Authors: Alan Light
father character in,
26
,
105
â06,
119
â20,
154
,
176
,
180
female lead auditions for,
107
â08
filming of,
111
â43
final cut screening for Warner Bros. of,
154
â55,
157
First Avenue club setting for performance scenes of,
136
â43
funding for,
66
,
73
â74,
88
,
102
â06,
145
,
181
Kid character (Prince's role) in,
111
â12,
120
,
122
,
143
,
144
,
146
,
147
,
153
,
154
Lake Minnetonka scene in,
123
â25,
143
legacy of,
268
â77
Los Angelesâbased production work on,
77
,
124
,
131
,
143
,
157
lyrical content of songs in,
99
â101
marketing and release planning for,
134
,
155
â56,
159
â61,
164
â65
marrying cultures of music and film in,
116
,
135
,
153
Minneapolis weather as factor in filming,
20
,
113
â14,
138
â39,
143
mother character in,
26
,
106
,
122
,
125
,
154
music written by Prince for,
74
â80,
96
â97,
99
,
110
,
112
,
147
,
150
,
152
,
157
,
180
,
226
Prince's later work and impact of success of,
251
â52,
254
â55,
256
â57,
267
â68
Prince's performance in,
117
â18,
119
,
120
â21,
132
â33,
139
â40,
153
,
173
,
176
â77,
182
â83
promotional interviews with Prince not used for,
164
â66,
184
,
211
reactions of other artists to,
172
â73,
183
â84
reactions to Prince's sexuality in,
185
â88
Revolution's participation in
128
â29
Rolling Stone
on,
144
â45,
164
,
177
,
184
,
188
â89
script for,
68
â79,
91
,
92
,
102
,
108
,
111
,
114
,
115
â16,
126
sexual themes in,
122
,
132
â33,
180
,
185
â86,
188
shooting schedule for,
139
â40,
143
,
184
song placement in,
178
â79
teamwork behind success of,
256
â57
timing of
Purple Rain
album release and,
160
â61,
168
,
171
,
175
,
178
â79,
181
treatment of women in,
26
,
125
â27,
176
,
179
â80,
185
university class on,
274
â75
Vanity's participation in,
106
â07
world premiere of,
172
â74,
212
writing and recording “When Doves Cry” for,
147
â50
Purple Rain tour,
164
,
174
,
212
â20,
223
â26,
236
â40
changes in staging and lineups during,
241
â42
charity efforts during,
217
â18,
231
cities and shows on,
218
,
219
â20,
223
â24,
225
â26,
232
,
236
â38,
240
,
247
,
248
controversy over Easter Sunday show in Miami on,
248
â49
Detroit as first stop on,
216
â17
encores during,
223
â24
Leeds on,
218
,
219
,
220
,
223
,
225
,
239
â40
participants' later memories of,
218
â19
possible European or Asian stops on,
247
possible opportunities after,
244
â48
Prince's recording projects during,
219
â20,
232
,
240
,
243
â44
Prince's tired and irritable state of mind on,
238
â41
rehearsal and planning for,
214
â15
St. Paul stop as high point of,
220
security issues and fan madness during,
224
â25,
229
â30,
234
winding down of,
243
â44
“Purple Shades,”
82
Purple Xperience,
32
Q
Questlove,
18
â19,
76
,
125
,
149
â50,
223
,
256
,
274
â75
R
racial attitudes
cultural context of 1984 and changes in,
21
,
195
â96,
198
,
210
impact of Jackson's music on,
196
,
200
MTV's resistance to airtime for black artists and,
48
,
195
popularity of black music and,
44
â45,
57
,
195
â96
Prince seen as black artist and,
24
,
29
,
39
,
42
,
156
,
189
Prince's multiracial vision and,
51
,
65
,
138
,
171
,
206
Purple Rain
movie and,
9
,
155
â56,
176
â77,
183
â84,
210
rap and hip-hop and changes in,
207
,
269
rise of black artists with black identity and,
199
,
269
â70
white audiences' acceptance of black artists and,
43
,
49
,
170
â71,
195
,
210
,
217
Rainbow Children, The
,
266
rap music,
207
“Raspberry Beret,”
237
,
243
,
253
,
273
Reagan, Ronald,
10
,
40
,
99
,
191
,
192
,
203
Record World
magazine,
34
Red Hot Chili Peppers,
201
Replacements,
138
Revolution
acting classes for,
83
â84
concerns about acting expressed by
128
â29
Dickerson's departure from,
59
â61
early work on music for
Purple Rain
and,
77
â78,
79
,
80
First Avenue club and,
136
filming
Purple Rain
and,
90
,
93
â94,
127
â28,
140
â41,
143
,
171
Melvoin as member of,
3
,
61
â66,
90
â91,
94
,
242
Parade tour and,
257
â58
Prince's relationship with,
100
,
147
,
204
Prince's work with, after
Purple Rain
,
256
Purple Rain
album and,
151
,
152
,
163
,
166
â67,
210
,
222
,
262
Purple Rain
movie release and,
171
,
172
,
173
,
174
Purple Rain tour with,
214
,
216
,
239
,
241
â42,
275
Sheila E. and,
147
work after Purple Rain tour and,
245
â47,
258
â59,
261
Rihanna,
259
Rivkin, Bobby (Bobby Z),
4
,
29
,
33
,
50
,
54
,
63
â64,
77
,
138
,
167
,
215
,
260
,
261
,
262
Rivkin, David (David Z),
5
,
6
,
29
Ro, Ronin,
197
Rock, Chris,
99
,
162
,
169
,
180
,
260
,
268
,
270
Rock and Roll Hall of Fame,
12
,
79
,
268
rock music
acting in movies and,
153
â54
cultural context of 1984 and changes in,
201
â02,
206
Jackson's influence on,
79
marrying cultures of film and, in
Purple Rain
movie,
116
,
135
,
153
MTV's influence on,
195
music videos in,
192
â93
Prince's songs as,
10
,
31
,
35
,
39
,
51
,
64
,
78
,
97
,
151
,
161
,
169
,
171
,
184
,
187
,
200
Purple Rain
album as,
167
â68,
169
Purple Rain
movie and,
142
,
175
,
177
â78,
269
racial composition of,
24
3rdEyeGirl and,
17
Rogers, Susan
Around the World in a Day
and,
222
on cultural contexts of music,
191
â92
on first hearing Prince,
31
on Prince,
46
,
95
â96,
166
,
205
,
271
on Prince's music,
76
,
101
â02,
243
on Prince's performance in
Purple Rain
,
118
,
120
â21
Purple Rain
album and,
152
Purple Rain
movie release and,
174
â75
recording music for Prince,
77
,
97
â90,
146
,
232
on Sheila E.,
146
â47,
219
â20
on “We Are the World” and Jones,
228
,
232
â33
Rolling Stone
articles on Prince in,
51
,
107
â08
interviews with Prince in,
24
,
184
â85
Prince's albums reviewed in,
7
â8,
34
,
48
,
253
,
167
,
189
,
253
Prince's praise of,
35
Prince's performances reviewed in,
3
â4,
212
,
217
,
218
on “Purple Rain” and karaoke,
273
â74
Purple Rain
's filming and success described in,
144
â45,
164
,
177
,
184
,
188
â89
on Purple Rain tour,
217
Rolling Stones,
42
â43,
44
,
206
,
218
,
271
“Ronnie, Talk to Russia,”
40
Roth, David Lee,
109
Rucker, Darius,
183
â84,
270
,
272
â73
S
Saturday Night Live
(television show),
35
,
51
,
233
â34
Scarface
(film),
140