Possessed (51 page)

“Joan Crawford said”
Judy Geeson, interview with author, 1998 and 2002; see also
Joan Crawford, The Ultimate Movie Star,
directed by Peter Fitzgerald for Turner Classic Movies, 2002.
“She wears her loneliness”
Mann, “Crawford: ‘Listen.’ ”

273
“I didn’t want them”
Robert Windeler, “Joan Crawford Takes Daughter’s Soap Opera Role,”
New York Times,
October 23, 1968.

“was beginning to relive”
Christina Crawford, 255.

“I refuse to apologize”
Patricia Bosworth, “ ‘I’m Still an Actress! I Want to Act!’ “
New York Times,
September 24, 1972; Mann, “Crawford, ‘Listen.’ ”

274
“proves that Joan” New York Times,
October 19, 1970.

“She was always doing”
Weaver, 79; http://www.hermancohen.com/interviewattack6.html.

276
“and at every pause”
JC,
My Way of Life,
124.
“Charm is a touch of magic”
Ibid., 212.

277
“Every time she appears”
McCandlish Phillips, “Book Promotion,”
New York Times,
December 31, 1971.

CHAPTER FOURTEEN

278
“strict discipline … imposed”
Bacon, 23.

279
“We didn’t have any problems”
Kotsilibas-Davis and Loy, 324.
“had her own axe to grind”
Tapert, 64.

“Mommie Dearest
was not an accurate”
Ibid., 64–65.

280
“I haven’t got a clue”
Carl Johnes, “Why Joan Crawford Won’t Go Away,”
Hollywood Then & Now,
August and September 1992.

“My daughter Christina”
JC, interview by John Springer, Town Hall, April 8, 1973.

“Who knows about books”
Alvin Klein, “Meet Carl Johnes—Actor, Agent, Editor, Author,”
New York Times,
January 13, 1985.

281
“one of the most rewarding friendships”
Johnes, 16.

281
Joan’s checkbook stubs
JC’s checkbook stubs and receipts are on deposit with her papers at the New York Public Library for the Performing Arts at Lincoln Center.

282
“More than anything”
William Haines, letter to JC, December 25, 1972, JC Archives/NYPL.

“In private life ”
George Cukor, “She Was Consistently Joan Crawford, Star,”
New York Times,
May 22, 1977.
“She never took”
Johnes, 96–97.

283
“Well… I didn’t play Harriet Craig”
Ibid., 28.

285
“Most of them are trash”
Patricia Bosworth, “ ‘I’m Still an Actress! I Want to Act!’ ”
New York Times,
September 24, 1972.

“She was very lonely”
Charles Walters, interviewed in
The Hollywood Greats,
television series, first broadcast 3 August 1978 by BBC-TV, written by Barry Norman and directed by Judy Lindsay.

“I’m so sorry I can’t see you”
Adele Whitely Fletcher, “I Remember Joan,”
Modern Screen,
August 1977.

289
“just a wonderful Mom”
Cathy Crawford LaLonde, interviewed by Lois Cahall on
Good Morning America,
ABC-TV, March 16, 2008.

“Mommie Dearest
was fake”
Al Weisel, “Mommie Weirdest,”
US
magazine, November 1998.

“very thin, very frail”
Casey LaLonde is noteworthy for his consistent and ardent defense of his grandmother. See especially http://www.legendaryjoan crawford.com/askcasey.html and http://www.midnightpalace.com/interview caseylalonde.htm.

“All I can say is that”
Cathy LaLonde, Cahall interview.
“I’m so sorry, Mommie”
Chandler, 558–59.

290
“I’ve been on the receiving end”
Fletcher, “I Remember Joan.”
“I always knew that Mother”
Christina, 275–76.

291
“just because it’s more comfortable”
Bosworth, “I’m Still an Actress!”
“Gradually, I filled my life”
JC,
A Portrait of Joan,
122–23.

292
“She sounded timorous”
Johnes, 158–59.

“There’s nothing presented to us”
JC, letter to Pearl Pezoldt, December 14, 1943.

Bibliography

Allen, Frederick Lewis.
Only Yesterday: An Informal History of the Nineteen-Twenties.

New York: Harper & Bros., 1931.

Arnold, Eve.
In Retrospect.
New York: Knopf, 1995.

Bacon, James.
Made in Hollywood.
New York: Warner, 1978.

Basinger, Jeanine.
A Woman’s View: How Hollywood Spoke to Women, 1930–1960.
New

York: Knopf, 1993.

_____
The Star Machine.
New York: Knopf, 2007.

Bellah, James Warner.
Dancing Lady.
New York: Farrar and Reinhart, 1932.

Belloc Lowndes, Marie.
Letty Lynton.
London: Hutchinson, 1931.

Björn, Lars, and Jim Gallert.
Before Motown: A History of Jazz in Detroit, 1920–1960.

Ann Arbor: University of Michigan Press, 2001. Cain, James M.
The Postman Always Rings Twice, Double Indemnity, Mildred Pierce and

Selected Stories.
New York: Knopf/Everyman’s Library, 2003.

Castle, William.
Step Right Up! I’m Gonna Scare the Pants Off America.
New York: G.

P. Putnam’s Sons, 1976. Chandler, Charlotte.
Not the Girl Next Door.
New York: Doubleday Home Library Edition, 2008.

Cowie, Peter.
Joan Crawford the Enduring Star.
New York: Rizzoli, 2009. Crawford, Christina.
Mommie Dearest.
New York: William Morrow, 1978.

Crawford, Joan, with Audrey Davenport Inman.
My Way of Life.
New York: Pocket, 1972.

______, with Jane Kesner Ardmore.
A Portrait of Joan.
New York: Paperback

Library, 1964.

Crothers, Rachel.
Susan and God.
New York: Random House, 1938.

Deatherage, D. Gary.
The Other Side of My Life.
Nashville, TN: Winston-Derek

Publishers, 1991.

Engstead, John.
Star Shots.
New York: E. P. Dutton, 1978.

Esquevin, Christian.
Adrian—Silver Screen to Custom Label.
New York: Monacelli Press, 2008.

Fairbanks, Douglas, Jr.
The Salad Days.
New York: Doubleday, 1988.

Gledhill, Christine, ed.
Stardom—Industry of Desire.
London and New York: Routledge, 1991.

Haver, Ronald.
David O. Selznick’s Hollywood.
New York: Knopf, 1980.

Hayes, Helen, with Katherine Hatch.
My Life in Three Acts.
New York: Harcourt Brace Jovanovich, 1990.

Hayward, Brooke.
Haywire.
New York: Knopf, 1977.

Hopper, Hedda.
From Under My Hat.
Garden City, NY: Doubleday, 1952.

Johnes, Carl.
Crawford: The Last Years.
New York: Dell, 1979.

Kanin, Fay.
Goodbye, My Fancy.
New York: Samuel French, 1976.

Kobal, John.
People Will Talk.
New York: Knopf, 1986.

Kotsilibas-Davis, James, and Myrna Loy.
Myrna Loy: Being and Becoming.
New York: Donald I. Fine, 1988.

LaValley, Albert J., ed.
Mildred Pierce.
Madison: University of Wisconsin Press, 1980.

Lockwood, Charles.
Dream Palaces: Hollywood at Home.
New York: Viking, 1981.

Miller, Eugene L., and Edwin T. Arnold.
Robert Aldrich: Interviews.
Jackson, MS: University Press of Mississippi, 2004.

Moore, Dick.
Twinkle, Twinkle, Little Star.
New York: Harper & Row, 1984.

Morin, Edgar.
The Stars.
Translated from the French by Richard Howard. Minneapolis: University of Minnesota Press, 2005.

Newquist, Roy.
Conversations with Joan Crawford.
New York: Berkley Books, 1981.

Osborne, Robert.
70 Years of the Oscar—The Official History of the Academy Awards.
New York: Abbeville, 1999.

Postrel, Virginia.
The Substance of Style: How the Rise of Aesthetic Value Is Remaking Commerce, Culture, and Consciousness.
New York: Harper Perennial, 2004.

Quirk, Lawrence J.
The Films of Joan Crawford.
New York: Citadel Press, 1968.

Quirk, Lawrence J., and William Schoell.
Joan Crawford—The Essential Biography.
Lexington: University Press of Kentucky, 2002.

Rivkin, Alan, and Laura Kerr.
Hello, Hollywood!—The Story of the Movies by the People Who Make Them.
Garden City: Doubleday, 1962.

Sherman, Vincent.
Studio Affairs—My Life as a Film Director.
Lexington: University Press of Kentucky, 1996.

Spoto, Donald.
Blue Angel: The Life of Marlene Dietrich.
New York: Doubleday, 1992.

____
.
Laurence Olivier: A Biography.
New York: HarperCollins, 1992.

____
.
Notorious: The Life of Ingrid Bergman.
New York and London: HarperCollins, 1997.

Swanson, Gloria.
Swanson on Swanson.
New York: Random House, 1980.

Tapert, Annette.
The Power of Glamour.
New York: Crown, 1998.

Thomas, Bob.
Joan Crawford—A Biography.
New York: Bantam, 1979.

Thompson, Howard.
The New York Times Guide to Movies on TV.
Chicago: Quadrangle Books, 1970.

Thorp, Margaret Farrand.
America at the Movies.
New Haven: Yale University Press, 1939.

Vogel, Michelle.
Joan Crawford—Her Life in Letters.
Louisville, KY: Wasteland Press, 2005.

Walker, Alexander.
Joan Crawford—The Ultimate Star.
New York: Harper & Row, 1983.

Weaver, Tom.
Attack of the Monster Movie Makers.
Jefferson, NC: McFarland, 1994.

Index

The pagination of this electronic edition does not match the edition from which it was created. To locate a specific passage, please use the search feature of your e-book reader.

21 Club (New York City), 258

39 Steps
(film), 166

42nd Street
(musical), 106

Above Suspicion
(film), 166–67, 168, 170, 179, 201

Academy Awards: for Borzage, 141; for
The Broadway Melody,
62; for Crawford, 183–84; Crawford nominations for, 189, 217; for Curtiz, 174; Davis nomination for, 256; for Gable, 119; for
Grand
Hotel,
93; for
It Happened One Night,
119;
Mildred Pierce
nominations for, 182–84; and
Sudden Fear,
217; and
A Woman’s Face,
156–57

Academy of Motion Picture Arts and Sciences, 18

Across to Singapore
(film), 56

actors/actresses: aging, 241, 262–63; Crawford’s relationships with other, 94, 217–18, 220, 225–26, 247–48, 250; pretending by, 210.
See also
specific person

Actors Studio, 281

Adrian (designer), 58–59, 66, 69, 83, 109, 110, 120, 123, 142, 213

Aherne, Brian, 121, 249

airplane: Crawford’s rides on, 98, 232, 264

Albert, Katherine, 51, 92

Aldrich, Robert, 235, 237–38, 251–56, 267, 268

Andrews, Dana, 130, 191–92

Arden, Eve, 109, 174, 183, 211

Arnold, Edward, 130

Arnold, John “Jack,” 21, 33, 42

Arzner, Dorothy, 127, 215

Astaire, Fred, 107, 108, 133

Astaire, Marie, 43

Asther, Nils, 57, 96, 130

Astor, Mary, 40

Autumn Leaves
(film), 235–38, 252

Ayres, Lew, 137