The Coldest Girl in Coldtown

BOOK: The Coldest Girl in Coldtown
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Copyright

This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.

Copyright © 2013 by Holly Black

All rights reserved. In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher is unlawful piracy and theft of the author’s intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at [email protected]. Thank you for your support of the author’s rights.

Little, Brown and Company

Hachette Book Group

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www.lb-teens.com

Little, Brown and Company is a division of Hachette Book Group, Inc.

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The publisher is not responsible for websites (or their content) that are not owned by the publisher.

First Edition: September 2013

Library of Congress Cataloging-in-Publication Data

Black, Holly.

The coldest girl in Coldtown / by Holly Black.—First edition.

pages cm

Summary: When seventeen-year-old Tana wakes up following a party in the aftermath of a violent vampire attack, she travels to Coldtown, a quarantined Massachusetts city full of vampires, with her ex-boyfriend and a mysterious vampire boy in tow.

ISBN 978-0-316-21310-3

[1. Vampires—Fiction.   2. Love—Fiction.]   I. Title.

PZ7.B52878Co 2013

[Fic]—dc23

2012043790

10 9 8 7 6 5 4 3 2 1

RRD-C

Printed in the United States of America

CONTENTS

COPYRIGHT

DEDICATION

CHAPTER 1

CHAPTER 2

CHAPTER 3

CHAPTER 4

CHAPTER 5

CHAPTER 6

CHAPTER 7

CHAPTER 8

CHAPTER 9

CHAPTER 10

CHAPTER 11

CHAPTER 12

CHAPTER 13

CHAPTER 14

CHAPTER 15

CHAPTER 16

CHAPTER 17

CHAPTER 18

CHAPTER 19

CHAPTER 20

CHAPTER 21

CHAPTER 22

CHAPTER 23

CHAPTER 24

CHAPTER 25

CHAPTER 26

CHAPTER 27

CHAPTER 28

CHAPTER 29

CHAPTER 30

CHAPTER 31

CHAPTER 32

CHAPTER 33

CHAPTER 34

CHAPTER 35

CHAPTER 36

CHAPTER 37

CHAPTER 38

CHAPTER 39

ACKNOWLEDGMENTS

For Steve Berman, who inspired the story that
inspired this novel

CHAPTER 1

Nothing can happen more beautiful than death.
—Walt Whitman

T
ana woke lying in a bathtub. Her legs were drawn up, her cheek pressed against the cold metal of the faucet. A slow drip had soaked the fabric on her shoulder and wetted locks of her hair. The rest of her, including her clothes, was still completely dry, which was kind of a relief. Her neck felt stiff; her shoulders ached. She looked up dazedly at the ceiling, at the blots of mold grown into Rorschach patterns. For a moment, she felt completely disoriented. Then she scrambled up onto her knees, skin sliding on the enamel, and pushed aside the shower curtain.

The sink was piled with plastic cups, beer bottles, and askew hand towels. Bright, buttery late summer sunlight streamed in from a small window above the toilet, interrupted only by the swinging shadows made by the garland of garlic hung above it.

A party. Right. She’d been at a sundown party. “Ugh,” she said, her fingers on the curtain to steady herself, popping three rings off the rod with her weight. Her temples throbbed dully.

She remembered getting ready, putting on the jangling bracelets that still chimed together when she moved and the steel-toed oxblood boots that took forever to lace and were mysteriously no longer on her feet. Remembered the way she’d lined her foggy blue eyes in shimmering black and kissed her mirror for luck. Everything got a little blurry after that.

Levering herself up, Tana stumbled to the faucet and splashed water on her face. Her makeup was smudged, lipstick smeared across her cheek, mascara spread like a stain. The white baby doll dress she’d borrowed out of her mother’s closet was ripped at the sleeve. Her black hair was a tangled mess that finger-combing didn’t do a lot to fix. She looked like a dissipated mime.

The truth was that she was pretty sure she’d passed out in the bathroom while avoiding her ex, Aidan, and his new girlfriend. Before that there’d been some playing of a drinking game called The Lady or The Tiger, where you bet on whether a tossed coin would come up heads (lady) or tails (tiger). If you picked wrong, you had to do a shot. After that came a lot of dancing and some more swigs from a bottle of whiskey. Aidan had urged Tana to make out with his sulky-mouthed, strawberry-haired girlfriend, the one who was wearing around her throat a dog collar she’d found in the mudroom. He said it would be like an eclipse of the sun and the moon in the sky, a marriage of all things dark and light.
You mean an eclipse of the sun and moon in your pants
, Tana had told him, but he’d been doggedly,
infuriatingly persistent. And as the whiskey sang through her blood and sweat slicked her skin, a dangerously familiar recklessness filled her. With a face like a wicked cherub, Aidan had always been hard to say no to. Worse, he knew it.

Sighing, Tana opened the bathroom door—not even locked, so people could have been coming in and out all night with her
right there
, behind the shower curtain, and how humiliating was that?—and padded out into the hall. The smell of spilled beer filled the air, along with something else, something metallic and charnel-sweet. The television was on in the other room, and she could hear the low voice of a newscaster as she walked toward the kitchen. Lance’s parents didn’t care about his having sundown parties at their old farmhouse, so he had one almost every weekend, locking the doors at dusk and keeping them barred until dawn. She’d been to plenty, and the mornings were always full of shouting and showers, boiling coffee and trying to hack together breakfast from a couple of eggs and scraps of toast.

And long lines for the two small bathrooms, with people beating on the doors if you took too long. Everyone needed to pee, take a shower, and change clothes. Surely that would have woken her.

But if she
had
slept through it and everyone was already out at a diner, they would be laughing it up. Joking about her unconscious in the tub and whatever they’d done in that bathroom while she was asleep, plus maybe photos, all kinds of stupid stuff that she’d have to hear repeated over and over once school started. She was just lucky they hadn’t markered a mustache on her.

If Pauline had been at the party, none of this would have
happened. When they got wasted, they usually curled up underneath the dining room table, limbs draped over each other like kittens in a basket, and no boy in the world, not even Aidan, was bold enough to face Pauline’s razor tongue. But Pauline was away at drama camp, and Tana had been bored, so she’d gone to the party alone.

The kitchen was empty, spilled booze and orange soda pooling on the countertops and being soaked up by a smattering of potato chips. Tana was reaching for the coffeepot when, across the black-and-white linoleum floor, just on the other side of the door frame to the living room, she saw a hand, its fingers stretched out as if in sleep. She relaxed. No one was awake yet—that was all. Maybe she was the first one up, although when she thought back to the sun streaking through the bathroom window, it had seemed high in the sky.

The longer she gazed at the hand, though, the more she noticed that it seemed oddly pale, the skin around the fingernails bluish. Tana’s heart started to thud, her body reacting before her mind caught up. She slowly set the pot back on the counter and forced herself to cross the kitchen floor, step by careful step, until she was over the threshold to the living room.

Then she had to force herself not to scream.

The tan carpet was stiff and black with stripes of dried blood, spattered like a Jackson Pollock canvas. The walls were streaked with it, handprints smearing their dingy beige surfaces. And the bodies. Dozens of bodies. People she’d seen every day since kindergarten, people whom she’d played tag with and cried over and kissed were lying at odd angles, their bodies pale and cold, their eyes staring like rows of dolls in a shop window.

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