Read The Avram Davidson Treasury Online

Authors: Avram Davidson

The Avram Davidson Treasury (11 page)

BOOK: The Avram Davidson Treasury
7.64Mb size Format: txt, pdf, ePub
ads

“Now let us sleep,” he said.

 

Or the Grasses Grow

I
NTRODUCTION BY
A
LAN
D
EAN
F
OSTER

Ever cut a diamond? Talk to a diamond-cutter sometime. They’ll tell you that, sure, size matters—but by itself it doesn’t make a good gem. Color’s important, too. The whiter a stone, the purer and more transparent, the more valuable it is. And after color, clarity. Look at a diamond under a jeweler’s loupe or, better still, beneath a ’scope. Imperfections stand out, and some of them shout, disrupting the play of light inside the crystal. Dispersion, it’s called.

Anybody can take an idea, throw it at the reader, wrap a few quotes and exclamation points and adjectives around it, and call it a story. Might even be a big idea, flashy and impressive at first read. But dig into most stories and it won’t take long to find the imperfections and discolorations.

Take a small idea, now, and hone it perfectly, so that there are no wasted words, no endless and unnecessary expository phrases, no participles dangling off the edges of otherwise well-cut sentences. That’s much more difficult to do. Most writers achieve modest results with grandiose effects. In this regard, fantasy fiction is particularly guilty. Flying horses, gigantic djinn, sorcerers throwing lightning bolts at one another—effective at first, but after a while reduced to a kind of literary mendacity.

But a bunch of guys sitting around talking about their lives—ordinary people, with everyday problems. How do you reach out and grab the reader with that? How do you travel from a discussion of personal problems to a conclusion that stops a reader dead in his or her tracks, maybe just a little out of breath?

The same way an old diamond-cutter takes a tiny lump of dull, misshapen, milky crystal and turns it into an ornament that dazzles and overpowers the eye, that’s how. Avram Davidson was a master shaper of small stories. “Or the Grasses Grow” is a prime example of his ability to, well, facet, what at first appears to be a small idea, and turn it into something brilliant.

 

OR THE GRASSES GROW

A
BOUT HALFWAY ALONG THE
narrow and ill-paved county road between Crosby and Spanish Flats (all dips and hollows shimmering falsely like water in the heat till you get right up close to them), the road to Tickisall Agency branches off. No pretense of concrete or macadam—or even grading—deceives the chance or rare purposeful traveller. Federal, State, and County governments have better things to do with their money: Tickisall pays no taxes, and its handful of residents have only recently (and most grudgingly) been accorded the vote.

The sunbaked earth is cracked and riven. A few dirty sheep and a handful of scrub cows share its scanty herbage with an occasional swaybacked horse or stunted burro. Here and there a gaunt automobile rests in the thin shadow of a board shack, and a child, startled doubtless by the smooth sound of a strange motor, runs like a lizard through the dusty wastes to hide, and then to peer. Melon vines dried past all hope of fruit lie in patches next to whispery, tindery cornstalks.

And in the midst of all this, next to the only spring which never goes dry, are the only painted buildings, the only decent buildings in the area. In the middle of the green lawn is a pole with the flag, and right behind the pole, over the front door, the sign:

U.S. BUREAU OF INDIAN AFFAIRS.
TICKISALL AGENCY
OFFICE OF THE SUPERINTENDENT

There were already a few Indians gathering around that afternoon, the women in cotton-print dresses, the men in overalls. There would soon be more. This was scheduled as the last day for the Tickisall Agency and Reservation. Congress had passed the bill, the President had signed it, the Director of the Bureau of Indian Affairs had issued the order. It was supposed to be a great day for the Tickisall Nation—only the Tickisalls, what was left of them, didn’t seem to think so. Not a man or woman of them spoke. Not a child whimpered. Not a dog barked.

Before Uncle Fox-head sat a basket with four different kinds of clay, and next to the basket was a medicine gourd full of water. The old man rolled the clay between his moistened palms, singing in a low voice. Then he washed his hands and sprinkled them with pollen. Then he took up the prayer-sticks, made of juniper—(once there had been juniper trees on the reservation, once there had been many trees)—and painted with the signs of Thunder, Sun, Moon, Rain, Lightning. There were feathers tied to the sticks—once there had been birds, too …

Oh, People-of-The-Hidden Places,

Oh, take our message to The Hidden Places,

Swiftly, swiftly, now

the old man chanted, shaking the medicine-sticks.

Oh, you, Swift Ones, People-with-no-legs,

Take our message to The-People-with-no-bodies,

Swiftly, swiftly, now …

The old man’s skin was like a cracked, worn moccasin. With his turkeyclaw hand he took up the gourd rattle, shook it: West, South, Up, Down, East, North.

Oh, People-of-the-hollow Earth,

Take our message to the hollow Earth,

Take our song to our Fathers and Mothers,

Take our cry to the Spirit People,

Take and go, take and go,

Swiftly, swiftly, now …

The snakes rippled across the ground and were gone, one by one. The old man’s sister’s son helped him back to his sheepskin, spread in the shade, where he half-sat, half-lay, panting.

His great-nephews, Billy Cottonwood and Sam Quarterhorse, were talking together in English. “There was a fellow in my outfit,” Cottonwood said, “a fellow from West Virginia, name of Corrothers. Said his grandmother claimed she could charm away warts. So I said my great-uncle claimed he could make snakes. And they all laughed fit to kill, and said, ‘Chief, when you try a snowjob, it turns into a blizzard!’… Old Corrothers,” he reflected. “We were pretty good buddies. Maybe I’ll go to West Virginia and look him up. I could hitch, maybe.”

Quarterhorse said, “Yeah, you can go to West Virginia, and I can go to L.A.—but what about the others? Where
they
going to go if Washington refuses to act?”

The fond smile of recollection left his cousin’s lean, brown face. “I don’t know,” he said. “I be damned and go to Hell, if I know.” And then the old pick-up came rattling and coughing up to the house, and Sam said, “Here’s Newton.”

Newton Quarterhorse, his brother Sam, and Billy Cottonwood, were the only three Tickisalls who had passed the physical and gone into the Army. There weren’t a lot of others who were of conscripting age (or any other age, for that matter), and those whom TB didn’t keep out, other ailments active or passive did. Once there had been trees on the Reservation, and birds, and deer, and healthy men.

The wash-faded Army suntans had been clean and fresh as always when Newt set out for Crosby, but they were dusty and sweaty now. He took a piece of wet burlap out and removed a few bottles from it. “Open these, Sam, will you, while I wash,” he said. “Cokes for us, strawberry pop for the old people… How’s Uncle Fox-head?”

Billy grunted. “Playing at making medicine snakes again. Do you suppose if we believed he could, he could?”

Newt shrugged. “So. Well, maybe if the telegrams don’t do any good, the snakes will. And I’m damned sure they won’t do no worse. That son of a bitch at the Western Union office,” he said, looking out over the drought-bitten land. “‘Sending a smoke-signal to the Great White Father again, Sitting Bull?’ he says, smirking and sneering. I told him, ‘You just take the money and send the wire.’ They looked at me like coyotes looking at a sick calf.” Abruptly, he turned away and went to dip his handkerchief in the bucket. Water was hard come by.

The lip of the bottle clicked against one of Uncle Fox-head’s few teeth. He drank noisily, then licked his lips. “Today we drink the white man’s sweet water,” he said. “What will we drink tomorrow?” No one said anything. “I will tell you, then,” he continued. “Unless the white men relent, we will drink the bitter waters of The Hollow Places. They are bitter, but they are strong and good.” He waved his withered hand in a semi-circle. “All this will go,” he said, “and the Fathers and Mothers of The People will return and lead us to our old home inside the Earth.” His sister’s son, who had never learned English nor gone to school, moaned. “Unless the white men relent,” said the old man.

“They never have,” said Cottonwood, in Tickisall. In English, he said, “What will he do when he sees that nothing happens tomorrow except that we get kicked the Hell out of here?”

Newt said, “Die, I suppose…which might not be a bad idea. For all of us.”

His brother turned and looked at him. “If you’re planning Quarterhorse’s Last Stand, forget about it. There aren’t twenty rounds of ammunition on the whole reservation.”

Billy Cottonwood raised his head. “We could maybe move in with the Apahoya,” he suggested. “They’re just as dirt-poor as we are, but there’s more of them, and I guess they’ll hold on to their land awhile yet.” His cousins shook their heads. “Well, not for us. But the others… Look, I spoke to Joe Feather Cloud that last time I was at the Apahoya Agency. If we give him the truck and the sheep, he’ll take care of Uncle Fox-head.”

Sam Quarterhorse said he supposed that was the best thing. “For the old man, I mean. I made up
my
mind. I’m going to L.A. and pass for Colored.” He stopped.

They waited till the new shiny automobile had gone by towards the Agency in a cloud of dust. Newt said, “The buzzards are gathering.” Then he asked, “How come, Sam?”

“Because I’m tired of being an Indian. It has no present and no future. I can’t be a white, they won’t have me—the best I could hope for would be that they laugh: ‘How, Big Chief—‘Hi, Blanket-bottom.’ Yeah, I
could
pass for a Mexican as far as my looks go, only the Mexes won’t have me, either. But the Colored will. And there’s millions and millions of them—whatever price they pay for it, they never have to feel lonely. And they’ve got a fine, bitter contempt for the whites that I can use a lot of. ‘Pecks,’ they call them. I don’t know where they got the name from, but, Damn! it sure fits them. They’ve been pecking away at us for over a hundred years.”

They talked on some more, and all the while the dust never settled in the road. They watched the whole tribe, what there was of it, go by towards the Agency—in old trucks, in buckboards, on horses, on foot. And after some time, they loaded up the pick-up and followed.

The Indians sat all over the grass in front of the Agency, and for once no one bothered to chase them off. They just sat, silent, waiting. A group of men from Crosby and Spanish Flats were talking to the Superintendent; there were maps in their hands. The cousins went up to them; the white men looked out of the corners of their eyes, confidence still tempered—but only a bit—by wariness.

“Mr. Jenkins,” Newt said to one, “most of this is your doing and you know how I feel about It—”

“You better not make any trouble, Quarterhorse,” said another townsman. Jenkins said, “Let the boy have his say.”

“—but I know you’ll give me a straight answer. What’s going to be done here?”

Jenkins was a leathery little man, burnt almost as dark as an Indian. He looked at him, not unkindly, through the spectacles which magnified his blue eyes. “Why, you know, son, there’s nothing personal in all this. The land belongs to them that can hold it and use it. It was made to be used. You people’ve had your chance, Lord knows—Well, no speeches. You see, here on the map, where this here dotted line is? The county is putting through a new road to connect with a new highway the state’s going to construct. There’ll be a lot of traffic through here, and this Agency ought to make a fine motel.

“And right along
here
—” his blunt finger traced, “—there’s going to be the main irrigation canal. There’ll be branches all through the Reservation. I reckon we can raise some mighty fine alfalfa. Fatten some mighty fine cattle… I always thought, son, you’d be good with stock, if you had some good stock to work with. Not these worthless scrubs. If you want a job—”

One of the men cleared his sinus cavities with an ugly sound, and spat. “Are you out of your mind, Jenk? Here we been workin for years ta git these Indyins outa here, and you tryin ta make um stay …”

The Superintendent was a tall, fat, soft man with a loose smile. He said ingratiatingly, “Mr. Jenkins realizes, as I’m sure you do too, Mr. Waldo, that the policy of the United States government is, and always has been—except for the unfortunate period when John Collier was in charge of the Bureau of Indian Affairs—man may have
meant
well, but Lord! hopeless sentimentalist—well, our policy has always been: Prepare the Indian to join the general community. Get him off the reservation. Turn the tribal lands over to the
Individual
. And it’s been done with other tribes, and now, finally, it’s being done with this one.” He beamed.

Newt gritted his teeth. Then he said, “And the result was always the same—as soon as the tribal lands were given to the individual red man they damn quick passed into the hand of the individual white man. That’s what happened with other tribes, and now, finally, it’s being done with this one. Don’t you
know
, Mr. Scott, that we can’t adapt ourselves to the system of individual land-ownership? That we just aren’t strong enough by ourselves to hold onto real estate? That—”

“Root, hog, er die,” said Mr. Waldo.

“Are men
hogs?
” Newt cried.

Waldo said, at large, “
Told
ya he w’s a trouble-maker.” Then, bringing his long, rough, red face next to Newt’s, he said, “Listen, Indyin, you and all y’r stinkin relatives are through. If Jenkins is damnfool enough ta hire ya, that’s his look-out. But if he don’t, you better stay far, far away, because nobody likes ya, nobody wants ya, and now that the Guvermint in Worshennon is finely come ta their sentces, nobody is goin ta protec ya—you and y’r mangy cows and y’r smutty-nosed sheep and y’r blankets—”

BOOK: The Avram Davidson Treasury
7.64Mb size Format: txt, pdf, ePub
ads

Other books

Sex With the Guitarist by Jenna James
Come the Fear by Chris Nickson
Scarlet Lady by Sandra Chastain
Falling by Debbie Moon
The Clone Assassin by Steven L. Kent
The Ale Boy's Feast by Jeffrey Overstreet
Renegade Love (Rancheros) by Fletcher, Donna
A Lover's Mask by Altonya Washington