Rabbit is rich (27 page)

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Authors: John Updike

Tags: #Psychological, #Middle Class Men, #Romance, #Fiction, #Literary, #Harry (Fictitious character), #Angstrom, #Fiction - General, #General

BOOK: Rabbit is rich
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"Oh," Campbell says, rolling his eyes toward the ceiling, "I should think, considering the various factors, we could get three of them in in two weeks. I just happen, the officious clergyman said, to have my appointment book here." Before reaching into the breast pocket of the seersucker coat, Campbell taps out the bowl of his pipe with a finicky calm that conveys to Harry the advantages of being queer: the world is just a gag to this guy. He walks on water; the mud of women and making babies never dirties his shoes. You got to take off your hat: nothing touches him. That's real religion.

Some rebellious wish to give him a poke, to protest the smooth bargain that has been struck, prompts Harry to say, "Yeah, we want to get 'em in before the baby comes. He'll be here by Christmas."

"God willing," Campbell smiles, adding, "He or she."

"January," Pru says in a whisper, after putting down her glass. Harry can't tell if she is pleased or displeased by the gallant way he keeps mentioning the baby that everybody else wants to ignore. While the appointments are being set up she and Nelson sit on that sofa like a pair of big limp Muppets, with invisible arms coming up through the cushions into their torsos and heads.

"Fred had his birthday in January," Ma Springer announces, grunting as she tries to get out of the Barcalounger, to see the minister off.

"Oh Mother," Janice says. "One twelfth of the world has January birthdays."

"I was born in January," Archie Campbell says, rising. He grins to show his seedy teeth. "In my case, after much prayerful effort. My parents were ancient. It's a wonder I'm here at all."

The next day a warm rain is beginning to batter the yellowing leaves down from the trees in the park along Cityview Drive as Harry and Nelson drive through Brewer to the lot. The kid is still persona non grata but he's asked to check on the two convertibles he crunched, one of which, the Royale, Manny is repairing. The '72 Mercury, hit twice from the side, was more severely damaged, and parts are harder to get. Rabbit's idea had been when the kid went off to school to sell it for junk and write off the loss. But he didn't have the heart not to let the boy look at the wrecks at least. Then Nelson is going to borrow the Corona and visit Billy Fosnacht before he goes back to Boston to become an endodontist. Harry had a root canal job once; it felt like they were tickling the underside of his eyeball. What a hellish way to make a living. Maybe there's no entirely good way. The Toyota's windshield wipers keep up a steady rubbery singsong as the Brewer traffic slows, brake lights burning red all along Locust Boulevard. The Castle has started up again and yellow school buses loom ahead in the jam. Harry switches the wipers from Fast to Intermittent and wishes he still smoked cigarettes. He wants to talk to the kid.

"Nelson."

"Unhh?"

"How do you feel?"

"O.K. I woke up with a soreness in my throat but I took two of those five-hundred-milligram vitamin Cs Melanie talked Bessie into getting."

"She was really a health nut, wasn't she? Melanie. We still have all that Granola in the kitchen."

"Yeah, well. It was part of her act. You know, mystical gypsy. She was always reading this guru, I forget his name. It sounded like a sneeze."

"You miss her?"

"Melanie? No, why would I?"

"Weren't you kind of close?"

Nelson avoids the implied question. "She was getting pretty grouchy toward the end."

"You think she and Charlie went off together?" _ "Beats me," the boy says.

The wipers, now on Intermittent, startle Rabbit each time they switch across, as if someone other than he is making decisions in this car. A ghost. Like in that movie about Encounters of the Third Kind the way the truck with Richard Dreyfuss in it begins to shake all over and the headlights behind rise up in the air instead of pulling off to one side. He readjusts the knob from Intermittent to Slow. "I didn't mean your physical health, exactly. I meant more your state of mind. After last night."

"You mean about that sappy minister? I don't mind going over to listen to his garbage a couple times if it'll satisfy the Springer honor or whatever."

"I guess I mean more about the marriage in general. Nellie, I don't want to
see you
railroaded into anything."

The boy sits up a little in the side of Harry's vision; the yellow buses ahead pull into the Brewer High driveway and the line of cars begins to move again, slowly, beside a line of parked cars whose rooftops are spattered with
leaves
the rain has brought down. "Who says I'm being railroaded?"

"Nobody says it. Pru seems a fine girl, if you're ready for marriage."

"You don't think I'm ready. You don't think I'm ready for anything."

He lets the hostility pass, trying to talk meditatively, like Webb Murkett. "You know, Nelson, I'm not sure any man is ever a hundred per cent ready for marriage. I sure as hell know I wasn't, from the way I acted toward your mother."

"Yeah, well," the boy says, in a voice a little crumbled, from his father's not taking the bait. "She got her own back."

"I never could hold that against her. Or Charlie either. You ought to understand. After we got back together that time, we've both been pretty straight. We've even had a fair amount of fun together, in our dotage. I'm just sorry we had so much working out to do, with you still on the scene."

"Yeah, well." Nelson's voice sounds breathy and tight, and he keeps looking at his knees, even when Harry hangs that tricky left turn onto Eisenhower Avenue. The boy clears his throat and volunteers, "It's the times, I guess. A lot of the kids I got to know at Kent, they had horror stories worse than any of mine."

"Except that thing with Jill. They couldn't top that, I bet." He doesn't quite chuckle. Jill is a sacred name to the boy; he will never talk about it. Harry goes on clumsily, as the car gains momentum downhill and the spic and black kids strolling uphill to school insolently flirt with danger, daring him to hit them, his fenders brushing their bodies, "There's something that doesn't feel right to me in this new development. The girl gets knocked up, O.K., it takes two to tango, you have some responsibility there, nobody can deny it. But then as I understand it she flat out refuses to get the abortion, when one of the good things that's come along in twenty years along with a lot that's not so good is you can go have an abortion

now right out in the open, in a hospital, safe and clean as having your appendix out."

So?"

"So why didn't she?"

The boy makes a gesture that Rabbit fears might be an attempt to grab the wheel; his grip tightens. But Nelson is merely waving to indicate a breadth of possibilities. "She had a lot of reasons. I forget what all they were."

"I'd like to hear them."

"Well for one thing she said she knew of women who had their insides all screwed up by abortions, so they could
never
have a baby. You say it's easy as an appendix but you've never had it done. She didn't
believe
in it."

"I thought she wasn't that much of a Catholic."

"She wasn't, she isn't, but still. She said it wasn't natural."

"What's natural? In this day and age with all these contraceptives getting knocked up like that isn't natural."

"Well she's shy, Dad. They don't call her Pru for nothing. Going to a doctor like that, and having him scrape you out, she just didn't want to do it."

"You bet she didn't. Shy. She wanted to have a baby, and she wasn't too shy to manage that. How much younger're you than she?"

"A year. A little more. What does it matter? It wasn't just a baby she wanted to have, it was my baby. Or so she said."

"That's sweet. I guess. What did you think about it?"

"I thought it was O.K., probably. It was her body. That's what they all tell you now, it's their body. I didn't see much I could do about it."

"Then it's sort of her funeral, isn't it?"

"How do you mean?"

"I mean," Harry says, in his indignation honking at some kids at the intersection of Plum Street who saunter right out toward him, this early in the school year the crossing guards aren't organized yet, "so she decides to keep pregnant till there's no correcting it while this other girl babysits for you, and your mother and grandmother and now this nance of a minister all decide when and how you're going to marry the poor broad. I mean, where do you come in? Nelson Angstrom. I mean, what do you want? Do you know?" In his frustration he hits the rim of the steering wheel with the heel of his hand, as the avenue dips down beneath the blackened nineteenth-century stones of the underpass at Eisenhower and Seventh, that in a bad rainstorm is flooded but not today. The arch of this underpass, built without a keystone, by masons all long dead, is famous, and from his earliest childhood has reminded Rabbit of a crypt, of death. They emerge among the drooping wet pennants of low-cost factory outlets.

"Well, I want -"

Fearing the kid is going to say he wants a job at Springer Motors, Harry interrupts: "You look scared, is all I see. Scared to say, No to any of these women. I've never been that great at saying No either, but just because it runs in the family doesn't mean you have to get stuck. You don't necessarily have to lead my life, I guess is what I want to say."

"Your life seems pretty comfy to me, frankly." They turn down Weiser, the forest of the inner-city mall a fogged green smear in the rearview mirror.

"Yeah, well," Harry says, "it's taken me a fair amount of time to get there. And by the time you get there you're pooped. The world," he tells his son, "is full of people who never knew what hit 'em, their lives are over before they wake up."

"Dad, you keep talking about yourself but I don't see what it has to do with
me.
What
can I
do with Pru except marry her? She's not so bad, I mean I've known enough girls to know they all have their limits. But she's a person, she's a friend. It's as if you want to deny her to me, as if you're jealous or something. The way you keep mentioning her baby."

This kid should have been spanked at some point. "I'm not jealous, Nelson. Just the opposite. I feel sorry for you."

"Don't feel sorry for me. Don't waste your feelings on me."

They pass Schoenbaum Funeral Directors. Nobody out front in this rain. Harry swallows and asks, "Don't you want out, if we could rig it somehow?"

"How could we rig it? She's in her fifth month."

"She could go ahead have the baby without you marrying her. These adoption agencies are crying for white babies, you'd be doing somebody else a favor."

"Pru would never consent."

"Don't be too sure. We could ease the pain. She's one of seven, she knows the value of a dollar."

"Dad, this is crazy talk. You're forgetting this baby is a person. An Angstrom!"

"Jesus, how could I forget that?"

The light at the foot of Weiser, before the bridge, is red. Harry looks over at his son and gets an impression of something freshly hatched, wet and not quite unfolded. The light turns green. A bronze plaque on a pillar of pebbled concrete names the mayor for whom the bridge was named but it is raining too hard to read it.

He starts up again, "Or you could just, I don't know, not make any decision, just disappear for a while. I'd give you the money for that."

"Money, you're always offering me money to stay away."

"Maybe because when I was your age I wanted to get away and I couldn't. I didn't have the money. I didn't have the sense. We tried to send you away to get some sense and you've thumbed your nose at it."

"I haven't thumbed my nose, it's just that there's not that much out there. It isn't what you think, Dad. College is a rip-off, the professors are teaching you stuff because they're getting paid to do it, not because it does you any good. They don't give a fuck about geography or whatever any more than you do. It's all phony, they're there because parents don't want their kids around the house past a certain age and sending them to college makes them look good. `My little Johnny's at Haavahd.' `My little Nellie's at Kent."'

"Really, that's how you see it? In my day kids
wanted
to get out in the world. We were scared but not so scared we kept running back to Mama. And Grandmama. What're you going to do when you run out of women to tell you what to do?"

"Same thing you'll do. Drop dead."

D I S C O. DATSUN. FUEL ECONOMY. Route 111 has a certain beauty in the rain, the colors and the banners and the bluish asphalt of the parking lots all run together through the swish of traffic, the beat of wipers. Rubbery hands flailing,
Help, help.
Rabbit has always liked rain, it puts a roof on the world. "I just don't like seeing you
caught,"
he blurts out to Nelson. "You're too much
me."

Nelson gets loud. "I'm not you! I'm not caught!"

"Nellie, you're caught. They've got you. and you didn't even squeak. I hate to see it, is all. All I'm trying to say is, as far as I'm concerned you don't have to go through with it. If you want to get out of it, I'll help you."

"I don't want to be helped that way! I
like
Pru. I like the way she looks. She's great in bed. She needs me, she thinks I'm neat. She doesn't think I'm a baby. You say I'm caught but I don't feel caught, I feel like I'm becoming a man!"

Help, help.

"Good," Harry says then. "Good luck."

"Where I want your help, Dad, you won't give it."

"Where's that?"

"Here. Stop making it so hard for me to fit in at the lot."

They turn into the lot. The tires of the Corona splash in the gutter water rushing toward its grate along the highway curb. Stonily Rabbit says nothing.

III

A NEW SHOP has opened on Weiser Street in one of those scruffy blocks between the bridge and the mall, opposite the enduring old variety store that sells out-of-town newspapers, warm unshelled peanuts, and dirty magazines for queers as well as straights. From the look of it the new store too might be peddling smut, for its showcase front window is thoroughly masked by long thin blond Venetian blinds, and the lettering on its windows is strikingly discreet. Gold letters rimmed in black and very small simply say FISCAL ALTERNATIVES and below that, smaller yet,
Old Coins, Silver and Gold Bought and Sold.
Harry passes the place by car every day, and one day, there being two empty metered spaces he can slide into without holding up traffic, he parks and goes in. The next day, after some business at his bank, the Brewer Trust two blocks away, he comes out of Fiscal Alternatives with thirty Krugerrands purchased for $377.14 each, including commission and sales tax, coming to $11,314.20. These figures had been run off inside by a girl with platinum hair; her long scarlet fingernails didn't seem to hamper her touch on the hand computer. She was the only person visible, at her long glass-topped desk, with beige sides and swivel chair to match. But there were voices and monitoring presences in other rooms, back rooms into which she vanished and from which she emerged with his gold. The coins came in cunning plastic cylinders of fifteen each, with round bluetinted lids that suggested dollhouse toilet seats; indeed, bits of what seemed toilet paper were stuffed into the hole of this lid to make the fit tight and to conceal even a glimmer of the sacred metal. So heavy, the cylinders threaten to tear the pockets off his coat as Harry hops up Ma Springer's front steps to face his family. Inside the front door, Pru sits knitting on the gray sofa and Ma Springer has taken over the Barcalounger to keep her legs up while some quick-upped high yellow from Philly is giving her the six-o'clock news. Mayor Frank Rizzo has once again denied charges of police brutality, he says, in a rapid dry voice that pulls the rug out from every word. Used to be Philadelphia was a distant place where no one dared visit, but television has pulled it closer, put its muggy murders and politics right next door. "Where's Janice?" Harry asks.

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