Good Girls (5 page)

Read Good Girls Online

Authors: Glen Hirshberg

BOOK: Good Girls
5.12Mb size Format: txt, pdf, ePub

Night, babies.

Sleep tight, my brooding, beautiful, shining girl.

In all that time—on the beach, on the boardwalk, by the car—were they seen? Certainly, Jess noted other figures in the pre-dawn mist: a homeless man squatting against the seawall next to the stairs; an old woman with a little dog on a leash way down the beach, both of them just watching the water from right at the tide line, like yesterday's sand castles left for the sea. But no one came over to see what Jess and Benny were doing, and no one helped, and no one called the police. It was as though the marine layer had thrown a blanket over everything, turned each living, moving thing into its own shadow. At some point, Jess remembered the decapitated kid back in the condo where she and Benny and their children, who weren't their children, had lived for the past few weeks. She briefly considered what to do about that, her hand on her screaming side, and eventually decided she could do nothing. She wasn't going to drag
that
body to her trunk, and even if she could, she wasn't going to lay it next to Natalie. Nor would she be dealing with the
other
body down on the beach, the big woman who had broken Jess's ribs. The woman Jess had stuck scissors through, which had barely affected her at all.

The woman Natalie had ripped and chewed to pieces.

No. That one, Jess would leave for the police to sort out. Would they track her and Benny down someday? she wondered vaguely. Did anyone here know their actual names? These weeks of hiding—of hunkering down in a burrow she and Benny had made, with just themselves and their own for company—had come surprisingly easily. In some ways, the condo-time in this place hadn't felt so different from the trailer-years with Natalie in North Carolina after Joe died, except now she had Benny with her. One thing the police
would
find was the Twitter page the homeless kid had been accessing just before Jess had bashed his forehead halfway in with a frying pan. Which had happened just a few minutes before the big woman had removed the kid's head entirely.

The monster's Twitter page. The asshole in the sombrero who had started all this, or at least brought it to Natalie and Jess's door.
Well, good,
she thought. Maybe the police would go find
him.
Although, God help them if they did …

Somehow, as dawn broke, Jess got Eddie fed and mercifully, finally, to sleep, then clicked him into his car seat. Leaving Benny in the passenger seat, because Benny could no longer move, she forced herself to go back to the condo, started bringing out their very few possessions. That didn't take many trips. She didn't try arranging or packing anything, and obviously, the trunk of the car was off-limits, so she mostly just chucked clothes and necessities in the well under Eddie's feet and on the seat beside him, and laid a coat over Benny like a patchwork blanket. He was in so much pain, now, that he could no longer even open his eyes; he just leaned into the door and whimpered.

When she'd finished in the condo, turned out the lights, drawn the curtains, locked the door—buying them time, though she had no idea for what, or even whether that was what she should be doing—Jess returned to the car once more, stumbled around to Benny's side, and watched him breathe. She wanted to kiss his forehead but needed to conserve energy, rest her rib cage, because she still had one more job to do. Eventually, she simply laid her hand on his shuddering back and let him weep.

She, on the other hand, appeared to be done weeping, at least for tonight. In truth, she felt remarkably close to the way she remembered feeling on the day Joe had finally given in to the mutant cells rampaging through him and closed his eyes for good. Except with at least one or two cracked ribs.

Soon, she would do what she always did: get to it, climb behind the wheel, flee this town. She would save what she could. She would take care of the children.

Child.

Soon.

“I'll be right back.” She breathed, counted three, and pressed her fingers into Benny's clammy, twitching shoulder. “Don't die.”

Straightening caused something else to rip inside, and she cried out, clutched her ribs—which hurt them still more—then grabbed the roof of the car and held on to that. When she was sure she wouldn't fall over, she slid the gun from her pocket, checked the chamber, and clicked it back into place. Then she turned, one last time, toward the beach.

To get back down the wooden stairs, Jess had to clutch the splintering banister, lower one foot, edge the other alongside it, and she had to watch her feet to make them move. And so there was a single moment, as she reached the sand and the first flickers of actual sunlight flared in the marine mist like searchlight beams, when she looked up and thought Sophie had gone. That she'd somehow scuttled away like a crab, leaving her severed limbs behind, or else buried herself under the beach. In that instant, Jess almost hoped it was true, that Sophie really had gotten away, despite what her lurking presence might mean for future visitors to this grim little swimming spot. Because Sophie really had been Sophie, once, and not so long ago, either. And the sparkle in her laughter had put even her Roo's to shame, had flared so brightly that it had warmed not just Natalie's world but Jess's, too. Sometimes.

But of course, Sophie wasn't gone. She was propped, tilting, exactly where Jess had left her, just a little farther out from the pier than she'd remembered. Glancing up, Jess noted the pier's wooden railing, sagging but unbroken, and realized that Sophie hadn't, in fact, fallen after the monster in the sombrero had dismembered her; she'd been chucked overboard like garbage, or chum.

And now she was watching as Jess stumbled toward her across the sand, step by agonizing step. Her eyes never once blinked, as far as Jess could see. Instead, they seemed to be looking everywhere at once, almost frantically, as though lapping up every last drop of this night, this world where her child had very briefly lived.

Well, drink up, sweetie,
Jess thought savagely, ignoring the pain, making herself stand straighter. Again, the gun rose from her side without any conscious direction, drawn toward Sophie's skull like a magnet. Jess almost shot her without even stopping. But she couldn't quite do that. Instead, she went all the way over, right up within arm's length, then closer, still. Vaguely, and with no particular alarm, she realized that she was putting herself in danger. If one of those seemingly dead hands lashed out, yanked her off-balance, got one of her ankles within range of those teeth …

Leaning over slowly, she drove the muzzle of the gun through the matted mass of Sophie's hair, pushing it all the way down to the scalp, so hard that she felt the scalp depress.

“Good night, Sophie,” she choked out, not looking away, never for one second letting herself look away, which was why she almost screamed when Sophie twitched to life, her lips suddenly squirming over themselves like a snakes' nest poked awake.

“Don't,” Sophie said.

Jess's finger froze on the trigger. Not because of the croaking voice, which sounded nothing like the Sophie she had known. This voice was mostly wind. Wind in a seashell.

Nor, God knew, was it the look on Sophie's face that halted Jess.
Was that even an expression?
Sophie's lips kept squirming, and muscles all over her cheeks quivered, as though that face were actually a Sophie mask, and whoever was under there was trying desperately to pull the mask tight, get the face straight.

No. What stopped Jess was the word itself, and the tone in which it was spoken.

A little like a warning
.
But more like a bid, at an auction, as though this were a contest, or a negotiation.

“Why on earth not?” Jess hissed. If anything, she pushed the gun down harder.

Sophie's answer was too long coming. And not because she was gathering strength or, obviously, breath, but because she was thinking.
Scheming,
Jess thought. She was almost positive Sophie was scheming.

Almost.

“Help,” Sophie finally said.

For an answer, Jess dropped to her knees. Ignoring the pain, she glared right into Sophie's so-familiar brown eyes, which were no longer familiar. All that shine in them was gone, or maybe just scummed over, now, like stagnant water. Despite Sophie's condition, Jess braced herself, expecting a rattlesnake-lunge, and kept the gun planted in Sophie's skull.

“Is that a plea or an offer?”

She really was asking, because she really couldn't tell. Not that it mattered at this point. Less than two hours ago, Jess had murdered her own daughter. And her daughter had still been herself enough to know why, to
want
it to happen. Or at least to welcome it. Compared to that, pulling the trigger on this thing would be like smacking a wasp.

And yet, Jess hesitated. Worse, she had to resist an urge to sag forward and pull Sophie's stump against her and hug it.

Then Sophie spoke again. And this time, she said the only word that could have saved her, in a voice that was awfully close to Sophie's voice, after all. Mangled, shredded, but unmistakably hers. And she said it with no tears, no histrionics, and only a hint of hope. The last hope, Jess knew from experience. The one it was impossible to let go of while any part of you was still you, even when you knew it was too late.

“Willy?” Sophie said.

Before Jess even realized what she was doing—certainly before she'd thought it through, because it was crazy, and also so painful that she was howling behind her clenched teeth—she had pocketed the gun, turned around, grabbed stump-Sophie's outstretched arms, and hoisted her off the sand like a backpack. She wasn't the only one howling, she realized; Sophie, too, was whinnying in pain or panic or grief or God knew what, right in her ear. In fact, Sophie's mouth was practically
covering
Jess's ear, filling it with pleas and whinnies and curses, and even as Jess staggered yet again toward the pier and the wooden stairs, she was waiting for those teeth to snap shut, rip her ear clean off, so Sophie could drive Jess into the sand and finally, mercifully, finish her.

But Sophie just cursed and whinnied and went on whinnying. And somehow, right as actual day-heat rose from the sand and brushed over them, Jess reached the bottom of the steps, then flung Sophie off to thud, spine-first, against the planks and cement.

This time, she allowed herself five long breaths. Every time her lungs inflated, the jagged edge of at least one rib on her right side threatened to slice through her skin or her lung or both. Maybe it had already sliced. But the air stayed in when she sucked at it. And it came back out, the way air generally did, except right now she was noticing. Tasting it.

Instead of attempting to hoist Sophie's stump onto her back again—instinctively, Jess knew that would be the one insane thing too many for her tortured frame—Jess took one of Sophie's arms by the wrist. Sophie stopped whinnying long enough to look up, wondering.

“Give me the other arm,” Jess said.

Sophie stared at her. “No,” she said. And then, “Why?”

With a grunt, Jess leaned down and snatched Sophie's other arm. Then she moved up a single step, yanking Sophie behind her.

Mostly, during that ridiculous, hellish ascent—all of eight stairs, maybe ten feet, through pain-fireworks so blinding that at one point Jess really did believe her eyes had just exploded—she thought of breathing, and nothing else. But two steps from the top, right as she decided she might make it after all, she felt herself float, for a single moment, blissfully free of her skin into the air. She gazed down at herself and the half of her daughter's best friend that she was dragging. And what popped into her head was her own voice, from twenty years ago, reading to Natalie about Christopher Robin dragging Winnie-
ther-
Pooh, bumpety-bump, down the stairs.

This is just like that,
floating-Jess thought.
Except up, instead of down. Dragging Sophie-ther-Hellthing.

After that, there were no thoughts of any kind until they reached the car. She was about to open the back when she realized Benny was
already
in back, drooping sideways away from the door, one hand holding Eddie's. And that was definitely right, definitely better. Propping open the front passenger door, Jess lodged Sophie's stump in the seat and started leaning across to buckle her in. She hadn't even realized that Benny was watching until he spoke.

“Jess. Are you fucking kidding me?”

“Benny,” she said, “I need you to shut up.” She yanked the seat belt as tight as it would go. Sophie started to topple forward, so Jess had to catch her, shove her back.

“You'll have to … lean the seat,” Sophie mumbled.

“You shut up, too.” But Jess found the lever, tilted the seat back. The seat belt wouldn't sit right; it rode up high on Sophie's breasts and crossed the bottom of her chin and the edge of her mouth. Instead of straightening it, Jess gave it a yank, then glanced at Benny. “I love you. Don't say a goddamn word. Either of you.” Then she staggered around to the driver's side, letting one finger trail, so softly, over the top of the trunk in which her daughter lay, and half-fell into her own seat.

They were out of the lot, past the end of the boardwalk, picking up speed as the mist melted before them into the wet, orange morning, when Sophie said, “Turn around.”

Jess slammed on the brakes, sending the car skidding sideways onto the shoulder of the street. She started to swing her head toward Sophie, but too fast; the movement brought tears back to her eyes. Or maybe those were already there, had never left. “I said shut up. I said not one word, or I swear I'll kick you out so fast you'll—”

“Turn around,” Sophie said, spitting out her seat belt like a gag and turning her own head, which was the only thing she
could
turn. Her stump-thighs looked bloody on the seat but dry, the blood mostly crust. Tendons twitched at the wound openings, making Jess think of those tubeworms that live on hydrothermal vents. Impossible things, that could not—
should
not—be moving, or living.

Other books

Something Spooky by Janet Woods
Ashton Memorial by Robert R. Best, Laura Best, Deedee Davies, Kody Boye
Sweet Arrest by Jordyn Tracey
Big Sky Rancher by Carolyn Davidson
Winning Ways by Toni Leland
Bungalow 2 by Danielle Steel