Messenger (14 page)

“I'm going to cut a thick piece of vine, Kira, to use as rope. Then I'll tie us together, so that if one of us should get stuck in some way . . .”

Bending his grotesquely swollen arm with difficulty, he reached with his knife and severed a length of heavy vine.

“I'll tie it,” Kira said. “I'm good at that. I've knotted so much yarn and thread.” Deftly she circled his waist, and then her own, with the length of supple vine. “Look,” she told him, “it's quite fast.” She tugged at the knots, and he could see that she had done a masterly job of connecting them to each other, leaving a length of vine between.

“I'll go first,” Matty said, “to test the mud. The thing I'm most concerned about . . .”

Kira nodded. “I know. There are muds called quicksand.”

“Yes. If I start to sink, you must pull hard to help me get out. I'll do the same for you.”

Inch by inch they moved through the swamp, looking for thickets of growth on which to place their feet, testing the suction when they were forced into the thick mud. The razor-sharp reeds sliced mercilessly into their legs and mosquitoes feasted on the fresh blood. From time to time they pulled each other free when they were caught by the suction. Kira's sandals, first one and then the other, were sucked from her feet and disappeared.

Miraculously, Matty's shoes remained, coated with the slippery mud so that he appeared to be wearing heavy wet boots by the time he dragged himself from the other side of the swamp. He waited there, holding the vine rope steady, easing Kira through the mud and up the bank.

Then he used the knife and cut through the vine that had held them together in the swamp. “Look!” he said, pointing to his feet, encased in mud that was already drying into a crust. For a moment he had an odd desire to laugh at the grotesque thick boots.

Then he saw Kira's bare feet and shuddered. They were raw, dripping with blood from the reopened cuts she had previously suffered, and from new lacerations caused by the sharp swamp reeds. Matty climbed back down the bank, scooped wet mud with his hands, and gently coated her feet and legs, stopping the bleeding and trying to ease her pain with the thick cool paste.

He looked up through the tree growth to the sky, trying to assess the time of day. It had taken them a long time to cross the swamp. His arms were unusable, but he could still hold the knife in his swollen hands. Kira, her legs and feet in muddied shreds, knelt beside him, trying to catch her breath. The stench made it difficult for them to breathe, and he could feel the puppy choking from it inside his shirt.

He forced himself to speak with optimism.

“Follow me,” he said. “I think the center is just ahead. And night is coming soon. We'll find a place to sleep, and then in the morning we'll start the final bit. Your father's waiting.”

Slowly he moved forward, and Kira rose onto her ruined feet and followed him.

 

Matty felt his reason leave him now and again, and he began to imagine that he was outside of his own body. He liked that, escaping the pain. In his mind he drifted overhead, looking down on a struggling boy who pushed relentlessly through the dark, thorny undergrowth, leading a crippled girl. He felt sorry for the pair and wanted to invite them to soar and hover comfortably with him. But his bodiless self had no voice, and he was unable to call down to where they were.

These were daydreams, escapes, and they didn't last long.

“Can we stop for a minute? I need to rest. I'm sorry.” Kira's voice was weak, and muffled by the cloth covering her mouth.

“Up here. There's a little opening. We'll have room to sit down.” Matty pointed, and pushed ahead to the place he had seen. When they reached it, he shook his rolled blanket from his back and set it on the ground as a cushion. They sank down beside each other.

“Look.” Kira pointed to the skirt of her dress, to show him. The blue fabric, discolored now, was in shreds. “The branches seem to reach for me,” she said. “They're like knives. They cut my clothes”—she examined the ruined dress, with its long ragged tears—“but they don't quite reach my flesh. It's as if they're waiting. Teasing me.”

For a terrible instant Matty remembered how Ramon had described poor Stocktender, who had been entangled by Forest and whose body had been found strangled by vines. He wondered if Forest had teased Stocktender first, burning and cutting him before the final moments of his hideous death.

“Matty? Say something.”

He shook himself. He had let his mind drift again. “I'm sorry,” he said. “I don't know what to say.

“How are your feet?” he thought to ask her.

He saw her shudder, and looked down. The encrusted mud he had applied as balm had fallen away. Her feet were nothing more than ragged flesh.

“And look at your poor arms,” she said. His torn sleeves were stained with seepage from his wounds.

He remembered the days of Village in the past, when a person who had difficulty walking would be helped cheerfully by someone stronger. When a person with an injured arm would be tended and assisted till he healed.

He heard sounds all around them and thought them to be the sounds of Village: soft laughter, quiet conversation, and the bustle of daily work and happy lives. But that was an illusion born of memory and yearning. The sounds he heard were the rasping croak of a toad, the stealthy movement of a rodent in the bushes, and foamy bubbles belching from some slithery malevolent creature in the dark waters of the pond.

“I'm really having trouble breathing,” Kira said.

Matty realized that he was, too. It was the heaviness of the air with its terrible smell. It was like a foul pillow held tightly to their faces, cutting off their air, choking them. He coughed.

He thought of his gift. Useless now. Probably he still had the strength and power to repair his own wounded arms or Kira's tortured feet. But then the next onslaught would come, and the next, and he would be too weakened to resist it. Even now, looking listlessly down, he saw a pale green tendril emerge from the lower portion of a thorny bush and slide silently toward them. He watched in a kind of fascination. It moved like a young viper: purposeful, silent, and lethal.

Matty took his knife from his pocket again. When the sinister, curling stem—in appearance not unlike the pea vines that grew in early summer in their garden—reached his ankle, it began to curl tightly around his flesh. Quickly he reached down and severed it with the small blade. Within seconds it turned brown and fell away from him, lifeless.

But there seemed no victory to it. Only a pause in a battle he was bound to lose.

He noticed Kira reaching for her pack and spoke sharply to her. “What are you doing? We have to move on a minute. It's dangerous here.” She hadn't seen the deadly thing that had grabbed at Matty, but he knew there would be more; he watched the bushes for them.

It had come for him first, he realized. He did not want to be the first to die, to leave her alone.

To his dismay, she was removing her embroidery tools. “Kira! There's no time!”

“I might be able to . . .” Then she deftly threaded a needle.

To what?
he wondered bitterly.
To create a handsome wall-hanging depicting our last hours?
He remembered that in the art books he had leafed through at Leader's, many paintings depicted death. A severed head on a platter. A battle, and the ground strewn with bodies. Swords and spears and fire; and nails being pounded into the tender flesh of a man's hands. Painters had preserved such pain through beauty.

Perhaps she would.

He watched her hands. They flew over the small frame, moving in and out with the needle. Her eyes were closed. She was not directing her own fingers. They simply moved.

He waited, his eyes vigilant, watching the surrounding bushes for the next attack. He feared the coming dark. He wanted to move on, out of this place, before evening came. But he waited while her hands moved.

Finally she looked up. “Someone is coming to help us,” she said. “It's the young man with the blue eyes.”

Leader.

“Leader's coming?”

“He has entered Forest.”

Matty sighed. “It's too late, Kira. He'll never find us in time.”

“He knows just where we are.”

“He can see beyond,” he said, and coughed. “Have I already told you that? I can't remember.”

“See beyond?” She had begun to pack her things away.

“It's his gift. You see ahead. He sees beyond. And I . . .” Matty fell silent. He raised one hideously swollen arm and looked listlessly at the pus that seeped through the fabric of his sleeve. Then he laughed harshly. “I can fix a frog.”

The blind man was alone now, with his fear, since Leader had gone. He had returned to his own house to wait, passing as he did the workers still preparing to build a wall surrounding Village.

In the yard beside the small homeplace he had shared happily with Matty for so long, he could smell the newly turned earth. Yesterday he had begun to dig a flower garden for his daughter, pushing in the spade and loosening the weeds for pulling.

Jean had stopped by to ask about Matty. She had admired Seer's work and told him she would bring seeds from her own flowers. They could have twin gardens, she said. She was looking forward to meeting the blind man's daughter. She had never had a big sister, and perhaps Kira would be that for her. He could hear the smile in her voice.

But that had been yesterday, and he had told Jean then, believing it to be true, that the travelers were fine, and on their way home.

This morning Leader, after standing motionless at the window for a long time, had told him the truth.

The blind man had cried out in anguish. “Both of them?
Both of my children?
”

Ordinarily Leader needed to rest after he looked beyond. But now he did not take the time. The blind man could hear him moving about the room, gathering things.

“Don't let Village know I'm gone,” Leader told him.

“Gone? Where are you going?” The blind man was still reeling with the news of what was happening in Forest.

“To save them, of course. But I don't trust the wall builders. If they realize I'm not here to remind everyone of the proclamation, I think they'll start early. I don't want to get back here and not be able to reenter.”

“Can you slip past them?”

“Yes, I know a back way. And they're all so absorbed in their work that they won't be looking for me. I'm the last person they want to see, anyway. They know how I feel about the wall.”

The blind man was encouraged out of his despair by the optimism in Leader's voice.
To save them, of course.
He had said that. Maybe it could be true.

“Do you have food? A warm jacket? Weapons? Maybe you'll need weapons. I hate the thought of it.”

But Leader said no. “Our gifts are our weaponry,” he said. Then he hurried down the stairs.

Now, alone in his homeplace, a feeling of hopelessness returned to the blind man. He reached for the wall beside the kitchen and felt the edges of the tapestry hanging there, the one Kira had made for him. He let his fingers creep across it, feeling their way through the embroidered landscape. He had felt the tiny, even stitches often before, because he went to it and touched it when he was missing her. Now, on this shattered morning, he felt nothing but knots and snarls under his fingertips. He felt death, and smelled its terrible smell.

Night was ending and they were still alive. Matty woke at dawn to find himself still curled next to Kira in the place where they had collapsed together after struggling as far as they could into the evening.

“Kira?” His voice was hoarse from thirst, but she heard him and stirred. She opened her eyes.

“I can't see very well,” she whispered. “Everything is blurred.”

“Can you sit up?” he asked.

She tried, and groaned. “I'm so weak,” she said. “Wait.” She took a deep breath and then painfully pushed herself into a sitting position.

“What's that on your face?” she asked him. He touched his upper lip where she pointed, and brought his hand away smeared with bright blood. “My nose is bleeding,” he said, puzzled.

She handed him the cloth she had worn around her face the day before, and he held it against his nose to try to stem the flow of blood. “Do you think you can walk?” he asked her after a moment.

But she shook her head. “I'm sorry. I'm so sorry, Matty.”

He wasn't surprised. After the thorny branches had shredded her dress, they had reached for her legs as night fell, and now he could see that she was terribly lacerated. The wounds were deep, and he could see exposed muscles and tendons glisten yellow and pink in a devastating kind of beauty where the ragged flesh gaped open.

Matty himself could probably still stumble along. But his arms were completely useless now, and his hands seemed no more than huge paws. He could no longer even hold the knife with any strength.

As for Frolic, he didn't know. The little dog lay motionless against his chest.

He watched dully as a brown lizard with a darting tongue scrambled across their blanket with its tail flicking.

“You go on,” Kira murmured. She lay back down and closed her eyes. “I'll just sleep.”

He moved his damaged arms with some difficulty to her pack, which lay beside her where she had dropped it the night before. Through a haze of pain he realized that his fingers still moved awkwardly at his will, and he used them to open her pack and remove the embroidery frame. Painstakingly, slowly, he threaded her needle. Then he shook her awake.

“Don't. I don't want to wake up.”

“Kira,” he said to her, “take this.” He handed her the frame. “Just try one more time. Please. See where Leader is, if you can.”

She blinked and looked at the frame as if it were unfamiliar. Matty put the threaded needle into her right hand. He was remembering something. It was something he had said once, to Leader, about meeting halfway.