Payoff for the Banker (29 page)

George brought new drinks. Leonard looked at his in apparent surprise. He started it. He said he was getting off the track.

“Actually,” he said, “not so far off. Carey and this girl are obviously seeing a lot of each other. I don't know how much, of course. I would think a—lot.” He gave the last word a special emphasis, an intentional importance. He picked up his glass and looked at it, but for a moment did not, to Pam North, seem to see it. Then he did see it and moved it to his lips.

“This girl's named Peggy,” he said. “Mrs. Peggy Mott. She wrote about hate. She was one of the few who did.” He looked at Pam North. “Actually,” he said, “not many people really experience hatred, you know. Annoyance, dislike, disapproval, but not the big thing. Well—this girl, this Peggy Mott—she has experienced it. She is experiencing it. This little essay she wrote, this paper, it was about the real thing. I'd stake—well, that's my business. I'd stake my job on it, my chance for a full professorship. This pretty young woman—she's blond, very pretty smooth hair, very wide eyes—hates somebody so much that she could kill him. And—I think she's
going
to kill him!”

“It's a man, then,” Pam said. “Does she—identify him?”

Leonard shook his head.

“Actually,” he said, “I only think it's a man. She says ‘this person,' ‘the one I hate'—that sort of thing. She doesn't write particularly well. It's full of clichés, of obvious words. I don't think she even tried to—well, to write it, to make it sound like an abstraction, like a hypothetical situation. And that's frightening, you know. Abandonment of disguise, of pretense, is a kind of failure to protect one's self, you see. It may indicate a kind of desperation. In a way, it's as if she had given up. I read that into it. I'm supposed to be able to read below the surface, you see.” He drank again, and now he looked at Jerry North. “As a matter of fact,” he said, rather simply, not with emphasis, “I'm quite good at it. I really know my business.”

Jerry North nodded his head.

“Did you bring this paper?” Pam said. “Can we see it?”

“I typed out parts,” Leonard said. “It's long, you understand. Long and full of repetitions. It's not all on one pitch, either. She goes off the track, gropes around, mixes obvious stuff with this—this other. I copied out passages—the beginning, sentences here and there. I brought that along.”

He took two sheets of typewriter paper, folded lengthwise, out of his coat pocket. He offered them to Pam who looked at Jerry and, when he nodded, took the sheets.

“She had a title on it,” Leonard said. “Printed at the top, rather large, underlined twice, just one word—‘Hatred.' The second underlining was heavier than the first. The first paragraph is the way it started, the rest is what I've picked out here and there.”

Pam nodded, beginning to read. She read:

“People say hatred isn't very common and that what most people think is hatred is really just dislike. I do not question that that is true of most people. But I know that there are some people whose whole approach to life is governed by hatred; hatred that makes you want to kill, very slowly and so that it hurts a great deal for a long time. I myself have experienced that kind of hatred and I still experience it. It makes everything else seem unimportant. More than anything else I want to kill this person I hate.”

Pam finished and looked up. Leonard was watching her.

“That first paragraph was her first paragraph,” Leonard said. “I thought she would go on and say what caused this hatred, or even say who had aroused it. She doesn't. As I said, I only think it's a man. Because—”

“Oh yes,” Pam said. “Because of the—intensity. You think love is mixed up in it—sex. That it's—built up, somehow, by sexual emotion.”

Leonard nodded.

She was not fencing with Leonard now, whatever she had done at first. Jerry noticed that. And, as he thought about her, she looked at him, as she so often did.

“I'll read it aloud,” she said. “It goes—”

She read the first paragraph again, aloud. Then she went on:

“‘It can last for months, perhaps even for years, and merely grow stronger. Other emotions may fade and grow less important. Hatred is like a hunger and grows stronger.… Another thing hatred does is to crowd out everything else. It doesn't leave room for anything else.'”

Pam stopped reading and looked at Professor Leonard and then at Jerry North.

“She's studying drama,” Pam said to Leonard. “You said that.”

Leonard, who had been looking at his empty glass while Pam North read, looked up at her now. He did not raise his head fully; it was as if he looked at her over his glasses, although at the moment he was not wearing glasses.

“I made allowances, Mrs. North,” he said. “Say she dramatizes it. Say that, in this relation, she is dramatizing herself to—to anyone who will listen. Take all that into account. And don't get the idea that people who dramatize their emotions in words, in attitudes, don't also dramatize them in action—aren't more likely to dramatize them in action. Don't think that it's really the still waters which run deep. That's the easy, comfortable thought; the reassuring thought.”

Pam North continued to look at the thin, gangling man beside her. He takes this seriously, she thought; he takes it hard. I wonder whether he knows how hard he takes it? Such a red mouth he has. But all she said was, “All right,” and then she went on reading.

“‘It can begin slowly and be built up by a lot of little things,'” Pam read from the typed words in front of her. “‘Or sometimes, I can imagine, it can come suddenly. There could be a kind of hate at first sight.'”

Pam stopped and looked again at Leonard, and this time he shook his head.

“All right,” he said. “Dramatization. Not true of the sane mind. But go on.”

“‘The deepest hatred, I think, comes about because of many little things,'” Pam read. “‘Little betrayals, little cruelties. It starts small and grows like a snowball and …'”

Jerry interrupted.

“Clichés, you realize,” he said to Leonard. “‘Grows like a snowball.' ‘Hatred is like hunger.' Clichés of expression, possibly of feeling?”

Leonard answered the question in Jerry's inflection by shaking his head again.

“I said she doesn't write well,” he agreed. “She falls into easy verbal forms. Most people do. It doesn't mean anything about—well, the importance of what's being said. In this case, the reality, the intensity, of what she feels.” He paused and seemed to consider. “Of course,” he said, “I know her, to some extent. I've seen her, heard her talk. Perhaps that makes a difference.” He looked at Pam North suddenly. “You think I overstated?” he said. “Took it too seriously? Go on.”

“‘It is difficult to explain hatred to a person who has never felt it,'” Pam read. “‘I suppose it would not be difficult, or anyway not so difficult, for a writer. But the words I think of, now that I try to explain why it seems to me the most important emotion a person can feel, do not seem adequate to explain what hatred is like. Most of the words are the same words you would use to write about dislike or annoyance or something like that. There isn't anything to compare it to.'”

Professor Leonard interrupted this time.

“To give a sense of magnitude, I suppose she means,” he said. “To express its quality of uniqueness. You see what she means.”

“Oh yes,” Pam said. She looked back at what she had read. “All at once,” she said, “I don't think you took it too seriously. I did at first.”

“Oh,” Leonard said. “Obviously.”

“Anyway,” Pam said, and resumed reading, “‘When a person hates another person, really hates them, it would be in a strange kind of way fulfilling. It would be—'”

“You notice how she shifts there,” Leonard pointed out. “She did from time to time all the way through. An unconscious attempt to get back to a general discussion, you know. To avoid betraying herself.” He nodded. “At the expense of grammar,” he added. “Which is rather significant. She started one way, ended another, as if something took over in the middle of the sentence. The instinct of self-preservation, I think the something was.”

Pam nodded, rather abstractedly, and said, “Listen.” She read again.

“‘—in a strange kind of way fulfilling,'” she read. “‘It would be
satisfying
, more satisfying than anything else.'” Pam interrupted. “The first ‘satisfying' is underlined,” she said. “It goes on: ‘Nobody who has not really hated somebody can understand that—how it fills you up, fills your mind up. As I said, it leaves no room for anything else. But after a while you don't want anything else, because hating is enough, hating is a
complete
emotion.'” Pam looked up again. “‘Complete' is underlined too,” she said. She went back to the paper.

“‘Most people think that love is the most important emotion. Perhaps it is, sometimes. But for a person who has been in love, hating—you could almost call it being in hate—is a great deal more important, because hatred occupies you so much more completely. Only a person who has had both experiences can realize that. And I should think that killing the person you hate would be a more satisfying emotional experience than anything else.'”

Pam looked up again.

“She didn't plan to write ‘anything else,' did she?” Pam asked.

Leonard shook his head.

“She started another word,” he said. “She scratched it out, thoroughly. The censor at work, of course.”

“Yes,” Pam North said. “I see why you thought it was a man.”

Leonard looked at her a moment and then said, in a faintly surprised tone, “Oh.”

“Such a culmination would have finality, completion,'” Pam read on. “‘It would offer complete discharge, complete release, beyond anything I can imagine. It is possible that, for a person fully what I have called “in hate,” the killing of the object of that hatred is the only way to attain that release. Real hatred cannot be sublimated.'”

Pam looked at Leonard again.

“Is that true?” she said.

He raised his thin shoulders, let them drop.

“If she thinks it is,” he said. “It could be. You want fixed criteria? No, Mrs. North. There aren't any. It could be true for—for this person. Not for you, not for me. A subjective truth. But subjective convictions can lead to objective actions.”

“If a person is sane?” Jerry said, and then Leonard merely looked at him and shrugged again.

“You think she can't be—well, dramatizing? Making it up? Letting a notion run away with her?” That was Pam North. Leonard looked at her, again over the glasses which were not there.

“Of course she can,” he said. “She can be doing it for any purpose—to work off something, to make up a story, to see her instructor jump.”

“But you think that isn't it?”

“I think she hates somebody and is thinking about killing somebody,” Leonard said. “I think she's close to killing somebody. For what it's worth, that's what I think.”

“And?” Jerry said.

“Obviously, I want to share the responsibility,” Leonard said. “That's what motivates me. I want to get out from under, or have somebody under with me. You've had experience.”

“Vicarious,” Pam said. “What do you think, Jerry?”

They both looked at Jerry North, who said, “Lunch or another drink?”

“No,” Pam said. “Answer me.”

Jerry smiled at her, rather faintly. He asked whether she had read everything. Pam looked at the paper again and then looked, with an odd expression, at Professor Leonard.

“Except one line,” she said. “Some dots and then, ‘That is why I think hatred is the most important emotion affecting the normal human mind.' Did she really—?”

“End that way?” Leonard said, and nodded. “Yes. Tying it together again, rounding it off. They almost always do. It amounts to a mentaltic. I copied it off because—well, it completes the picture, somehow. Don't you think?”

“Peculiarly,” Pam said. “Well, Jerry?”

Jerry North spoke slowly.

“It's nebulous,” he said. “Intangible. There's nothing for anyone to get hold of.” He spoke to Leonard. “You realized that. Otherwise, you could have gone to the police. As it is, they wouldn't listen.” He paused. “How could they listen?” he added.

“Not to me,” Leonard agreed. “An academic theory, a crack-pot scare. Coming from me.” He returned Jerry North's look.

“This friend of yours,” he said. “This police lieutenant. Weigand. He'd listen to you. To both of you.”

“Listen,” Jerry said. “Certainly. What can he do?”

“Talk to her?” Leonard said. “Watch her? Find out, somehow, who she's talking about and—warn him? I don't know.”

Jerry shook his head.

“Listen,” he said. “A young woman, with a dramatic temperament, writes a term paper which may indicate she's thinking of murder. She may be pulling your leg. She may be talking out of the top of her head, just working up excitement. She may be experimenting, trying to identify herself with some imaginary person—acting an emotion. She may be just an hysterical young woman. There must be—God—thousands of hysterical young women in New York, threatening to kill their husbands, talking about killing themselves, saying ‘I hate you' to their boyfriends. You see that?”

Leonard shook his head; he started to get up.

“You're wrong,” he said. “I can't prove it. Or—you may be wrong.” He was standing now. “My apologies,” he said. “I had thought—” He did not seem to think it worth finishing. “Thanks for the drinks,” he said, instead.

“No,” Jerry said. “Sit down. I realize you're an expert, that your experience and training carry weight. Bill Weigand would realize that. You say she's not just one of thousands of hysterical young women. I see that. Bill would see it. Because you say so, and you know about these things. And still—what's Bill to do?”