I was surprised by this approach.
I don't know what I had been expecting, but I certainly hadn't anticipated this.
"No."
"You've written a book."
"One book. That doesn't make me a writer."
"Nevertheless, you can write. You can put these curious little symbols down on paper, order your ideas, convey your impressions and emotions to others of your kind."
Reluctantly, I said, "Yes."
"And perhaps to us."
"You killed my wife."
"That is beside the point."
"It is the point."
The alien's mandibles worked furiously, and its amber eyes regarded me with unknowable intent. Through
Toby he said: "We cannot know what you are thinking by stepping into your mind.
Your fear is so intense it blocks out your thoughts. But we want to know what you perceive of your existence and of the universe. We want to understand what evolutionary level you represent. Therefore, we wish you. to put your thoughts into writing. We will read the writing through the eyes of your son and interpret your worthiness from the content thereof."
"My worthiness?" I said.
"You will write another book."
"About what?"
"You will write about us, about all that has happened here at Timberlake Farm during the last several days," Toby-alien said. "Then we will learn how you perceive us, and we will be able to put this affair in the proper perspective."
"No."
"No?"
"I won't write a book."
"You will write a book."
"You killed my wife."
"What does that matter?"
"Are you crazy?"
"We do not understand the concept of mental instability."
"Because you're all crazy and you have nothing sane to compare yourselves to," I said.
"You will write a book," Toby-alien said, and as he spoke he began to twitch. Spittle bubbled at the corners of his mouth.
"What are you doing to him?" I demanded.
"Nothing," the alien said through the boy. "But we find it difficult to use even a child. Such a strange species. He resists my thought control, and from time to time he throws fits much like those people you call epileptics."
"If I write the book, will you let Toby and me live? Will you go away from this world?"
"You will write a book."
"I need that promise."
"You will write a book."
As Toby began to twitch even more violently, I surrendered.
"Okay. I'll write the book. I'll put it all down in print. Just don't torture the boy."
"I am not torturing him. This spasm is simply an uncontrollable psychological reaction to my presence in his mind."
"You say you're using him as a tool for communication-but you're not speaking with his vocabulary."
"For the brief moments we were in your mind, your wife's mind, and the minds of the
Johnsons, we absorbed all of your language. The boy is not a dictionary, just a translator and loud speaker."
"You killed the Johnsons."
"That does not matter."
"For God's sake!"
"Death does not matter."
"It's all that matters."
"Curious."
"I'll write the book," I said, slumping back in the chair.
"In three earth days."
"I can do it," I said. "I won't worry about style or grammar or punctuation. I'll just get the raw emotion down, the emotion and the fact."
"You will write a book."
"My typewriter is an electric model," I said. And then I realized that the lights were on. Not the heat, of course, for they couldn't tolerate it. But that would be turned on after they left.
"We have repaired the generator. Now we will leave you to your work."
They took Toby with them when they left. I watched them until they disappeared into the woods. Would
I ever see him again?
On my way back to the den, I passed a photograph of
Connie. It was in a silver frame on top of the piano. She played the piano well;
I could almost hear her music. And the sight of her face was like a punch in the stomach. I doubled over and went to my knees and wept loudly.
Death is not mutable.
Death is not beatable.
Death is not cheatable.
Death is not a joke.
Death is real and final.
But the world is a madhouse.
Remember that. Don't take it seriously.
I don't know how long I remained on my knees, my head on the floor, weeping. A long time. Perhaps hours. When I finally got up, my chest ached and my throat was sore and my eyes burned.
But when I did get up I went into the den and rolled a sheet of paper into the typewriter. I would write the book. Somehow, I would hold myself together long enough to write the book.
Connie was gone forever. But Toby was still alive. There was not much chance that they would let me have him or that they would let us live, but I had to hold onto even the frailest thread of hope. And so I kept telling myself: If you write the book, maybe you'll save yourself and Toby. And so I began to type.
26.
It's finished.
In three days I have written one hundred and eighty manuscript pages, and I am burnt out. I slept only one night out of three and took perhaps four or five one-hour naps. I have gotten through this ordeal with the aid of a fifth of Wild Turkey bourbon, a box of No-Doz caffeine tablets, and several bennies (prescribed for me in the days when I suffered bouts of lethargy and depression, just after I got out of the sanitarium). Bourbon, caffeine, and speed: that is not a good combination, not good at all. I stagger when I walk, and I can't think clearly any more.
But it's finished.
I will get up from this desk in a few minutes and go into the living room and sit down to wait for them.
Somehow they will know that the book is written. What they expect to learn from it, I do not understand. It is obvious to me that our races are so terribly different-physiologically and psychologically- that no one book, no one man's explanations can ever bridge the gulf between us. They will study the text I have prepared, will be puzzled by it-and then, will they kill us?
It's finished.
Now let's finish the rest of it.
Come on, you bastards.
EPILOGUE
Some time during my lonely vigil I fell asleep on the couch. I didn't dream. But when I woke up, muttering to myself and wiping imaginary cobwebs from my face, there were two nightmares in the living room with me: two of the aliens stood before me with Toby between them.
The air was chilly. They had turned off the heating system long before they'd entered the house. I shivered uncontrollably.
I sat up and rubbed at my eyes and grimaced at the awful taste in my mouth. "It's finished," I told them.
As before they spoke to me through Toby. "We have read the manuscript."
"Already?"
"You have slept for more than twelve hours."
"Oh." I stood up, no longer intimidated by them. My face was within inches of one alien's clacking mandibles. "Have you learned anything from it?"
"Yes."
"What?"
"You would not understand."
"Try me."
"There are no concepts in your language-or mind."
"I see." But I didn't.
"Mr. Johnson and Mrs. Johnson cannot be restored. That was a mistake of ours. But he did kill one of us first," Toby-alien said.
Having a bit of trouble adjusting to the sudden change of topics, I said, "Well
What are you saying this for? Are you trying to absolve yourselves of guilt?"
"We do not comprehend the concept of guilt," Toby-alien said. "We merely wish, for whatever reasons, to set the record straight."
"Why are you on earth?"
"You could not understand."
"Why did you kill the horses-and strip them of flesh?"
"You have no concept of our motivations or purposes-and we barely understand the bizarre behavior you display."
I was getting nowhere fast, but the questions came compulsively. "Did you understand, at the start, that we were intelligent creatures?"
"We don't believe you are intelligent creatures," Toby-alien said as mandibles rattled noisily on both sides of him.
"What?"
"You do not conform in any way to our concept of intelligence. You are-barbaric, crude, disgusting. We believe that you are only extremely clever animals, able to feign activities and attitudes that would indicate the most basic periphereal intelligence."
"Then why are you bothering to try to communicate?"
Toby-alien said, "Because there is the slightest chance that we may be wrong. You may be intelligent, some exceedingly strange manifestation of the universal force of awareness."
Hope seeped back into me. "Then we will be allowed to live?"
"Yes," Toby-alien said. "We will leave this world within the hour. We have no desire to learn more of your culture, real or just contrived, whichever it may be."
"I think that's the wrong attitude."
Changing the subject again, Toby-alien said, "Your wife is upstairs, in the master bedroom, sedated."
My legs trembled. I thought I was going to col lapse. "My wife is dead."
"She was dead."
"Then she still is."
"Why must that be so?"
"Death is final."
"This proves your race is not intelligent."
"Death is final, dammit!"
"It never is."
"I killed four of your people," I said. The corpses had been removed days ago; all that remained as evidence of the battle was the broken glass.
"We have removed their brains, which reside in impregnable pods beneath the carapace. The brains were put into newly cultured bodies. They live."
"And you built a new body for Connie?"
"That was not necessary. There are other methods."
"Tell me. I must know them."
"If you were an intelligent creature, you would already know them," Toby-alien said. "And since you are an unintelligent beast, the concept would do you no good. You would not understand it."
The aliens turned and stalked out of the room.
They were finished with me, and they never looked back.
Toby said, "Dad? What's going on here? I'm scared."
His voice trembled.
"It's over," I assured him. I picked him up and hugged him.
"There's nothing to be afraid of now."
"Where's Mom?"
"Let's go find her," I said, a lump rising in my throat.
I carried him upstairs.
She was sitting up in bed when we got there. She was as beautiful as ever. "Don?"
"I'm here."
"Toby?"
"Hi, Mom."
Death is not final.
But the universe is still a madhouse. There is meaning in it, yes, but random meaning, a lunatic's planning, the purpose of a spastic Planner.
And we are lunatics in this madhouse, but we have learned to live with it-a necessity, since there is no hope of being released from it. As Toby and I sat on the edge of the bed and the three of us hugged one another, the night was filled with our maniacal but undeniably happy laughter.
ROGER ELWOOD talks about
No. 1. Renegades of Time by R. F. Jones
Ray Jones can tell a story as well as any man. Read this and see what I mean.
No. 2.
Herds by Stephen Goldin
Steve Goldin's ability to weave the alien world into the fabric of our contempory world is uncanny.
No. 3. Crash Landing On Iduna by
Arthur Tofte
Written by an "old pro". As you'd expect, it's adventure as it should be written with an ending that will surprise!
No. 4. Gates Of The
Universe by Robert Coulson and Gene DeWeese
This top flight writing team have come up with a winner. Several of their characterizations are really outstanding.
No. 5. Walls Within Walls by Arthur Tofte
This is Arthur's second novel in the series. It has beauty and grace and much human understanding. A rare combination in a S.F. adventure. I think you'll agree.
No. 6. Serving In
Time by Gordon Eklund
Gordon is really establishing himself in the S.F. world.
With this exciting tale, he gives us a lesson in history too.
No. 7. Seeklight by K.W. Jeter
As Barry Malzberg says in his introduction, "one of the three or four best first S.F. novels I have read."
No. 8. Caravan by Stephen Goldin
As I said about his first novel in our series, "His ability to weave the alien world into the fabric of our contempory world is uncanny."
No. 9. Invasion by Aaron Wolfe
This is the first novel Aaron Wolfe has ever written. As Barry Malzberg says of it, "It is simply one of the most remarkable first novels, In any field, that I have ever read."
No. 10. Falling Toward Forever by Gordon Eklund