The Book of a Thousand Days

James Noel Smith

Shannon Hale

PART 1 The tower

Day 1

My lady and I are being shut up in a tower for seven years.

Lady Saren is sitting on the floor, staring at the wall, and hasn't moved even to scratch for an hour or more. Poor thing. It's a shame I don't have fresh yak dung or anything strong-smelling to scare the misery out of her.

The men are bricking up the door, and I hear them muttering and scraping cement. Only a small square of unbricked sky and light still gape at me. I smile back at its mean grin to show I'm not scared. Isn't it something, all the trouble they're going to for us? I feel like a jewel in a treasure box, though my lady is the --

My lady suddenly awoke from her stupor and sprang at the door, clawing at the bricks, trying to shove her way out. How she screamed! Like an angry piglet.

"Stay in!" we heard her honored father say. He

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must have been standing near the opening. "Stay until your heart softens like long-boiled potatoes. And if you try to break your way out, I've told the guards to kill you on sight. You have seven years to think about disobedience. Until you are meek with regret, your face turns my stomach."

I nearly warned him that such words would bring him bad luck and canker his own heart. Thank the Ancestors that my lady's fit stopped me from speaking out of turn. When I pulled her back, her hands were red from beating at the bricks and streaked with wet cement. This isn't exactly a happy-celebration morning, but I don't see what good it does to thrash about.

"Easy, my lady," I said, the way I'd speak to a feisty ram. It wasn't too hard to hold my lady back, even squirming as she was. I'm fifteen years, and though skinny as a skinned hare, I'm strong as a yak, or so my mama used to say. I sang the calming song, the one that goes, "Oh, moth on a wind, oh, leaf on a stream," and invites the hearer into dreaming. I feared my lady was so angry she wouldn't heed the song. But she must've been eager to sleep, because now she's snoring on my lap. Happily the brush and ink are at hand so I can keep writing. When you can't move, there isn't

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much to do but think, and I don't much want to think right now.

Sticky sobs shake my lady even while she sleeps. My own eyes are heavy. Perhaps it's the darkness making us so drowsy. Goda, goddess of sleep, keep us tonight.

Day 2

It's quiet and as dark as night, our only light a quivering candle. The door is bricked solid. From time to time I hear voices, so I suppose the guards remain outside.

Goda heard my prayer last night and did let us sleep until morning. I know it's morning because I peeked through the dump hole. That's a tiny metal flap that opens just enough to empty our chamber pot and wash water on the ground outside. It looks like this.

[Image: A Metal Flap in a Brick Wall]

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When I push it open, a lip of brick wall prevents me from looking straight out, but I can see the ground five handspans down. Very thoughtful of her honored father, I think, to design our prison such, so we have a way to throw out our waste and don't have to breathe foul air for seven years.

This tower used to be a lookout tower, standing as it does on the border between Titor's Garden, which is her honored father's land, and Thoughts of Under, which is the realm to the east. The upper story was the lookout, but the windows are bricked blind now. Too easy to escape from, I suppose, or else her honored father hopes to crush her spirits with darkness. The upper floor is my lady's chamber. The air is best there because tiny slits in the bricks let fresh air slink in. If I press my face to a certain slit, I think I can see blue that is the sky. Or maybe I'm just seeing shadows.

The middle story is our kitchen, with hearth, pots, table, and one chair. Stacks and stacks of wood line the walls, and my own straw mattress keeps the floor company. A ladder descends into the cellar. It looks something like this.

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[Image: Picture of the inside of a Cellar]

And here's the bit that makes me tremble with delight--in our cellar there is a mountain of food! Barrels and bags and crates of it. And we have a fine well dug right in the cellar floor. My lady is napping in her chamber, so I just came down here to look at the food. Seven years' worth. Such a thing I never imagined. Even though I can't see the sky, it's hard not to want to dance about, knowing that for seven years at least I won't starve. That's paradise for a mucker like me. How my mama would laugh.

Day 6

I've been much occupied these past days, learning the ways of our tower, counting sacks of flour and

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rice, barrels of dried and salted mutton, figuring how much we may eat each day and last for seven years. It's useful knowing my letters and numbers so I can write down the figuring. We've boxes of candles and a stack of parchment, surely enough to keep me writing for seven years.

These are the meals I've cooked these last days: Breakfast--warmed milk with sugar, eaten with flat barley cakes. Each morning the guards knock on the metal flap and hand up a horn of fresh mare's milk. First thing, I splash a drop of milk in the north corner, facing the direction of the Sacred Mountain, and say my prayers. By tradition, I should dribble the milk on soil, not stones, but it'll have to do since the metal flap faces south.

Dinner--dung cakes. That's what we muckers call them, though I don't use that crude term around my lady, of course. They're made of salted meat (simmered long to soften) and onions, wrapped in dough and cooked on coals. That's how we used to eat them with Mama, only here I get to add spices--cinnamon and peppercorns! Two times before the tower I'd eaten spiced food, but never had I reached my own hand into a barrel and touched the raw powders and seeds. Someday when I leave this life and my soul climbs the Sacred Mountain, I imagine

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the Ancestors will be too beautiful and bright to look at, but their skin and breath will smell of peppercorns and cinnamon, anise, cardamom, and fennel. Heavenly, it is.

Supper--rice and dried peas, boiled with milk and raisins, and sweetened with a pinch of sugar. Delicious. My lady says she's used to eating the large meal at night instead of midday, but that makes no sense to me. She didn't order me to change the dinner and supper order, so I'll keep it the same.

These past meals have been as hearty as I ever had, and if being a lady's maid means I get to eat the same food as my lady--with spices even! --then you'll never hear me complain.

Sometimes to get her through a long day, I give my lady a mess of dried fruit or a slap of cheese. Even so, she swears she's starving. The mouth grumbles more than the stomach, my mama used to say. My lady can't really be hungry--I think she's just sad to be imprisoned away from her love and hoping that the food will fill her up where her heart breaks.

But so much food! Each day we eat three times, and I roll around on my mattress at night and laugh into my arm and pray to my mama so she knows I'm doing fine.

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Day 11

It occurs to me I ought to relate the why behind our imprisonment. And at the moment, with dinner eaten and cleaned up, washing done, and my lady resting, I've nothing more to do but stare at the candle flame. It tosses and bobs like a spring foal and sometimes I find myself staring at it so long, the flame is all I can see for an hour after. But now I'll write.

I came to the city of Titor's Garden only one year ago. My mother, the Ancestors bless her, died from the floating fevers that take people in the summer. I was alone, my father dead when I was a baby, and my brothers gone to make their world way when I was a girl of eight and still in two braids. I wear one braid now, though still long down my back. My lady wears her braid pinned up, though she's not married and just one year older than me. I suppose she has the right to do her hair how she pleases, her being gentry and all.

Anyway, with my mother passed to the Ancestors' Realm, I made the long walk from the summer pastures to the city, hoping to find work. The city had too many people for my mind. Where do they all sleep? How do you feed so many bodies? My head

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hurt trying to reason it out. I found the house of chiefs soon enough and purchased employment with my last animal. A thin woman people named "Mistress" had me stand before her and tell what skills I had, declaring at the end that I would be of best use working in the stables. When she rose from her chair to show me the way, she winced and rubbed her back.

"Have a pain there, Mistress?" I asked.

She didn't answer. I suppose it was right nosy of me to speak up like that, but I thought I could help her, and why sit quiet when you can be useful? So I said, "I might help that pain, Mistress, if you let me."

She didn't argue, so I put my hand on her back and I started with the song for body aches, the slow, sliding tune that goes, "Tell me again, how does it go?" and then twined into it the hopping tune for buried pain that goes, "Berries in summer, red, purple, green."

She stretched when I was finished. "You're a mucker, then? I've heard of the healing songs but never thought much about them." She looked at me thoughtfully, then set in on any number of queer questions.

"What is the proper remedy for a lady in fits?" "Make her drink warm milk and rub her back," I answered easily enough.

"Show me a straight stitch."

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And I sewed a line straighter than the finger of Ris, god of roads and towns.

"Let me see your hands," she said, and checked them for calluses. "Mmm-hmm. And your mucker mother taught you all the healing songs?"

"I don't think a body can know them all, but I know the useful ones, like the song for helping a mare birth a foal and the song to get a she-yak to stand still for milking --"

"No, no, I have no use for horses and yaks. The songs for aches of back and belly and head. Like you just sang for me."

"I know dozens, I guess."

"Then I'm going to make you a lady's maid for the most honored house in Titor's Garden. Our lord's second daughter, Lady Saren, she's bound to need a fresh maid by the time your education is done. She certainly seems to go through them quickly."

Mistress sent me to an old man named Qadan, who lived beside the house of chiefs. I cooked and cleaned for him, and in the afternoons, a group of hopeful scribes joined us for lessons in reading.

"As Lady Saren's maid you'll need to know your letters," Mistress had said. I didn't know then why this is so, but I do now--because unlike most gentry, Lady Saren herself doesn't know them.

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What a strange and wondrous time it was, eating two big meals every single day, sleeping by a fire always lit, and learning the secret language of ink strokes. On days when I finished chores and errands early, Qadan taught me sketching. I was so busy and my belly so full, I would fall asleep even as I was falling into bed.

But some nights, when I tossed on my mattress, awake and staring at nothing, the sorrow would strike me. Quiet there in Qadan s dark house, my heartache felt like a river, and I was sinking into it, carried away fast in its coldness. That's the best way I can explain it, and what I mean by it is, I missed my mama.

Sometimes Qadan threw candlesticks at us when his back pinched him sour, but mostly he was a good teacher. He said the best way to practice writing was to keep a book of thoughts. The first one I wrote in was left behind in our rush to this prison. I found this blank book of stitched-together pages among the parchment and inks, and I asked my lady if I might take it for my own. She had no use for it.

It seems a bit of a laugh now, all that time spent learning and now I find myself in a tower with no occasion to write my lady's love letters or keep her books. Instead I'll record the details of our confinement, so when the seven years are over and the lord's men pound through the walls, if all they find is a

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delicate lady and her humble maid shriveled like old ginger roots from lack of sun and air, they'll know somewhat of our happy time still breathing.

Though my lady doesn't sound happy. She's thrashing on her mattress again. I wonder, is it in the gentry's nature to suffer so? Could the Ancestors give gentry beauty and perfection, food and large houses, and a world to do their bidding, and yet curse them with wretched sorrow? My poor, poor lady.

I had best go see to her now and finish my account later. There will be, I'd guess, plenty of time to do so.