Selected Stories (9781440673832) (15 page)

‘I can make her happy,' he replied, ‘if you order me; and when I have done so, perhaps you will trust me more.'

Emily's mother had started home, but Emily and the little friend still sat beside the tea-things—she in her white pique dress and biscuit straw, he in his rough but well-cut summer suit. The great pagan figure of the Faun towered insolently above them.

The friend was saying, ‘And have you never felt the appalling loneliness of a crowd?'

‘All that,' replied Emily, ‘have I felt, and very much more—'

Then the Faun laid his hands upon them. They, who had only intended a little cultured flirtation, resisted him as long as they could, but were gradually urged into each other's arms, and embraced with passion.

‘Miscreant!' I shouted, bursting from the wood. ‘You have betrayed me.'

‘I know it: I care not,' cried the little friend. ‘Stand aside. You are in the presence of that which you do not understand. In the great solitude we have found ourselves at last.'

‘Remove your accursed hands!' I shrieked to the Faun.

He obeyed and the little friend continued more calmly: ‘It is idle to chide. What should you know, poor clerical creature, of the mystery of love of the eternal man and the eternal woman, of the self-effectuation of a soul?'

‘That is true,' said Emily angrily. ‘Harry, you would never have made me happy. I shall treat you as a friend, but how could I give myself to a man who makes such silly jokes? When you played the buffoon at tea, your hour was sealed. I must be treated seriously: I must see infinities broadening around me as I rise. You may not approve of it, but so I am. In the great solitude I have found myself at last.'

‘Wretched girl!' I cried. ‘Great solitude! O pair of helpless puppets—'

The little friend began to lead Emily away, but I heard her whisper to him: ‘Dear, we can't possibly leave the basket for Harry after this: and mother's rug; do you mind having that in the other hand?'

So they departed and I flung myself upon the ground with every appearance of despair.

‘Does he cry?' said the Faun.

‘He does not cry,' answered the hill. ‘His eyes are as dry as pebbles.'

My tormentor made me look at him. ‘I see happiness at the bottom of your heart,' said he.

‘I trust I have my secret springs,' I answered stiffly. And then I prepared a scathing denunciation, but of all the words I might have said, I only said one and it began with ‘D'.

He gave a joyful cry, ‘Oh, now you really belong to us. To the end of your life you will swear when you are cross and laugh when you are happy. Now laugh!'

There was a great silence. All nature stood waiting, while a curate tried to conceal his thoughts not only from nature but from himself. I thought of my injured pride, of my baffled unselfishness, of Emily, whom I was losing through no fault of her own, of the little friend, who just then slipped beneath the heavy tea basket, and that decided me, and I laughed.

That evening, for the first time, I heard the chalk downs singing to each other across the valleys, as they often do when the air is quiet and they have had a comfortable day. From my study window I could see the sunlit figure of the Faun, sitting before the beech copse as a man sits before his house. And as night came on I knew for certain that not only was he asleep, but that the hills and woods were asleep also. The stream, of course, never slept, any more than it ever freezes. Indeed, the hour of darkness is really the hour of water, which has been somewhat stifled all day by the great pulsings of the land. That is why you can feel it and hear it from a greater distance in the night, and why a bath after sundown is most wonderful.

The joy of that first evening is still clear in my memory, in spite of all the happy years that have followed. I remember it when I ascend my pulpit—I have a living now—and look down upon the best people sitting beneath me pew after pew, generous and contented, upon the worse people, crowded in the aisles, upon the whiskered tenors of the choir, and the high-browed curates and the churchwardens fingering their bags, and the supercilious vergers who turn latecomers from the door. I remember it also when I sit in my comfortable bachelor rectory, amidst the carpet slippers that good young ladies have worked for me, and the oak brackets that have been carved for me by good young men; amidst my phalanx of presentation teapots and my illuminated testimonials and all the other offerings of people who believe that I have given them a helping hand, and who really have helped me out of the mire themselves. And though I try to communicate that joy to others—as I try to communicate anything else that seems good—and though I sometimes succeed, yet I can tell no one exactly how it came to me. For if I breathed one word of that, my present life, so agreeable and profitable, would come to an end, my congregation would depart, and so should I, and instead of being an asset to my parish, I might find myself an expense to the nation. Therefore in the place of the lyrical and rhetorical treatment, so suitable to the subject, so congenial to my profession, I have been forced to use the unworthy medium of a narrative, and to delude you by declaring that this is a short story, suitable for reading in the train.

FOR NO VERY INTELLIGIBLE REASON, Mr Lucas had hurried ahead of his party. He was perhaps reaching the age at which independence becomes valuable, because it is so soon to be lost. Tired of attention and consideration, he liked breaking away from the younger members, to ride by himself and to dismount unassisted. Perhaps he also relished that more subtle pleasure of being kept waiting for lunch, and of telling the others on their arrival that it was of no consequence.

So, with childish impatience, he battered the animal's sides with his heels, and made the muleteer bang it with a thick stick and prick it with a sharp one, and jolted down the hillsides through clumps of flowering shrubs and stretches of anemones and asphodel, till he heard the sound of running water, and came in sight of the group of plane trees where they were to have their meal.

Even in England those trees would have been remarkable, so huge were they, so interlaced, so magnificently clothed in quivering green. And here in Greece they were unique, the one cool spot in that hard brilliant landscape, already scorched by the heat of an April sun. In their midst was hidden a tiny Khan or country inn, a frail mud building with a broad wooden balcony in which sat an old woman spinning, while a small brown pig, eating orange peel, stood beside her. On the wet earth below squatted two children, playing some primaeval game with their fingers; and their mother, none too clean either, was messing with some rice inside. As Mrs Forman would have said, it was all very Greek, and the fastidious Mr Lucas felt thankful that they were bringing their own food with them, and should eat it in the open air.

Still, he was glad to be there—the muleteer had helped him off—and glad that Mrs Forman was not there to forestall his opinions—glad even that he should not see Ethel for quite half an hour. Ethel was his youngest daughter, still unmarried. She was unselfish and affectionate, and it was generally understood that she was to devote her life to her father and be the comfort of his old age. Mrs Forman always referred to her as Antigone, and Mr Lucas tried to settle down to the role of Oedipus, which seemed the only one that public opinion allowed him.

He had this in common with Oedipus, that he was growing old. Even to himself it had become obvious. He had lost interest in other people's affairs, and seldom attended when they spoke to him. He was fond of talking himself but often forgot what he was going to say, and even when he succeeded, it seldom seemed worth the effort. His phrases and gestures had become stiff and set, his anecdotes, once so successful, fell flat, his silence was as meaningless as his speech. Yet he had led a healthy, active life, had worked steadily, made money, educated his children. There was nothing and no one to blame: he was simply growing old.

At the present moment, here he was in Greece, and one of the dreams of his life was realized. Forty years ago he had caught the fever of Hellenism, and all his life he had felt that could he but visit that land, he would not have lived in vain. But Athens had been dusty, Delphi wet, Thermopylae flat, and he had listened with amazement and cynicism to the rapturous exclamations of his companions. Greece was like England: it was a man who was growing old, and it made no difference whether that man looked at the Thames or the Eurotas. It was his last hope of contradicting that logic of experience, and it was failing.

Yet Greece had done something for him, though he did not know it. It had made him discontented, and there are stirrings of life in discontent. He knew that he was not the victim of continual ill-luck. Something great was wrong, and he was pitted against no mediocre or accidental enemy. For the last month a strange desire had possessed him to die fighting.

‘Greece is the land for young people,' he said to himself as he stood under the plane trees, ‘but I will enter into it, I will possess it. Leaves shall be green again, water shall be sweet, the sky shall be blue. They were so forty years ago, and I will win them back. I do mind being old, and I will pretend no longer.'

He took two steps forward, and immediately cold waters were gurgling over his ankle.

‘Where does the water come from?' he asked himself. ‘I do not even know that.' He remembered that all the hillsides were dry; yet here the road was suddenly covered with flowing streams.

He stopped still in amazement, saying: ‘Water out of a tree—out of a hollow tree? I never saw nor thought of that before.'

For the enormous plane that leant towards the Khan was hollow—it had been burnt out for charcoal—and from its living trunk there gushed an impetuous spring, coating the bark with fern and moss, and flowing over the mule track to create fertile meadows beyond. The simple country folk had paid to beauty and mystery such tribute as they could, for in the rind of the tree a shrine was cut, holding a lamp and a little picture of the Virgin, inheritor of the Naiad's and Dryad's joint abode.

‘I never saw anything so marvellous before,' said Mr Lucas. ‘I could even step inside the trunk and see where the water comes from.'

For a moment he hesitated to violate the shrine. Then he remembered with a smile his own thought—‘the place shall be mine; I will enter it and possess It'—and leapt almost aggressively on to a stone within.

The water pressed up steadily and noiselessly from the hollow roots and hidden crevices of the plane, forming a wonderful amber pool ere it spilt over the lip of bark on to the earth outside. Mr Lucas tasted it and it was sweet, and when he looked up the black funnel of the trunk he saw sky which was blue, and some leaves which were green; and he remembered, without smiling, another of his thoughts.

Others had been before him—indeed he had a curious sense of companionship. Little votive offerings to the presiding Power were fastened on to the bark—tiny arms and legs and eyes in tin, grotesque models of the brain or the heart—all tokens of some recovery of strength or wisdom or love. There was no such thing as the solitude of nature, for the sorrows and joys of humanity had pressed even into the bosom of a tree. He spread out his arms and steadied himself against the soft charred wood, and then slowly leant back, till his body was resting on the trunk behind. His eyes closed, and he had the strange feeling of one who is moving, yet at peace—the feeling of the swimmer, who, after long struggling with chopping seas, finds that after all the tide will sweep him to his goal.

So he lay motionless, conscious only of the stream below his feet, and that all things were a stream, in which he was moving.

He was aroused at last by a shock—the shock of an arrival perhaps, for when he opened his eyes, something unimagined, indefinable, had passed over all things, and made them intelligible and good.

There was meaning in the stoop of the old woman over her work, and in the quick motions of the little pig, and in her diminishing globe of wool. A young man came singing over the streams on a mule, and there was beauty in his pose and sincerity in his greeting. The sun made no accidental patterns upon the spreading roots of the trees, and there was intention in the nodding clumps of asphodel, and in the music of the water. To Mr Lucas, who, in a brief space of time, had discovered not only Greece, but England and all the world and life, there seemed nothing ludicrous in the desire to hang within the tree another votive offering—a little model of an entire man.

‘Why, here's papa, playing at being Merlin.'

All unnoticed they had arrived—Ethel, Mrs Forman, Mr Graham, and the English-speaking dragoman. Mr Lucas peered out at them suspiciously. They had suddenly become unfamiliar, and all that they did seemed strained and coarse.

‘Allow me to give you a hand,' said Mr Graham, a young man who was always polite to his elders.

Mr Lucas felt annoyed. ‘Thank you, I can manage perfectly well by myself,' he replied. His foot slipped as he stepped out of the tree, and went into the spring.

‘Oh, papa, my papa!' said Ethel, ‘what are you doing? Thank goodness I have got a change for you on the mule.'

She tended him carefully, giving him clean socks and dry boots, and then sat him down on the rug beside the lunch basket, while she went with the others to explore the grove.

They came back in ecstasies, in which Mr Lucas tried to join. But he found them intolerable. Their enthusiasm was superficial, commonplace, and spasmodic. They had no perception of the coherent beauty that was flowering around them. He tried at least to explain his feelings, and what he said was:

‘I am altogether pleased with the appearance of this place. It impresses me very favourably. The trees are fine, remarkably fine for Greece, and there is something very poetic in the spring of clear running water. The people too seem kindly and civil. It is decidedly an attractive place.'