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Authors: Michael Robotham

Say You're Sorry

BOOK: Say You're Sorry
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Copyright
 

The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.

Copyright © 2012 by Bookwrite Pty Ltd.

All rights reserved. In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher constitute unlawful piracy and theft of the author’s intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at [email protected]. Thank you for your support of the author’s rights.

Mulholland Books / Little, Brown and Company

Hachette Book Group

237 Park Avenue, New York, NY 10017

hachettebookgroup.com

twitter.com/littlebrown

First e-book edition: October 2012

Mulholland Books is an imprint of Little, Brown and Company, a division of Hachette Book Group, Inc. The Mulholland Books name and logo are trademarks of Hachette Book Group, Inc.

The publisher is not responsible for websites (or their content) that are not owned by the publisher.

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ISBN 978-0-316-22125-2

Contents
 

Welcome

Dedication

Epigraph

 

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Chapter 47

Chapter 48

Chapter 49

Chapter 50

Chapter 51

Acknowledgments

 

About the Author

 

Also by Michael Robotham

 

Newsletters

 

Copyright

For Alex

 

“I recognize the moment I’m standing in. This is the moment before. This is the breath you take.”

J
ON
B
AUER
,
R
OCKS IN THE
B
ELLY

 
 

M
y name is Piper Hadley and

I went missing on the last Saturday of the summer holidays three years ago. I didn’t disappear completely and I didn’t run away, which is what a lot of people thought (those who didn’t believe I was dead). And despite what you may have heard or read, I didn’t get into a stranger’s car or run off with some sleazy pedo I met online. I wasn’t sold to Egyptian slave traders or forced to become a prostitute by a gang of Albanians or trafficked to Asia on a luxury yacht.

I’ve been here all along—not in Heaven or in Hell or that place in between whose name I can never remember because I didn’t pay attention at Sunday scripture classes. (I only went for the cake and the cordial.)

I’m not exactly sure of how many days or weeks or months I’ve been here. I tried to keep count, but I’m not very good with numbers. Completely crap, to be honest. You can ask Mr. Monroe, my old math teacher, who said he lost his hair teaching me algebra. That’s bollocks by the way. He was balder than a turtle on chemo before he ever taught me.

Anyone who follows the news will know that I didn’t disappear alone. My best friend Tash was with me. I wish she were here now. I wish she’d never squeezed through the window. I wish I had gone in her place.

When you read those stories about kids who go missing, they are always greatly loved and their parents want them back, whether it’s true or not. I’m not saying that we weren’t loved or missed, but that’s not the whole story.

Kids who blitz their exams don’t run away. Winners of beauty pageants don’t run away. Girls who date hot guys don’t run away. They’ve got a reason to stay. But what about the kids who are bullied or borderline anorexic or self-conscious about their bodies or sick of their parents fighting? There are lots of factors that might push a kid to run away and none of them are about being loved or wanted.

I don’t want to think about Tash because I know it’s going to make me upset. My handwriting is messy at the best of times, which is weird when you consider I won a handwriting competition when I was nine and they gave me a fountain pen in a fancy box that bit my finger every time I closed it.

We disappeared together, Tash and me. That was a summer of hot winds and fierce storms that came and went like, well, storms do. It was on a clear night at the end of August after the Bingham Summer Festival, when the funfair rides had fallen silent and the colored lights had been turned off.

They didn’t realize we were gone until the next morning. At first it was just our families who searched, then neighbors and friends, calling our names across playgrounds, down streets, over hedges and across the fields. As the hours mounted they phoned the police and a proper search was organized. Hundreds of people gathered on the cricket field, dividing up into teams to search the farms, forests and along the river.

By the second day there were five hundred people, police helicopters, sniffer dogs and soldiers from RAF Brize Norton. Then came the journalists with their satellite dishes and broadcast vans, parking on Bingham Green and paying locals to use their toilets. They did their reports from in front of the town clock, telling people there was nothing to report, but saying it anyway. This went on for days on every channel, every hour, because the public wanted to be kept up-to-date on the nothingness.

They called us “the Bingham Girls” and people made shrines of flowers and tied yellow ribbons to lampposts. There were balloons and soft toys and candles just like when Princess Diana died. Complete strangers were praying for us, weeping as though we belonged to them, as though we summed up the tragedies in their own lives.

We were like fairy-tale twins, like Hansel and Gretel or the babes in the wood, or the Soham girls in their matching Man United shirts. I remember the Soham girls because our school sent cards to their families saying our prayers were with them.

I don’t like those old fairy tales—the ones about children getting eaten by wolves or kidnapped by witches. At our primary school they took Hansel and Gretel off the shelves because some of the parents complained it was too scary for children. My dad called them PC Nazis and said next time they’d be saying Humpty Dumpty promoted violence against unborn chickens.

My dad isn’t famous for his sense of humor, but he does have his moments. He once made me laugh so hard I snorted tea out my nose.

As the days passed, the media storm blew through Bingham. Cameras came into our houses, up the stairs, into our bedrooms. My bra was hanging off the doorknob and there was an empty tampon box on my bedside table. They called it a typical teenager’s room because of the posters and my collection of crystals and my photo-booth portraits of my friends.

My mum would normally have gone mental about the house being so messy, but she mustn’t have felt much like cleaning up. She didn’t feel much like breathing by the look of her. Dad did most of the talking, but still came across as a man of few words, the strong silent type.

Our parents picked apart our last days, putting them together from fragments of information like those scrapbooks people make about their newborn babies. Every detail seemed important. What book I was reading: Curious Incident—for the sixth time. What DVD I last borrowed: Shaun of the Dead. If I had a boyfriend: Yeah, right!

Everyone had a story about us—even the people who never liked us. We were cheeky, fun-loving, popular, hard-working; we were straight-A students. I laughed my ass off at that one.

People put a shine on us that wasn’t there for real, making us into the angels they wanted us to be. Our mothers were decent. Our fathers were blameless. Perfect parents who didn’t deserve to be tormented like this.

Tash was the bright one and the pretty one. She knew it too. Always wearing short skirts and tight tops. Even in her school uniform she was striking, with breasts like hood ornaments that announced her arrival. They belonged to a grown woman, a lucky woman, a woman who could model bras or be draped over the bonnet of a sports car at a motor show. She lapped up the attention, rolling the waistband of her skirt to make it shorter, undoing the top button of her blouse.

At fifteen a girl’s looks are pretty fickle. Some blossom and others play the clarinet. I was skinny with freckles, a big old head of tangly black hair, a pointy chin and the eyelashes of a llama. My assets hadn’t arrived, or they’d been delivered to someone who must have prayed harder, or prayed at all.

I was built for speed rather than low-cut dresses and short skirts. Rake-thin, a runner, I was second in the nationals for my age group. My father said I was part-whippet, until I pointed out that likening me to a dog did nothing for my self-esteem. Homely, was my grandmother’s description. Bookish, said my mother. They could have said plain as a pikestaff, but I don’t know what a pikestaff looks like. Maybe I make a pikestaff look good.

Tash was an ugly duckling that blossomed into a swan, while I was the duckling who grew into a duck—a less happy ending, I know, but more realistic. Put another way, if I was an actress in a horror movie, you’d take one look at me and say, “She’s toast.” Whereas Tash would be the girl who gets her kit off in the shower and is rescued in the nick of time and lives happily ever after with the hero and his perfect teeth.

BOOK: Say You're Sorry
11.86Mb size Format: txt, pdf, ePub
ads

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