The Beauty and the Sorrow (72 page)

Read The Beauty and the Sorrow Online

Authors: Peter Englund

BOOK: The Beauty and the Sorrow
2.11Mb size Format: txt, pdf, ePub
SUNDAY
, 24
MARCH
1918
Harvey Cushing finds it difficult to enjoy the spring in Boulogne-sur-Mer

Bombs have fallen during the night. Now it is a warm and sunny spring morning and Cushing is accompanying a general who wants to study the damage inflicted by the night raid. A bomb has hit the field hospital’s stores and X-ray tubes; glass vessels and other laboratory equipment lie mixed with chemicals among the rubble that crunches beneath their feet as they walk around. The roof has been blown off but no one has been injured—not in the hospital, anyway. A little further away a number of houses have collapsed after being hit by another bomb and it is thought that there are still people under the wreckage.

They then move on to a nearby prisoner of war camp—No. 94 POW Camp—which the zealous general also wants to inspect. Cushing is interested and goes with him. When they arrive there the German prisoners are formed up outside the barbed wire in two groups of 500 or so. They are well treated, live in well-scrubbed barracks and are allowed to receive parcels from home. Some of the German NCOs have had new uniforms sent to them and they wear them on Sundays, decorations and all. They also stick rigidly to military etiquette in spite of imprisonment. The sound of heels being clicked can be heard throughout the visit. Cushing, however, is not particularly impressed by them. Even though the prisoners are obviously well nourished, he thinks they are short—even smaller than the British troops, who tend to be on the small side. He also thinks there are “few intelligent faces among them.”

The British general, too, is punctilious about the formalities. He inspects both groups, passing from man to man. The general remarks on the fact that several of the Germans are wearing big, ill-fitting corduroy coats and he pounces on a prisoner who has mended his field-grey trousers with a
blue
patch. He then snoops everywhere in search of anything else he can criticise. On the rubbish tip he finds some potato peelings that could have been eaten and a bone that should have been boiled up for soup. When the inspection is over the prisoners march past the British general in columns four abreast, lifting their legs high in the classic Prussian goose-step.

In the afternoon Cushing is back at the large seaside villa where he
is living. The warm spring air streams in through the open window. He looks out over the English Channel and sees three destroyers heading south. He sees some “absurdly camouflaged transports” moored closer to the shore, and he sees lines of fishing boats waiting for a wind. It is ebb tide and people are walking on the dry beach below the villa, enjoying the warm sunshine and looking for mussels.

Cushing is restless and ill at ease. The great German offensive is rolling on. It is mainly aimed at the British Fifth Army, which has still not recovered from the losses it suffered during the Third Battle of Ypres last autumn. The reports, as usual, are contradictory, censorship is tight and rumours plentiful—but the British do seem to be retreating. The hospital has received hardly any wounded men at all, which is a bad sign: the Germans are clearly advancing so quickly that the British are given no time to evacuate the casualties. Shells fired from some kind of giant gun have started to crash down on Paris. Cushing and the rest of them, however, have not received any new instructions and all they can do is “sit in the sun and stroll on the sands—and wait. This is the hardest thing to do.”

He looks out of his window down onto the promenade and sees some officers sitting on a bench and playing with a child.

WEDNESDAY
, 27
MARCH
1918
Edward Mousley turns thirty-two in Constantinople

Recent months have been full of variety. On Christmas Day, having been transferred to Constantinople, Mousley made an escape bid. It started well. By a mixture of bluff and good preparation he and his companions made their way along a well-reconnoitred escape route down to the Galata Bridge and sailed out into the Sea of Marmara in a boat acquired in advance by a helper. The boat contained a plentiful supply of eggs, to be used as food during their journey, but it lacked some vital pieces of equipment, bailing buckets in particular. The wind was strong, the sea running high and the current powerful. The mast broke and soon the whole escape attempt turned into a farce. Smeared from head to foot in smashed eggs, they headed for shore in a boat that was rapidly filling with water. They had no choice but to return surreptitiously to the house
in which they were being held prisoner, where they managed to climb back in, sodden and covered in egg.

After that he had a nice surprise—a transfer to Bursa, a pleasant spa with famous sulphur baths. All this happened on the orders of Dr. König, his eye specialist, who had been the ship’s doctor on the battlecruiser SMS
Goeben
, one of the two vessels involved in drawing the Ottoman Empire into the war in 1914.
f
It was in Bursa that the top British generals were being held prisoner and for a while Mousley was able to share their privileges in such matters as good and plentiful food, relatively recent newspapers and considerable freedom of movement. He played a lot of chess.
g
Then the order came for him to be returned to Constantinople.

Mousley had hoped that this might mean he was going to be sent home as part of a prisoner exchange but yesterday he was taken instead to a notorious prison. He has just been informed that he is to be brought before a military court, charged with attempting to escape. He is locked in a small dark cell together with an Arab, a Turk and an Egyptian. When he looks through the bars he can see a long corridor, a lavatory and a burly guard walking up and down.

Today is Mousley’s thirty-second birthday and he is very hungry and not feeling well. He asks for food but no one seems in the least concerned about him. He gets hold of a newspaper but that fails to cheer him up: the German offensive in France is rolling forward, seemingly unstoppable. He writes in his journal:

My guards and gaol companions amused themselves by showing literally how Germany was now walking over the French and us. I, however, awaited the counter-offensive, if we were not too broken, and, in any case, the moment when the German advance
must be outdistanced owing to the elaborate communications required for pushing on the great masses of men and materials of modern war. It was a most miserable birthday.

The only bright spot comes in the evening. Two of his cell mates start fighting and Mousley takes advantage of the confusion to slip away for a moment and leave a message with an RAF officer he knows to be in the adjoining cell.

SATURDAY
, 6
APRIL
1918
Andrei Lobanov-Rostovsky draws his revolver in Laval

He is fairly certain he has never come this close to shooting someone during the whole war, and the irony is that he is threatening to kill one of his countrymen. Andrei Lobanov-Rostovsky’s odyssey has continued, a journey not so much away from the security of home (even if that is the result) as away from the threat of the revolution.

It turned out that Salonica was no refuge from the troubles at home and that the tremors of the revolution were reaching even the Russian forces there, particularly after the Bolsheviks came to power. Why fight now? So Lobanov-Rostovsky continued his flight—to France, as company commander in a battalion of Russians willing to fight on, in Russian uniform though in the service of the French. (The overwhelming majority of the Russian soldiers in Salonica refused to join, forming revolutionary committees instead, waving red flags and singing the International. They had then been shipped off, closely guarded by Moroccan cavalry, to the penal servitude that awaited them in French North Africa.)

But the Russian Revolution is making itself felt even in France. Or, perhaps, just “the Revolution,” because the mood is the same all over a Europe that is tottering grey, exhausted, disillusioned and drained of blood after almost four years of war, four long years in which all promises of quick victory and all hopes of inspiring renewal have been turned into their opposites. Lobanov-Rostovsky has not been long in the big camp at Laval where the Russian troops on the Western Front have been gathered, but he can already see signs “that the soul of the battalion [is] becoming contaminated.”

Which is not really so strange. In the first place, Russia is no longer at war, the notably harsh conditions of the Brest-Litovsk Treaty between the victorious Germans and the hard-pressed Bolsheviks having been signed a month ago.
h
So, for the moment, Russians have no good reason to risk their lives. When the battalion arrived from Salonica the camp was already overflowing with demoralised and rebellious Russian troops, part of the Russian corps that had been stationed in France earlier. Meeting them has inevitably had an impact on the new arrivals. Moreover, Paris is not far away and the troops are easily affected by the agitation among the many radical emigrant groups in the city.

There have been many signs of unrest. During a parade a heavy bolt was thrown at the general in command of all the Russian troops in France. Whole platoons have suddenly gone on strike and, just as in Salonica, officers have received anonymous death threats.

Everything came to a head today because his battalion is to be sent up to the front for the first time. When Lobanov-Rostovsky arrives at the parade ground to inspect his company this morning, there is no one there. He is told that the soldiers have just held a meeting and decided to refuse to leave the camp. Lobanov-Rostovsky is worried and nervous to the point of cracking, but he realises that unless he does “something really drastic, everything [will] be lost.” He does not know what to do, but he gives orders for his 200 men to be summoned from the barracks. It takes a long time but eventually they are all there.

He makes a short improvised speech to his company. He tells them that he actually does not give a damn for the political side of things but, purely formally, they are now part of the French army and have sworn to
fight until the war is over. And that it is his duty to ensure that the company goes to the front. Then he asks them if they are prepared to march. The answer is unanimous: “No!”

He has no idea what to do next so he waits a few minutes and asks the same question again. The answer yet again is a resounding no. His brain is working feverishly, and he is “watching the whole scene as though in a dream.”

Lobanov-Rostovsky recognises forlornly that he has manoeuvred himself into an utterly untenable position and, more from despair than calculation, he draws his revolver, a gesture which he admits afterwards was “rather theatrical.” Then he utters the following words: “This is the third and last time I am going to ask you. Those of you who definitely refuse, step out of the ranks. But I warn you that I will fire at the first man who does so.”

There is complete silence.

Lobanov-Rostovsky calculates what the worst outcome might be. Is he really prepared to shoot anyone who steps forward? Yes, having uttered the threat he cannot do otherwise. There is, however, the risk that the soldiers will simply rush him and lynch him. Such things have happened before. In that case he will use the revolver on himself. “The seconds of silence which followed I remember as a kind of hallucination. Thoughts were whirling through my head. What to do next?”

The silence lengthens. Every moment of inaction, every second of hesitation on the part of the soldiers bring him closer to victory. The men realise this and the silence gradually softens; rebelliousness turns to docility. Someone shouts from the ranks, “We’re not against you, personally, Captain.” Still with his revolver in his hand, Lobanov-Rostovsky answers by appealing to duty and to principles. The silence continues. Then he asks those willing to serve to raise their hands—and the whole company declares itself prepared to go to the front. With a great sense of relief he gives his soldiers the rest of the day off: they will depart early tomorrow.

When Lobanov-Rostovsky leaves the parade ground he is staggering like a drunkard. The ground beneath his feet is spinning. He meets a fellow officer who stares at him in consternation: “What’s the matter with you?” he enquires. “You’re green and purple.”

MONDAY
, 15
APRIL
1918
Florence Farmborough arrives in Vladivostock

Early in the morning the train rolls slowly into Vladivostock. From the carriage window she can see the harbour, where there are four big warships moored, one of them flying the British flag. Florence Farmborough feels an enormous sense of relief at the sight of the Union Jack. It is as though all the tension, all the trouble and dark concerns are suddenly washed away just by the sight of that piece of cloth. She can hardly restrain herself:

Oh! The joy! The relief! The comfort! The security! Who will ever know all that this glorious flag symbolised for us travel-stained, weary refugees? It was as though we had heard a dear, familiar voice bidding us “Welcome home!”

It is twenty-seven days since they left Moscow, twenty-seven days on a screeching, snorting goods train, together with strangers, most of them foreigners fleeing eastwards, in a dirty, uncomfortable wagon designed for prisoner transports. But even though the cold has been hard to bear and even though they have sometimes been short of both food and water—for a while they had so little water that no one was even allowed to wash their hands—she has been through worse. And their well-organised foreign papers, covered to overflowing with official stamps, have helped them get past suspicious Red Guardists and despotic railway officials.

Other books

Our Lady of the Forest by David Guterson
Open Skies by Marysol James
Rain and Revelation by Pautz, Therese
The Defenceless by Kati Hiekkapelto
Glory by Vladimir Nabokov
Year of the Cow by Jared Stone
The Senator's Wife by Karen Robards
With Love and Squalor by Nigel Bird