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Authors: Sarah Bradford

Tags: #Nobility - Papal States, #Biography, #General, #Renaissance, #Historical, #History, #Italy - History - 1492-1559, #Borgia, #Nobility, #Lucrezia, #Alexander - Family, #Ferrara (Italy) - History - 16th Century, #Women, #Biography & Autobiography, #Europe, #Italy, #Papal States

Lucrezia Borgia: Life, Love and Death in Renaissance Italy (37 page)

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Meanwhile, Alfonso, having paid his respects to Venice, continued his journey on 15 May by boat down the canals, accompanied by Niccolò da Correggio, the doctor Francesco Castello, and a large company, with the intention of attending the annual fair at Lanciano, a rough event which included mock battles and appealed to his fondness for low life. At Lanciano he encountered two Venetian war galley captains (
soracomiti
), and, dismissing most of his party, continued his voyage down the Adriatic with them, keeping Lucrezia informed all the while. Having landed incognito at Trani in Puglia, he surveyed the surrounding countryside from a belltower before going on to Bari where his cousin, Isabella d’Aragona, the widow of Gian Galeazzo Sforza, now resided with Lucrezia’s son, Rodrigo Bisceglie, in her care; whether or not Alfonso saw him there has not been recorded. Alfonso and his two Venetian captains next set off for Ragusa on the Dalmatian coast and then Corfu, pursuing some pirate ships in the hope of capturing them. In fact his true intention was almost certainly to familiarize himself with the situation of the Venetians in the Adriatic. Venice responded in fury, imprisoning the two captains and turning away Alfonso’s envoy Niccolò da Correggio, sent there to plead innocence since Alfonso had been given (limited) letters of authorization. Alfonso’s attempts to ingratiate himself with Venice had failed; he now had personal experience of the arrogance of
La Serenissima
. He decided to return to Ferrara, where he arrived on 2 July, moving with his usual swiftness and unexpectedness, so much so that Ippolito and Ferrante, who had gone to meet him at Monastirolo, missed him.

Yielding to Isabella’s advice and, possibly that of Lucrezia, Giulio was by then safely out of the way at Mantua. But neither Ferrante, nor the co-conspirators, the Boschetti, seem to have been aware of imminent danger. Alfonso had written in a friendly manner to Boschetti, offering him unaccustomed favours. Suspicion appeared to be centred on Giulio: Isabella and Francesco sent Capilupo to Ferrara to see Alfonso on a mission of reconciliation, but Alfonso responded by demanding that Giulio return in person to Ferrara to explain himself, as he told Giulio in a written ultimatum on 22 July: ‘If you do not return within two days we will judge that you do not wish to return and we will commence an investigation into your case.’ Giulio replied indirectly to Niccolò da Correggio, refusing on the grounds that ‘he had [as] good cause to fear returning to Ferrara as he had in leaving there’ since many days before Isabella had been warned that ‘certain evil’ would have been done him if he did not. This warning, apparently, had been at the instigation of Ferrante at the time of Tuttobono’s arrest.

Gonzaga then asked for safe conduct for Giulio or, at the very least, the raising of the two-day ultimatum. Alfonso replied in a letter of 25 July that he would certainly give Giulio safe conduct and that he would not be harmed by anyone, specifically mentioning Ippolito, but that he could not guarantee him a safeguard against justice should Giulio be found guilty of plotting against him.

Events were now moving swiftly and an inquiry had already begun on 22 July; on the 25th Albertino Boschetti was arrested and detained in the Castello, and on the 26th the craven Ferrante denounced Giulio to Alfonso, as he told Francesco Gonzaga in a panic-stricken letter pleading for his protection:

 

If Your Lordship does not help and save me I shall perish because, having been induced yesterday morning to reveal the conspiracy of Don Julio to my Illustrious Lord and brother and thus having facilitated Julio’s escape although knowing him to merit every evil and punishment for conspiracy, nonetheless I earnestly pray Your Lordship that you will give up the person of Don Julio to the Most Illustrious Don Sigismondo, my brother, and Messer Antonio de Costabili, because thus Your Lordship will give me life since the Lord Duke will be content with that for all [despite] the punishment I might merit and however, once again I pray Your Lordship to have more respect for my safety than that of Don Julio and to grant me this grace . . .
3

 

Gonzaga, however, refused to hand over Giulio to Costabili and Sigismondo, provoking an agitated letter from Alfonso who had taken to his bed with a fever caused by the anxiety of the case. There is no doubt that he had been horribly shocked by the revelations of his brothers’ plot against him and, he told Gonzaga, more and worse facts against Ferrante had been discovered and he had therefore had him imprisoned in the castle. Naively, he still seems to have had absolute trust in the friendship and good faith of Francesco Gonzaga, reminding him of the obligations they had towards each other as heads of state – ‘of being of one mind and will in every fortune’. Far from being trustworthy, however, two days later, Gonzaga wrote to the Pope’s nephew, Galeotto Franciotti della Rovere, Cardinal of San Pietro in Vincula, asking him for his protection of Gian Cantore ‘whom I have always known to be a good man and recognised as such by the Most Illustrious Duke Ercole, my late father-in-law’.
4
Gonzaga’s reasons for doing this are hard to fathom; by this time the complicity of Gian Cantore and his gross betrayal of his patron, Alfonso, were known. Bacchelli attributes it to Gonzaga’s hostility towards both Alfonso, for his pro-Venetian policy, and Niccolò da Correggio, promoter of that policy. That same policy had provoked a hostile reaction in Rome where the fratricidal conduct of the Este brothers had made the worst possible impression.

The trial of the conspirators began, on Alfonso’s orders, on 3 August, in the privacy of Sigismondo d’Este’s house and concluded with sentences against Albertino Boschetti, Gherardo de’Roberti and Franceschino Boccacci da Rubiera. The guilt of Ferrante and Giulio was pronounced on 25 August and 9 September. The judges (the
Savi
) were among the most distinguished men in Ferrara, and the executive sentence was given on 9 September by their leader,
the Giudice dei XII Savi
, Antonio Costabili. The involvement of the
Savi
showed that Alfonso was determined to keep to his oath of justice; there were to be no summary punishments even though the eventual fate of all the conspirators was to be cruel. Ferrante had been under arrest since 29 July when Alfonso had personally accompanied him to the castle and had him imprisoned in a room in the Torre Marchesana. After four days, the windows were blocked halfway up so that Ferrante could not see out.

On the same day Alfonso had had Gherardo de’Roberti brought from Carpi and taken through the piazza to the piazzetta where a great crowd waited to see him. From the windows of Alfonso’s rooms in the
via coperta
the triumvirate of Alfonso, Lucrezia and Ippolito watched. Afterwards, Alfonso visited de’Roberti in the castle dungeon to interrogate him: enraged, he seized a baton and gave him such a blow that he almost took out an eye. De’Roberti was then consigned to the lowest dungeon of the Great Tower and shackled. The discovery of the plot, symbolized by the imprisonment of the two men, was greeted with the ringing of all the bells, and bonfires were lit that evening all over the city; this continued for three days. Lucrezia and the noblewomen of Ferrara attended solemn mass sung by the ducal singers in the cathedral, and afterwards thanksgiving processions wound through the city, attended by Alfonso and Ippolito with the noblemen and populace.

Lucrezia no doubt found the whole business hard to bear and the tension within the family and household excruciating. She had been fond of both Ferrante and Giulio: Ferrante had been her proxy husband at the Vatican ceremony and her companion on her wedding journey north. Giulio had frequently accompanied her on her forays to the Este villas and had been one of her favourite dancing partners. Ippolito was ruthless and unyielding, Alfonso bitter and emotional. On 19 August Lucrezia rode to Belriguardo for a few days to escape the atmosphere. Alfonso remained nervous and mistrustful. He gave orders that only his guards should have access to the Castello and, probably to her great annoyance, moved Lucrezia from her beautifully decorated apartments in the castle to the rooms in the Corte she had occupied during his absence. Di Prosperi reported:

 

The principal cause I believe is because His Lordship wishes to restrict access to the Castle by anyone except the guards and it seems that he has moved the Lady to the rooms in the Corte – The Lord keeping for himself his
camerini
with the two
camere dorate
[gilded rooms] above the piazzetta of the Castello, from which he can come to the small salon with the balcony and the Sala Grande. However every day he changes his mind but he has told Madonna that she cannot at the moment enjoy her beautiful Rooms and princely apartments which she had had decorated (and was still having done) and on which have been spent thousands of ducats.

As a show of force Alfonso held a review of his light horse and a new display of men-at-arms.

Still Francesco Gonzaga held out, refusing to return Giulio; Sigismondo d’Este and Costabili, now reinforced by Niccolò da Correggio with twenty-five crossbowmen, failed to persuade him to hand over Giulio and, after a blazing row, returned to Ferrara empty-handed. Gonzaga continued to demand humane treatment for Giulio and also for Ferrante, although, as Bacchelli remarks, the latter did not even have the excuse of bad treatment by Ippolito for his treachery. In Ferrara, however, the courtiers besieged Alfonso with advice as to how the prisoners should be punished, Antonio Costabili pointing out that in ancient Rome traitors were put in a sack with animals and thrown into the Tiber. Alfonso, however, promised Gonzaga that neither Giulio nor Ferrante should be personally harmed but that they would be imprisoned. Meanwhile, in the Castel Sant’ Angelo in Rome, Gian Cantore confessed to papal and Ferrarese commissaries that he had been drawn into the plot by the Este brothers: he had not yet been handed over. Alfonso expelled the Boschetti family from their castle of San Cesario; in Mantua the unfortunate Boschetti daughter was forced into a convent. Giulio, now confined to his room in the castle at Mantua, his goods confiscated, had written a grovelling letter of apology to Alfonso, excusing his treachery by blaming Ippolito’s attack on him and Alfonso’s apparent alliance with the cardinal, an excuse unlikely to further his cause. Moreover, Ippolito was enraged by any attempt to lay blame upon him and was working cunningly behind the scenes to cover his tracks, even to the extent of instructing Ariosto, now his employee, not to mention the part he had played in the eclogue which Ariosto was writing about the
Congiura
.

Alfonso was determined to lay his hands on Giulio, and Francesco Gonzaga could no longer hold out. On 6 September, with two hundred light horse, crossbowmen and
stradiots
(the dreaded Albanian light cavalry brought to Italy by the Venetians), he arrived in Ferrara en route to meet Julius II, whose Gonfalonier he had been appointed, at Urbino preparatory to the campaign against the Bentivoglio. On the day of his arrival he was escorted by Alfonso to see Lucrezia in the Camera de la Stufa Grande where she was then lodged. He spent two days in the city, lodged in the Palazzo del Corte, leaving on the 8th. Giulio, in chains, was handed over to Alfonso’s representative in Mantua on Isabella’s orders on 9 September and taken the next day to Ferrara by the brothers Masino and Girolamo del Forno, trusted henchmen of Alfonso and Ippolito. He was imprisoned in the deepest dungeon in the Torre dei Leoni and shackled. He was only twenty-six years old.

The grisly punishment of the non-Este conspirators took place publicly: they were taken on a wagon from the castle to a tribune in the piazza where the process against them was read out. Franceschino da Rubiera was the first to suffer. Blindfolded, stunned with the executioner’s axe and kicked as he lay on the floor, he was then dragged to a block, decapitated and then quartered. Boschetti and Gherardo suffered the same fate. Their heads were placed on lances on the tower of the Palazzo della Ragione, their butchered body parts above three gates of the city. On 8 October, Ferrante and Giulio were sentenced to death but pardoned by Alfonso and imprisoned in rooms on two floors of the Torre dei Leoni. Finally, Gian Cantore was brought to Ferrara, seated on a horse with his hands tied behind him and his feet bound together under the horse’s stomach. Before him rode the executioner, holding a rope tied round the singer’s neck, and as he was led through the streets the populace spat in his face, pulled out his beard and aimed blows at his ribs. He was imprisoned in the Castello until 6 January 1507, Epiphany, when he was put in an iron cage suspended halfway up the Torre dei Leoni. Dressed in thin rags, shivering in the cold, icy wind, he remained there subsisting on bread and wine until the night of the 13th when either he hanged himself or was hanged by his gaolers. His body was then stripped and dragged by the heels through the streets behind a cart, to be hung by the feet from the bridge of Castel Tedaldo above the Po, the same bridge by which Lucrezia had entered the city.

As far as the Este family was concerned, the story was over. Giulio and Ferrante were kept imprisoned in the Torre dei Leoni while court life went on as if they had never existed. Their goods were handed over to Alfonso’s favourites with Niccolò da Correggio receiving the prize of Giulio’s magnificent palazzo on the Via degli Angeli. Ferrante died in prison in February 1540, aged sixty-three, after spending thirty-four years without a visit from any of his family. Giulio was released by Alfonso’s grandson, Alfonso II, on his accession, after fifty-three years’ imprisonment. Aged eighty-one, Giulio emerged to astound the people of Ferrara, still dandified and, according to the chroniclers, ‘a most handsome man’ but a figure from the past with a long beard and clothes which had been made for him in the fashion of fifty years ago.

Julius II, meanwhile, had revived Alexander VI’s campaign to bring the Papal States under the control of the Church. The Bentivoglio of Bologna, who had only escaped being taken over by Cesare in the name of the Church by very substantial bribes, were now a prime target. They were deprived of their status as papal vicars of the city, which was excommunicated as long as they remained there. On 14 October 1506, a copy of the papal interdict against Bologna had been nailed to the door of the cathedral in Ferrara. Under its terms anyone who killed a Bolognese would be granted remission of his sin and a papal indulgence, as well as the goods of his victim. Any priest who failed to leave Bologna would forfeit his benefices. The author of this Christian document, the belligerent, bibulous Julius II, was on his way north; having already received the submission of Gian Paolo Baglioni of Perugia, he was approaching Imola with his army which included Francesco Gonzaga. The Bentivoglio family had already been excommunicated. Alfonso and Ippolito, who were related by marriage to the Bentivoglio and who had already outraged the Pope by their treatment of his godson, Ferrante, hastened to Imola to pay reverence to him. On 28 October a relieved Lucrezia wrote to Alfonso to tell him of her delight at hearing he had been well received there by the Pope and cardinals. He was not, however, prepared to participate totally in the humiliation of his friends and on his return to Ferrara on 3 November he issued a proclamation to the effect that anyone who had taken cattle and other animals from a Bolognese should register them with the
Giudice dei Savi
on pain of payment of a fine or, if not,
tracti de corda.
(This particularly painful torture involved tying the victim’s arms behind his back, then hoisting him up by cords tied around his wrists, thus dislocating his shoulders.) He also refused the Pope’s invitation to accompany him on his triumphal entry into Bologna.

BOOK: Lucrezia Borgia: Life, Love and Death in Renaissance Italy
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