Shattered: The Iron Druid Chronicles, Book Seven (8 page)

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Authors: Kevin Hearne

Tags: #Fiction, #Fantasy, #Contemporary, #Paranormal, #Action & Adventure

BOOK: Shattered: The Iron Druid Chronicles, Book Seven
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My clothes aren’t completely dry, but neither are they dripping wet. I shiver at the chill and resign myself to getting cold and wet again, bidding farewell to the robe as a brief interlude of warmth and comfort. Laksha gives me an extra umbrella and we step back into the rain, Orlaith trotting along beside us.

Laksha leads us in silence through the rain. Water pounds our umbrellas and sluices underneath our feet as we follow a sinuous path through the city. We continue on muddy trails along the ridges of rice paddies to a sad collection of hovels that struggle to live up to the name of
shelter
but completely own the word
ramshackle
. The people who live here work too hard for too little comfort.

Laksha knocks and a tired, worried woman opens the door, blessing us with a whiff of incense before the rain sweeps it down to the ground. Moans of pain arise from the darkness behind her, only a hint of candlelight ameliorating the gloom. Her eyes take in Laksha and they widen somewhat before she bows and clasps her hands and a stream of musical language bubbles forth from her lips. Laksha responds, gestures briefly to me, and then the woman opens the door wide and steps aside, inviting us to enter.

The modest living area stretches unbroken into the kitchen on the back wall. A battered couch that was once orange hunches against the wall to our left, hoping we won’t notice it, and two doors to our right probably lead to a small bedroom and a smaller bathroom. The moans are coming from one of them.

I ask Orlaith to wait on the floor by the couch, and we follow the woman to the bedroom. A teenage boy writhes there on the sheets, his brow clammy and his breathing labored. Incense battles with the stench of illness, and the storm pounds the roof.

Laksha puts her hand to the boy’s forehead, and he twitches. She holds it there for a few seconds and then moves her hand to the center of his bare chest, over his heart. Nodding, she glances at the rain-spattered window and withdraws. “The storm is good. It dampens the spirit like it would dampen mine. And the noise is annoying. We need to increase both the water and the noise.”

“I understand how noise can be a nuisance, but what does the rain outside have to do with anything?” I ask.

“The rakshasa in this form,” she says, pointing to the boy, “is a thing of the air—or, more properly, the ether. It drowns in water. We need to get him into a bath.” She turns and speaks in Tamil to the woman—presumably the boy’s mother—explaining what needs to be done. Together, we lift the poor thing out of bed and support him as we stagger into the bathroom. He’s wearing a pair of shorts, and we just leave those on as we try to tumble him gently into the tub. He’s so out of it, he can barely function.

Laksha kneels next to the tub and turns on the water. The boy jerks and then spasms intermittently, whimpers once, but his eyes don’t open. The mother and I hover behind, and the helplessness I feel in this situation can be only a fraction of what she must be going through.

While the tub fills, Laksha begins to pull out all the items she stowed in her sari. She has the mother light incense and rests the miniature gongs and mallets on the side of the tub. Her voice rolls out of her in a chant as she removes the lid from a small jar with a sweet-smelling unguent in it—sweet, but so powerful and cloying that it makes me cough. Laksha dips a finger in the paste. While the water rises to cover the boy’s abdomen, she writes on his forehead and continues to chant. That causes a convulsion and elicits a little cry of alarm from the mother. Laksha frowns,
as if the boy’s reaction disappoints her. Perhaps she had been expecting something more; regardless, she keeps chanting, then picks up one of the miniature gongs and indicates through gesture that the mother should do the same. They start to bang the crap out of them, and the din is enough to set my teeth on edge.

And that, of course, is the point. The noise, the smells, the rising water—all of it is supposed to force the rakshasa to leave the boy. But this particular rakshasa is strong and doesn’t want to let go. Still, the clamor of gongs and chanting has its effect: The boy shudders, seizes up, and his eyes snap open, except the pupils have rolled up into his head and all we see are the whites. An inchoate roar surges out of his throat, and it’s not merely the sound of a teenage meltdown. His arms, suddenly imbued with strength, grip the sides of the tub, and he attempts to get out. Laksha pushes him back down and flicks a glance at me, suggesting that keeping him in there is now my job. She has a gong to bang and chants to yell. She can’t do it all.


I’m okay. Stay in there no matter what you hear
.


Stealing a glance at the mother as I kneel down and set Scáthmhaide aside, I see that she’s crying. I would be too. And I remember that the thing that has my father is much worse than what has the boy. If we can’t handle this rakshasa, how can we hope to prevail against the raksoyuj?

Keeping the boy in there is more challenging than I thought it would be. He fights me actively, and I get slapped as well as splashed. The water level is up to his chest now, and he doesn’t like it at all. Laksha interrupts her chant to explain why he’s suddenly so animated when he was such a dead fish before.

“The rakshasa was attacking his heart chakra and slowly divorcing him from life. We have forced it up into the head. It’s now possessed the boy. It’s here, at the sixth chakra,” she says, pointing at the bindi placed just slightly above the spot between her eyebrows.

We couldn’t very well submerge the boy up to that point. We
had annoyed the rakshasa significantly, but it wasn’t sufficient to drive it out.

“See what you can do to heal him now,” Laksha says, but I am unsure how to proceed. I have not done much direct healing of others, and I am cut off from the earth here. Healing his symptoms would not cure him of the possession, in any case. Anything I did to help his body now would simply be undone by the rakshasa as soon as I stopped, and I would have to stop soon without an energy source. I have some stored in the silver end of Scáthmhaide, and I use that in an attempt to relieve him directly. His breathing clears up, but that’s about all. He’s still very much in the grip of the rakshasa. We need something more to address the possession, and I realize it is hanging from my neck. Cold iron is the antithesis of magic, and though Laksha might call it maya, what the rakshasa is doing is still magic, regardless of its flavor.

I remove my necklace and wrap the gold chain around my fist before slapping the cold iron amulet against the boy’s forehead and holding it there. The reaction is immediate and terrifying.

His roar becomes a screech, and his hands lock around my wrist and try to pull it off, but this boy’s weakened body is no match for me. His mother boils over with worry and she begins to scream behind me. Oily smoke belches out of his mouth, nose, and ears, forming a cloud above the boy’s head, and this is what Laksha had been waiting for.

“Yes! It’s leaving him! Once it’s all out, thrust the iron into the middle of the cloud!”

My amulet is not made of an overwhelming amount of iron. I can cast around it, after all, though it always requires extra energy. I’ve tried casting with the amulet off, and it’s far more efficient to do it that way. It’s undeniably a damper on magic, and combined with the noise and smells and the water, it’s enough to break the rakshasa’s hold.

The cloud of greasy vapor slithers above me—toward the mother, who’s blocking the exit and making all kinds of noise—and once it stops billowing from the boy and he slumps back
into the bath, Laksha urges me to move. Rising to my feet, I thrust the cold iron into the cloud, and it reacts with a sort of jellyfish ripple, then it curls in on itself, like a spider in water, cold tendrils of it closing around my fist. Abruptly, it gushes toward the floor in front of the toilet—directly to my right—and the vapor solidifies from the ground up into a humanoid form sheathed in black. Then the face appears—a nightmare made flesh, with bloodshot eyes and an obscene red tongue lolling over a gaping maw of sharp teeth. It is the rakshasa’s true form, a portrait of corruption like Dorian Gray, temporarily robbed of its ability to shift or cast illusion by cold iron.

Instinctively, I draw back, but there’s hardly any room to maneuver—the tub is directly behind me. The rakshasa lunges for my face, but a flash of steel darts between us and slides across skin that is quite solid and real, opening a slit that splashes blood onto the floor. The demon clutches its throat and turns those horrible eyes to my left in time to see Laksha drive her knife blade into one of them. It topples backward, its knees buckled by the toilet, and dies, gurgling, in a sitting position—an image that I file under T
HINGS
I N
EVER
W
OULD
H
AVE
S
EEN
I
F
I H
AD
K
EPT
B
ARTENDING
.

The boy regains consciousness with a gasp and asks for his mother. She rushes to him in relief and shields his view of the room; with an exchange of gestures, Laksha and I silently agree to remove the body. I put my necklace back on but realize I’ll have to leave my staff here for the moment. As we enter the living room, cradling the corpse, it occurs to me that we might be violating some kind of taboo—we may have made ourselves untouchable. I’m not an expert on the caste system or to what extent it’s observed anymore, so I ask Laksha about it.

“Is it all right for us to handle the dead? I mean, are we tainting ourselves somehow in the eyes of others?”

“I think she will overlook it,” Laksha replies, tossing her head back to indicate the mother. “And no one else will see. Which is vital. The sight of a real rakshasa will cause panic and draw the attention of the authorities.”

Seeing that we are headed for the door, Orlaith gets up and moves out of the way.
You’re a good hound
, I tell her. Aloud, I ask Laksha the all-important question.

“What are we going to do with him? It’s still raining.”

“That’s a blessing. Everyone is indoors.”

“There’s no convenient burial ground.”

“He should be burned far away from here, but that’s not an option. We will choose a place where no one will try to grow anything.”

That place is a well-worn path between houses, a sort of alley, now a muddy trench. I contact the elemental Kaveri and ask her help in burying the rakshasa’s body, explaining that we might be doing this sort of thing all night to help people. She parts the mud for us far more quickly than I could do it myself, and we drop the dark corpse of the demon into the resulting grave. The mud flows back over him and the problem is solved—no witnesses.

Orlaith, who had followed us out of the house, is struck with the procedure’s practical application for dogs.

Your paws do the job admirably on their own
, I tell her.

“One down,” Laksha says. “Now that we know what works, perhaps we can do the next one a bit quicker. It won’t be long until we draw your father out. And in the meantime we are saving people. This is good karma.”

A tight smile on Laksha’s face suggests that the last point is perhaps the most important to her. I cannot blame her for wishing to do others well, but I do wish there was a quicker way to find my dad.

“What did you use as a focus when you tried to divine his presence?” I ask her.

“The shards of the canister that held the raksoyuj. It was the object he most recently touched.”

“Ah, but that wasn’t really his. It was a thing of the raksoyuj. Might a different object be more effective, one that was more closely tied to him?”

“It might,” Laksha agrees. “Do you have such an item with you?”

“No,” I say, “but I might be able to get one. Let me think about it.”

Laksha darts into the house to retrieve what I suppose must be called her exorcism kit, along with my staff, and to offer a hurried farewell to the family. I squat down next to my wet hound and scratch behind her ears, trying to think of something that might hold a stronger psychic signature of my dad than the shattered remains of that clay vessel.

When I was growing up, he’d send me little trinkets and cards for my birthday and Christmas from wherever he was, and I’d go into my room and open them in private and cry because he was always so sweet and loving, albeit from a distance; to me, that was infinitely preferable to the coldness of my stepfather up close. He continued doing this even into my adulthood, never forgetting me, always letting me know that he was thinking of me and that he loved me. From a distance.

I still had some of his gifts back at the cabin, but the most recent one was more than twelve years old now. The gifts had stopped coming, of course, when I’d faked my death to disappear and begin my apprenticeship in secret. Would any of them have a psychic signature strong enough for Laksha to find, when so much time had passed and he was possessed by something with its own magical defenses? Emotionally I wanted the answer to be yes, but rationally I could not imagine that the odds would be good. Laksha’s approach of killing rakshasas to lure the raksoyuj would probably work better. And it would keep me busy while I worried.

When Laksha reappears with Scáthmhaide, she asks if I’ve thought of anything useful.

“No,” I say, shaking my head. “Let’s go play exorcist.”

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