Homicide (74 page)

At the same time, Terry McLarney went into a clinical depression after hearing a rumor that Worden had expressed interest in an open posting for an investigator with the medical examiner’s office. Worden’s gone, he told others in the squad. We’re losing him to this fucked-up year of his.

“Right now he just looks tired,” McLarney told others in the squad. “I’ve never seen Donald looking so tired.”

McLarney held tight to a slim thread of hope: Get Worden back out on the street with new murders. Good murders, good calls. McLarney believed that if anything could wipe the slate clean for a guy like Worden, it would be real police work.

But Monroe Street had been real police work; the Rideout case, too. They had just ended poorly. Even Worden himself wasn’t really sure what was wrong, and he had no idea where this tunnel was taking him, or whether it even had a light at its end. The best that could be said was that Donald Worden had gotten used to traveling in the dark.

Then, suddenly, a little light began to show. Late September brought that three-for-a-quarter performance on the midnight shift, when Worden worked every body that fell within his field of vision. And one week
after those clearances he picked up yet another whodunit on daywork. The case was a loser: a nude woman found carved up behind an elementary school on Greenspring Avenue, discovered by the post officer a good twelve hours after the murder. No identification, no match to any missing persons report.

The beauty of Worden’s performance on that case would not come with its solution, although incredibly, he would come up with a suspect after staying with the file for more than a year. The beauty was that he refused to allow this woman to remain a Jane Doe— “a member of the deer family,” as he liked to put it—to be buried for $200 by the state without the knowledge of friends or family.

For six days Worden was out in the street, looking for a name. The television stations and newspapers wouldn’t run a photograph of the woman’s face: she was too obviously dead. Her fingerprints didn’t match up with anything in either the local computer or the federal data base available to the FBI. And though the body looked pretty clean—an indication that the woman had been living somewhere—no one ever came into a police district to say that their mother or sister or daughter had not come home. Worden checked the group home for homeless women on nearby Cottage Avenue. He checked with the detox and drug treatment centers, because the victim’s liver looked a little gray at autopsy. He canvassed the streets around the elementary school and along the nearest city bus route.

The break had come last night, when he paraded the photograph through every bar and carryout in Pimlico. Finally someone at the Preakness Bar remembered that the dead woman had a boyfriend named Leon Sykes who used to live over on Moreland Avenue. That address was vacant, but a neighbor told him to try 1710 Bentalou. There, a young girl listened to Worden’s story and took him to 1802 Longwood, where Leon Sykes looked at the photo and identified the dead woman as Barbara.

“What’s her last name?”

“I never knew.”

But Leon remembered where the dead woman’s daughter lived. And thus, by pure police work, did Jane Doe—a black female, late twenties—become Barbara Womble, thirty-nine years, of 1633 Moreland Avenue.

Those six circuitous days and nights in Pimlico left no one with any doubt: Worden was back, having outlasted his worst year.

The Big Man’s triumphant return was also marked by his renewed
and unceasing torment of Dave Brown, whose abandonment of the Carol Wright case had not exactly gone unnoticed by the older detective. For at least a part of September, Brown’s excuse was the Nina Perry investigation, which began when a couple of dopers were arrested in the car of a woman reported missing from her Stricker Street rowhouse a week earlier. Working with McLarney, Brown put that case together in fine fashion, pressuring one of the suspects to confess fully to the murder and then lead detectives to the victim’s badly decomposed remains, which he had dumped in a Carroll County backwoods.

Worden watched the Nina Perry case unfold and thought that maybe, just maybe, a detective lurked somewhere within David John Brown. The Perry case was fine work, the kind that teaches a cop something about his craft. But Worden’s generosity went no further.

“Clayvon Jones and Carol Wright,” Worden declared in late September. “Let’s see him do something with one of those.”

But Clayvon Jones would not be the true test, not after Eddie Brown came strutting into the coffee room four days ago with a letter from the Baltimore City Jail in his right hand.

“Speak to yo’ daddy,” said the older detective, dropping the letter onto the desk with a flourish. Dave Brown read about three lines before turning in prayer to the green bulkhead wall.

“Thank you, Jesus. Thank you, Jesus. Thank you, Jesus. Thank you. Thank you. Thank you.”

“Do I take care of you?” asked Eddie Brown.

“You do. You mah daddy.”

The letter had arrived in the admin office that afternoon, a hastily scrawled missive from a prisoner who had witnessed the murder of Clayvon Jones in that east side courtyard back in June. Three months later, this witness needed to barter out from beneath a drug charge. Addressed to the homicide unit, his letter included details about the crime scene that only a bona fide witness could know.

No, the Clayvon Jones killing would not be much of an education. In Worden’s considered opinion, its easy solution became simply another laurel beneath the weight of Brown’s ass. That left Carol Wright, the woman run down on the South Baltimore parking lot. For a few weeks, Brown had at least talked about picking up the Carol Wright file again and sorting through the old leads. But as far as the board was concerned, the Carol Wright case still wasn’t a murder and therefore it didn’t exist.
These days, he wasn’t even mentioning the case and, as Brown’s sergeant, McLarney wasn’t making much of a stink about it either. Indeed, with Nina Perry and Clayvon Jones both safely in the black, McLarney had a new appreciation for Dave Brown’s talents.

In McLarney’s mind, the Perry case in particular counted for a lot. Brown had worked hard and a tough case involving a genuine victim had gone down. That arrest had elevated Brown to hero-of-the-week status, and he was therefore entitled to a beer or two at Kavanaugh’s with his loving and devoted sergeant. In fact, McLarney was so pleased with the Perry case that he stayed with Brown through its aftermath, sharing the remaining paperwork and evidentiary details. He only balked when it came time to pick up the victim’s maggot-infested clothing at the ME’s office.

“Fuck this, Dave. I’ll give you a hand with this tomorrow,” McLarney said after getting a quick whiff of the stench. “Let’s come back for this stuff in the morning.”

Dave Brown readily agreed and drove back to headquarters a contented man, at least until he realized McLarney wasn’t scheduled to work the next day.

“Wait a second,” he said, parking the Cavalier in the garage. “You’re off tomorrow.”

McLarney giggled.

“You little Irish potatohead.”

“Potatohead?”

“You did me, you goddamn mick.” That was the new and improved Dave Brown talking, a far cry from the detective who had penned that please-keep-me-in-homicide missive the month before. A man has to feel fairly secure before he’s willing to call his immediate supervisor an Irish potatohead, even in the casual environment of a homicide office. And of course McLarney loved it. Sitting at an admin office typewriter that same evening, he immortalized the deed in a memo to the lieutenant:

Funny stuff. A little too funny, thought Worden, reading a copy of the memo. McLarney’s obvious delight in Dave Brown was helping to turn Carol Wright into nothing worse than a vague and distant memory. If the Nina Perry case meant anything at all, Worden thought, then now was the time for Brown to show it. Did he really want to work murders? Did he even know exactly what that meant? Or was he up here to submit overtime slips and close Kavanaugh’s every other night? If McLarney wasn’t going to stick a finger in Dave Brown’s eye, then the Big Man would take that responsibility upon himself. For three weeks running, in fact, Worden had been knee deep in the younger detective’s shit, waiting to see some movement on a case that Brown would like to see disappear. It’s been the full Worden treatment—cold, demanding and a little bit vicious. For Dave Brown, a man who wants nothing more than to bask in the latest success, there is no joy, no mercy, and absolutely no chance of escape.

Now, on today’s quiet eight-to-four shift, the younger detective is actually foolish enough to be caught reading the new issue of
Rolling Stone
in the coffee room, an act of utter indolence. Worden needs only to enter the room and ascertain that the Carol Wright file is not visible on Dave Brown’s desk.

“De-
tec
-tive Brown,” says Worden, imbuing each syllable with contempt.

“What?”

“Detective Brown …”

“What do you want?”

“I’ll bet you like the sound of that, don’t you?”

“The sound of what?”

“Detective Brown. Detective David John Brown.”

“Go fuck yourself, Worden.” Worden stares at the younger detective intently and for so long that Brown can no longer concentrate on the magazine.

“Quit staring at me, you old bastard.”

“I’m not staring at you.”

“The fuck you aren’t.”

“It’s your conscience.” Brown looks at him, uncomprehending.

“Where’s the Carol Wright case?” says Worden.

“Hey, I’ve got to type the prosecution report for Nina Perry …”

“That was last month.”

“… and I got a warrant out this week on my boy Clayvon, so gimme a fucking break already.”

“My heart pumps purple piss for you,” says Worden.

“I didn’t ask you about Clayvon Jones, did I? What’s new with Carol Wright?”

“Nothing. I got my dick in my hands on that.”

“De-
tec
-tive Brown …”

Dave Brown pulls open his top right drawer and grabs the .38, pulling the gun halfway out of the holster. Worden doesn’t laugh.

“Gimme a quarter,” says the older detective.

“What the hell for?”

“Gimme a quarter.”

“If I give you a quarter, will you shut the fuck up and leave me alone?”

“Maybe,” says Worden. Dave Brown stands up and fishes a coin from his trouser pocket. He throws the quarter at Worden, then sits again, burying his face behind the magazine. Worden gives him a good ten seconds.

“De-
tec
-tive Brown …”

T
HURSDAY
, O
CTOBER 13

At its core, the crime is the same.

This time she is shot, not stabbed or garroted. This time the small frame is just a bit heavier and the hair is down, not pulled back in braids with a brightly colored beret. This time the vaginal swabs will provide proof of the rape in the form of seminal fluid. This time she did not disappear while walking to a library but to a bus stop. And this time the dead girl will be a year older, twelve instead of eleven. But in every important way, it is the same.

Nine months after Latonya Kim Wallace was discovered behind a Reservoir Hill rowhouse, Harry Edgerton is once again staring at an act of unequivocal evil in a Baltimore alley. The body, fully clothed, is crumpled at the edge of an old brick garage foundation behind a vacant rowhouse in the 1800 block of West Baltimore Street. The single bullet wound is to the back of the skull—a .32 or .38 from the look of it—fired at close range.

Her name was Andrea Perry.

And her mother knows when she watches the evening news and catches a glimpse of the ME’s attendants carrying the gurney out of an alley a block away from her Fayette Street home. Andrea has only been missing since last night, and the unidentified victim on television is initially believed to be an older girl, possibly a young woman. But her mother knows.

The identification process at Penn Street is achingly painful, hard even for the ME’s attendants, who can do this sort of thing four or five times a day. Later that day in the homicide office, Roger Nolan has barely started to interview the mother when she breaks down uncontrollably.

“Go home,” he tells her. “We’ll talk tomorrow.”

At about the same moment, Edgerton stands in the autopsy room and watches another postmortem of another murdered child. This time, however, Edgerton is the primary detective. In fact, he’s the only detective. And this time, he tells himself, it’s all going to end differently.

But if the Andrea Perry case is now the exclusive property of the homicide unit’s consummate loner, it is also a contradiction in terms: behold, the one-man red ball.

The Andrea Perry murder has all the earmarks of a major case—a dead child, a brutal rape and murder, a lead story on the six o’clock news—yet this time there are no special details, no herd of detectives at the crime scene, no second-day cadet searches. This time the brass is nowhere to be seen.

It might have gone this way even if someone other than Edgerton had taken the call. Because once already this year, D’Addario’s men had spent themselves in a communal fight, gathering the entire shift for an absolutely essential case. For one little girl, they had called in extra troops from the districts. For one righteous cause, they had pursued their best suspects for weeks and then months, sacrificing other cases in the campaign for a single, small life. And none of it had mattered. The Latonya Wallace case had gone sour, reminding every man on the shift that all the time and money and effort mean nothing when the evidence isn’t there. In the end, it was an open file like any other—a special tragedy, to be sure—but an open murder now in the care of one solitary detective.

Success is its own catalyst; failure, too. Without any arrest in the death of one child, the same shift of detectives had very little to deliver in the death of another. For Andrea Perry, there will be no general mobilization, no declaration of war. It is October; the arsenal is empty.

That it is Edgerton’s case simply makes all of this easier. Of all the men on D’Addario’s shift, he is the only one who would never think to ask for more troops. Nolan is with him, of course; Nolan is always with him. But beyond the sergeant, everyone else in the squad holds to his own cases. Even if Edgerton wants their help, he wouldn’t know how to ask. From the crime scene forward, he is on his own: So be it.

From those first moments at the scene, Edgerton tells himself he will not make the same mistakes that he believes are buried in the Latonya Wallace file, and if he does, they will be his alone to deal with. He has watched Tom Pellegrini waste most of a year kicking himself for investigative flaws, real and imagined. Much of that is the kind of second-guessing that accompanies any unsolved case, but some of it, Edgerton
knows, has to do with Pellegrini’s feeling that the red-ball treatment had taken away control of the case. Landsman, Edgerton, Eddie Brown, the detail officers—every one of them had become a force for Tom to reckon with, particularly the veteran detectives who had so much more time than Pellegrini and, as a result, tended to influence the case to a greater degree. Well, thinks Edgerton, that was Tom. I won’t have that problem.

For one thing, he has a crime scene—not just a site where the child’s body has been dumped, but a bona fide murder scene. Edgerton and Nolan had taken the call alone, and for once they had taken their goddamn time with the body. They made sure to do everything in the proper order, to let the little girl be until they were absolutely ready to move her. They bagged the hands at the scene and carefully chronicled the exact array of clothing, noting that while she was fully dressed, her jacket and blouse seemed to have been improperly buttoned.

Working closely with the lab tech at the scene, Edgerton managed to pull several hairs from the victim’s blouse, and he carefully noted even the smallest scars and injuries. Walking the length of the alley, he found a single .22 casing, though the head wound appeared to be the result of a larger caliber. With a wound to a fleshy part of the body, a detective can’t really tell, because the skin expands at the point of contact and then returns to its shape after the bullet passes, leaving a smaller hole. But a head wound retains an accurate circumference; chances are good that the .22 casing had nothing to do with the murder.

There was no blood trail whatsoever. Edgerton carefully examined the victim’s head and neck at the scene, satisfying himself that she had done all of her bleeding right there against the low brick foundation. In all probability, she had been led into the alley, forced to kneel down, and then shot, execution style, in the back of the head. Nor was there an exit wound, and a clean, remarkably unmutilated .32 round is subsequently recovered at the autopsy. In addition, the vaginal swabs will later come back positive with the seminal fluid of a secreter—a male whose ejaculate contained sufficient blood to type or DNA-test against any potential suspect. In contrast to the Latonya Wallace case, the killer of Andrea Perry has left behind a wealth of physical evidence.

But the interviews with two young men brought downtown by the first uniforms provide little. Apparently, neither one was the first to discover the body. One tells detectives that he learned about it from the other; the second says only that he had been walking on Baltimore Street when an old woman told him that there was a body in the alley. He had
not gone to investigate, he tells Edgerton, but had simply told the second man, who flagged down a cop. Who was the old woman? The first young man has no idea.

As the case develops, Edgerton works deliberately and at his own pace. The initial canvass by Western officers was carefully done, but Edgerton spends days creating his own schematic diagram of the surrounding blocks, listing residents at each rowhouse and matching them with criminal histories and alibis. It is a rough little neighborhood, hard by the Western District’s lower boundary with the Southern, and the Vine Street drug market a block away brought all kinds of trash into the area, greatly adding to any list of potential suspects. This is the kind of investigation that brings out the best in Edgerton, playing as it does to his strengths: More than any other detective in the unit, he can work a neighborhood until every other pedestrian is feeding him information.

Part of it is his appearance—black, reedy thin, and well groomed, with salt-and-pepper hair and thick mustache, Edgerton is attractive in a decidedly laid-back way. At crime scenes, the neighborhood girls actually line up on the other side of the police tape and giggle. Detective Edge, they call him. Unlike most of his colleagues, Edgerton maintains his own string of informants, and more often than not they are eighteen-year-old yoettes whose boyfriends are out in the streets shooting one another for drugs and gold chains. Time and again, some corner boy would be on his way to the Hopkins ER with holes in his torso and Edgerton’s beeper would go off before the ambo could even arrive, the digital readout displaying the number of an east side pay phone.

Edgerton is at ease in the ghetto in a way that even the best white detectives are not. And more than most of the black investigators, too, Edgerton can somehow talk his way past the fact that he’s a cop. Only Edgerton would have bothered to clean the blood from a wounded girl’s hands in a University Hospital emergency room. Only Edgerton could share a smoke with a drug dealer in the back of a radio car on Hollins Street and emerge with a complete statement. In corner carryouts, in hospital waiting rooms, in rowhouse vestibules, Edgerton makes sudden and lasting connections with people who have no reason ever to trust a homicide detective. And now, in the case of Andrea Perry, a true victim, those connections come even easier.

The family and the neighborhood tell him that the child was last seen at eight the night before, walking her eighteen-year-old sister to the bus stop on West Baltimore Street. The sister says that as she boarded her bus,
she saw Andrea walking north toward the 1800 block of Fayette and home. When the sister returned home at eleven and found that her mother was already asleep, she too went to bed. Not until the following morning did the family realize that the child had never arrived home. They filed their missing person’s report and held out some hope until that evening news broadcast from just a block away.

But days after the murder, the media coverage has all faded away. The Andrea Perry murder isn’t getting anything like a red-ball treatment from the city, and as the days wear on, Edgerton has to wonder about that. Perhaps it is because the victim was a year older, perhaps because her neighborhood was less stable and less central to the city than Reservoir Hill. For whatever reason, the newspapers and TV crews don’t stay with this one and, as a result, there is no deluge of calls and anonymous tips such as those that accompanied the death of Latonya Wallace.

In fact, the only anonymous call on the case came a few hours after the body’s discovery: a high-pitched male voice gave the name of a West Baltimore woman, claiming that he had seen her running out of the alley after hearing shots. Edgerton immediately decided the story was bullshit. This wasn’t a woman’s crime; the semen tells them that much. As with Latonya Wallace, this was a crime of one man, acting alone and for a motive that he could never share with other men, much less a woman.

Was this mystery woman then a witness? More bullshit, Edgerton reasoned. The killer chose the alley and the remains of that garage for an anonymous murder. He killed that little girl to prevent her from identifying him as a rapist, so why the hell would he fire that shot with anyone else in the alley? Edgerton was absolutely convinced that his suspect walked the little girl around those back alleys until he was sure they were alone. Only then did he pull the girl down against the brick wall. Only then did he bring out the gun.

Gary Dunnigan, who took the anonymous phone call, wrote out an office report and gave it to Edgerton for the file. Edgerton absorbed the information and checked the woman’s name on the computer to assure himself that she wasn’t a serious suspect. He even interviewed the woman’s neighbors and relatives, learning enough about her to satisfy his curiosity, but in the first week of the investigation he does not pick the woman up.

After all, the story makes no sense, and besides, he’s getting better information from his neighborhood canvass. One story has the little girl’s murder as an act of retaliation against one of her relatives, the other as a
predatory act by a dealer who simply wanted to show the neighborhood how hard he could be. There is talk about two drug traffickers in the area, and neither man seems to have much of an alibi.

For once, and to the amusement of the other detectives, Edgerton arrives in the homicide office early each day, grabbing the keys to a Cavalier and then disappearing into West Baltimore. Most afternoons, Edgerton works through the shift change, not returning until well into the evening. Some days Nolan is with him, other days he works alone, his whereabouts a mystery to the rest of the squad. Alone on the street, Edgerton can be more effective than any man who ever had a partner. Out on the street, he understands the special benefits of isolation; his critics do not. There are detectives in the homicide unit who never go anywhere in the ghetto alone, who always double up on any investigative trip to West Baltimore.

“You want company?” detectives routinely ask each other. And on those rare occasions when one investigator sets out for the slums alone, he is invariably cautioned: “Careful, bunk, don’t get yourself captured.”

From the outside looking in, Edgerton understands that the camaraderie of the unit can be a crutch. More often than not, Edgerton ventures into the high-rise projects alone and finds witnesses; more often than not, other detectives march through neighborhoods in twos and threes and find nothing. Edgerton learned long ago that even the best and most cooperative witnesses are more likely to talk to one detective than to a pair. And three detectives working a case are nothing short of a police riot in the eyes of a reluctant or untrusting witness. In truth, when all is said and done, the surest way for a cop to solve a murder is to get his ass out on the street and find a witness.

The better detectives all understand this: Worden often does some of his best work alone in a Cavalier, riding back out to a neighborhood to talk quietly with people who recoiled when it was Worden and James and Brown camped on their doorstep. But there are detectives in the unit who are genuinely fearful of riding alone.

Edgerton has no such fears; he wears his attitude like a shield. Two months ago, he was out at Edmondson and Payson working a drug murder and, without thinking twice, he wandered away from his crime scene and down the worst stretch of Edmondson Avenue alone, parting a block of corner boys as if he were Charlton Heston on the Universal Studio lot. He was looking for witnesses or, at the very least, for someone willing to whisper into a cop’s ear some truth about what happened on Payson
Street an hour earlier. Instead, he got surly looks and silent rage from fifty black faces.