of little boys.

There were three little boys to each slot machine. The local custom appeared to be that one pulled the lever for the friend he was holding up to put the nickel in, while the third covered the pictures with the flat of his hand as they fell into place, so as to surprise them all if anything happened.

The dog lay sleeping on in front of the raging juke box, his ribs working fast as a concertina's. At the side of the room a man with a cap on his white thatch was trying his best to open a side screen door, but it was stuck fast. It was he who had come in with the remark considered ribald; now he was trying to get out the other way. Moths as thick as ingots were trying to get in. The cardplayers broke into shouts of derision, then joy, then tired derision among themselves; they might have been here all afternoon—they were the only ones not cleaned up and shaved. The original pair of little boys ran in once more, with the hyphenated bang. They got nickels this time, then were brushed away from the table like mosquitoes, and they rushed under the counter and on to the cauldron behind, clinging to Baba's mother there. The evening was at the threshold.

They were quite unnoticed now. He was eating another sandwich, and she, having finished part of hers, was fanning her face with her hat. Baba had lifted the flap of the counter and come out into the room. Behind his head there was a sign lettered in orange crayon: "Shrimp Dance Sun. PM." That was tonight, still to be.

And suddenly she made a move to slide down from her stool, maybe wishing to walk out into that nowhere down the front steps to be cool a moment. But he had hold of her hand. He got down from his stool, and, patiently, reversing her hand in his own—just as she had had the look of being about to give up, faint—began moving her, leading her. They were dancing.

"I get to thinking this is what we get—what you and I deserve," she whispered, looking past his shoulder into the room. "And all the time, it's real. It's a real place—away off down here...."

They danced gratefully, formally, to some song carried on in what must be the local patois, while no one paid any attention as long as they were together, and the children poured the family nickels steadily into the slot machines, walloping the handles down with regular crashes and troubling nobody with winning.

She said rapidly, as they began moving together too well, "One of those clippings was an account of a shooting right here. I guess they're proud of it. And that awful knife Baba was carrying ... I wonder what he called me," she whispered in his ear.

"Who?"

"The one who apologized to you."

If they had ever been going to overstep themselves, it would be now as he held her closer and turned her, when she became aware that he could not help but see the bruise at her temple. It would not be six inches from his eyes. She felt it come out like an evil star. (Let it pay him back, then, for the hand he had stuck in her face when she'd tried once to be sympathetic, when she'd asked about his wife.) They danced on still as the record changed, after standing wordless and motionless, linked together in the middle of the room, for the moment between.

Then, they were like a matched team—like professional, Spanish dancers wearing masks—while the slow piece was playing.

Surely even those immune from the world, for the time being, need the touch of one another, or all is lost. Their arms encircling each other, their bodies circling the odorous, just-nailed-down floor, they were, at last, imperviousness in motion. They had found it, and had almost missed it: they had had to dance. They were what their separate hearts desired that day, for themselves and each other.

They were so good together that once she looked up and half smiled. "For whose benefit did we have to show off?"