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Authors: Avram Davidson

BOOK: The Avram Davidson Treasury
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Oscar laughed, a disgusted and incredulous noise. It died away as he turned back to the bowling scores. One hand groped at his pocket, came away, scratched absently at the orange thicket under the shirt, then went patting his hip pocket.

“Where’s that pencil?” he muttered, got up, stomped into the office, pulled open drawers. His loud cry of “Hey!” brought Ferd into the tiny room.

“What’s the matter?” Ferd asked.

Oscar pointed to a drawer. “Remember that time you claimed there were no safety pins here? Look—whole gahdamn drawer is full of ’em.”

Ferd stared, scratched his head, said feebly that he was certain he’d looked there before …

A contralto voice from outside asked, “Anybody here?”

Oscar at once forgot the desk and its contents, called, “Be right with you,” and was gone. Ferd followed him slowly.

There was a young woman in the shop, a rather massively built young woman, with muscular calves and a deep chest. She was pointing out the seat of her bicycle to Oscar, who was saying “Uh-huh” and looking more at her than at anything else. “It’s just a little too far forward (“Uh-huh”), as you can see. A wrench is all I need (“Uh-huh”). It was silly of me to forget my tools.”

Oscar repeated, “Uh-huh” automatically, then snapped to. “Fix it in a jiffy,” he said, and—despite her insistence that she could do it herself—he did fix it. Though not quite in a jiffy. He refused money. He prolonged the conversation as long as he could.

“Well, thank
you,
” the young woman said. “And now I’ve got to go.”

“That machine feel all right to you now?”

“Perfectly. Thanks—”

“Tell you what, I’ll just ride along with you a little bit, just—” Pear-shaped notes of laughter lifted the young woman’s bosom. “Oh, you couldn’t keep up with me! My machine is a
racer!

The moment he saw Oscar’s eye flit to the corner, Ferd knew what he had in mind. He stepped forward. His cry of “No” was drowned out by his partner’s loud, “Well, I guess this racer here can keep up with yours!”

The young woman giggled richly, said, well, they would see about that, and was off. Oscar, ignoring Ferd’s outstretched hand, jumped on the French bike and was gone. Ferd stood in the doorway, watching the two figures, hunched over their handlebars, vanish down the road into the park. He went slowly back inside.

It was almost evening before Oscar returned, sweaty but smiling. Smiling broadly. “Hey, what a babe!” he cried. He wagged his head, he whistle, he made gestures, nosies like escaping steam. “Boy, oh, boy, what an afternoon!”

“Give me the bike,” Ferd demanded.

Oscar said, yeah, sure; turned it over to him and went to wash. Ferd looked at the machine. The red enamel was covered with dust; there was mud spattered and dirt and bits of dried grass. It seemed soiled—degraded. He had felt like a swift bird when he rode it …

Oscar came out wet and beaming. He gave a cry of dismay, ran over.

“Stand away,” said Ferd, gesturing with the knife. He slashed the tires, the seat and seat cover, again and again.

“You crazy?” Oscar yelled. “You outa your mind? Ferd, no, don’t, Ferd—”

Ferd cut the spokes, bent them, twisted them. He took the heaviest hammer and pounded the frame into shapelessness, and then he kept on pounding till his breath was gasping.

“You’re not only crazy,” Oscar said bitterly, “you’re rotten jealous. You can go to hell.” He stomped away.

Ferd, feeling sick and stiff, locked up, went slowly home. He had no taste for reading, turned out the light and fell into bed, where he lay awake for hours, listening to the rustling noises of the night and thinking hot, twisted thoughts.

They didn’t speak to each other for days after that, except for the necessities of the work. The wreckage of the French racer lay behind the shop. For about two weeks, neither wanted to go out back where he’d have to see it.

One morning Ferd arrived to be greeted by his partner, who began to shake his head in astonishment even before he started speaking. “How did you
do
it, how did you
do
it, Ferd? Jeez, what a beautiful job—I gotta hand it to you—no more hard feelings, huh, Ferd?”

Ferd took his hand. “Sure, sure. But what are you talking about?”

Oscar led him out back. There was the red racer, all in one piece, not a mark or scratch on it, its enamel bright as ever. Ferd gaped. He squatted down and examined it. It
was
his machine. Every change, every improvement he had made, was there.

He straightened up slowly. “Regeneration …”

“Huh? What say?” Oscar asked. Then, “Hey, kiddo, you’re all white. Whad you do, stay up all night and didn’t get no sleep? Come on in and siddown. But I still don’t see how you done it.”

Inside, Ferd sat down. He wet his lips. He said, “Oscar—listen—”

“Yeah?”

“Oscar. You know what regeneration is? No? Listen. Some kinds of lizards, you grab them by the tail, the tail breaks off and they grow a new one. If a lobster loses a claw, it regenerates another one. Some kinds of worms—and hydras and starnsh—you cut them into pieces, each piece will grow back the missing parts. Salamanders can regenerate lost hands, and frogs can grow legs back.”

“No kidding, Ferd. But, uh, I mean: Nature. Very interesting. But to get back to the bike now—how’d you manage to fix it so good?”

“I never touched it. It regenerated. Like a newt. Or a lobster.”

Oscar considered this. He lowered his head, looked up at Ferd from under his eyebrows. “Well, now, Ferd… Look… How come all broke bikes don’t do that?”

“This isn’t an ordinary bike. I mean it isn’t a real bike.” Catching Oscar’s look, he shouted, “Well, it’s
true!

The shout changed Oscar’s attitude from bafflement to incredulity. He got up. “So for the sake of argument, let’s say all that stuff about the bugs and the eels or whatever the hell you were talking about is true. But they’re alive. A bike ain’t.” He looked down triumphantly.

Ferd shook his leg from side to side, looked at it. “A crystal isn’t, either, but a broken crystal can regenerate itself if the conditions are right. Oscar, go see if the safety pins are still in the desk. Please, Oscar?”

He listened as Oscar, muttering, pulled the desk drawers out, rummaged in them, slammed them shut, tramped back.

“Naa,” he said. “All gone. Like that lady said that time, and you said, there never are any safety pins when you want ‘em. They disap—Ferd? What’re—”

Ferd jerked open the closet door, jumped back as a shoal of clothes hangers clattered out.

“And like
you
say,” Ferd said with a twist of his mouth, “on the other hand, there are always plenty of clothes hangers. There weren’t any here before.”

Oscar shrugged. “I don’t see what you’re getting at. But anybody could of got in here and took the pins and left the hangers.
I
could of—but I didn’t. Or you could of. Maybe—” He narrowed his eyes. “Maybe you walked in your sleep and done it. You better see a doctor. Jeez, you look rotten.”

Ferd went back and sat down, put his head in his hands. “I feel rotten. I’m scared, Oscar. Scared of what?” He breathed noisily. “I’ll tell you. Like I explained before, about how things that live in the wild places, they mimic other things there. Twigs, leaves…toads that look like rocks. Well, suppose there are…things…that live in people places. Cities. Houses. These things could imitate—well, other kinds of things you find in people places—”


People
places, for crise sake!”

“Maybe they’re a different kind of life-form. Maybe they get their nourishment out of the elements in the air. You know what safety pins
are
—these other kinds of them? Oscar, the safety pins are the pupa-forms and then they, like,
hatch
. Into the larval-forms. Which look just like coat hangers. They feel like them, even, but they’re not. Oscar, they’re not, not really, not really, not …”

He began to cry into his hands. Oscar looked at him. He shook his head.

After a minute, Ferd controlled himself somewhat. He snuffled. “All these bicycles the cops find, and they hold them waiting for owners to show up, and then we buy them at the sale because no owners show up because there aren’t any, and the same with the ones the kids are always trying to sell us, and they say they just found them, and they really did because they were never made in a factory. They grew. They grow. You smash them and throw them away, they regenerate.”

Oscar turned to someone who wasn’t there and waggled his head. “Hoo, boy,” he said. Then, to Ferd: “You mean one day there’s a safety pin and the next day instead there’s a coat hanger?”

Ferd said, “One day there’s a cocoon; the next day there’s a moth. One day there’s an egg; the next day there’s a chicken. But with…these it doesn’t happen in the open daytime where you can see it. But at night, Oscar—at night you can
hear
it happening. All the little noises in the night-time, Oscar—”

Oscar said, “Then how come we ain’t up to our belly-button in bikes? If I had a bike for every coat hanger—”

But Ferd had considered that, too. If every codfish egg, he explained, or every oyster spawn grew to maturity, a man could walk across the ocean on the backs of all the codfish or oysters there’d be. So many died, so many were eaten by predatory creatures, that Nature had to produce a maximum in order to allow a minimum to arrive at maturity. And Oscar’s question was: then who, uh, eats the, uh, coat hangers?

Ferd’s eyes focused through wall, buildings, park, more buildings, to the horizon. “You got to get the picture. I’m not talking about real pins or hangers. I got a name for the others—‘false friends,’ I call them. In high school French, we had to watch out for French words that looked like English words, but really were different.
‘Faux amis,’
they call them. False friends. Pseudo-pins. Pseudo-hangers… Who eats them? I don’t know for sure. Pseudo-vacuum cleaners, maybe?”

His partner, with a loud groan, slapped his hands against his thighs. He said, “Ferd, Ferd, for crise sake. You know what’s the trouble with you? You talk about oysters, but you forgot what they’re good for. You forgot there’s two kinds of people in the world. Close up them books, them bug books and French books. Get out, mingle, meet people. Soak up some brew. You know what? The next time Norma—that’s this broad’s name with the racing bike—the next time she comes here,
you
take the red racer and
you
go out in the woods with her. I won’t mind. And I don’t think she will, either. Not
too
much.”

But Ferd said no. “I never want to touch the red racer again. I’m afraid of it.”

At this, Oscar pulled him to his feet, dragged him protestingly out to the back and forced him to get on the French machine. “Only way to conquer your fear of it!”

Ferd started off, white-faced, wobbling. And in a moment was on the ground, rolling and thrashing, screaming.

Oscar pulled him away from the machine.

“It threw me!” Ferd yelled. “It tried to kill me! Look—blood!”

His partner said it was a bump that threw him—it was his own fear. The blood? A broken spoke. Grazed his cheek. And he insisted Ferd get on the bicycle again, to conquer his fear.

But Ferd had grown hysterical. He shouted that no man was safe—that mankind had to be warned. It took Oscar a long time to pacify him and to get him to go home and into bed.

He didn’t tell all this to Mr. Whatney, of course. He merely said that his partner had gotten fed up with the bicycle business.

“It don’t pay to worry and try to change the world,” he pointed out. “I always say take things the way they are. If you can’t lick ‘em, join ’em.”

Mr. Whatney said that was his philosophy, exactly. He asked how things were, since.

“Well…not
too
bad. I’m engaged, you know. Name’s Norma. Crazy about bicycles. Everything considered, things aren’t bad at all. More work, yes, but I can do things all my own way, so…”

Mr. Whatney nodded. He glanced around the shop. “I see they’re still making drop-frame bikes,” he said, “though, with so many women wearing slacks, I wonder they bother.”

Oscar said, “Well, I dunno. I kinda like it that way. Ever stop to think that bicycles are like people? I mean, of all the machines in the world, only bikes come male and female.”

Mr. Whatney gave a little giggle, said that was
right,
he had never thought of it like that before. Then Oscar asked if Mr. Whatney had anything in particular in mind—not that he wasn’t always welcome.

“Well, I wanted to look over what you’ve got. My boy’s birthday is coming up—”

Oscar nodded sagely. “Now here’s a job,” he said, “which you can’t get it in any other place but here. Specialty of the house. Combines the best features of the French racer and the American standard, but it’s made right here, and it comes in three models—Junior, Intermediate and Regular. Beautiful, ain’t it?”

Mr. Whatney observed that, say, that might be just the ticket. “By the way,” he asked, “what’s become of the French racer, the red one, used to be here?”

Oscar’s face twitched. Then it grew bland and innocent and he leaned over and nudged his customer. “Oh,
that
one. Old Frenchy? Why, I put
him
out to stud!”

And they laughed and they laughed, and after they told a few more stories they concluded the sale, and they had a few beers and they laughed some more. And then they said what a shame it was about Ferd, poor old Ferd, who had been found in his own closet with an unraveled coat hanger coiled tightly around his neck.

 

Take Wooden Indians

I
NTRODUCTION BY
J
OHN
M. F
ORD

Attempting to write even a thousand words about a few thousand words is a spooky prospect. To go on at length about Davidson’s concision rapidly starts to resemble a Bob & Ray routine:

BOB
:
So these are the Niagara Falls?
RAY
:
Or, as some call them, the Falls of Niagara.
BOB
:
And this is all water passing over them?
RAY
:
Primarily water, yes, though the occasional barrel enters the flow.

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