Heroes are My Weakness (2 page)

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Authors: Susan Elizabeth Phillips

Tags: #Fiction, #Romance, #Contemporary, #General, #Contemporary Women

BOOK: Heroes are My Weakness
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Peter:
I’m the bravest! The strongest! I’ll help you.
Leo: (sneering)
Do you know how to do anything right?
Dilly:
Don’t listen to Leo. Keep moving. We’ll get there.

And Scamp, her useless alter ego:
A woman carrying a suitcase walks into a bar . . .

Icy tears weighed down her eyelashes, blurring what vision she had. Wind caught the suitcases, threatening to snatch them away. They were too big, too heavy. Pulling her arms from their sockets. Stupid to have brought them with her. Stupid, stupid, stupid. But she couldn’t leave her puppets.

Each step felt like a mile, and she’d never been so cold. Here she’d thought her luck had begun to change, all because she’d been able to catch the car ferry over from the mainland. It only ran sporadically, unlike the converted lobster boat that provided the island with weekly service. But the farther the ferry traveled from the Maine coastline, the worse the storm had become.

She trudged on, dragging one foot after the other through the snow, arms screaming, lungs burning as she tried not to succumb to another coughing fit. Why hadn’t she put her warm down coat in the car instead of locking it in the trunk? Why hadn’t she done so many things? Find a stable occupation. Be more circumspect with her money. Date decent men.

So much time had passed since she’d been on the island. The road used to stop at the turnoff that led to the cottage and to Harp House. But what if she missed it? Who knew what might have changed since then?

She stumbled and fell to her knees. The keys slipped from her hand and the light went out. She grabbed one of the suitcases for support. She was frozen. Burning up. She gasped for air and frantically felt around in the snow. If she lost her light . . .

Her fingers were so numb she nearly missed it. When she finally had the flashlight back in her grasp, she turned it on and saw the stand of trees that had always marked the road’s end. She moved the beam to the right, where it fell on the big granite boulder at the turnoff. She hoisted herself back to her feet, lifted the suitcases, and stumbled through the drifts.

Her temporary relief at having found the turnoff faded. Centuries of harsh Maine weather had stripped this terrain of all but the hardiest of spruce, and without a windbreak, the blasts roaring in from the ocean caught the suitcases like spinnakers. She managed to turn her back to the wind’s force without losing either one. She sank one foot and then another, struggling through the tall snowdrifts, dragging the suitcases, and fighting the urge to lie down and let the cold do what it wanted with her.

She’d bowed so far into the wind that she nearly missed it. Only as the corner of a suitcase bumped against a low snow-shrouded stone wall did she realize that she’d reached Moonraker Cottage.

The small, gray-shingled house was nothing more than an amorphous shape beneath the snow. No shoveled pathway, no welcoming lights. The last time she’d been here, the door had been painted cranberry red, but now it was a cold, periwinkle blue. An unnatural mound of snow under the front window covered a pair of old wooden lobster traps, a nod to the house’s origins as a fisherman’s cottage. She hauled herself through the drifts to the door and set the suitcases down. She fumbled with the key in the lock only to remember that island people seldom locked up.

The door blew open. She dragged the suitcases inside and, with the last of her strength, wrestled it shut again. The air wheezed in her lungs. She collapsed on the closest suitcase, her gasps for breath more like sobs.

Eventually she grew conscious of the musty smell of the icy room. Pressing her nose to her sleeve, she fumbled for the light switch. Nothing happened. Either the caretaker hadn’t gotten her e-mail asking him to have the generator working and the small furnace fired up or he’d ignored it. Every frozen part of her throbbed. She dropped her snow-crusted gloves on the small canvas rug that lay just inside the door but didn’t bother to shake the snow from the wild tangle of her hair. Her jeans were frozen to her legs, but she’d have to pull off her boots to remove them, and she was too cold to do that.

But no matter how miserable she was, she had to get her puppets out of their snow-caked suitcases. She located one of the assorted flashlights her mother always kept near the door. Before school and library budgets were slashed, her puppets had provided a steadier livelihood than her failed acting career or her part-time jobs walking dogs and serving drinks at Coffee, Coffee.

Shaking with cold, she cursed the caretaker, who apparently had no qualms about riding a horse through a storm but couldn’t summon the effort to do his real job. It had to have been Shaw riding the horse. No one else lived at this end of the island during the winter. She unzipped the suitcases and pulled out the five dummies. Leaving them in their protective plastic bags, she stowed them temporarily on the sofa, then, flashlight in hand, stumbled across the frigid wood floor.

The interior of Moonraker Cottage bore no resemblance to anyone’s idea of a traditional New England fishing cottage. Instead her mother’s eccentric stamp was everywhere—from a creepy bowl of small animal skulls to a silver-gilded Louis XIV chest bearing the words
PILE
DRIVER
that Mariah had spray-painted across it in black graffiti. Annie preferred a cozier space, but during Mariah’s glory days, when she’d inspired fashion designers and a generation of young artists, both this cottage and her mother’s Manhattan apartment had been featured in upscale decorating magazines.

Those days had ended years ago when Mariah had fallen out of favor in Manhattan’s increasingly younger artistic circles. Wealthy New Yorkers had begun asking others for help compiling their private art collections, and Mariah had been forced to sell off her valuables to support her lifestyle. By the time she’d gotten sick, everything was gone. Everything except something in this cottage—something that was supposed to be Annie’s mysterious “legacy.”

“It’s at the cottage. You’ll have . . . plenty of money . . .”
Mariah had said those words in the final hours before she’d died, a period in which she’d been barely lucid.

There isn’t any legacy,
Leo sneered.
Your mother exaggerated everything.

Maybe if Annie had spent more time on the island she’d know whether Mariah had been telling the truth, but she’d hated it here and hadn’t been back since her twenty-second birthday, eleven years ago.

She shone the flashlight around her mother’s bedroom. A life-size mounted photograph of an elaborately carved Italian wooden headboard served as the actual headboard for the double bed. A pair of wall hangings made of boiled wool and what looked like remnants from a hardware store hung next to the closet door. The closet still smelled of her mother’s signature fragrance, a little-known Japanese men’s cologne that had cost a fortune to import. As Annie breathed in the scent, she wished she could feel the grief a daughter should experience following the loss of a parent only five weeks earlier, but she merely felt depleted.

She waited until she’d located Mariah’s old scarlet woolen cloak and a pair of heavy socks before she got rid of her own clothes. After she’d piled every blanket she could find on her mother’s bed, she climbed under the musty sheets, turned out the flashlight, and went to sleep.

A
NNIE HADN

T THOUGHT SHE

D EVER
be warm again, but she was sweating when a coughing fit awakened her sometime around two in the morning. Her ribs felt as if they’d been crushed, her head pounded, and her throat was raw. She also had to pee, another setback in a house with no water. When the coughing finally eased, she struggled out from under the blankets. Wrapped in the scarlet cloak, she turned on the flashlight and, grabbing the wall to support herself, made her way to the bathroom.

She kept the flashlight pointed down so she couldn’t see her reflection in the mirror that hung over the old-fashioned sink. She knew what she’d see. A long, pale face shadowed by illness; a sharply pointed chin; big, hazel eyes; and a runaway mane of light brown hair that kinked and curled wherever it wanted. She had a face children liked, but that most men found quirky instead of seductive. Her hair and face came from her unknown father—
“A married man. He wanted nothing to do with you. Dead now, thank God.”
Her shape came from Mariah: tall, thin, with knobby wrists and elbows, big feet, and long-fingered hands.

“To be a successful actress, you need to be either exceptionally beautiful or exceptionally talented,”
Mariah had said.
“You’re pretty enough, Antoinette, and you’re a talented mimic, but we have to be realistic . . .”

Your mother wasn’t exactly your cheerleader.
Dilly stated the obvious.

I’ll be your cheerleader,
Peter proclaimed.
I’ll take care of you and love you forever.

Peter’s heroic proclamations usually made Annie smile, but tonight she could think only of the emotional chasm between the men she’d chosen to give her heart to and the fictional heroes she loved. And the other chasm—the one between the life she’d imagined for herself and the one she was living.

Despite Mariah’s objections, Annie had gotten her degree in theater arts and spent the next ten years plodding to auditions. She’d done showcases, community theater, and even landed a few character roles in off-off-Broadway plays. Too few. Over the past summer, she’d finally faced the truth that Mariah was right. Annie was a better ventriloquist than she’d ever be an actress. Which left her absolutely nowhere.

She found a bottle of ginseng-flavored water that had somehow escaped freezing. It hurt to swallow even a sip. Taking the water with her, she made her way back into the living room.

Mariah hadn’t been to the cottage since summer, just before her cancer diagnosis, but Annie didn’t see a lot of dust. The caretaker must have done at least part of his job. If only he’d done the rest.

Her dummies lay on the hot pink Victorian sofa. The puppets and her car were all she had left.

Not quite all,
Dilly said.

Right. There was the staggering load of debt Annie had no way of repaying, the debt she’d picked up in the last six months of her mother’s life by trying to satisfy Mariah’s every need.

And finally get Mummy’s approval,
Leo sneered.

She began removing the puppets’ protective plastic. Each figure was about two and a half feet long, with movable eyes and mouth and detachable legs. She picked up Peter and slipped her hand under his T-shirt.

“How beautiful you are, my darling Dilly,”
he said in his most manly voice.
“The woman of my dreams.”

“And you are the best of men.”
Dilly sighed.
“Brave and fearless.”

“Only in Annie’s imagination,”
Scamp said with uncharacteristic rancor.
“Otherwise, you’re as useless as her exes.”

“There are only two exes, Scamp,”
Dilly admonished her friend.
“And you really mustn’t take out your bitterness against men on Peter. I’m sure you don’t mean to, but you’re starting to sound like a bully, and you know how we feel about bullies.”

Annie specialized in issue-oriented puppet shows, several of which focused on bullying. She set Peter down and moved Leo off by himself, where he whispered his sneer inside her head.
You’re still afraid of me.

Sometimes it felt as if the puppets had minds of their own.

Pulling the scarlet cloak tighter around her, she wandered to the front bay window. The storm had eased and moonlight shone through the panes. She looked out at the bleak winter landscape—the inky shadows of spruce, the desolate sheet of marsh. Then she lifted her gaze.

Harp House loomed above her in the distance, sitting at the very top of a barren cliff. The murky light of a half-moon outlined its angular roofs and dramatic turret. Except for a faint yellow light visible from high in the turret, the house was dark. The scene reminded her of the covers on the old paperback gothic novels she could still sometimes find in used-book stores. It didn’t take much imagination for her to envision a barefoot heroine fleeing that ghostly house in nothing more than a filmy negligee, the menacing turret light glowing behind her. Those books were quaint compared with today’s erotically charged vampires, werewolves, and shape-shifters, but she’d always loved them. They’d nourished her daydreams.

Above the jagged roofline of Harp House, storm clouds raced across the moon, their journey as wild as the flight of the horse and rider who’d charged across the road. Her skin turned to gooseflesh, not from the cold but from her own imagination. She turned away from the window and glanced over at Leo.

Heavy-lidded eyes . . . Thin-lipped sneer . . . The perfect villain. She could have avoided so much pain if she hadn’t romanticized those brooding men she’d fallen in love with, imagining them as fantasy heroes instead of realizing one was a cheater and the other a narcissist. Leo, however, was a different story. She’d created him herself out of cloth and yarn. She controlled him.

That’s what you think,
he whispered.

She shivered and retreated to the bedroom. But even as she slipped back under the covers, she couldn’t shake off the dark vision of the house on the cliff.

Last night I dreamt I went to Manderley again
. . .

S
HE WASN

T HUNGRY WHEN SHE
awakened the next morning, but she made herself eat a handful of stale granola. The cottage was frigid, the day gloomy, and all she wanted to do was go back to bed. But she couldn’t live in the cottage without heat or running water, and the more she thought about her absent caretaker, the angrier she grew. She dug out the only phone number she had, one for the island’s combination town hall, post office, and library, but although her phone was charged, she couldn’t get a signal. She sank down on the pink velvet couch and dropped her head in her hands. She’d have to go after Will Shaw herself, and that meant making the climb to Harp House. Back to the place she’d sworn she’d never again go near.

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