The Baroque Cycle: Quicksilver, the Confusion, and the System of the World (375 page)

BOOK: The Baroque Cycle: Quicksilver, the Confusion, and the System of the World
13.41Mb size Format: txt, pdf, ePub
Acknowledgments

T
HE
B
AROQUE
C
YCLE
would have been unthinkable—in the most literal sense of that word—had it not been for the efforts of scholars, scientists, explorers, poets, preachers, pamphleteers, raconteurs, artists, translators, and cartographers dating back to the era of Wilkins and Comenius, and extending into the present day. A few of them are listed below. Some lived three hundred years ago, but others are still alive. I am a little hesitant to publish the names of the latter because it is much easier than it used to be to look people up, and so I am afraid that it will lead to these people being pestered. Nearly all of the people who bother to read three-thousand-page novels
and their acknowledgments pages
wouldn’t dream of disturbing the privacy of the acknowledged, but there are always a few exceptions; if you are one of those, please leave these people alone!

The project would not have happened at all had it not been for serendipitous conversations seven years ago with George Dyson and Steven Horst. A crucial midcourse correction, equally unlooked-for, was supplied by Piers Bursill-Hall after he sat through an infamously long lecture delivered by yours truly in Cambridge in 2002.

The following scholars (in alphabetical order) have done work that was essential to the completion of this project. While eager to give them due credit, I am aware that those who are still among us, and who actually bother to read my work, may be chagrined by my tendency to whip out my artistic license and make stuff up whenever it’s convenient: Frank Dawson Adams, E. J. Aiton, Maurice Ashley, Julian Barbour, J. M. Beattie, Olivier Bernier, Peter L. Bernstein, Bryan Bevan, Roger Lee Brown, Florian Cajori, Gale E. Christianson, Sir Archibald Geikie, David M. Gitlitz, A. Rupert Hall, John E. N. Hearsey, David Kahn, Henry Kamen, John Maynard Keynes, Mark Kishlansky, Meir Kohn, Maria Kroll, Andrew Lossky, Robert K. Massie, Nicholas Mayhew, John Read, H. Stanley Redgrove, Bertrand Russell, Hans Georg Schulte-Albert, Barbara J. Shapiro, J. G. Simms,
Lee Smolin, William Spencer, Hugh Thomas, David Underdown, Henri and Barbara van der Zee, Maureen Waller, Richard Westfall, D. T. Whiteside. Though her biography of Hooke came out too late to influence this project, Lisa Jardine should also be mentioned, simply out of the hope that readers who would like to learn more about this period will read her work. Likewise Carl Zimmer and his recent biography of Thomas Willis, and Vladimir I. Arnol’d for
Huygens and Barrow, Newton and Hooke.

In general there is not room to mention specific titles here, but I’ll make exceptions for Fernand Braudel’s Civilization and Capitalism series; Sir Winston Spencer Churchill’s six-volume biography of Marlborough; Giovanni Franceso Gemelli Careri’s incredible
Voyage Round the World;
and every ribald, scabrous, mordant, teeming libel Ned Ward ever wrote. I am thankful Ned was around to describe Baroque England, and even more thankful that he died before he could get around to describing me.

Period writers were indispensable: John Bunyan, Richard F. Burton (who was not really of this period but who wrote much that was useful), Daniel Defoe, John Evelyn, George Farquhar, Henry Fielding, (the Right Villainous) John Hall, Liselotte, John Milton, Samuel Pepys, the Duc de Saint-Simon, Jean-Baptiste Tavernier, Jean de Thevenot, Joseph de la Vega, John Wilkins, Lt.-Gen. Adam Williamson of the Tower of London, and the translators of the Geneva Bible. And of course, Hooke, Newton, and Leibniz. But an author of my limitations would be unable to make heads or tails of Leibniz’s body of work without the help of scholars, translators, and editors such as Robert Merrihew Adams, H. G. Alexander, Roger Ariew, Richard Francks, Daniel Garber, and R. S. Woolhouse. Likewise Subrahmanyan Chandrasekhar for his
Newton’s Principia for the Common Reader.

A certain kind of debt, which might make sense only to novelists, ought to be acknowledged to the late Dorothy Dunnett and to Alexandre Dumas.

People who fund and staff museums—especially wee, peculiar museums—ought to be acknowledged. I don’t have any of those people’s names, but here are some interesting museums: Newton’s Room at Babson College in Wellesley, Massachusetts; Newton’s house at Woolsthorpe; Musée Carnavalet in Paris; the Bank of England Museum; the Hague Historical Museum; the Upper Harz Mining Museum and the Bergapothek in Clausthal-Zellerfeld; and the Berg-baumuseum Röhrigschacht in Wettelrode.

Thanks to Béla and Gabriella Bollobás; Doug Carlston and Tomi
Pierce; and Barry Kemp of Connell Cars for providing me with access to places I could not have seen (Bollobás), worked in (Carlston/ Pierce), or found (Kemp) otherwise. George Jewsbury and Catherine and Hugo Durandin provided timely assistance. Charles McAleese had a thing or two to say about Irish history. Likewise the balance of the HBC on all other topics under the sun. Greg Bear lent me two books and did not object when the loan stretched out to a length that a lesser man might have denominated theft (the books have now been returned in front of many witnesses).

Many others have, knowingly or not, contributed to a milieu in which it was possible for me to consider writing something like this without seeming completely mad. And here I am tempted to list the names of a lot of mathematicians and physicists. But out of a concern for their privacy and a desire not to seem like I’m clinging to their ankles, I’ll draw a veil over those conversations. Suffice it to say that the Royal Society crowd written about in these books has many descendants and heirs today, who are capable of talking learnedly about monads, cellular automata, the calculus dispute, absolute time and space, &c. at the drop of a hat, and that it’s been my privilege to know a few of them. They seem pleasantly surprised to learn that someone actually wants to write a novel about such topics, and I in turn have been pleasantly surprised to find that they are actually willing to spend time talking to me, and out of this, quite a few good conversations have arisen over the years.

Helping in many ways to make this possible on the publishing end, and exhibiting superhuman patience over its seven-year span, were Jennifer Hershey, Liz Darhansoff, Jennifer Brehl, and Ravi Mirchandani.

Jeremy Bornstein, Alvy Ray Smith, and Lisa Gold read the penultimate drafts and supplied useful commentary. The latter two, along with the cartographer Nick Springer, participated in creation of maps, diagrams, and family trees.

The dialect spoken by Lord Gy in the third volume is a good faith effort by the author to approach eighteenth-century Scottish with all due respect and to get it as right as possible. If I’ve botched it; and if you know enough Scottish to know that I have; and if you’re thinking of giving me a piece of your mind, know that I am one-quarter MacPhail. The uncanny vibrations you have been feeling in the soles of your feet the last couple of years are seismic disturbances created by my ancestors turning over in their graves at Preston Pans and other locations. Worse, the clan’s last chieftain—no admirer of the Hanovers, apparently—was transported to Virginia in 1715 but died
en route. He probably haunts the sea-lanes even now, and, for all I know, may have a bone to pick with me. Which is a roundabout way of saying that even before the ink has dried on the manuscript page, novelists’ families—nuclear and extended—have had to put up with a lot from us. The greatest share of my gratitude, always, goes to them.

Neal Stephenson

May 2004

Credits

Cover design by Richard L. Aquan
Cover illustration of world map by Frederick de Wit from
De Zee Atlas
Amsterdam, 1662, Birmingham Library, UK

Copyright

This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental.

THE SYSTEM OF THE WORLD.
Copyright © 2004 by Neal Stephenson. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

EPub Edition © SEPTEMBER 2004 ISBN: 9780061793400

FIRST EDITION

06 07 08 09 10

About the Author

NEAL STEPHENSON
issueth from a Clan of yeomen, itinerant Parsons, Ingenieurs, and Natural Philosophers that hath long dwelt in bucolick marches and rural Shires of his native Land, and trod the Corridors of her Varsities. At a young age, finding himself in a pretty Humour for the writing of Romances, and the discourse of Natural Philosophy and Technologick Arts, he took up the Pen, and hath not since laid it down.

Visit
www.AuthorTracker.com
for exclusive information on your favorite HarperCollins authors.

About the Publisher

Australia

HarperCollins Publishers (Australia) Pty. Ltd.

Level 13, 201 Elizabeth Street

Sydney, NSW 2000, Australia

http://www.harpercollins.com.au

Canada

HarperCollins Canada

2 Bloor Street East - 20th Floor

Toronto, ON, M4W, 1A8, Canada

http://www.harpercollins.ca

New Zealand

HarperCollins Publishers New Zealand

Unit D, 63 Apollo Drive

Rosedale 0632

Auckland, New Zealand

http://www.harpercollins.co.nz

United Kingdom

HarperCollins Publishers Ltd.

77-85 Fulham Palace Road

London, W6 8JB, UK

http://www.harpercollins.co.uk

United States

HarperCollins Publishers Inc.

195 Broadway

New York, NY 10007

http://www.harpercollins.com

*
Son of Praise-God W., son of Raleigh W., son of Drake—hence, some sort of nephew to Daniel.

*
In England, the Civil War that brought Cromwell to power, and on the Continent, the Thirty Years’ War.

*
Counterfeits made of base metals such as copper and lead.

*
The forecastledeck is the short deck that, towards the ship’s bow, is built above the upperdeck.

*
Praise-God W. being the eldest son of Raleigh W., and hence Drake W.’s first grandchild; he had recently sailed to Boston at the age of sixteen to study at Harvard, become part of that City on the Hill that was America, and, if possible, return in glory at some future time to drive Archbishop Laud’s spawn from England and reform the Anglican Church once and for all.

*
King Charles II of England.


Usually the Pope, but in this context, King Louis XIV of France.

*
The consensus of the best physicians in the Royal Society was that plague was not caused by bad air, but had something to do with being crowded together with many other people, especially foreigners (the first victims of the London plague had been Frenchmen fresh off the boat, who’d died in an inn about five hundred yards from Drake’s house), however, everyone breathed through scarves anyway.

*
Which had been pro-Cromwell.

*
Which had nothing to do with Jews; it was named partly after its location in a part of the city where Jews had lived before they had been kicked out of England in 1290 by Edward I. For Jews to exist in a Catholic or Anglican country was theoretically impossible because the entire country was divided into parishes, and every person who lived in a given parish, by definition, was a member of the parish church, which collected tithes, recorded births and deaths, and enforced regular attendance at services. This general sort of arrangement was called the
Established Church
and was why dissidents like Drake had no logical choice but to espouse the concept of the
Gathered Church,
which drew like-minded persons from an arbitrary geographical territory. In making it legally
possible
for Gathered Churches to exist, Cromwell had, in effect, re-admitted Jews to England.

*
A conical glass, wide at the top and pointed on the bottom, which when filled with cold water or (preferably) snow and left outside overnight, would condense dew on its outside; the dew would run down and drip into a receptacle underneath.

*
Forerunner of the Royal Society.

*
He was not the first person to observe it.

*
I.e., it was already 1665 everywhere except England, where the new year was held to begin on March 25th.


Though the fields were becoming city streets, so at this point it was more like St. Martin-at-the-edge-of-
a
-field, and soon to be St. Martin-within-visual-range-of-a-very-expensive-field-or-two.

*
I.e., he had a sword.


The five men King Charles II had chosen to run England: John Comstock, the Earl of Epsom, Lord Chancellor; Thomas More Anglesey, Duke of Gunfleet, Chancellor of the Exchequer; Knott Bolstrood, who’d been coaxed back from Dutch self-exile to serve as His Majesty’s Secretary of State; Sir Richard Apthorp, a banker, and a founder of the East India Company; and General Hugh Lewis, the Duke of Tweed.

*
Knott Bolstrood, a Barker and an old friend of Drake’s, was rabidly Protestant and anti-French—the King had made him Secretary of State because no one in his right mind could possibly accuse him of being a crypto-Catholic.


Vereenigde Oostindische Compagnie,
or Dutch East India Company.

*
None other than Knott Bolstrood, who’d been ennobled, for protocol reasons, when the King had named him Secretary of State—the King had chosen to make him Count Penistone because that way, Bolstrood the ultra-Puritan could not sign his name without writing the word “penis.”

Other books

Love Comes in Darkness by Andrew Grey
Whisper's Edge by Luann McLane
Rayuela by Julio Cortazar
Everything You Want by Like, Macyn
What Remains of Heroes by David Benem
Sacrifices of Joy by Leslie J. Sherrod
Crystals Three Chosen Mates by Graham, Suzanne
Revenge by Taslima Nasrin
Fudge-Laced Felonies by Hickey, Cynthia