Teatro Grottesco (11 page)
From its beginnings as a manufacturer of novelty items of an extravagant nature, the factory had now gone into the business of creating what came to be known as ‘hyper-organisms.’ These new productions were also of a fundamentally extreme nature, representing an even greater divergence on the part of the Red Tower from the bland and gray desolation in the midst of which it stood. As implied by their designation as
hyper-organisms
, this line of goods displayed the most essential qualities of their organic nature, which meant, of course, that they were wildly conflicted in their two basic features. On the one hand, they manifested an intense
vitality
in all aspects of their form and function; on the other hand, and simultaneously, they manifested an ineluctable element of
decay
in these same areas. To state this matter in the most lucid terms: each of these hyper-organisms, even as they scintillated with an obscene degree of vital impulses, also, and at the same time, had degeneracy and death written deeply upon them. In accord with a tradition of dumbstruck insanity, it seems the less said about these offspring of the
birthing graves
, or any similar creations, the better. I myself have been almost entirely restricted to a state of seething speculation concerning the luscious particularities of all hyper-organic phenomena produced in the subterranean graveyard of the Red Tower. Although we may reasonably assume that such creations were not to be called beautiful, we cannot know for ourselves the mysteries and mechanisms of, for instance, how these creations moved throughout the hazy luminescence of that underground world; what creaky or spasmic gestures they might have been capable of executing, if any; what sounds they might have made or the organs used for making them; how they might have appeared when awkwardly emerging from deep shadows or squatting against those nameless headstones; what trembling stages of mutation they almost certainly would have undergone following the generation of their larvae upon the barren earth of the graveyard; what their bodies might have produced or emitted in the way of fluids and secretions; how they might have responded to the mutilation of their forms for reasons of an experimental or entirely savage nature. Often I picture to myself what frantically clawing efforts these creations probably made to deliver themselves from that confining environment which their malformed or nonexistent brains could not begin to understand. They could not have comprehended, any more than can I, for what purpose they were bred from those graves, those incubators of hyper-organisms, minute factories of flesh that existed wholly within and far below the greater factory of the Red Tower.
hyper-organisms
, this line of goods displayed the most essential qualities of their organic nature, which meant, of course, that they were wildly conflicted in their two basic features. On the one hand, they manifested an intense
vitality
in all aspects of their form and function; on the other hand, and simultaneously, they manifested an ineluctable element of
decay
in these same areas. To state this matter in the most lucid terms: each of these hyper-organisms, even as they scintillated with an obscene degree of vital impulses, also, and at the same time, had degeneracy and death written deeply upon them. In accord with a tradition of dumbstruck insanity, it seems the less said about these offspring of the
birthing graves
, or any similar creations, the better. I myself have been almost entirely restricted to a state of seething speculation concerning the luscious particularities of all hyper-organic phenomena produced in the subterranean graveyard of the Red Tower. Although we may reasonably assume that such creations were not to be called beautiful, we cannot know for ourselves the mysteries and mechanisms of, for instance, how these creations moved throughout the hazy luminescence of that underground world; what creaky or spasmic gestures they might have been capable of executing, if any; what sounds they might have made or the organs used for making them; how they might have appeared when awkwardly emerging from deep shadows or squatting against those nameless headstones; what trembling stages of mutation they almost certainly would have undergone following the generation of their larvae upon the barren earth of the graveyard; what their bodies might have produced or emitted in the way of fluids and secretions; how they might have responded to the mutilation of their forms for reasons of an experimental or entirely savage nature. Often I picture to myself what frantically clawing efforts these creations probably made to deliver themselves from that confining environment which their malformed or nonexistent brains could not begin to understand. They could not have comprehended, any more than can I, for what purpose they were bred from those graves, those incubators of hyper-organisms, minute factories of flesh that existed wholly within and far below the greater factory of the Red Tower.
It was no surprise, of course, that the production of hyper-organisms was not allowed to continue for very long before a second wave of destruction was visited upon the factory. This time it was not merely the
fading
and ultimate
evaporation
of machinery that took place; this time it was something far more brutal. Once again, forces of ruination were directed at the factory, specifically the subterranean graveyard located at its second underground level, its three-story structure that stood above ground having already been rendered an echoing ruin. Information on what remained of the graveyard, and of its cleverly blasphemous works, is available to my own awareness only in the form of shuddering and badly garbled whispers of mayhem and devastation and wholesale sundering of the most unspeakable sort. These same sources also seem to regard this incident as the culmination, if not the conclusion, of the longstanding hostilities between the Red Tower and that grayish halo of desolation that hovered around it on all sides. Such a shattering episode would appear to have terminated the career of the Red Tower.
fading
and ultimate
evaporation
of machinery that took place; this time it was something far more brutal. Once again, forces of ruination were directed at the factory, specifically the subterranean graveyard located at its second underground level, its three-story structure that stood above ground having already been rendered an echoing ruin. Information on what remained of the graveyard, and of its cleverly blasphemous works, is available to my own awareness only in the form of shuddering and badly garbled whispers of mayhem and devastation and wholesale sundering of the most unspeakable sort. These same sources also seem to regard this incident as the culmination, if not the conclusion, of the longstanding hostilities between the Red Tower and that grayish halo of desolation that hovered around it on all sides. Such a shattering episode would appear to have terminated the career of the Red Tower.
Nevertheless, there are indications that, appearances to the contrary, the factory continues to be active despite its status as a silent ruin. After all, the evaporation of the machinery which turned out countless novelty items in the three-story red-brick factory proper, and the ensuing obsolescence of its sophisticated system of tunnels at the first underground level, did not prevent the factory from pursuing its business by other and more devious means. The work at the second underground level (the graveyard level) went very well for a time. Following the vicious decimation of those ingenious and fertile graves, along with the merchandise they produced, it may have seemed that the manufacturing history of the Red Tower had been brought to a close. Yet there are indications that below the three-story above-ground factory, below the first and the second underground levels, there exists a
third
level of subterranean activity. Perhaps it is only a desire for symmetry, a hunger for compositional balance in things, that has led to a series of the most vaporous rumors anent this third underground level, in order to provide a kind of complementary proportion to the three stories of the factory that rise into the gray and featureless landscape above ground. At this third level, these rumors maintain, the factory’s schedule of production is being carried out in some new and strange manner, representing its most ambitious venture in the output of putrid creations, ultimately consummating its tradition of degeneracy, reaching toward a perfection of defect and disorder, according to every polluted and foggy rumor concerned with this issue.
third
level of subterranean activity. Perhaps it is only a desire for symmetry, a hunger for compositional balance in things, that has led to a series of the most vaporous rumors anent this third underground level, in order to provide a kind of complementary proportion to the three stories of the factory that rise into the gray and featureless landscape above ground. At this third level, these rumors maintain, the factory’s schedule of production is being carried out in some new and strange manner, representing its most ambitious venture in the output of putrid creations, ultimately consummating its tradition of degeneracy, reaching toward a perfection of defect and disorder, according to every polluted and foggy rumor concerned with this issue.
Perhaps it seems that I have said too much about the Red Tower, and perhaps it has sounded far too strange. Do not think that I am unaware of such things. But as I have noted throughout this document, I am only repeating what I have heard. I myself have never seen the Red Tower – no one ever has, and possibly no one ever will. And yet wherever I go, people are talking about it. In one way or another they are talking about the nightmarish novelty items or about the mysterious and revolting hyper-organisms, as well as babbling endlessly about the subterranean system of tunnels and the secluded graveyard whose headstones display no names and no dates designating either birth or death. Everything they are saying is about the Red Tower, in one way or another, and about nothing else but the Red Tower. We are all talking and thinking about the Red Tower in our own degenerate way. I have only recorded what everyone is saying (though they may not know they are saying it), and sometimes what they have seen (though they may not know they have seen it). But still they are always talking, in one deranged way or another, about the Red Tower. I hear them talk of it every day of my life. Unless, of course, they begin to speak about that gray and desolate landscape, that hazy void in which the Red Tower – the great and industrious Red Tower – is so precariously nestled. Then the voices grow quiet until I can barely hear them as they attempt to communicate with me in choking scraps of post-nightmare trauma. Now is just such a time when I must strain to hear the voices. I wait for them to reveal to me the new ventures of the Red Tower as it proceeds into even more corrupt phases of production, including the creations being turned out by the shadowy workshop of its third subterranean level. I must keep still and listen for the voices; I must remain quiet for a terrifying moment. Then I will hear the news of the factory starting up its operations once more. Then I will be able to speak again of the Red Tower.
DEFORMATIONS
MY CASE FOR RETRIBUTIVE ACTION
I
t was my first day working as a processor of forms in a storefront office. As soon as I entered the place – before I had a chance to close the door behind me or take a single step inside – this rachitic individual wearing mismatched clothes and eyeglasses with frames far too small for his balding head came hopping around his desk to greet me. He spoke excitedly, his words tumbling over themselves, saying, ‘Welcome, welcome. I’m Ribello. Allow me, if you will, to help you get your bearings around here. Sorry there’sno coat rack or anything. You can just use that empty desk.’
t was my first day working as a processor of forms in a storefront office. As soon as I entered the place – before I had a chance to close the door behind me or take a single step inside – this rachitic individual wearing mismatched clothes and eyeglasses with frames far too small for his balding head came hopping around his desk to greet me. He spoke excitedly, his words tumbling over themselves, saying, ‘Welcome, welcome. I’m Ribello. Allow me, if you will, to help you get your bearings around here. Sorry there’sno coat rack or anything. You can just use that empty desk.’
Now, I think you’ve known me long enough, my friend, to realize that I’m anything but a snob or someone who by temperament carries around a superior attitude toward others, if for no other reason than that I simply lack the surplus energy required for that sort of behavior. So I smiled and tried to introduce myself. But Ribello continued to inundate me with his patter. ‘Did you bring what they told you?’ he asked, glancing down at the briefcase hanging from my right hand. ‘We have to provide our own supplies around here, I’m sure you were told that much,’ he continued before I could get a word in. Then he turned his head slightly to sneak a glance around the storefront office, which consisted of eight desks, only half of them occupied, surrounded by towering rows of filing cabinets that came within a few feet of the ceiling. ‘And don’t make any plans for lunch,’ he said. ‘I’m going to take you someplace. There are some things you might want to know. Information, anecdotes. There’s one particular anecdote . . . but we’ll let that wait. You’ll need to get your bearings around here.’
Ribello then made sure I knew which desk I’d been assigned, pointing out the one closest to the window of the storefront office. ‘That used to be my desk. Now that you’re with us I can move to one of the desks farther back.’ Anticipating Ribello’s next query, I told him that I had already received instructions regarding my tasks, which consisted entirely of processing various forms for the Quine Organization, a company whose interests and activities penetrate into every enterprise, both public and private, on this side of the border. Its headquarters are located far from the town where I secured a job working for them, a drab outpost, one might call it, that’s even quite distant from any of the company’s regional centers of operation. In such a place, and many others like it, the Quine Organization also maintains offices, even if they are just dingy storefront affairs permeated by a sour, briny odor. This smell could not be ignored and led me to speculate that before this building had been taken over as a facility for processing various forms relating to the monopolist Q. Org, as it is often called for shorthand, it had long been occupied by a pickle shop. You might be interested to know that this speculation was later confirmed by Ribello, who had taken it upon himself to help me get my bearings in my new job, which was also my first job since arriving in this little two-street town.
As I sat down at my desk, where a lofty stack of forms stood waiting to be processed, I tried to put my encounter with Ribello out of my head. I was very much on edge for reasons that you well know (my nervous condition and so forth), but in addition I was suffering from a lack of proper rest. A large part of the blame for my deprivation of sleep could be attributed to the woman who ran the apartment house where I lived in a single room on the top floor. For weeks I’d been pleading with her to do something about the noises that came from the space underneath the roof of the building, which was directly above the ceiling of my room. This was a quite small room made that much smaller because one side of it was steeply slanted in parallel to the slanted roof above. I didn’t want to come out and say to the woman that there were mice or some other kind of vermin living under the roof of the building which she ran, but that was my implication when I told her about the ‘noises.’ In fact, these noises suggested something far more sizeable, and somehow less identifiable, than a pack of run-of-the-mill vermin. She kept telling me that the problem would be seen to, although it never was. Finally, on the morning which was supposed to be the first day of my new job – after several weeks of struggling with inadequate sleep in addition to the agitations deriving from my nervous condition – I thought I would just make an end of it right there in that one-room apartment on the top floor of a building in a two-street town on the opposite side of the border from the place where I had lived my whole life and to where it seemed I would never be able to return. For the longest time I sat on the edge of my bed holding a bottle of nerve medicine, shifting it from one hand to the other and thinking, ‘When I stop shifting this bottle back and forth – an action that seemed to be occurring without the intervention or control of my own mind – if I find myself holding it in my left hand I’ll swallow the entire contents and make an end of it, and if I find myself holding it in my right hand I’ll go and start working in a storefront office for the Quine Organization.’
I don’t actually recall in which hand the bottle ended up, or whether I dropped it on the floor in passing it from hand to hand, or what in the world happened. All I know is that I turned up at that storefront office, and, as soon as I stepped inside, Ribello was all over me with his nonsense about how he would help me get my bearings. And now, while I was processing forms one after another like a machine, I also had to anticipate going to lunch with this individual. None of the other three persons in the office – two middle-aged men and an elderly woman who sat in the far corner – had exercised the least presumption toward me, as had Ribello, whom I already regarded as an unendurable person. I credited the others for their consideration and sensitivity, but of course there might have been any number of reasons why they left me alone that morning. I remember that the doctor who was treating both you and me, and whom I take it you are still seeing, was fond of saying, as if in wise counsel, ‘However much you may believe otherwise, nothing in this world is unendurable – nothing.’ If he hadn’t gotten me to believe that, I might have been more circumspect about him and wouldn’t be in the position I am today, exiled on this side of the border where fogs configure themselves with an astonishing regularity. These fogs are thick and gray; they crawl down my throat and all but cut off my breathing.
Throughout that morning I tried to process as many forms as possible, if only to keep my mind off the whole state of affairs that made up my existence, added to which was having to go to lunch with Ribello. I had brought along something to eat, something that would keep in my briefcase without going rotten too soon. And for some hours the need to consume these few items I had stored in my briefcase was acutely affecting me, yet Ribello gave no sign that he was ready to take me to this eating place he had in mind. I didn’t know exactly what time it was, since there wasn’t a clock in the office and none of the others seemed to have taken a break for lunch, or anything else for that matter. But I was beginning to feel light-headed and anxious. Even more than food, I needed the medication that I had left behind in my one-room apartment.
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