Morning Child and Other Stories (14 page)

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Authors: Gardner Dozois

Tags: #Science Fiction, #Fiction, #Short Stories (Single Author), #General

BOOK: Morning Child and Other Stories
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—The ant reappears on the underside of the index finger, pauses, antennae flickering inquisitively, and then begins to walk back down the palm, following the deep groove known as the life line until it reaches the wrist. For a moment, it appears as if the ant will vanish into the space between the wrist and the frayed, bloodstained cuff of the shirt, but it changes its mind and slides back down the wrist to the ground on the far side. The ant struggles for a moment in the sticky mud, and then crawls determinedly off across the crusted ground. At the extreme edge of the field of vision, just before the blur that is the upper arm, there is the jagged, pebbly edge of a shellhole. Half over the lip of the shellhole, grossly out of proportion at this distance, is half of a large earthworm, partially buried by the freshly turned earth thrown up by an explosion. The ant pokes suspiciously at the worm—

And I remember the waiting room at the train station and the weight of my suitcase in my hand and the way the big iron voice rolled unintelligibly around the high ceiling as the stationmaster announced the incoming trains and cigar and cigarette smoke was thick in the air and the massive airconditioning fan was laboring in vain to clear some of the choking fog away and the place reeked of urine and age and an old dog twitched and moaned in his ancient sleep as he curled close against an equally ancient radiator that hissed and panted and belched white jets of steam and I stood by the door and looked up and watched a blanket of heavy new snow settle down over the sleeping town with the ponderous invulnerability of a pregnant woman. I remember looking down into the train tunnel and out along the track to where the shining steel disappeared into darkness and I suddenly thought that it looked like a magic cave and then I wondered if I had thought that was supposed to be funny and I wanted to laugh only I wanted to cry too and so I could do neither and instead I tightened my arm around Judy’s waist and pulled her closer against me and kissed the silken hollow of her throat and I could feel the sharp bone in her hip jabbing against mine and I didn’t care because that was pain that was pleasure and I felt the gentle resilience of her breast suddenly against my rib cage and felt her arm tighten protectively around me and her fingernails bite sharply into my arm and I knew that she was trying not to cry and that if I said anything at all it would make her cry and there would be that sloppy scene we’d been trying to avoid and so I said nothing but only held her and kissed her lightly on the eyes and I knew that people were looking at us and snickering and I didn’t give a damn and I knew that she wanted me and wanted me to stay and we both knew that I couldn’t and all around us about ten other young men were going through similar tableaux with their girlfriends or folks and everybody was stern and pale and worried and trying to look unconcerned and casual and so many women were trying not to cry that the humidity in the station was trembling at the saturation point. I remember Denny standing near the door with a foot propped on his suitcase and he was flashing his too-white teeth and his too-wide smile and he reeked of cheap cologne as he told his small knot of admirers in an overly loud voice that he didn’t give a damn if he went or not because he’d knocked up a broad and her old man was trying to put the screws on him and this was a good way to get outta town anyway and the government would protect him from the old man and he’d come back in a year or so on top of the world and the heat would be off and he could start collectin female scalps again and besides his father had been in and been a hero and he could do anything better than that old bastard and besides he hated those goddamned Gooks and he was gonna get him a Commie see if he didn’t. I remember that the train came quietly in then and that it still looked like a big iron beast although now it was a silent beast with no smoke or sparks but with magic still hidden inside it although I knew now that it might be a dark magic and then we had to climb inside and I was kissing Judy good-bye and telling her I loved her and she was kissing me and telling me that she would wait for me and I don’t know if we were telling the truth or even if we knew ourselves what the truth was and then Judy was crying openly and I was swallowed by the iron beast and we were roaring away from the town and snickering across the web of tracks and booming over the switches and I saw my old house flash by and I could see my old window and I almost imagined that I could see myself as a kid with my nose pressed against the window looking out and watching my older self roar by and neither of us suspecting that the other was there and neither ever working up enough nerve to watch the trains dance. And I remember that all during that long train ride I could hear Denny’s raucous voice somewhere in the distance talking about how he couldn’t wait to get to Gookland and he’d heard that Gook snatch was even better than nigger snatch and free too and he was gonna get him a Commie he couldn’t wait to get him a goddamned Commie and as the train slashed across the wide fertile farmlands of the Midwest the last thing I knew before sleep that night was the wet smell of freshly turned earth.

—The ant noses the worm disdainfully and then passes out of the field of vision. The only movement now is the ripple of the tall grass and the flash of birds in the shaggy tree. The sky is clouding up again, thunderheads rumbling up over the horizon and rolling across the sky. Two large forms appear near the shaggy tree at the other extreme of the field of vision. The singing of the birds stops as if turned off by a switch. The two forms move about vaguely near the shaggy tree, rustling the grass. The angle of the field of vision gives a foreshortening effect, and it is difficult to make out just what the figures are. There is a sharp command, the human voice sounding strangely thin under the sighing of the wind. The two figures move away from the shaggy tree, pushing through the grass. They are medics; haggard, dirty soldiers with big red crosses painted on their helmets and armbands and several days’ growth on their chins. They look tired, harried, scared and determined, and they are moving rapidly, half-crouching, searching for something on the ground and darting frequent wary glances back over their shoulders. As they approach they seem to grow larger and larger, elongating toward the sky as their movement shifts the perspective. They stop a few feet away and reach down, lifting up a body that has been hidden by the tall grass. It is Denny, the back of his head blown away, his eyes bulging horribly open. The medics lower Denny’s body back into the sheltering grass and bend over it, fumbling with something. They finally straighten, glance hurriedly about and move forward. The two grimy figures swell until they fill practically the entire field of vision, only random patches of the sky and the ground underfoot visible around their bulk. The medics come to a stop about a foot away. The scarred, battered, mud-caked combat boot of the medic now dominates the scene, looking big as a mountain. From the combat boot, the medic’s leg seems to stretch incredibly toward the sky, like a fatigue-swathed beanstalk, with just a suggestion of a head and a helmet floating somewhere at the top. The other medic cannot be seen at all now, having stepped over and out of the field of vision. His shallow breathing and occasional muttered obscenities can be heard. The first medic bends over, his huge hand seeming to leap down from the sky, and touches the arm, lifting the wrist and feeling for a pulse. The medic holds the wrist for a while and then sighs and lets it go. The wrist plops limply back into the cold sucking mud, splattering it. The medic’s hand swells in the direction of the upper arm, and then fades momentarily out of the field of vision, although his wrist remains blurrily visible and his arm seems to stretch back like a highway into the middle distance. The medic tugs, and his hand comes back clutching a tarnished dog tag. Both of the medic’s hands disappear forward out of the field of vision. Hands prying the jaw open, jamming the dog tag into the teeth, the metal cold and slimy against the tongue and gums, pressing the jaws firmly closed again, the dog tag feeling huge and immovable inside the mouth. The world is the medic’s face now, looming like a scarred cliff inches away, his bloodshot twitching eyes as huge as moons, his mouth, hanging slackly open with exhaustion, as cavernous and bottomless as a magic cave to a little boy. The medic has halitosis, his breath filled with the richly corrupt smell of freshly turned earth. The medic stretches out two fingers which completely occupy the field of vision, blocking out even the sky. The medic’s fingertips are the only things in the world now. They are stained and dirty and one has a white scar across the whorls. The medic’s fingertips touch the eyelids and gently press down. And now there is nothing but darkness—

And I remember the way dawn would crack the eastern sky, the rosy blush slowly spreading and staining the black of night, chasing away the darkness, driving away the stars. And I remember the way a woman looks at you when she loves you, and the sound that a kitten makes when it is happy, and the way that snowflakes blur and melt against a warm windowpane in winter. I remember. I remember.

ANCESTRAL VOICES

Gardner Dozois
& Michael Swanwick

L
ike all intelligent creatures, it adapted. Behind it was fire! fear! pain! horror! and it fled from them through madness and roaring chaos, fled for a long nightmarish time through an unfamiliar world, through a phantasmagorical confusion of alien shapes and lights and stinks and noises, fled until its strength was gone and it could flee no more.

After that was the black churning darkness of oblivion.

When it came to itself again, awareness returning bit by incremental bit, it was in a dank and narrow alley between the back of a decaying flophouse hotel and the side of a liquor store, lying still in the deep black shadow behind a mound of overstuffed green garbage bags.

Warily, it surveyed its surroundings, taking in the tall brick walls that rose on either side, the muddy, slime-coated pavement upon which it rested, the dull red light—from an ancient, buzzing neon sign on the corner—that ebbed and flooded rhythmically through the darkness, the thin sliver of alien sky far overhead...and again it was taken by disorientation and fear. It reached instinctively for knowledge, for connection with the flood of data that would tell it location, status, mission, and instead it touched fire! fear! pain! horror! and recoiled from the searing agony of the memory.

Cautiously, it tried again to remember, like an electric linesman testing a live wire by gingerly brushing it with his thumb, and again it was driven back by the sizzling intensity of what lurked in the recesses of its own mind. Again and again it tried to remember, until its mind was ablaze with pain, and shudders ran like waves across the long flat carpet of its body. But nothing would come.

Its past was gone. It
had
no past—it had been born in that endless moment of pain and red screaming chaos, and before that it could not go. Instinctively it knew that it didn’t belong here, that the world around it was alien, frighteningly
wrong,
but it couldn’t remember how the world should be, what or where home was, what it was doing here in this place whose wrongness beat in upon its senses from every side.

Trembling, it lay flat in the cold mud of the alley. Each new sound from the unknown world beyond, each metallic roar or shriek or clatter, sent a new pulse of terror through it.

And then something blocked part of the light from the alley-mouth.

A monstrous figure loomed there, huge and dark and terrible.

There was the sound of a can being kicked underfoot, sent clattering away against the wall.

The figure moved slowly closer, down the alleyway, swaying, staggering from side to side, pushing a wave of rich alien stink before it.

“Oblah-
dee
,” the figure muttered. “Oblahfucking-dee, oblahfucking-
blah
—” It crashed against the wall, pushed away again. “Life goes fucking
onnnn
, blah—” The figure coughed, coughed again spasmodically, hawked and spat. “Sonsabitches,” it mumbled. “Think they can tell me...”

Weaving. Coming closer.

It saw the wino with the colorless, directionless perception characteristic of its race, but, more importantly, it felt him, felt the rush and interplay of electrical impulses along the intricate pathways of the wino’s nervous system, felt the cold living fire that pulsed about the cerebrum, felt the sensuous shifting and interweaving of alpha and beta rhythms....

Suddenly, it was hungry.

The hunger rose in a bitter, biting flood, driving away fear, overwhelming everything. For a moment it didn’t know what to do, and then instinct took over, a deep cellular knowledge that sent it rippling silently forward, deeper into the shadow cast by the wall of garbage bags, its mantle stiffening and rising.

It melded itself flat against the cold surface of the bags.

It waited....

The wino had stubbed his toe and was cursing in a low, racking undertone. Then he stumbled forward again. “Wham-bam, thank you ma’am,” he muttered. “Oh yeah. Oh yeah.” He lurched against the garbage bags, almost toppling them, then ripped one open with both hands and began rummaging clumsily, spilling tin cans and bottles and soggy old paper bags to the ground. “You don’t know how lucky they aarrrree, boys...back in the—back in the—shit!” An empty pint crashed to the ground, breaking with a flat, pinpoint spray of glass. He chuckled. “Dead soldier. Don’t make no nevermind. What I should of told her, what I shoulda told her....” He fished an old sneaker out of the trash, examined it, wriggling his fingers through the large hole in the sole. “Oh yeah.” He threw the sneaker aside, leaned forward into the shadow.

The wino’s face filled its field of vision, huge, terrifying, slathered in bristly black whiskers, eyes as big and bloodshot red as harvest moons, the stink of corruption breathing from the slackened lips....

“Molly stays at home and does her fucking face.” He dug his arms more deeply into the trash. “Oblah—”

It struck.

The derelict jerked convulsively, as if he had walked into a high-tension line, jerked again, and toppled to the ground, bringing the trash can clattering down with him.

It stretched its body into a rope to follow him down, maintaining contact, feeding, feeding voraciously....

On the ground, the wino twitched and quivered, already dead, his eyes rolled horribly up into his head, the whites gleaming in the starlight. It too quivered as it fed, its long flat body pulsing and swelling like a fire hose with a high-pressure head of water working through it.

Then—stillness. The wino’s body had shrunken, collapsed in upon itself, sucked dry of all nourishment. Only the blood and bone and flesh was left behind. It spread its own body out, relaxing, allowing itself to form into a flat, almost-oval, molecule-thin carpet about five feet across.

But with the blunting of its hunger, fear returned.

Something huge and rank drifted past the alley-mouth, bellowing in a tremendous voice, making a terrible iron crash and clatter—

It started, contracting its body into a narrow ribbon again. The disturbance was only a garbage truck—but it didn’t know that, and through its mind flashed again the torrent of fire! fear! pain! horror!

Without thinking, it rippled to the back of the alley and flowed straight up a wall. When it regained its composure, it found itself on a high place, empty space everywhere around it, open to the frighteningly alien sky.

Something swooped at it from that sky, shining a dazzling light. Something dark and enormous that seemed to skim by just a few feet overhead. The airport was just beyond, and to the residents of that particular flophouse hotel, it often seemed as if the big jets in the landing pattern were brushing their wheels on the roof as they went over.

Again it fled in unknowing panic, pouring itself like a tide of mist across rooftops, up walls, down rusting and dilapidated fire escapes. Instinctively seeking shelter from this nightmare place, it squeezed between the slats of a broken and boarded-up window, and found itself in darkness.

In darkness, it calmed again, its panic fading.

There were heavy, bulky objects around it in the gloom, its spatial sense told it, and gratefully it poured itself under them, working its way as far in as it could. Feeling safer for the sheltering mass above it, it let its mind drift into the neutral looping that served its kind for sleep....

Early the next morning, a neutral alarm jolted it back into active mode, and it watched from under a cluster of heavy Victorian furniture—dressers, hunt cabinets, wardrobes, highboys, roll-top mahogany desks: the sheltering masses of the night before—as a man came into the room, a bald-pated man with a frizzy halo of white hair around his ears and a hammer tucked by the claw-end into the breast pocket of his coveralls. It had found refuge in an antique warehouse, a rundown and half-abandoned brick building that had, sometime in the nineteenth century, been a harness-maker’s factory. Now the downstairs floor was used as a workshop, while the upper two floors were devoted to the storage of antiques awaiting either renovation or delivery, room after room of dusty furniture, some of which had not been moved or touched in years.

Whistling, the man kicked at a wardrobe, tapped the joints a few times with the hammer, then tipped the wardrobe over so he could work the nails loose from the wood.

It had shrunk away at the close approach of the man’s feet. Now it stirred and oozed forward again, sliding under a sideboard, a pharmacist’s cabinet, a claw-footed bath basin, pausing finally under an overstuffed damask armchair to observe the workman.

Still whistling, the workman pulled a square of sandpaper from his hip pocket and began to rasp away at the wardrobe.

The fire-of-life was there, the crackling electric interplay of the nervous system....

Hunger stirred in it again, and it felt its mantle stiffen and rise.

Slowly it slid forward....

The workman tucked the sandpaper away in his pocket, picked up the hammer again, and tapped ruminatively at the wardrobe. The wan gray morning light gleamed from his bald head and glinted from his thick eyeglasses as he moved. He was a superstitious man, given to hunches and omens and premonitions, but now, in a supreme bit of irony, with death gliding silently up behind him, he was oblivious to its presence.

Death was a lightless black ribbon that reared up behind him, a hooded flat cobra-shaped shadow that loomed over him, paused, and with the slightest involuntary tremble prepared to strike, to reach out to claim him....

Inches from the workman, so close his internal interplay of forces was a tantalizing tickle, it stopped. It stopped, made hesitant by a flicker of the same sort of shadowy, half understood instinct or almost-memory that the night before had taught it how to kill. The pattern of the fire-of-life was complex and intensely bright—this was certainly a sophont, and somehow it knew that killing sophonts could be dangerous if other sophonts learned of the killing, if you alerted them to your presence
by
the killing, especially if you were incautious enough to kill near your own nest or refuge. It was just now beginning to realize how much of its surroundings were artificial,
crafted;
the other night it had seen the buildings and rooftops and alleyways as natural formations, alien mountains and canyons and outcroppings of rock, and only now, replaying the thread of that memory, could it begin to guess how much of all it had seen so far had been
made.

Created! This spoke of a world of almost unbelievable complexity, a world whose ways would have to be unraveled with patience and caution, and it dare not endanger the best refuge it had found so far just for a quick and easy kill.

It reversed direction, flowing backward as easily as it had flowed forward, disappearing under a chiffonier.

The workman continued tapping at the wardrobe, as unaware of his reprieve as he had been of his endangerment. As he put the hammer away and fished a screwdriver out of his belt, he began to whistle “Amazing Grace.” Already deep inside the warehouse, the hammering and whistling fading behind, it sped through the dim and cobwebbed spaces beneath dustcovered harpsichords and mildewing Victorian sofas and wormholed grandfather clocks, seeking out the sealed-off and deserted sections of the building where men never went, seeking safer prey.

It adapted.

There were pigeons by the dozen in the deserted attic of the warehouse, and in the long-unused belvedere, boarded-up sloppily enough to be open to the sky on three sides, there were pigeons by the hundreds. There were cats on the surrounding maze of rooftops, and rats in the alleyways and sewers it learned to hunt by night. There was a little park a few blocks from the warehouse, and there among the trees and bushes it learned to take squirrels and field mice and nesting birds of all sorts. People would bring big dogs to the park and unleash them and let them run, and it took several of those, finding them very satisfactory. It needed a good deal of nourishment, fairly frequently, and finding that nourishment kept it busy.

It stayed hidden by daylight as much as it could, although it soon realized that the native sophonts were unlikely to spot it even then—it blended well with the stained and soot-covered and moss-overgrown walls of the city, and it traveled the roofways where people seldom looked. Electrical appliances and motor vehicles made it uneasy, and it stayed away from them; it had learned early that they were not alive, but their electrical fields touched off strange longings and sudden goosed scurryings of almost-memories that disturbed the placid mental status quo it had established for itself, the easy looping of its mind in ways that did not force it to confront the fire! fear! pain! horror! that always lurked somewhere just below its surface thoughts. It also had a strange effect occasionally on the electric appliances, though it didn’t pay any attention to that.

It adapted, the weeks went by, and fall began to solidify into winter.

Prey became harder to find as the days grew colder. It often went hungry. It had made serious inroads on the local dog and cat population—although there were always a few strays drifting in to partially compensate—and many of the pigeons were nesting elsewhere now, having shifted their range for blocks and even miles to avoid the relentless horror that poured like smoke across the gables and ledges and roof-eaves. Even the rats had noticeably thinned out.

One dull gray afternoon, it took three children who were playing in the park, and that evening the park and the streets around the park were thick with men with flashlights, too many men to make further hunting possible.

There was also the night that the Northern Lights danced faintly in the sky, and it danced with them, whirling and darting madly on the deserted, icy rooftops under the cold stars, feeling the enormous magnetic fields stir and scramble its emotions even at that great distance.

In that still and freezing night, fey and hungry and half-mad, it left its usual resting place in the ruined belvedere and went down through the building to the warehouse floor, penetrating deep into the tangles of stacked-up furniture, craving the solidity of mass between it and the dancing maddening fires that flared and dimmed on the horizon.

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