I Unlove You (21 page)

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Authors: Matthew Turner

Tags: #coming of age, #love story, #literary fiction, #contemporary romance, #new adult, #mature young adult

BOOK: I Unlove You
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I suppose
so,

she says, resting her book on her knees and falling back
into her chair.

No harm in looking.


Definitely. And this led my dad
to ask another question, which again I nearly had an answer for,
because it

s always been part
of the plan.


The plan?


You know,
our
life.
Our future and marriage.


I see.


I know we
haven

t spoken a lot about it in the past, but
it

s always been part of the future I imagined, and now
we

re having a baby it makes sense.


How romantic.


I didn

t mean it like
that,

I say, my fidgety fingers scratching faster against my
chinos.

I figured we

d get married before
having children, but I suppose life just happens
sometimes.


Jesus, Aus.
Really?

she says, rolling her eyes.


Shit. I didn

t mean it
like that, either.

I sigh and take a deep breath.

Okay

I love you and always
have, and I can

t imagine a future
without you. When I think about where we are in ten
years

time, it

s a bit of a
mystery, but we

re married with a
house and a family, and so long as we have that,
I

m happy.

Smiling, she reaches for my hands and frantic
fingers.

Aus
—“


Like you said, university feels
like another lifetime away, and I can

t fathom where the
last few months have gone. Soon, we

ll be parents. Soon,
we

ll be thirty. I just want to do
what

s right by you and our family. For weeks
I

ve said there

s no rush, but I
suppose speaking to my dad last night made me realise there
is.

She
slides her fingers into my palms and squeezes my fingers to a
standstill.

I know what you

re saying, and
you

re right, these last few months have flown by. But I
honestly don

t think
there

s a rush when it comes to marriage.
We

re together, aren

t we? What does
marriage prove? What does getting married before we have this baby
prove?


I know, but
…”


Sweetie,

she says, moving her
right hand to my shoulder.

I love you, and
you

re doing great, but these last few weeks have been
hard for you. Do you really think worrying about marriage and a
wedding will help? And we

ll move in with each
other, and find a house, and play happy families, but right now, we
just need to focus on this little baby inside me.


That

s what
we

re saving up for. That

s where our focus
needs to be. Let

s not complicate
life with anything else right now, okay?

Biting my upper lip, I sigh and relax my shoulders.

I know.
I

m sorry. I guess speaking to Dad last
night
—“


You have nothing to apologise
for. You

re here, and so am I. That

s all
that matters.

Nodding, I rest my head on her arms.

I know. Thank
you.


Come on,

she says, pushing
herself up out of her chair.

Let

s go for that walk
and talk, and, who knows, maybe we

ll see an apartment
we like.

She reaches for my hand.

Please stop worrying
about all the little things. Everything is fine, sweetie. It always
will be.

As
soon I touch her skin, the back of my neck warms. I keep worrying
about so much, about the tiny invisible woes that may or may not
ever happen. I dwell on money and responsibility as if they
wouldn

t exist without a baby on the way. I focus on
the fear, whereas all I should focus on is her.

I

ve drifted through a teen-hood of dreams like
everyone else, but she

s my constant. The
jobs change, and the places I live, and where I ask her to marry
me, but the one person who remains by my side in each fantasy
is
B
. Maybe everything isn

t fine right now,
but it will be.

It

s happening sooner than I ever imagined it
would, but it

s no different now
than if it happened in five years

time. It

s me and
B
against
everyone else, and soon we

ll have another
member to join our band. Our band. The only band
I

ve ever wanted to be part of.

AUGUST 6
TH
- THE BAND ROOM:

 

The
sanctuary of the band room is a strange one. In its damp and cold
form, it

s one of the most abysmal and grim rooms
I

ve ever ventured into. I shouldn

t enjoy
spending time here, but I do. It

s a home of sorts,
and these four dirty walls - I have no idea what the original
colour was supposed to be - have seen us create, practice, and
execute songs crafted from nothing.

I
recall a time I couldn

t imagine creating
my own lyrics or music. As my father taught me one chord after
another, I revelled in the creation of others.

Why do people create
their own songs?

I asked, a prepubescent slave to music.

It
can

t be as fun as playing songs by The Beatles or Rolling
Stones.

Grinning, but keeping his eyes on his strumming fingers, he
smiled.

I

ll remind you of saying that when
you

re older, son.

At
some point, playing songs by others doesn

t quite cut it,
and as Joey and I fantasised about owning our own recording
studios, creating and writing became part of the process. The day
we rented this dirty, horrible room felt like a life-changing and
monumental one; as though we

d broken free of our
childhood.


We

ll never leave
here,

Joey said, pacing up and down, running his hand against the
greyish-blackish-brownish-greenish wall.

The drum kit can go
here,

he said, directing his arms in a semi-circle.

And
I

ll stand here, and you can stand
there,

he continued, pointing and hopping from one side of the red
carpet to the other.

He
was right, too. We never have left this place, despite having the
opportunity on several occasions. I don

t know why we
didn

t whilst we were at university, as travelling back
several times each week grew tiresome. Yet,
there

s something wonderful about this space that a
new room, or a clean room, or a bigger and more spacious room
couldn

t replicate.


I

m still buzzing
after last week,

Joey says, lounged next to me on the old leather couch
that

s seen too many spills and God-knows-what-else over
the years. He doesn

t bring girls back
here so much anymore, but whilst we were at school it became a
pilgrimage of sorts, and I

ve approached this
damn couch with caution ever since.

Everyone loved us.
Everyone. Best crowd ever.

With a can of warm beer in one hand, and the neck of my
guitar in the other, I rest my feet on the coffee table, which, in
actual fact, isn

t a table, so much
as an old door propped on four beer crates.

It was a good time.
You were on top form. Not seen you like that for
years.


I know, I miss that feeling. I
didn

t think I

d lost it, but I now
realise I have and I want it back. I want to be like when we first
started, when we played those old illegal school gigs when everyone
raved and crazed in a giant pile of sweaty
bodies.


You make it sound so
appealing.


Don

t pretend like you
don

t miss it too,

he says, drinking from his own can
of warm beer.

It was special back then, but,

he says, digging his
middle finger into my thigh,

it will be special
again.

He sighs and takes another swig of beer.

It

s a shame
you

ll miss it.


You kicking me out the band or
something?

I say, twisting towards him and laughing.

He
sighs again, this one heavier.

You
won

t be able to do this soon,

he says, folding his
arms.

It

s an end of an era, and you know
it.


Wait, because
I

m having a baby means I won

t be able to
play the bass. Is that what you

re
saying?


That

s exactly what
I

m saying. You

ll have dinner to
make and nappies to change and a wife to be at the mercy of.
There

s no chance you

ll be sat next to me
with a cool can of the good stuff in a few
months

time. The days of us relaxing on this amazing
couch, listening to The Pixies or The Smiths or The Ramones are
dead. The age of Joey and Aus, a superstar duo of guitar playing
amazingness, over. You killed
us
, brother.
You

ve killed
this
.

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