'No, sir.'
'I'll not keep you then. I'm sure you have things to do. Look at this: the captain has put another fast bowler on. And he's rather good. What do you think, Bret?'
'Very good indeed, sir. Very fast. A problem will arise when we send Mrs Samson to work in Berlin. Will they continue to use this Welsh socialist as the contact? If not we'll have to be very careful setting up the new one. Berlin is quite different to London: everyone knows everyone.'
'And everyone hates everyone,' said the D-G. 'You'd better have her float the possibility before them and see what reaction she gets.'
'The Welshman is very supportive,' said Bret. 'He's determined to believe that she's the KGB superspy. She's his protegee. She could make a terrible blunder and he'd still hold on to his trust in her. But when she goes to Berlin they'll be more suspicious. You know how it is when someone's treasure is scrutinized by a rival: the KGB will turn her over.'
The D-G frowned. 'Is this some narrative form of second thinking?' he said tartly.
'No, sir. I am sure the Berlin tour is an essential part of the plan. I'm simply saying that she will be under a lot of stress.'
'Out with it then.' The D-G stood tall and bent his head to see Bret over his glasses.
'We're asking her to give up her husband and children. Her colleagues will despise her…'
'When did she say all this to you?'
'She hasn't said it.'
'She hasn't expressed doubts at all?'
'Not to me. She's a patriot: she has a wonderful sense of purpose.'
The D-G sniffed. 'We've seen patriots change their minds, haven't we, Bret?'
'She won't,' said Bret firmly and certainly.
'Then what is it?'
'The husband. He should be told. He will be able to give her the sort of help and encouragement she'll need. She'd go East knowing that her husband will be keeping her family intact. It would be something for her to hang on to.'
'Oh, don't let's go through that again, Bret.' The D-G turned away.
'You said I'd have a free hand.'
He swung round, and when he spoke there was a hard note in his voice. 'I don't remember saying any such thing, Bret. You asked for a free hand: almost everyone in the Department asks for a free hand at some time or another. It makes me wonder what they think I am paid to do. I will of course give you as much freedom as possible. I'll guard you from the slings and arrows of outrageous officialdom. I'll give you non-voucher funds and I'll listen to any crackpot idea you bring me. But a secret is a secret, Bret. The only chance she has of coming out of this in one piece is to have her husband overwhelmed and horrified when she goes over there. That will be the ace card that saves her. Never mind help and encouragement, I want Bernard Samson to become demented with rage.' He used the newspaper to slam at the buzzing fly and after a couple of swipes the fly fell to the floor. 'Demented with rage!'
'Very well, sir. I'm sure you know best.' Bret's tone did nothing to make the D-G think he'd changed his opinion.
'Yes, I do, Bret. I do know best.' They both watched as the batsman swung and then seemed to leap backwards, blundering into the wicket so that the stumps were knocked asunder. A fast ball had hit him in the belly. He went down clutching his stomach and rolled about in agony. 'Left-handed,' pronounced the D-G without emotion. The other cricketers gathered around the fallen boy but no one did anything: they just looked down at him.
'Yes, sir,' said Bret. 'Well, I'll be off.'
'She might waver, Bret. Agents do when the time gets close. If she does you'd better make sure she toes the line. There is too much at stake now for a last-minute change of cast.'
Bret stood there in case the D-G had more to say. But the D-G flicked his fingers to dismiss him.
Once outside Bret blew his nose again. Damn this grass: he'd keep away from cricket matches on freshly mowed grass in future. Well, the old man could still provide a surprise or two, thought Bret. What a tough old bastard he was. Bernard must not be told under any circumstances. So that was what 'Only ignorance is invincible' meant. By the time he got to his car Bret's sinus problem was entirely gone. It was the stress that brought it on.
London. August 1978.
Fiona Samson, a thirty-one-year-old careerist, was a woman of many secrets and always had been. At first that had made her relish her demanding job in London Central – the most secret of all the government's secret departments – but as her role as a double agent developed and became more complex she found there were times when it all became too much for her. It had always been said that double agents eventually lose then: own sense of direction and fail to distinguish which side they really work for, but for Fiona it was different. Fiona could not envisage ever becoming a supporter of communist regimes: her patriotism was a deeply rooted aspect of her upper middle-class upbringing. Fiona's torment came not from political doubts: she worried that she would not be able to cope with the overwhelming task that she'd been given. Bernard would have been perfect for such a double agent role; like most men he could compartmentalize his brain and keep his family concerns quite separate from his work. Fiona could not. She knew that her task would become so demanding that she would have to neglect her husband and children more and more and finally – with no possible warning – leave them to fend for themselves. She would be branded a traitor and they would be spattered with the dirt. The thought of that distressed her.
Had she been able to discuss it with Bernard it might have been different, but authority had decreed that her husband should not know the plan. In any case she was not good at talking with Bernard. No less spirited than her extrovert sister Tessa, Fiona's fires were damped down and seldom showed a flicker. Sometimes, or even often, Fiona would have enjoyed being like Tessa. She would have got great and immediate relief and satisfaction from the sort of public performance – displays of anger or exhilarated madness – for which her sister was famous, but there was no choice for her.
Fiona was beautiful in a way that had sometimes separated her from other women. Fiona's beauty was a cold perfect radiance of the sort that is to be seen in the unapproachable models posing with such assurance in glossy magazines. Her brain was cold and perfect too; her mind had been bent by pedantic university teachers to think in terms of male priorities and had sacrificed many of the unbridled joys of femininity in order to become a successful surrogate male. Fiona's miseries, her tensions and her times of great happiness were shared only reluctantly – grudgingly sometimes – with those around her. Emotion of any sort was always to be hidden, her father had taught her that. Her father was an insensitive and opinionated man who had wanted sons, something he explained to his two children – both daughters – at every opportunity, and told them that boys didn't cry.
Fiona's marriage to Bernard Samson had changed her life forever. It was love at first sight. She'd never met anyone like Bernard before. A big bear-like man, Bernard was the most masculine person she'd ever met. At least he had the qualities that she thought of as being masculine. Bernard was practical. He could fix any sort of machine and deal with any sort of people. He was of course a male chauvinist: categorical and opinionated. He never thought of helping in the house and couldn't even boil an egg successfully. On the other hand he was constantly cheerful, almost never moody and quite without malevolence. Inclined to be untidy he gave no thought to his clothes or his appearance, never put on airs or graces and while enjoying art and music he was in no way 'intellectual' or 'artistic' in the way that so many of her male acquaintances were determined to be.
Fiona's husband was the only person she'd ever met who completely disregarded other people's evaluation of him. Bernard was a devoted father, more devoted to the children than Fiona was if the truth was faced. And yet he was not the unmotivated drifter that her father had warned her about. Bernard was driven by some force or thought or belief in the way that great artists are said to be, and woe betide anyone who got in his way. Bernard was not an easy man to live with. He'd been brought up in post-war Berlin – his father a senior intelligence officer – in an atmosphere of violence and betrayal. He was by nature tough and undemonstrative. Bernard had killed men in the course of duty and done it without qualms. He was well adjusted and enjoyed a self-confidence that Fiona could only wonder at and envy.
The burden of their marriage came from the fact that Bernard was far too much like Fiona: neither of them found it easy to say the things that wives and husbands have to say to keep a marriage going. Even 'I love you' did not come easily from Bernard's lips. Bernard really needed as a wife some noisy extrovert like Fiona's sister Tessa. She might have found a way of getting him out of his shell. If only Bernard could be foolish and trivial now and again. If only he could express doubts or fears and come to her for comfort. Fiona didn't need a strong silent man: she was strong and silent herself. It was difficult for a man like Bernard to be really sympathetic to a woman's point of view and Bernard would never understand the way that women would cry for 'nothing'.
Lately, there had been many occasions when the complex tangle of Fiona's working life became too much for her. She was using tranquillizers and sleeping tablets with a regularity that she'd never needed before. Bernard had found her crying several times when he'd come into the house unexpectedly. She had told him she was under treatment from her gynaecologist; embarrassed dear old Bernard had not pursued it further.
When she found herself weighed down by her thoughts, and the worries would not go away, Fiona found an excuse to leave the office and walked to the Waterloo mainline railway station. She'd come to like it. Its size suggested permanence while its austere design and girder construction gave it anonymity: a vast waiting room made from a construction kit. Coming through the dirty glass of its roof the daylight was grey, dusty and mysterious. Today – despite the rain – she had benefited from the walk from the office. Now she sat on a bench near number one platform and quietly cried her heart out. No one seemed to notice these emotional outbursts, except once when a lady from the Salvation Army offered her a chance for prayer at an address in Lambeth. Sobbing was not so unusual on Waterloo Station. Separations were common here and nowadays it was a place where the homeless and hungry were apt to congregate. London Airport was probably just as good a place to go for the purpose of weeping, but that provided too great a chance of seeing someone she knew. Or, more exactly, of someone she knew seeing her. And Waterloo Station was near the office, and there were tea and newspapers, taxi-cabs and metered parking available. So she went to number one platform and cried.
It was the prospect of leaving Bernard and the children, of course. They would end up hating her. Even if she did everything that was expected of her, and returned a heroine, they would hate her for leaving them. Her father would hate her too. And her sister Tessa. And what would happen to the children? She had asked Bret that, but he had dismissed her fears. The children would be cared for in the manner that her sacrifice and heroism deserved, he'd said in that theatrical style that Bret could get away with because he was so damn certain. But how sincere was he? That worried her sometimes. Sincere or not she couldn't help thinking that her children would be forgotten once she was working in the East. Billy would survive boarding school – and perhaps even flourish there – but Sally would find such an environment unendurable. Fiona had resolved not to put her children through the sort of childhood that she had hated so much.
Bret told her that the only thing that frightened her more than the prospect of finding that her husband and children wouldn't be able to manage without her, was the prospect of finding that they could. Bastard! But perhaps there was a glimmer of truth there. Perhaps that was the permanent crippling dilemma that motherhood brought.
She had never been a very good mother and that knowledge plagued her. She'd never wanted motherhood in the way that her sister Tessa so desperately did. Fiona had never liked babies: her friends' babies had appalled her with their endless demands and the way that they completely upset the households. Babies cried very loudly; babies vomited very frequently and dirtied their nappies very stenchfully. Even when hugging her own babies she had always been uneasy in case her dress was soiled. The children's nurse had seen that right from the start, and Fiona still remembered the accusing look in her eyes. That look said, I am their real mother: you are not fit to look after them.
Fiona was useless with children but she didn't want to be barren either. She wanted to tick motherhood off the list. She worried about them always, and wanted them to be clever at school, and most of all she looked forward to sharing their lives with them when they grew up. But it was now that they needed her so much. Perhaps it was not too late. Perhaps she should walk out of London Central and apply herself to the children as she had applied herself to her studies and her work.
Never a day went past but she told herself that she should go to Bret and tell him she had changed her mind. But each time she spoke to him – long before she could bring the conversation to the point she wanted – he persuaded her that her first duty was to her country and the Department. Even the Director-General had spoken with unusual gravity about this scheme to get her into position as a field agent, a field agent of prime importance. It would, of course, show that women could bring off an intelligence coup as well as any man. That, more than anything else, had helped her keep going when her spirits were low.
Since the beginning of the year her tiffs and differences with Bernard had multiplied. It wasn't all Bernard's fault, things had been difficult for him too. Operation 'Reisezug' had been something of a disaster: three of their own people killed, or so the rumour said. Max Busby was carrying a lot of the material in his memory and Max never came back.
Bernard didn't talk about it but anyone who knew him could see how shaken he was.
Bernard was now officially 'rested' from field work and, in what might have been an effort to comfort her, Bret Rensselaer had let slip the fact that the Department had decided that Bernard should spend the rest of his life behind a desk. Not the German Desk. Dicky Cruyer-a vain and shallow man – had got the German Desk. Bernard was in line for it and would have done it with more skill and intelligence, but Dicky had the administrative experience as well as the personality and background that the Department favoured for top jobs. Bernard said that all Dicky had was the right old school tie, but Bernard could be a bit touchy about such things. She'd wondered if Bret decided against Bernard's promotion because of her assignment, but Bret insisted that it was a decision made at the top.
She was sure that her painful domestic life could be transformed if Bret would let her confide in her husband. As it was she couldn't always account for her movements. It had been bad enough when she'd only had to have the odd meeting with Martin Euan Pryce-Hughes. Now there were countless covert briefings by Bret and a lot of studying to do. And the studying was of material that she mustn't let Bernard catch sight of. Bernard was smart and quick. She wouldn't have to make many mistakes for him to guess what was happening, and the D-G had taken it upon himself to tell her that if Bernard discovered what was planned the whole thing was off.
Poor Bernard; poor Billy; poor Sally. She sat on the bench at Waterloo and thought about them all. She felt drained and ill. Crying released the tension within her but it did nothing to alleviate the pain. She cried some more in the constrained, unobtrusive and dignified way she'd learned to cry at boarding school, and stared across the concourse where people were hurrying for their commuter trains or saying their farewells. She told herself that their troubles might be worse than hers but that did nothing to help: in fact it made her feel even more dejected.
The weather did nothing to cheer her. It was one of those miserably cold and rainy days that so often punctuate an English summer. Everyone was bundled into coats and scarves and the cold damp air contributed to Fiona's chilly gloom. Trains arrived; trains departed. A young woman wanted to know the time, and an elderly couple walked past arguing vociferously. Pigeons and sparrows came gliding down from the girders of the roof, encouraged by a bearded man on a bench nearby who threw crumbs to them. She sat there watching the birds for what seemed a long time.
'Pardon me, madam.' Fiona looked up to see two men: a uniformed railway policeman and a man in civilian clothes. 'You were talking to a young woman a few minutes back?' It was the policeman who spoke.
At first she thought they were going to tell her to move on, or arrest her for soliciting, or make some other sort of fuss, but then she realized that the man in civilian clothes was not a policeman. 'Yes?'
'In a dark blue coat, with a red silk scarf? Dark hair. Pretty girl.' It was the man in the camel-hair coat speaking. He'd taken his hat off in a courteous gesture that surprised her, and she noticed the way he gripped it in his suntanned hand. He seemed nervous.
'She just asked me the time. She caught the train for Southampton,' said Fiona. A train announcement, resonant and unintelligible, interrupted her and she waited for it to finish. 'At least, that's what she said she was going to do.'
'She had a big green plastic bag with a shoulder strap,' said the man.
It was, she decided, a question. 'She had a bag,' said Fiona. 'I didn't notice anything about it.'
'Are you all right, madam?' said the policeman. He'd noticed her reddened, tear-filled eyes.
'I'm quite all right,' she said firmly. She looked at her watch and got to her feet to show that she was about to leave.
The policeman nodded. He wanted to believe her; he wasn't looking for more trouble. 'It's the gentleman's daughter,' explained the policeman.
'My name's Lindner. Adam Lindner. Yeah, she's only sixteen,' said the man. 'She ran away from home. She looks older.' He had a soft transatlantic accent that she couldn't place.