Shadowed by Grace (34 page)

The art superintendent had filtered in and out of her thoughts. Now she wanted to find him, but not with Scott. She feared what he would say or do when he saw the sketchbook. Her heart still smarted from his betrayal. He probably believed his reasons for taking the sketchbook were honorable, but it hurt to know he’d done it, seen her distress over its loss, and never said anything until she caught him with it.

The box sat next to her, the sketchbook on top. Rachel fingered the binding, aching from Scott’s deceit. Her belief he was more honorable than other men had shattered the moment she saw him with the book. She closed her eyes and tried to remember the peace she’d felt, the presence that had seemed to settle next to her in that small building.

God, You’re real, right? I haven’t suddenly started talking to my imagination, have I?

A calm overwhelmed her, and she wanted to cry with relief. She wanted to learn to walk in this peace. Her journey truly had just begun.

Help me forgive Scott. He’s hurt me, but I don’t want to hold it close.

The hatbox teased her. The flickering candle on her bedside table cast enough light to see inside. She could open it and evaluate the contents. She moved the sketchbook and pulled off the top. A set of charcoal pencils and a nubby eraser sat on a stack of thick sketching paper. She removed the pencils and eraser. Next she examined the stack of papers. The first few didn’t look more impressive than what she could draw with effort and focus.

Then she flipped to another page, and her fingers trembled. This drawing had details and a style that mirrored one she knew well from the sketchbook. To confirm, Rachel flipped to the page. While not identical, the symmetry struck her. Could the artist be the same and here at Montegufoni?

The next sketch had a contemporary style, the sweeping landscape of the prior sketch abandoned for a reckless still life that was all harsh lines and angles. Incomplete sketches of a woman’s features followed that. Here an eye, there a chin, and on another page a sensuous mouth. Whoever she was, the artist had endeavored to capture the minutiae of the woman’s every line and shadow, yet her sketchbook just revealed a shadowed profile.

Rachel sat back after examining each sketch. They all reflected the talent of the artist. A couple even bore a scratched
R
and
A
.

Why would a box of collected sketches and scribbles be hidden in an outbuilding at Montegufoni?

Maybe she was getting ahead of herself. Scott would be better positioned to tell her how her insights matched an art expert’s. Would he bother to help her after the way they’d separated? She swallowed her pride and approached the door separating their rooms. She’d heard no movement for a while. Maybe he’d turned in for the night.

She tapped the door, loud enough to be heard but quiet enough to avoid waking him unless he was a light sleeper.

A moment later someone approached the door. “Yes?”

“Do you have a minute?” She swallowed around the sudden cotton in her throat. “I’d like your opinion.”

There was a moment of silence, then the door opened revealing Scott, still dressed in his uniform. He eyed her cautiously. “How can I help?”

She glanced behind him. “Is Tyler back?”

“No.” Scott’s expression clouded. “I have no idea where he is or when he’ll return. Better be soon since he has the jeep keys.”

“I need an art expert and you’re here. Unless Renaldo would be a better choice.”

“He left for Florence.” At her frown he shrugged. “Earlier he told his sister he needed to protect its art. Must have left after the attack.”

“And his wife.” Echoes of their conversation flowed into her memory.

Scott leaned against the door frame. “How can I help?”

She held up a couple sketches. “The hatbox is filled with drawings. Some struck me as similar to the sketchbook. Could the same artist have created them?”

“Anything’s possible.”

“What do you think?”

He studied her a moment, then nodded. “Let me see.”

She handed over two sketches that seemed most similar to the book. She bit her lip to keep from giving more of an opinion. Better to let him examine them and see if he reached the same conclusion.

“Can I see the sketchbook?”

She hesitated a moment.

“I promise I’ll return it.” His tipped grin softened her concerns.

“Here.”

He studied them a minute, flipping back and forth. “Why do you think the same artist drew these?”

“There’s a sketch in there.” She reclaimed the book and flipped it open. “This one. See how the view is so similar? And the woman’s profile looks identical?”

“Maybe.” His gaze bounced between the two, but he didn’t say anything more.

After a few minutes the silence annoyed her. “What do you think?”

“I don’t know.” He handed the book and drawings back to her. “There are similarities, and if Renaldo is the artist, it’s likely he drew both. But if it’s another man, he’s in Rome and wouldn’t come to Montegufoni. I don’t want to disappoint you.”

“That’s gallant.” Especially after what he’d done. She sighed.
Forgiveness, Rachel
. She took a breath, then spoke. “I don’t need you to protect me from disappointment. Did you notice the initials on the loose drawings?”

He squinted at the two sketches. “I see that. An
R
and an
A
.” He held them back to her. “If I’m right—” he held up a hand as she opened her mouth, “Renaldo drew these. But someone else could have. The way to know for sure is to show them to him.”

Rachel felt the blood drain from her head as she hurried to her feet. “He knew who I was.” The truth hit her . . . hard. “He knew and he still left.”

“You may be right.”

Rachel grabbed the sketches and stumbled back to her room.

Chapter 31

August 2

SCOTT SANK ONTO HIS
bed. His body told him it was late, that he needed a long installment of rest after the adrenaline-laced day. Why would Renaldo hide sketches like those at Montegufoni?

It bothered him almost as much as Renaldo leaving. His mentor had left, taking off without warning or a good-bye. It felt like the man ran to the Germans in his effort to run away from something . . . or someone . . . else.

Had Scott’s mention of Rachel caused Renaldo’s sudden return to Florence? Or had it been his subsequent visit with Rachel?

Whatever the cause, Scott wanted to know.

Scott tossed and turned all night and spent the early morning updating reports and inventorying the castle. Renaldo had provided a detailed list of everything that left Florence. It could take a week to explore the castle’s rooms and match the art he found with those listed.
Primavera
was easy to identify; some of the others were much lesser known works.

Scott grabbed the list and his attaché case, then knocked on Rachel’s door. If she helped, the work could progress faster. Especially since Private Salmon hadn’t appeared.

After a minute he knocked again, this time hearing movement.

“Yes?” Rachel had dark circles under her eyes and her hair stuck out at funny angles, but she still looked beautiful.

“I’m getting ready to tackle an inventory of the art. Would you help?”

Rachel rubbed her face and then looked up at him, a face so appealing he longed to pull her close for a kiss that would remove any doubt or fear of him from her mind. “I can be ready in a minute.”

“I’d appreciate it.”

She turned, then looked over her shoulder at him. “Wait for me?”

“Yes.” The words he’d-wait-the-rest-of-his-days-if-she’d-ask almost slipped past his lips. What had gotten into him? He needed a tighter rein on his attraction. Rachel was an amazing woman who pulled the best from him . . . when he wasn’t stealing from her. He slumped against the wall with a groan. Someday she’d understand, and he’d forgive himself. He’d wanted to protect her, be her hero in the midst of the chaos of war, but had failed.

A minute later she breezed out.

“How do you do that?”

“Do what?”

“Get ready so fast. My mom would take twenty minutes even when we had nowhere to go.”

She played with the silver chain around her neck. “There’s not much use primping here.” Even so, soft color painted her cheeks. Maybe she was glad he’d noticed.

“I thought we’d start in the salon. With Renaldo gone, we’ll have to be careful we don’t miss anything.”

Rachel remained quiet as they worked their way downstairs. “Do you think there’s an attic where they’d hide valuable paintings?”

Scott thought about it. “Maybe. I need to find the caretakers Renaldo assigned.”

“Who?”

“Renaldo didn’t leave the paintings unguarded. A couple farmers have the task. Maybe they can give us guidance.” He looked out a window, taking in the view. “Let’s explore what’s around us and track where we’ve been.”

Maybe he could keep her out of trouble. And maybe the Germans would pull out of Florence without a fight.

August 3

The salon’s erratic collection felt like a mad art collector’s home. The paintings sat in an odd assortment of frames—some so elaborate they overwhelmed the painting, others so simple they looked like something her momma would have purchased at a five-and-dime. Each was a different size and contained different subjects. She couldn’t discern a pattern. Thirteenth-century masters were stacked next to those of the sixteenth century. Then brightly colored, gold-leaved altarpieces leaned next to small landscapes next to portraits. The altarpieces were a variety of tri-folds that would be wall mounted and smaller pieces that would sit on a table. There was even a collection of crucifixes on the floor. A truly eclectic collection that made her appreciate her mother’s lectures in Philadelphia’s various museums.

She walked toward the crosses, noting the pained expressions on Christ’s face. “Why would He do that?”

“What?” Scott looked up from the stack of paper he held.

“Allow them to hang Him on the cross. If He’s truly God’s Son, why not force His way down?”

“It was the only way to restore our relationship with God.”

A powerful God would allow that to be done to His child? “If God is the best Father, wouldn’t He protect His Son at all costs?”

Scott nodded. “That’s exactly what He did. He sacrificed His Son so the rest of us would have the opportunity to become His children. Sin creates a barrier of separation Jesus’ death destroyed. Now the barrier’s gone, and the choice is ours. To approach God out of gratefulness for what Jesus did and offer our lives to Him or to remain behind a broken barrier.” Scott set the inventory aside. “The best news is that though Jesus died, He rose from the dead. So while the crucifix shows Him on the cross, Christians know He’s no longer there or in the grave.”

“I’m glad I don’t have to grasp it all today.”

“Ask God to open your eyes and help you understand. He loves to do that.”

Rachel stepped away from the crosses, though the image stayed with her. “This could take a while.”

Scott strode to the middle of the room, an oddly open space when you considered paintings lined the walls. “Let’s get started.” He handed her a packet of papers. “This is the inventory. I’m not sure how it’s organized. Mark which room each painting is in so we can find it later if needed. We’ll also note the day and time we identify the painting. Just in case it disappears later.” He grimaced. “The Indian troops will leave soon, so I’ve radioed a request for standing guards.”

The morning melted into afternoon as Rachel watched Scott examine each painting. He’d say a title and artist, then she’d scan the list until she found the painting and checked it off. On occasion he’d dictate a note she added. As they worked their way around the room, the scope of his knowledge impressed her. At the rare times he didn’t recognize a painting, he’d scan the list until he could narrow it down.

“All right. That was the last one here.” Scott stood and dusted his hands off.

“Now where?”

“We’ll check each room. Hopefully the next will go faster.”

She followed him down to the door and inhaled as they walked in. “These must be by the same artist.”

“You’re right.” Scott seemed surprised by what was in the room. “I didn’t think he’d store his work here.”

Rachel turned toward him. “Renaldo? It looks like the drawings in my sketchbook.”

“I didn’t know they were here.”

What would it have been like to see this with her father? One painting might be sufficient to provide the money for the medical treatment Momma needed.
One piece.
Her fingers itched to hold one, to take it and sell it as fast as she could.

“I need food.” Rachel spun and left the room. She needed time away from the art. Time to think. She rushed through the maze, not caring if Scott followed. Yet after a minute, the soft thud of his steps followed behind her.

“Where are you going?”

She pushed into her room, throwing his inventory on the bed. She grabbed the sketchbook. “Look at this.” She pointed at the sketch of the woman staring into the distance. “This painting was in that room. It could fund the treatment Momma needs. Right now, I understand how someone could take one. One painting nobody would miss.”