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This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s
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LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA

Gibb, Camilla.

Sweetness in the belly / Camilla Gibb.

p. cm.

eISBN : 978-1-101-11829-0

1. British—Ethiopia—Fiction. 2. Hårer (Ethiopia)—Fiction. 3. London (England)—Fiction. 4. Women—England—Fiction. I. Title.

PR9199.4.G53S94 2006

813’.6-dc22 2005053451

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For Abdi, Biscutti, Agitu and the ge waldach—the children of Harar

PROLOGUE

harar, ethiopia

T
he sun makes its orange way east from Arabia, over a Red Sea, across volcanic fields and desert and over the black hills to the qat- and coffee-shrubbed land of the fertile valley that surrounds our walled city. Night departs on the heels of the hyenas: they hear the sun’s approach as a hostile ringing, perceptible only to their ears, and it drives them back, bloody lipped and panic stricken, to their caves.

In darkness they have feasted on the city’s broken streets: devouring lame dogs in alleyways and licking eggshells and entrails off the ground. The people of the city cannot afford to waste their food, nor can they neglect to feed the hyenas either. To let them go hungry is to forfeit their role as people on this wild earth, and strain the already tenuous ties that bind God’s creatures.

A hundred years ago, when the city’s gates were still closed at night—the key lodged firmly under the sleeping head of a neurotic emir—the hyenas were the only outsiders permitted access after dark. They would crawl through the drainage portals in the city’s clay walls. But the gates are splayed open now, have been for decades, a symbol of history’s turn against this Muslim outpost, a city of saints and scholars founded by Arabs who brought Islam to Abyssinia in the ninth century, the former capital of an emirate that once ruled for hundreds of miles.

For all the fear they inspire, though, if a hyena must die, one hopes it might do so on one’s doorstep. Pluck its eyebrows, fashion a bracelet, and you are guaranteed protection from buda, the evil eye. Endure the inconvenience of having to step over a hideous corpse baking in the African sun all day, but be assured that by the following morning, thanks to hyenas’ lack of inhibitions regarding cannibalism, the street will once again be licked clean.

As every day begins, the anguished cries of these feral children grow dim against a rising crescendo of birds quibbling in the pomegranate and lime trees of the city’s courtyards. And then the muezzins call: beckoning the city’s sleeping populace with a shower of praise for an almighty God. There are ninety-nine of them within the walls of this tiny city—ninety-nine muezzins for ninety-nine mosques. It takes the culmination of the staggered, near-simultaneous beginnings of a hundred less one to create the particular sound that is heard as godliness in Harar.

“But I don’t want to go among mad people,” Alice remarked.

“Oh, you ca’n’t help that,” said the Cat: “we’re all mad here. I’m mad. You’re mad.”

“How do you know I’m mad?” said Alice.

“You must be,” said the Cat, “or you wouldn’t have come here.”