Hikikomori and the Rental Sister: A Novel (13 page)

BOOK: Hikikomori and the Rental Sister: A Novel
8.49Mb size Format: txt, pdf, ePub
ads

“You blame yourself, don’t you?” she says, upon awakening.

“I shouldn’t have sent you out there alone. I should have gone with you.” I try to land my gaze on her eyes, but the angle isn’t right. I can only see the top of her head and her bare shoulder.

“You’re very kind. But I meant your son. You blame yourself.”

The room grows darker. The sun is setting. It’s sad how in winter the sun’s arc is so low in the sky, no energy to go higher. A gentle lob. “Of course I blame myself. But it’s worse than that. When the car sped down the street, I discovered I’m a monster.”

She tells me I’m not a monster. Says that the way I bandaged her cheek was gentle. My neighbor, she says, is a monster.

“There are different kinds of monsters,” I say.

I was tested. Until that Saturday morning, I had rolled through life, and my good persona was the aggregate of millions of inconsequential decisions. But my true character lurked, it hid behind the good grades and Valentine’s Day dinners and professional success, and later it lurked behind the words I heard all the time: You’re a good father.

We’d been over it before, dozens of times—no running into the road. He repeated it back to me. He even pulled on my hand when he saw some other kids running into the street and said to me, “Why don’t their dads tell them it’s dangerous?” I thought he understood. I thought I had been a good teacher. My job was to make sure he survived his mistakes, so that he could learn and grow. But I fell short. My son didn’t survive my failure.

Everyone told me it wasn’t my fault, that there was nothing I could’ve done. It happened too fast, they said. Even Morris said that it all happened in an instant. But they don’t know that their instant was my eternity. Time stopped. The car, the singing cardinal, my son, everything froze but me. I was free to move about that frozen world at my own pace. I could’ve taken a sip of coffee, stood up, stretched, then strolled into the road, picked him up and scolded him for running into the street, for breaking the rules. I could’ve set him back on the sidewalk and sat down for more coffee. Plenty of time.

I looked at the speeds and trajectories; I did the geometry, the physics, and it all added up: the car would hit my son. I could’ve acted quickly and decisively. There was time. I would like to excuse myself by saying my muscles refused me. But my muscles stood ready. My mind refused me. And what about my heart? I did not push him out of the way; I did not trade my life for his. I didn’t even scream. Instinct never found me.

Everyone felt so sorry for us, for me. They came to us; they helped. They said they’d give us whatever we needed. In their eyes we were just as much victims as he was. He had lost, but we had suffered his loss. Their sympathy was overwhelming and touching. Humiliating. I was drowning in a deep sea of sympathy, choking on the salt.

What kind of father lacks this prime instinct? What kind of husband?

The girl strokes my arm. “I can’t let it happen again,” I say. “I’m a bad person.”

“You’re a good person. Bad people never think they’re bad.”

We are still in bed when my wife returns home. It’s nearly midnight. Megumi suddenly sits up and points to her bare feet. Her face is urgent. I crawl down and plant a kiss on her big toe. Even her toes are soft and fresh. She shakes her head. She stabs again at her feet and whispers into my ear, “My shoes are out there.”

We whisper behind my closed bathroom door. “I can’t believe it,” she says. “I’m normally so careful.”

“It’s Morris. You were upset. You forgot. It’s not your fault.”

“My whole life I’ve come home and kicked off my shoes.”

“It’s okay.”

“She saw them. She knows I’m here.”

We put on our clothes. “Maybe you could go out now,” I say. “You could tell her it’s just a normal visit. Give her a progress report.”

“I can’t face her.”

“Maybe she didn’t see them. And even if she did, you’re not doing anything wrong. Maybe she’s just giving us space, letting you do your work.”

“Then shouldn’t we be talking, making some noise? The quiet is suspicious.”

We spend the night in harsh silence. The silence is a solid mass, suffocating every space, no room to breathe.

She falls asleep with her head on my shoulder. When I am sure Silke has also fallen asleep, I sneak out and retrieve Megumi’s shoes. They are small.

In the morning the sun is shining. I make two cups of microwave coffee. Megumi wears one of my black T-shirts. She asks me to crack open the window.

“I thought you said you left your shoes by the front door. But you meant my bedroom door.”

“No, the front door. What are you talking about?”

“They weren’t at the front door. They were sitting right outside my door.”

“I didn’t put them there.”

Sixteen

 

What happened to you?” Hamamoto says with the innocent worry of a friend, but Megumi knows that suspicion fuels her concern.

“I fell and hit a coffee table.”

“Let me take a look.” Hamamoto inspects her cheek, looking for signs of a lie. Later in the day she asks about Thomas. Megumi gives all the right answers.

“Can you get him out?”

“Yes. It will take some more time, but I can do it.”

“His wife called me. She’s not in a good state. I’m afraid that she . . . Megumi, you need to hurry. Do whatever you can to get him out. I wish we could force him, that’s how bad I think it is with Silke. He needs to come out.”

When the shop closes, she goes home. Her apartment has never felt so lonely. It is a waste that she and Thomas should both be alone. The worst kind of loneliness is when you’re unable to be where you want to be, where you wouldn’t have to be alone.

She opens a Kirino novel but can’t read more than a few paragraphs before drifting to his dark, round eyes, an image that is no mere memory, something apart from herself, capable of being remembered or forgotten, kept or discarded; rather, his eyes looking down at her have woven their way into her internal fabric, inseparable from the rest. And last night, in the silence of his room, the distance between them shrank down to nothing. He took care of her the way she once took care of her brother.

The clock on the wall ticks steadily. She watches the long hand sweep around the dial, not smoothly, but in rests and leaps. Maybe during one of the rests between the leaps Thomas sat paralyzed as the car hit his son. And maybe during one of the rests her brother sliced himself. Do everybody’s rests and leaps align, or are we missing each other?

Her father calls. “I have the most wonderful news,” he says, and his voice is filled with life. Gone is the begging, the bitterness. Swept away, replaced with light. “It’s about your mother,” he says, and the word stings her throat, a hive of bees, the mother she hasn’t heard from in over three years, who fled Japan in despair. “Here,” he says, “I’ll let her tell you for herself.”

Tell you for herself? The words don’t even register before her mother greets her in Korean-tinged Japanese, a casual Moshi moshi as though they saw each other just yesterday. “Moshi moshi,” her mother repeats into the silence. “Megumi, are you there?” But her mouth is dry as dust. “Megumi?” Her cheeks grow hot, then numb.

“Yes, Mother, I’m here.” She says it quietly, respectfully, to this ghost of a mother. Ashen tongue, she nearly chokes.

“You’re there, but I’m here, so why are you there instead of here?” her mother says with a girl’s giddy brightness.

“Mother?” She tells her mother that she doesn’t understand. She asks what she’s doing in Japan, why she’s not still in Korea.

“Your father wanted me to keep it a secret until we were two hundred percent sure. I’ve been here a few weeks.”

She puts her fingers to her cheeks—still numb and hot. “Until you’re sure of what?”

“Of each other and you and everything. Megumi, it’s time to come home.”

“You’re back together?”

“And we want you to come back.” She always thought her mother’s Japanese was special, her odd grammar mixed with Korean sounds and inflections but at times perfectly correct and natural, a breed of Japanese that only she will ever speak, and now Megumi’s hearing it again when she least expected, when she thought she never again would. She suddenly wonders what Thomas thinks about her own unique English. Is the sound of her English music to his ears? “. . . and we’ve moved into a different home. A fresh start.”

“Mom, I don’t know, I . . . don’t you still—”

“You’re my daughter. That will never change.”

“And I’m supposed to come back home, just like that?” Three years of loneliness, no family, of hovering between the past and the future, unsure where to land.

“And there’s one more thing,” her mother says. “You have a new baby brother.”

Seventeen

 

Her intention was to sneak past sleeping Silke. Now she’s not so sure. She sits on the stoop across from his building. His light is on. A cat crosses the road. It makes no sound, paws barely touching the ground, gliding, disappearing into a thin black space between two buildings. She watches, wondering if another might follow. Nothing. She is alone. She fills her lungs with air, holds it for a moment, then lets out a deep, humid breath. She puts her hands together and slips them between her knees. Morris’s windows are dark.

She didn’t know what else to do, where else to go, she couldn’t keep pacing her apartment, ticking clock, she needed to get out. She ran to the M20 uptown bus. To her right, Central Park was a long stone wall and a black snarl of trees.

“For so long I’ve been dying to tell you,” her mother said. When she left Japan she didn’t know she was pregnant. She had thought she’d never be able to have another child.

“And you’ve been raising him by yourself in Korea this whole time?”

“I’m not going to explain everything now,” she said. “We can talk about it when you come back. We’re a family again. I’ve told your brother all about his beautiful sister. He can’t wait to meet you.”

Then her father took the phone. “Isn’t it wonderful? Here—someone wants to say ‘Hi.’ He’s been practicing.”

She almost hung up. Quick, before it’s real, hang up! she told herself. Quick! Now!

But she waited. She heard her mother’s gentle prompting in the background.

“Noona?” he said in Korean, and then in Japanese, “Oneesan?” Big sister? An hour later her tears had still not stopped.

As she sits on a stoop across the street from Thomas’s room, her brother’s tiny voice echoes in her mind. Will he grow up smart? Strong?

The people in her life, every one of them, have been living these three years separately, apart, alone. Silke, Thomas, her father, her mother and brother, herself. How will the dots reconnect, and in what direction, old or new? She has no true need to return to Japan. Her mother and father are perfectly capable of tending to her brother, of giving him food and clothes and shelter. But—half Korean, half Japanese—who will help him grow up proud?

The clock ticks in her head. Louder. Louder. Rests and leaps. It’s afternoon in Tokyo. What is her brother, her new brother, doing? Playing? Eating a treat?

She shivers. Not from the biting air, but from the sudden memory of her older brother on the first day of his first year of high school, when he came home with cuts all over his face and bruises all over his arms and back and chest. A patch of hair was torn out and his head was bleeding. They wanted to send him a message: He’s impure. He’s less. Anyone whose father turned his back on his people deserved to be beaten.

They were starting dinner and he walked into the kitchen and just stood there. On display. The blood on his face was dried, but on top of the dried blood new shiny blood was oozing out. Nobody at the table moved. Her mom began to push back her chair, but her brother shook his head and motioned for everyone to stay where they were. Megumi was afraid to swallow her mouthful of rice. It might make too much noise. His shirt was torn and stained with dirt and blood and slowly he unbuttoned it. It fell to the floor. Then he turned around slowly and stuck out his arms. His back and chest and arms were swollen and purple. He was lean and muscular but not very big, and she wondered how many people it had taken to do this to him. If he fought back. Or if he just sat there and took the beating. He didn’t say a word.

Her mother couldn’t look at him anymore. She just stared into her miso soup, at the floating seaweed. Her dad got up but her brother pushed him away and went into the bathroom. She swallowed her rice, followed him into the bathroom, and closed the door. He stood there for a while, looking at himself in the mirror. His eyes didn’t appear to be in focus, and the left one was swollen almost shut. He kept staring into the mirror. He didn’t seem to be in pain. He seemed numb, empty, as though the punches hadn’t hurt him but instead had sucked the life out of him.

She took some fresh towels from the cupboard and put some warm water in the sink. She sat him down on the floor stool and cleaned up his face and his head, where the hair was torn out. His skin smelled of sweat and blood. Dirt and oil. She looked up to him, but at that moment he was like a baby, helpless. She filled the tub with hot water and took off his pants and socks and pulled off his underwear. Then she took off all her clothes. She gave him a good shower. She scrubbed off all the dirt and blood and oil. It looked like he had been rolling on the ground, like everyone had taken turns kicking him. He stood there while she washed his hair and cleansed his body. She scrubbed everywhere. She was gentle. But she couldn’t scrub off the purple and yellow and red bruises. She heard their parents arguing out in the kitchen, trying to whisper.

BOOK: Hikikomori and the Rental Sister: A Novel
8.49Mb size Format: txt, pdf, ePub
ads

Other books

The War Within by Woodward, Bob
Prime Cut by Alan Carter
Hidden Heart by Camelia Miron Skiba
The Backup Asset by Leslie Wolfe
Hamlet by William Shakespeare
Spell Robbers by Matthew J. Kirby
A Compromised Lady by Elizabeth Rolls