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Authors: P. D. James

BOOK: The Black Tower
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“Did you tell anyone?”

“Only Julius. He counselled against telling anyone else and suggested I tear the note up and flush it down the WC. As that advice coincided with my own inclination, I took it. As I said, I haven't had another. I imagine that the sport loses its thrill if the victim shows absolutely no sign of concern.”

“Could it have been Holroyd?”

“It didn't really seem his style. Victor was offensive but not, I should have thought, in that particular way. His weapon was the voice, not the pen. Personally I didn't mind him as much as some of the others did. He hit out rather like an unhappy child. There was more personal bitterness than active malice. Admittedly, he added a somewhat childish codicil to his will the week before he died; Philby and Julius's housekeeper, Mrs. Reynolds, witnessed it. But that was probably because he'd made up his mind to die and wanted to relieve us all of any obligation to remember him with kindness.”

“So you think he killed himself?”

“Of course. And so does everyone else. How else could it have happened? It seems the most likely hypothesis. It was either suicide or murder.”

It was the first time anyone at Toynton Grange had
used that portentous word. Spoken in Carwardine's pedantic, rather high voice it sounded as incongruous as blasphemy on the lips of a nun.

Dalgliesh said:

“Or the chair brakes could have been defective.”

“Given the circumstances, I count that as murder.”

There was silence for a moment. The chair lurched over a small boulder and the torch light swung upwards in a wide arc, a miniature and frail searchlight. Carwardine steadied it and then said:

“Philby oiled and checked the chair brakes at eight-fifty on the night before Holroyd died. I was in the workroom messing about with my modelling clay at the time. I saw him. He left the workroom shortly afterwards and I stayed on until about ten o'clock.”

“Did you tell the police that?”

“Since they asked me, yes. They enquired with heavy tact where exactly I had spent the evening and whether I had touched Holroyd's chair after Philby had left. Since I would hardly have admitted the fact if I had, the question was naïve. They questioned Philby, although not in my presence, and I've no doubt that he confirmed my story. I have an ambivalent attitude towards the police; I confine myself strictly to answering their questions, but on the premise that they are, in general, entitled to the truth.”

They had arrived. Light streamed from the rear door of the cottage and Julius Court, a dark silhouette, emerged to meet them. He took the wheelchair from Dalgliesh and pushed it along the short stone passage leading into the sitting-room. On the way Dalgliesh just had time to glimpse through an open door the pine-covered walls, red tiled floor and gleaming chrome of Julius's kitchen, a kitchen too like his own where a woman, overpaid and underworked to assuage her employer's guilt for hiring her at all, cooked the
occasional meal to gratify one person's over-fastidious taste.

The sitting-room occupied the whole of the front ground floor of what had obviously originally been two cottages. A fire of driftwood crackled on the open hearth but both the long windows were open to the night. The stone walls vibrated with the thudding of the sea. It was disconcerting to feel so close to the cliff edge and yet not know precisely how close. As if reading his thoughts, Julius said:

“We're just six yards from the forty-foot drop to the rocks. There's a stone patio and low wall outside; we might sit there later if it's warm enough. What will you drink, spirits or wine? I know Henry's preference is for claret.”

“Claret please.”

Dalgliesh didn't repent of his choice when he saw the labels on the three bottles which were standing, two already uncorked, on the low table near the hearth. He was surprised that wine of such quality should be produced for two casual guests. While Julius busied himself with the glasses, Dalgliesh wandered about the room. It contained enviable objects, if one were in a mood to prize personal possessions. His eyes lit on a splendid Sunderland lustreware jug commemorating Trafalgar, three early Staffordshire figures on the stone mantelpiece, a couple of agreeable seascapes on the longest wall. Above the door leading to the cliff edge was a ship's figure-head finely and ornately carved in oak; two cherubs supported a galleon topped with a shield and swathed with heavy seaman's knots. Seeing his interest, Julius called out:

“It was made about 1660 by Grinling Gibbons, reputedly for Jacob Court, a smuggler in these parts. As far as I can discover, he was absolutely no ancestor of mine, worse luck. It's probably the oldest merchant ship figure-head
known to exist. Greenwich think they have one earlier, but I'd give mine the benefit of a couple of years.”

Set on a pedestal at the far end of the room and faintly gleaming as if luminous was the marble bust of a winged child holding in his chubby hand a posy of rosebuds and lilies of the valley. The marble was the colour of pale coffee except over the lids of the closed eyes which were tinged with a faint pink. The unveined hands held the flowers with the upright, unselfconscious grip of a child; the boy's lips were slightly parted in a half-smile, tranquil and secretive. Dalgliesh stretched out a finger and gently stroked the cheek; he could imagine it warm to his touch. Julius came over to him carrying two glasses.

“You like my marble? It's a memorial piece, of course, seventeenth or very early eighteenth century and derived from Bernini. Henry, I suspect, would like it better if it were Bernini.”

Henry called out:

“I wouldn't like it better. I did say I'd be prepared to pay more for it.”

Dalgliesh and Court moved back to the fireplace and settled down for what was obviously intended to be a night of serious drinking. Dalgliesh found his eyes straying around the room. There was no bravura, no conscious striving after originality or effect. And yet, trouble had been taken; every object was in the right place. They had, he thought, been bought because Julius liked them; they weren't part of a careful scheme of capital appreciation, nor acquired out of an obsessive need to add to his collection. Yet Dalgliesh doubted whether any had been casually discovered or cheaply bought. The furniture too, betrayed wealth. The leather sofa and the two winged and back buttoned leather chairs were perhaps too opulent for the proportions and basic simplicity of the room, but Julius had obviously chosen
them for comfort. Dalgliesh reproached himself for the streak of puritanism which compared the room unfavourably with the snug, unindulgent shabbiness of Father Baddeley's sitting-room.

Carwardine, sitting in his wheelchair and staring into the fire above the rim of his glass, asked suddenly:

“Did Baddeley warn you about the more bizarre manifestations of Wilfred's philanthropy, or was your visit here unpremeditated?”

It was a question Dalgliesh had been expecting. He sensed that both men were more than casually interested in his reply.

“Father Baddeley wrote to say that he would be glad to see me. I decided to come on impulse. I've had a spell in hospital and it seemed a good idea to spend a few days of my convalescence with him.”

Carwardine said:

“I can think of more suitable places than Hope Cottage for convalescence, if the inside is anything like the exterior. Had you known Baddeley long?”

“Since boyhood; he was my father's curate. But we last met, and only briefly, when I was at university.”

“And having been content to know nothing of each other for a decade or so, you're naturally distressed to find him so inconveniently dead.”

Unprovoked, Dalgliesh replied equably:

“More than I would have expected. We seldom wrote except to exchange cards at Christmas but he was a man more often in my thoughts, I suppose, than some people I saw almost daily. I don't know why I never bothered to get in touch. One makes the excuse of busyness. But, from what I remember of him, I can't quite see how he fitted in here.”

Julius laughed:

“He didn't. He was recruited when Wilfred was going
through a more orthodox phase, I suppose to give Toynton Grange a certain religious respectability. But in recent months I sensed a coolness between them, didn't you, Henry? Father Baddeley was probably no longer sure whether Wilfred wanted a priest or a guru. Wilfred picks up any scraps of philosophy, metaphysics and orthodox religion which take his fancy to make his Technicolor dreamcoat. As a result, as you'll probably discover if you stay long enough, this place suffers from the lack of a coherent ethos. There's nothing more fatal to success. Take my London club, dedicated simply to the enjoyment of good food and wine and the exclusion of bores and pederasts. It's unstated of course, but we all know where we stand. The aims are simple and comprehensible and, therefore, realizable. Here the poor dears don't know whether they're in a nursing home, a commune, a hotel, a monastery or a particularly dotty lunatic asylum. They even have meditation sessions from time to time. I'm afraid Wilfred may be getting a touch of the Zens.”

Carwardine broke in:

“He's muddled, but which of us isn't? Basically he's kind and well meaning, and at least he's spent his own personal fortune at Toynton Grange. In this age of noisy and self-indulgent commitment when the first principle of private or public protest is that it mustn't relate to anything for which the protestor can be held in the least responsible or involve him in the slightest personal sacrifice that, at least, is in his favour.”

“You like him?” asked Dalgliesh.

Henry Carwardine answered with surprising roughness.

“As he's saved me from the ultimate fate of incarceration in a long-stay hospital and gives me a private room at a price I can afford, I'm naturally bound to find him delightful.”

There was a short, embarrassed silence. Sensing it, Carwardine added:

“The food is the worst thing about Toynton, but that can be remedied, even if I do occasionally feel like a greedy schoolboy feasting alone in my room. And listening to my fellow inmates read their favourite bleeding chunks from popular theology and the less enterprising anthologies of English verse is a small price to pay for silence at dinner.”

Dalgliesh said:

“Staffing must be a difficulty. According to Mrs. Hewson, Anstey chiefly relies on an ex-convict and an otherwise unemployable matron.”

Julius Court reached out for the claret and refilled the three glasses. He said:

“Dear Maggie, discreet as always. It's true that Philby, the handyman, has some kind of record. He's not exactly an advertisement for the place, but someone has to sluice the foul linen, slaughter the chickens, clean the lavatories and do the other jobs which Wilfred's sensitive soul cringes at. Besides, he's passionately devoted to Dot Moxon, and I've no doubt that helps to keep her happy. Since Maggie has let slip so much, you may as well know the truth about Dot. Perhaps you remember something of the case—she was that notorious staff nurse at Nettingfield Geriatric Hospital. Four years ago she struck a patient. It was only a light blow but the old woman fell, knocked her head against a bedside locker and nearly died. Reading between the lines at the subsequent enquiry report, she was a selfish, demanding, foul-mouthed virago who would have tempted a saint. Her family would have nothing to do with her—didn't even visit—until they discovered that there was a great deal of agreeable publicity to be made out of righteous indignation. Perfectly proper too, no doubt. Patients, however disagreeable, are sacrosanct and it's in all
our ultimate interests to uphold that admirable precept. The incident sparked off a spate of complaints about the hospital. There was a full-dress enquiry covering the administration, medical services, food, nursing care, the lot. Not surprisingly, they found plenty to enquire into. Two male nurses were subsequently dismissed and Dot left of her own accord. The enquiry, while deploring her loss of control, exonerated her from any suspicion of deliberate cruelty. But the damage was done; no other hospital wanted her. Apart from the suspicion that she wasn't exactly reliable under stress, they blamed her for provoking an enquiry which did no one any good and lost two men their jobs. Afterwards, Wilfred tried to get in touch with her; he thought from the accounts of the enquiry that she'd been hard done by. He took some time to trace her, but succeeded in the end and invited her here as a kind of matron. Actually, like the rest of the staff, she does anything that's needed from nursing to cooking. His motives weren't entirely beneficent. It's never easy to find nursing staff for a remote specialized place like this, apart from the unorthodoxy of Wilfred's methods. If he lost Dorothy Moxon he wouldn't easily find a replacement.”

Dalgliesh said:

“I remember the case but not her face. It's the young blonde girl—Jennie Pegram, isn't it?—who looks familiar.”

Carwardine smiled; indulgent, a little contemptuous.

“I thought you might ask about her. Wilfred ought to find a way of using her for fund raising, she'd love it. I don't know anyone who's better at assuming that expression of wistful, uncomprehending, long-suffering fortitude. She'd make a fortune for the place properly exploited.”

Julius laughed:

“Henry, as you have gathered, doesn't like her. If she looks familiar, you may have seen her on television about
eighteen months ago. It was the month for the media to lacerate the British conscience on behalf of the young chronic sick, and the producer sent out his underlings to scavenge for a suitable victim. They came up with Jennie. She had been nursed for twelve years, and very well nursed, in a geriatric unit, partly, I gather, because they couldn't find a more suitable place for her, partly because she rather liked being the petted favourite of the patients and visitors, and partly because the hospital had group physiotherapy and occupational therapy facilities of which our Jennie took advantage. But the programme, as you can imagine, made the most of her situation—“Unfortunate twenty-five-year-old girl incarcerated among the old and dying; shut away from the community; helpless; hopeless.” All the most senile patients were carefully grouped round her for the benefit of the camera with Jennie in the middle doing her stuff magnificently. Shrill accusations against the inhumanity of the Department of Health, the regional hospital board, the hospital managers. Next day, predictably, there was a public outburst of indignation which lasted, I imagine, until the next protest programme. The compassionate British public demanded that a more suitable place be found for Jennie. Wilfred wrote offering a vacancy here, Jennie accepted, and fourteen months ago she arrived. No one quite knows what she makes of us. I should give a lot to look into what passes for Jennie's mind.”

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