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Authors: Thomas Pynchon

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BOOK: Slow Learner
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The two carriages arrived at Shepheard's Hotel in a dead heat. All but Porpentine alighted and moved toward the hotel. "Check me in," he called to Goodfellow, "I must see a friend." The friend was a porter at the Hotel Victoria, four blocks south and west. While Porpentine sat in the kitchen discussing game birds with a mad chef he had known at Cannes, the porter crossed the street to the British Consulate, going in by the servants' entrance. He emerged after fifteen minutes and returned to the hotel. Soon an order for lunch was brought in to the kitchen.
Crème"
had been misspelled to read
"chem"; "Lyonnaise"
was spelled without an
e
. Both were underlined. Porpentine nodded, thanked everyone, and left. He caught a cab and rode up Sharia el-Maghrabi, through the luxurious park at the end; soon arrived at the Credit Lyonnais. Nearby was a small pharmacy. He entered and asked about the prescription for laudanum he had brought in to be filled the day before. He was handed an envelope whose contents, once more in the cab, he checked. A raise of £50 for him and Goodfellow: good news. They would both be able to stay at Shepheard's.

Back at the hotel they set about decoding their instructions. F.O. knew nothing about an assassination plot. Of course not. No reason for one, if you were thinking only about the immediate question of who would control the Nile Valley. Porpentine wondered what had happened to diplomacy. He knew people who had worked under Palmerston, a shy, humorous old man for whom the business was a jolly game of blindman's-buff, where every day one reached out and touched, and was touched by, the Specter's cold hand.

"We're on our own, then," Goodfellow pointed out.

"Ah," Porpentine agreed. "Suppose we work it this way: set a thief to catch one. Make plans to do Cromer in ourselves. Go through the motions only, of course. That way whenever they get an opportunity, we can be right on the spot to prevent them."

"Stalk the Consul-General," Goodfellow grew enthusiastic, "like a bloody grouse. Why we haven't done that since —"

"Never mind," Porpentine said.

That night Porpentine commissioned a cab and roved about the city until early morning. The coded instructions had told them nothing more than to bide time: Good-fellow was taking care of that, having escorted Victoria to an Italian summer-theater performance at the Ezbekiyeh Garden. In the course of the night Porpentine visited a girl who lived in the Quartier Rosetti and was the mistress of a junior clerk in the British Consulate; a jewel merchant in the Muski who had lent financial support to the Mahdists and did not wish now that the movement was crushed to have his sympathies known; a minor Esthetic who had fled England on a narcotics charge to the land of no extradition and who was a distant cousin of the valet to Mr. Raphael Borg, the British Consul; and a pimp named Varkumian who claimed to know every assassin in Cairo. From this fine crew Porpentine returned to his room at three in the morning. But hesitated at the door, having heard movement behind it. Only one thing for it: at the end of the corridor was this window with a ledge outside. He grimaced. But then everyone knew that spies were continually crawling about window-ledges, high above the streets of exotic cities. Feeling an utter fool, Porpentine climbed out and got on the ledge. He looked down: there was a drop of about fifteen feet into some bushes. Yawning he made his way quickly but clumsily toward the corner of the building. The ledge became narrower at the corner. As he stood with each foot on a different side and the edge of the building bisecting him from eyebrows to abdomen he lost his balance and fell. On the way down it occurred to him to use an obscene word; he hit the shrubbery with a crash, rolled, and lay there tapping his fingers. After he had smoked half a cigarette he got to his feet and noticed a tree next his own window, easily climbable. He ascended puffing and cursing; crawled out on a limb, straddled it, and peered inside.

Goodfellow and the girl lay on Porpentine's bed, white and exhausted-looking by street-light: her eyes, mouth, and nipples were little dark bruises against the flesh. She cradled Goodfellow's white head in a net or weaving of fingers while he cried, streaking her breasts with tears. "I'm sorry," he was saying, "the Transvaal, a wound. They told me it was not serious." Porpentine, having no idea how this sort of thing worked, fell back on alternatives: (a) Goodfellow was being honorable, (b) was truly impotent and had therefore lied to Porpentine about a long list of conquests, (c) simply had no intention of getting involved with Victoria. Whichever it was, Porpentine felt as always an alien. He swung down by one arm from the limb, nonplused, until the stub of the cigarette burned down to his fingers and made him swear softly; and because he knew it was not really the burn he cursed he began to worry. It was not only seeing Goodfellow weak. He dropped into the bushes and lay there thinking about his own threshold, sustained proudly for twenty years of service. Though it had been hammered at before, he suspected this was the first time it had shown itself truly vulnerable. A pang of superstitious terror caught him flat on his back in the bushes. It seemed he knew, for a space of seconds, that this indeed was The One. Apocalypse would surely begin at Fashoda if for no other reason than that he felt his own so at hand. But soon: gradually, with each lungful of a fresh cigarette's smoke, the old control seeped back to him; and he got at last to his feet, still shaky, walked around to the hotel entrance and up to his room. This time he pretended to've lost his key, making bewildered noises to cover the girl as she gathered her clothing and fled through connecting doors to her own room. All he felt by the time Goodfellow opened was embarrassment, and that he had lived with for a long time.

The theater had presented
Manon Lescaut
. In the shower next morning Goodfellow attempted to sing
"Donna non vidi mai."
"Stop," said Porpentine. "Would you like to hear how it should be done?" Goodfellow howled. "I doubt you could sing Ta-ra-ra-boom-di-ay without mucking it up."

But Porpentine could not resist. He thought it a harmless compromise.
"A dirle io t'amo,"
he caroled,
"a nuova vita l'alma mia si desta."
It was appalling; one got the impression he had once worked in a music-hall. He was no Des Grieux. Des Grieux knows, soon as he sees that young lady just off the diligence from Arras, what will happen. He does not make false starts or feints, this chevalier, has nothing to decode, no double game to play. Porpentine envied him. As he dressed he whistled the aria. Last night's moment of weakness bloomed again behind his eyes. He thought: If I step below the threshold, you know, I shall never get back again.

At two that afternoon the Consul-General emerged from the front door of the Consulate and entered a carriage. Porpentine watched from a deserted room on the third floor of the Hotel Victoria. Lord Cromer was a perfect target but this vantage at least was unavailable to any hired assassin-in-opposition as long as Porpentine's friends kept on the alert. The archaeologist had taken Victoria and Mildred to tour the bazaars and the Tombs of the Khalifs. Goodfellow was sitting in a closed landau directly under the window. Unobtrusive (as Porpentine watched) he started off behind the carriage, keeping at a safe distance. Porpentine left the hotel, strolled up Sharia el-Maghrabi. At the next corner he noticed a church off to his right; heard loud organ music. On a sudden whim he entered the church. Sure enough, it was Sir Alastair, booming away. It took the unmusical Porpentine some five minutes to come aware of the devastation Sir Alastair was wreaking on the keys and pedals. Music laced the interior of the tiny, Gothic house with certain intricate veinings, weird petal-shapes. But it was violent and somehow Southern foliage. Head and fingers uncontrollable for a neglect of his daughter's or any purity, for the music's own shape, for Bach — was it Bach? — himself? Foreign and a touch shabby, uncomprehending, how could Porpentine say. But was yet unable to pull away until the music stopped abruptly, leaving the church's cavity to reverberate. Only then did he withdraw unseen out into the sun, adjusting his neck-cloth as if it were all the difference between wholeness and disintegration.

Lord Cromer was doing nothing to protect himself, Goodfellow reported that night. Porpentine, having rechecked with the valet's cousin, knew the word had gone through. He shrugged, calling the Consul-General a nitwit; tomorrow was 25 September. He left the hotel at eleven and went by carriage to a
Brauhaus
a few blocks north of the Ezbekiyeh Garden. He sat alone at a small table against the wall, listening to maudlin accordion music which must surely have been old as Bach; closed his eyes, letting a cigarette droop from his lips. A waitress brought Munich beer.

"Mr. Porpentine." He looked up. "I followed you." He nodded, smiled; Victoria sat down. "Papa would die if he ever found out," gazing at him defiant. The accordion stopped. The waitress left two Krugers.

He pursed his lips, ruthful in that quiet. So she'd sought out and found the woman in him; the very first civilian to do so. He did not go through any routine of asking how she knew. She could not have seen him through the window. He said:

"He was sitting in the German church this afternoon, playing Bach as if it were all he had left. So that he may have guessed."

She hung her head, a mustache of foam on her upper lip. From across the canal came the faint whistle of the express for Alexandria. "You love Goodfellow," he hazarded. Never had he been down so far: he was a tourist here. Could have used, at the moment, any Baedeker of the heart. Almost drowned in a fresh wailing of the accordion her whisper came: yes. Then had Goodfellow told her.... He raised his eyebrows, she shook her head no. Amazing, the knowing of one another, these wordless flickerings. "Whatever I may think I have guessed," she said. "Of course you can't trust me, but I have to say it. It's true." How far down could one go, before . . . Desperate. Porpentine: "What do you want me to do, then." She, twisting ringlets round her fingers, would not look at him. Soon: "Nothing. Only understand." If Porpentine had believed in the devil he could have said: you have been sent. Go back and tell him, them, it is no use. The accordionist spotted Porpentine and the girl, recognized them as English. "Had the devil any son," he sang mischievous in German, "it was surely Palmerston." A few Germans laughed, Porpentine winced: the song was fifty years old at least. But a few still remembered.

Varkumian came weaving his way among tables, late. Victoria saw him and excused herself. Varkumian's report was brief: no action. Porpentine sighed. It left only one thing to do. Throw a scare into the Consulate, put them on their guard.

So next day they began "stalking" Cromer in earnest. Porpentine woke up in a foul mood. He donned a red beard and a pearl-gray morning hat and visited the Consulate, posing as an Irish tourist. The staff weren't having any: he got ejected forcibly. Goodfellow had a better idea: "Lob a bomb," he cried. Happily his knowledge of munitions was faulty as his aim. The bomb, instead of falling safely on the lawn, soared in through a window of the Consulate, sending one of the proverbial charwomen into hysterics (though it proved of course to be a dud) and nearly getting Goodfellow arrested.

At noon Porpentine visited the kitchen of the Hotel Victoria to find the place in a turmoil. The meeting at Fashoda had taken place. The Situation had turned to a Crisis. Upset, he dashed out into the street, commandeered a carriage, and tore off in search of Goodfellow. He found him two hours later sleeping in his hotel room where Porpentine had left him. In a rage he emptied a pitcher of ice-water over Goodfellow's head. Bongo-Shaftsbury appeared in the doorway grinning. Porpentine hurled the empty pitcher at him as he vanished down the corridor. "Where's the Consul-General?" Goodfellow inquired, amiable and sleepy. "Get dressed," bellowed Porpentine.

They found the clerk's mistress lying lazy in a patch of sunlight, peeling a mandarin orange. She told them Cromer was planning to attend the opera at eight. Up to then, she could not say. They went to the shop of the chemist, who had nothing for them. Barreling through the Garden Porpentine asked about the Wrens. They were at Heliopolis, as far as Goodfellow knew. "What the bloody hell is wrong with everyone?" Porpentine wanted to know. "Nobody knows anything." They could do nothing till eight; so sat in front of a café in the Garden and drank wine. Egypt's sun beat down, somehow threatening. There was no shade. The fear that had found him night before last now crawled along the flanks of Porpentine's jaw and up his temples. Even Goodfellow seemed nervous.

At a quarter to eight they strolled along the path to the theater, purchased tickets in the orchestra, and settled down to wait. Soon the Consul-General's party arrived and sat near them. Lepsius and Bongo-Shaftsbury drifted in from either side and stationed themselves in boxes; forming, with Lord Cromer as vertex, an angle of 120 degrees. "Bother," said Goodfellow. "We should have got some elevation." Four policemen came marching down the center aisle, glanced up at Bongo-Shaftsbury. He pointed to Porpentine. "My Gawd," Goodfellow moaned. Porpentine closed his eyes. He'd blown it, all right. This was what happened when one blundered right in. The policemen surrounded them, stood at attention. "All right," Porpentine said. He and Goodfellow arose and were escorted out of the theater. "We shall desire your passports," one of them said. Behind them on the breeze came the first sprightly chords of the opening scene. They marched down a narrow path, two police behind, two in front. Signals had, of course, been arranged years before. "I shall want to see the British Consul," Porpentine said and spun, drawing an old single-shot pistol. Goodfellow had the other two covered. The policeman who had asked for their passports glowered. "No one said they would be armed," another protested. Methodically, with four raps to the skull, the policemen were neutralized and rolled into the underbrush. "A fool trick," Goodfellow muttered: "we were lucky." Porpentine was already running back toward the theater. They took the stairs two at a time and searched for an empty box. "Here," Goodfellow said. They edged into the box. It was almost directly across from Bongo-Shaftsbury's. That would put them next to Lepsius. "Keep down," Porpentine said. They crouched, peering between small golden balusters. On stage Edmondo and the students chaffed the Romantic, horny Des Grieux. Bongo-Shaftsbury was checking the action of a small pistol. "Stand by," Goodfellow whispered. The postilion horn of the diligence was heard. The coach came rattling and creaking into the inn courtyard. Bongo-Shaftsbury raised his pistol. Por-pentine said: "Lepsius. Next door." Goodfellow withdrew. The diligence bounced to a halt. Porpentine centered his sights on Bongo-Shaftsbury, then let the muzzle drift down and to the right until it pointed at Lord Cromer. It occurred to him that he could end everything for himself right now, never have to worry about Europe again. He had a sick moment of uncertainty. Now how serious had anyone ever been? Was aping Bongo-Shaftsbury's tactics any less real than opposing them? Like a bloody grouse, Goodfellow had said. Manon was helped down from the coach. Des Grieux gaped, was transfixed, read his destiny on her eyes. Someone was standing behind Porpentine. He glanced back, quickly in that moment of hopeless love, and saw Moldweorp there looking decayed, incredibly old, face set in a hideous though compassionate smile. Panicking, Porpentine turned and fired blindly, perhaps at Bongo-Shaftsbury, perhaps at Lord Cromer. He could not see and would never be sure which one he had intended as target. Bongo-Shaftsbury shoved the pistol inside his coat and disappeared. A fight was on out in the corridor. Porpentine pushed the old man aside and ran out in time to see Lepsius tear away from Goodfellow and flee toward the stairs. "Please, dear fellow," Moldweorp gasped. "Don't go after them. You are outnumbered." Porpentine had reached the top step. "Three to two," he muttered.

BOOK: Slow Learner
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