Authors: Markus Zusak
For Elisabeth and Helmut Zusak,
with love and admiration
a mountain range of rubble
in which our narrator introduces:
himself—the colors—and the book thief
First the colors.
Then the humans.
That’s usually how I see things.
Or at least, how I try.
HERE IS A SMALL FACT
You are going to die
I am in all truthfulness attempting to be cheerful about this whole topic, though most people find themselves hindered in believing me, no matter my protestations. Please, trust me. I most definitely
be cheerful. I can be amiable. Agreeable. Affable. And that’s only the A’s. Just don’t ask me to be nice. Nice has nothing to do with me.
REACTION TO THE
Does this worry you?
I urge you—don’t be afraid
I’m nothing if not fair
—Of course, an introduction.
Where are my manners?
I could introduce myself properly, but it’s not really necessary. You will know me well enough and soon enough, depending on a diverse range of variables. It suffices to say that at some point in time, I will be standing over you, as genially as possible. Your soul will be in my arms. A color will be perched on my shoulder. I will carry you gently away.
At that moment, you will be lying there (I rarely find people standing up). You will be caked in your own body. There might be a discovery; a scream will dribble down the air. The only sound I’ll hear after that will be my own breathing, and the sound of the smell, of my footsteps.
The question is, what color will everything be at that moment when I come for you? What will the sky be saying?
Personally, I like a chocolate-colored sky. Dark, dark chocolate. People say it suits me. I do, however, try to enjoy every color I see—the whole spectrum. A billion or so flavors, none of them quite the same, and a sky to slowly suck on. It takes the edge off the stress. It helps me relax.
A SMALL THEORY
People observe the colors of a day only at its beginnings and ends, but to me it’s quite clear that a day merges through a multitude of shades and intonations, with each passing moment. A single
can consist of thousands of different colors. Waxy yellows, cloud-spat blues. Murky darknesses
In my line of work, I make it a point to notice them
As I’ve been alluding to, my one saving grace is distraction. It keeps me sane. It helps me cope, considering the length of time I’ve been
performing this job. The trouble is, who could ever replace me? Who could step in while I take a break in your stock-standard resort-style vacation destination, whether it be tropical or of the ski trip variety? The answer, of course, is nobody, which has prompted me to make a conscious, deliberate decision—to make distraction my vacation. Needless to say, I vacation in increments. In colors.
Still, it’s possible that you might be asking, why does he even need a vacation? What does he need distraction from?
Which brings me to my next point.
It’s the leftover humans.
They’re the ones I can’t stand to look at, although on many occasions I still fail. I deliberately seek out the colors to keep my mind off them, but now and then, I witness the ones who are left behind, crumbling among the jigsaw puzzle of realization, despair, and surprise. They have punctured hearts. They have beaten lungs.
Which in turn brings me to the subject I am telling you about tonight, or today, or whatever the hour and color. It’s the story of one of those perpetual survivors—an expert at being left behind.
It’s just a small story really, about, among other things:
* A girl
* Some words
* An accordionist
* Some fanatical Germans
* A Jewish fist fighter
* And quite a lot of thievery
I saw the book thief three times.
First up is something white. Of the blinding kind.
Some of you are most likely thinking that white is not really a color and all of that tired sort of nonsense. Well, I’m here to tell you that it is. White is without question a color, and personally, I don’t think you want to argue with me.
A REASSURING ANNOUNCEMENT
Please, be calm, despite that previous threat
I am all bluster—
I am not violent
I am not malicious
I am a result