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Authors: Peter Matthiessen

On the River Styx

BOOK: On the River Styx
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ALSO BY
PETER MATTHIESSEN

Fiction

Race Rock

Partisans

Raditzer

At Play in the Fields of the Lord

Far Tortuga

Nonfiction

The Wind Birds

Under the Mountain Wall

The Cloud Forest

Wildlife in America

Sal Si Puedes

Blue Meridian

The Tree Where Man Was Born

The Snow Leopard

Sand Rivers

In the Spirit of Crazy Horse

Indian Country

Nine-Headed Dragon River

Men’s Lives

FIRST VINTAGE BOOKS EDITION, JUNE
1990

Copyright 1951, 1953,
© 1957, 1958, 1963, 1978, 1985, 1988, 1989 by
Peter Matthiessen

All rights reserved under International
and Pan-American Copyright Conventions.
Published in the United States by Vintage Books,
a division of Random House, Inc., New York, and simultaneously in
Canada by Random House
of Canada Limited, Toronto.
Originally published, in hardcover,
by Random House, Inc, in 1989.

“Sadie” and “The Fifth Day” were first
published in
The Atlantic
. “Late in the Season”
was first published in
New World Writing
(NAL). “Travelin Man” was first published in
Harper’s Magazine
. “The Wolves of Aguila”
was first published in
Harper’s Bazaar
. “Horse
Latitudes” was published by
Antaeus
(originally
published in
Venture
as “Horace and Hassid”).
“Midnight Turning Gray” was first published in
The Saturday Evening Post
. “On the River Styx”
was first published in
Esquire
. “Lumumba Lives”
was first published in
Wigwag
.

Most of the stories in this collection were
originally published in book form in
Midnight
Turning Gray
, published by Ampersand Press in 1984.

Library of Congress Cataloging-in-Publication Data
Matthiessen, Peter.
On the river Styx and other stories /
Peter Matthiessen.
p.   cm.
eISBN: 978-0-307-81968-0
I. Title.
PS3563.A858405    1990   813′.54—dc 20
89-40508

v3.1

F
OR
S
HERRY

My friend
for fifty years
,
who pestered me to
return to fiction
before the smoke
clears

A
UTHOR’S
N
OTE

S
ome years ago I was very pleased when my editor at Random House suggested I put together a collection of short stories. I had scarcely written one since my first years as a writer, in the fifties, when I wrote close to thirty. Most of those early stories revealed very little besides the ambition of the new writer to try a variety of tones and voices—male and female, black and white, rich and poor, rural and urban—but perhaps a dozen had actually been published in one place or another, and among these I hoped to rediscover ten that might deserve a new life in a book. Finding but seven, I notified Random House that the new collection was not to be. (Subsequently, those seven stories were published by the Ampersand Press in Rhode Island in a small chapbook, under the title of the most recent, “Midnight Turning Gray,” written in the early sixties.)

For two decades, no more stories were written. Instead I wrote novels and a bit too much nonfiction. In recent years, with a long novel under way, I kept my hand in with two new stories, considerably longer and more ambitious than the early ones. With another early story, now rewritten, they seemed to round out this collection.

The ten stories are arranged in chronological order, from “Sadie,” sold to
The Atlantic
during my senior year in college (1950), to “Lumumba Lives,” which appeared in the pilot issue of
Wigwag
(1988).

It’s still fun to write short stories, I discover, and of course one hopes that in close to forty years there has been a little bit of progress.

Peter Matthiessen        
Sagaponack, New York
December 1988           

C
ONTENTS
S
ADIE

I
was over in Cady last February to see about their dogs, which they say is the best in Georgia. I was told to see this Mister Pentland, and if he weren’t there, a feller name of Dewey Floyd.

That morning I come into the stable yard about half past eight, and they had the mules all ready, and two wagons rigged out. A couple of stable niggers was throwing dogs into the wagons. Over against the wall a man was leaning where the sun was, switching pebbles with a stick and talking to a big nigger boy with boots on. The nigger saw me coming and spoke to the man leaning on the wall. I said good morning when he looked up.

“Mornin,” he said. He squinted out from under his hat.

“You Mister Pentland?”

“Nope. Name’s Floyd.”

“Mine’s Les Webster. I come about the dogs.”

“Well, I’m pleased to know you, Mister Webster. We’s fixin to run ’em now. Want to get out while the coveys is still feedin in the open.” He nodded toward the wagons, which were pulling off down the road. The nigger nodded toward the wagons, too, but when I looked at him, he looked down, grinning, to slap the dust off his boots. You could see he hadn’t had them boots too long.

Floyd was rolling a cigarette with his free hand. “Time we get you rigged out with a woods pony, you can foller us down that road. Mister Pentland is meetin me and the rigs over to Binny’s Churchyard, and we’re working out from there.”

The nigger boy snickered at the way Floyd said “Mister” Pentland. Floyd looked at him a minute.

“This here’s Buster,” he said finally. “Buster’ll get you a pony and take you out to Binny’s. I reckon Mister Pentland’s the one to see if you take a likin to any of the dawgs.”

Dewey Floyd switched a stone with his stick, then pushed himself away from the wall like he was tired and walked slowly across the yard. He was tall and skinny, dressed in a white field jacket and soiled khakis which hung out over his knee boots. There was something funny about the way he moved, just like the way he talked—sort of soft and quiet and not really getting anyplace, and that stick switching back and forth, slow, like the tail on a cat.

Buster come out of the stable now with two horses. I climbed on and headed after Floyd, and Buster right behind me, hollering at the other niggers to get out of his way.

Now he was prancing all over that red clay road, grinning like a damn fool. “Mistuh Dewey say ah’s to take you out to Binny’s Hant-yard.”

“I heard him.”

“Yessuh.”

Buster was making his horse prance by slapping the reins. He kept looking over at me to see if it was okay to talk. “Ah guess you-all ain’ acquainted wid des heah hants out to Binny’s?”

“Who told you there was ghosts there, Buster?”

“Mistuh Dewey Floyd. Mistuh Dewey, he live a long time in de swamp. He say dey ain’ no foolin wid hants, an’ ah don’t truck wid ’em.”

“Maybe he’s ridin you.”

“Whuffo’ he wan’ go foolin Bustuh? Ain’ got no call to do dat.”

Buster was staring at me, real uncertain. I didn’t say nothing, just grinned.

“Now Mistuh Pentland, he say dey ain’ none. He say Mistuh Dewey ain’ no diff’rint den black folks. No hant gone fool wid a Yankee man, don’ seem like.”

I looked at him then, and he turned away like he’d said something wrong. “He your boss?”

“Yessuh.”

“How about Mister Floyd?”

“Yessuh. Bofe ’em. Leastways, de Yankee man’s de boss o’ de outfit, an’ ah kinda wuks fo’ him, but mos’ly ah wuks wid Mistuh Dewey Floyd. It’s him dat got me de job. Ah’s de spottah. When a dawg is p’intin, ah hollers, an’ when a dawg is los’, ah fines him.”

Buster was grinning again, and slapping the reins on the horse’s neck. He stretched his legs out in the stirrups so’s both of us could get a look at his boots. We rode along and didn’t talk no more.

I
SEEN THE DOGS FIRST
, in the cornfield on the left past the churchyard, running in among the broken stalks. There was a black-and-white setter paired off with a little lemon pointer. The two wagon rigs were lying back on the road, a nigger driving each, and two men on horses were watching from the edge of the field. One of them was Dewey Floyd. The other headed over to me and the nigger.

Buster stopped whistling. “Heah he come,” he whispered. He swung his horse wide and galloped for the wagons, the man yelling at him all the way.

Pentland turned his horse around and fell in beside me.

“You got a couple of nice-looking rigs there, Mister Pentland.”

“Joe’ll do fine. I guess first names are okay in the same business, huh?” Pentland laughed loudly, even for a big man. “What the hell,” he said.

“Yeah,” I said. He looked at me. “Name’s Les,” I said.

“Okay, Les. Yeah, the rigs are okay. Twelve dogs to a rig, two out at a time, and each rig’s got a special dog for singles. The owner wants the best, and I guess I got it for him, all right. Les, you’re gonna like these dogs. Just look at that Sadie bitch out there and tell me I ain’t got a right to be proud.”

Somebody had a right to be proud, for sure. The lemon pointer come out real pretty from behind a pile of stalks and swung into a tight point, and the setter right behind her.

“P’int!” hollers the nigger.

I watched Floyd.

“I guess you see how the setter dog’s honoring her point,” said Pentland. He laughed and spat on the ground.
Floyd was talking soft to the dogs: “Whoa-a-up, Sadie, eas-y, eas-y, whoa-a-up, Caesar, eas-y, boy, eas-y, eas-y …”

Then the quail got up, and the way he handled the gun I knew he wouldn’t miss: he took a bird off each side of the covey rise, neat as anything, and then he was talking again. “Daid, Caesar, daid, day-ud bird, Sadie, eas-y, eas-y …”

“He’s good with the dogs,” I said. “Damn good.”

“Hell, it’s not him, it’s the dogs.” Pentland spat again, only a different way.

“Maybe, but they mind him good. And he’s handy with that gun.”

Pentland looked at me like I’d shot a dog by mistake. “He ain’t been poaching twenty years for nothing! I ain’t never seen the bastard miss a bird, but that don’t mean nothing. But for Joe Pentland, he’d be in the pokey. Wanted in three states for poaching, and when it ain’t poaching, it’s getting so cocky-eyed mean drunk that Jesus couldn’t help him!”

Pentland was all red in the face and glaring at me. I didn’t say nothing.

“Do
any
damn thing when he’s like that! A man like him should stay in the woods with the rest of the animals, that’s what I say. Meaner’n a snake.”

I was surprised to see him getting so hot about a man, especially before a stranger. “I guess it ain’t none of my affair,” I said. “I just like the way he takes them dogs.”

Floyd was walking slowly down the furrows to the horses, and the niggers let a new pair of dogs out of the rig.

“What in hell you let ’em do
that
for?” yelled Pentland, waving at the fresh dogs. “You know damned well I want
to put Buddy and Tex onto the singles so’s Mister Webster here can see ’em.”

Dewey Floyd looked at Pentland kind of funny. Buster come up behind him. He spoke to Buster, still watching Pentland. “Buster, tell ’em to pull on around and put down Tex and Buddy.”

That quiet way of speaking, like there was never anything wrong. He just walked over to his horse and slid the gun into the saddle holster, and Pentland rode out after the dogs. The quail was mostly scattered along a ridge of loblolly pine over at the other side of the cornfield, and I headed after them.

BOOK: On the River Styx
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