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Authors: Margaret Atwood

BOOK: Surfacing
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Went to the river to bathe;
Adam and Eve fell in,
So who do you think was saved?

“I don’t know,” I said.

“You have to answer,” they said, “that’s the rules.”

“Adam and Eve,” I said craftily.
“They
were saved.”

“If you don’t do it right we won’t play with you,” they said. Being socially retarded is like being mentally retarded, it arouses in others disgust and pity and the desire to torment and reform.

It was harder for my brother; our mother had taught him that fighting was wrong so he came home every day beaten to a pulp. Finally she had to back down: he could fight, but only if they hit first.

I didn’t last long at Sunday School. One girl told me she had prayed for a Barbara Ann Scott doll with figure skates and swans-down trim on the costume and she got it for her birthday; so I decided to pray too, not like the Lord’s Prayer or the fish prayer but for something real. I prayed to be made invisible, and when in the morning everyone could still see me I knew they had the wrong God.

A mosquito lights on my arm and I let it bite me, waiting till its abdomen globes with blood before I pop it with my thumb like a grape. They need the blood before they can lay their eggs. There’s a breeze, filtering through the screened window; it’s better here than in the city, with the exhaust-pipe fumes and the damp heat, the burnt rubber smell of the subway, the brown grease that congeals on your skin if you walk around outside. How have I been able to live so long in the city, it isn’t safe. I always felt safe here, even at night.

That’s a lie
, my own voice says out loud. I think hard about it, considering it, and it is a lie: sometimes I was terrified, I would shine the flashlight ahead of me on the path, I would hear a rustling in the forest and know it was hunting me, a bear, a wolf or some indefinite thing with no name, that was worse.

I look around at the walls, the window; it’s the same, it hasn’t changed, but the shapes are inaccurate as though everything has warped slightly. I have to be more careful about my memories, I have to be sure they’re my own and not the memories of other people telling me what I felt, how I acted, what I said: if the events are wrong the feelings I remember about them will be wrong too, I’ll start inventing them and there will be no way of correcting it, the ones who could help are gone. I run quickly over my version of it, my life, checking it like an alibi; it fits, it’s all there till the time I left. Then static, like a jumped track, for a moment I’ve lost it, wiped clean; my exact age even, I shut my eyes, what is it? To have the past but not the present, that means you’re going senile.

I refuse to panic, I force my eyes open, my hand, life etched on it, reference: I flatten the palm and the lines fragment, spread like ripples. I concentrate on the spiderweb near the window, flyhusks caught in it catching in turn the sun, in my mouth tongue forming my name, repeating it like a chant. …

Then someone knocks on the door. “Ready or not, you must be caught,” says a voice, it’s David, I can identify him, relief, I slip back into place.

“Just a minute,” I say, and he knocks again and says “Snappy with the crap in there,” giving a Woody Woodpecker laugh.

Before lunch I tell them I’m going for a swim. The others don’t want to, they say it will be too cold, and it is cold, like icewater. I shouldn’t be going by myself, we were taught that, I might get cramps.

What I used to do was run to the end of the dock and jump, it was like a heart attack or lightning, but as I walk towards the lake I find I no longer have the nerve for that.

This was where he drowned, he got saved only by accident; if there had been a wind she wouldn’t have heard him. She leaned over and reached down and grabbed him by the hair, hauled him up and poured the water out of him. His drowning never seemed to have affected him as much as I thought it should, he couldn’t even remember it. If it had happened to me I would have felt there was something special about me, to be raised from the dead like that; I would have returned with secrets, I would have known things most people didn’t.

After she’d told the story I asked our mother where he would have gone if she hadn’t saved him. She said she didn’t know. My father explained everything but my mother never did, which only convinced me that she had the answers but wouldn’t tell. “Would he be in the graveyard?” I said. They had a verse about the graveyard at school too:

Stick him in the bread pan,
Sock him in the jaw;
Now he’s in the graveyard,
Haw, haw haw.

“Nobody knows,” she said. She was making a pie crust and she gave me a piece of the dough to distract me. My father would have said Yes; he said you died when your brain died. I wonder if he still believes that.

I go off the dock and wade in from the shore, slowly, splashing water over my shoulders and neck, the cold climbing my thighs; my footsoles feel the sand and the twigs and sunk leaves. At that time I would dive and coast along the lakefloor with my eyes open, distance and my own body blurred and eroding; or out further, diving from the canoe or the raft and turning on my back under the water to look up, the bubbles fleeing from my mouth. We would stay in until our skins became numbed and turned a strange colour, bluish-purple. I must have been superhuman, I couldn’t do it now. Perhaps I’m growing old, at last, can that be possible?

I stand there shivering, seeing my reflection and my feet down through it, white as fishflesh on the sand, till finally being in the air is more painful than being in the water and I bend and push myself reluctantly into the lake.

TWO
CHAPTER NINE

T
he trouble is all in the knob at the top of our bodies. I’m not against the body or the head either: only the neck, which creates the illusion that they are separate. The language is wrong, it shouldn’t have different words for them. If the head extended directly into the shoulders like a worm’s or a frog’s without that constriction, that lie, they wouldn’t be able to look down at their bodies and move them around as if they were robots or puppets; they would have to realize that if the head is detached from the body both of them will die.

I’m not sure when I began to suspect the truth, about myself and about them, what I was and what they were turning into. Part of it arrived swift as flags, as mushrooms, unfurling and sudden growth, but it was there in me, the evidence, only needing to be deciphered. From where I am now it seems as if I’ve always known, everything, time is compressed like the fist I close on my knee in the darkening bedroom, I hold inside it the clues and solutions and the power for what I must do now.

I was seeing poorly, translating badly, a dialect problem, I should have used my own. In the experiments they did with children, shutting
them up with deaf and dumb nurses, locking them in closets, depriving them of words, they found that after a certain age the mind is incapable of absorbing any language; but how could they tell the child hadn’t invented one, unrecognizable to everyone but itself? That was in the green book at high school,
Your Health
, along with the photographs of cretins and people with thyroid deficiencies, the crippled and deformed, the examples, with black oblongs across their eyes like condemned criminals: the only pictures of naked bodies it was judged proper for us to see. The rest were diagrams, transparencies with labels and arrows, the ovaries purple sea creatures, the womb a pear.

The voices of the others and the riffle and slap of cards reach me through the closed door. Canned laughter, they carry it with them, the midget reels of tape and the On switch concealed somewhere in their chests, instant playback.

After Evans left that day I was uneasy: the island wasn’t safe, we were trapped on it. They didn’t realize it but I did, I was responsible for them. The sense of watching eyes, his presence lurking just behind the green leafscreen, ready to pounce or take flight, he wasn’t predictable, I was trying to think of ways to keep them out of danger; they would be all right as long as they didn’t go anywhere alone. He might be harmless but I couldn’t be sure.

We finished lunch and I took the breadcrumbs out to the tray for the birds. The jays had discovered there were people living in the cabin; they’re intelligent, they knew a figure near the tray signalled food; or perhaps a few of them were old enough to remember the image of my mother, hand outstretched. Two or three of them stood sentinel now, out of reach, wary.

Joe followed me out and watched as I spread the crumbs. He put his fingers on my arm, frowning at me, which may have meant he wanted to talk to me: speech to him was a task, a battle, words mustered behind his beard and issued one at a time, heavy and square
like tanks. His hand gripped me in a preliminary spasm, but David was there with the axe.

“Hey lady,” he said, “I see your woodpile’s gettin’ low. You could use a handy man.”

He wanted to do something useful; and he was right, if we were staying a week we would need a fresh supply. I asked him to find standing trees, dead but not too old or rotten, “Yes’m,” he said, giving me a burlesque salute.

Joe took the small hatchet and went with him. They were from the city, I was afraid they might chop their feet; though that would be a way out, I thought, we’d have to go back. But I didn’t need to warn them, about him, they had weapons. He would see that and run away.

When they’d disappeared along the trail into the forest I said I was going down to weed the garden, another job that had to be done. I wanted to keep busy, preserve at least the signs of order, conceal my fear, both from others and from him. Fear has a smell, as love does.

Anna could tell she was expected to help; she abandoned her murder mystery and stubbed out her cigarette, only half-smoked, she was rationing them. We tied scarves around our heads and I went to the toolshed for the rake.

The garden was full in sunlight and steaming hot, moist as a greenhouse. We knelt down and began to pull at the weeds; they resisted, holding on or taking clumps of soil out with them or breaking their stems, leaving their roots in the earth to regenerate; I dug for the feet in the warm dirt, my hands green with weed blood. Gradually the vegetables emerged, pallid and stunted most of them, all but strangled. We raked the weeds into piles between the rows where they wilted, dying slowly; later they would be burned, like witches, to keep them from reappearing. There were a few mosquitoes and the deer flies with their iridescent rainbow eyes and stings like heated needles.

From time to time I paused, checking the fence, the border, but no one was there. Perhaps he would be unrecognizable, his former shape transfigured by age and madness and the forest, rag bundle of decaying clothes, the skin of his face woolly with dead leaves. History, I thought, quick.

It took them years to make the garden, the real soil was too sandy and anaemic. This oblong was artificial, the product of skill and of compost spaded in, black muck dredged from swamps, horse dung ferried by boat from the winter logging camps when they still kept horses to drag the logs to the frozen lake. My father and mother would carry it in bushel baskets on the handbarrow, two poles with boards nailed across, each of them lifting an end.

I could remember before that, when we lived in tents. It was about here we found the lard pail, ripped open like a paper bag, claw scratches and toothmarks scarring the paint. Our father had gone on a long trip as he often did to investigate trees for the paper company or the government, I was never certain which he worked for. Our mother was given a three-week supply of food. The bear walked through the back of the food tent, we heard it in the night. It stepped on the eggs and tomatoes and pried open all the storage tins and scattered the wax-paper bread and smashed the jam jars, we salvaged what we could in the morning. The only thing it didn’t bother with was the potatoes, and we were eating them for breakfast around the campfire when it materialized on the path, snuffling along bulky and flat-footed, an enormous fanged rug, returning for more. My mother stood up and walked towards it; it hesitated and grunted. She yelled a word at it that sounded like “Scat!” and waved her arms, and it turned around and thudded off into the forest.

That was the picture I kept, my mother seen from the back, arms upraised as though she was flying, and the bear terrified. When she told the story later she said she’d been scared to death but I couldn’t believe that, she had been so positive, assured, as if she
knew a foolproof magic formula: gesture and word. She was wearing her leather jacket.

“You on the pill?” Anna asked suddenly.

I looked at her, startled. It took me a minute, why did she want to know? That was what they used to call a personal question.

“Not any more,” I said.

“Me neither,” she said glumly. “I don’t know anyone who still is any more. I got a blood clot in my leg, what did you get?” She had a smear of mud across her cheek, her pink face layer was softening in the heat, like tar.

“I couldn’t see,” I said. “Things were blurry. They said it would clear up after a couple of months but it didn’t.” It was like having vaseline on my eyes but I didn’t say that.

Anna nodded; she was tugging at the weeds as though she was pulling hair. “Bastards,” she said, “they’re so smart, you think they’d be able to come up with something that’d work without killing you. David wants me to go back on, he says it’s no worse for you than aspirin, but next time it could be the heart or something. I mean, I’m not taking those kinds of chances.”

Love without fear, sex without risk, that’s what they wanted to be true; and they almost did it, I thought, they almost pulled it off, but as in magicians’ tricks or burglaries half-success is failure and we’re back to the other things. Love is taking precautions. Did you take any precautions, they say, not before but after. Sex used to smell like rubber gloves and now it does again, no more handy green plastic packages, moon-shaped so that the woman can pretend she’s still natural, cyclical, instead of a chemical slot machine. But soon they’ll have the artificial womb, I wonder how I feel about that. After the first I didn’t ever want to have another child, it was too much to go through for nothing, they shut you into a hospital, they shave the hair off you and tie your hands down and they don’t let you see, they don’t want you to understand, they want you to believe it’s their
power, not yours. They stick needles into you so you won’t hear anything, you might as well be a dead pig, your legs are up in a metal frame, they bend over you, technicians, mechanics, butchers, students clumsy or sniggering practising on your body, they take the baby out with a fork like a pickle out of a pickle jar. After that they fill your veins up with red plastic, I saw it running down through the tube. I won’t let them do that to me ever again.

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