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Authors: Kathleen Grissom

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BOOK: Glory Over Everything
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Once I knew that some of my characters were headed in the direction of the Great Dismal Swamp I began to visit and research the area. In time I learned about the Maroon societies that had once lived there. These communities were formed by escaped slaves who not only found refuge in this swamp but made a home for themselves in what many consider a hostile land.
As the name suggests, the Great Dismal Swamp can appear forbidding, but after visiting it a number of times I found incredible beauty there as well. For those interested in learning more about the Maroon communities, Daniel Sayers, an anthropologist who studied the Great Dismal Swamp, wrote a book titled
A Desolate Place for a Defiant People
. As well, some of the artifacts that he uncovered will be displayed at the Smithsonian National Museum of African American History and Culture when it opens in fall 2016.
You have said that “DNA isn't what family is about. . . . I believe family is about love, and love is color-blind.” To what extent does the denouement of
Glory over Everything
bear out that conviction?
Once again, in
Glory over Everything
, need and love create a family unrelated by DNA. I might add, with this mention of DNA, that I always found it unusual that family is most often defined as those who share the same blood. Doesn't every family begin with partners who don't share the same DNA?
Do you know if you will return to these characters in a future novel? What kinds of considerations factor into your decision-making about your future writing projects?
As soon as
Glory over Everything
is published I am heading out to Montana to once again begin my research on Crow Mary. Her call to me becomes stronger every day.
I do have a niggling feeling that others from
Glory over Everything
might want their stories told, but this time I have already done some bargaining. First Crow Mary, and then . . . we shall see.

Turn the page for an excerpt from

The Kitchen House

P
ROLOGUE

1810

Lavinia

T
HERE WAS A STRONG SMELL
of smoke, and new fear fueled me. Now on the familiar path, I raced ahead, unmindful of my daughter behind me, trying to keep up. My legs were numb, unused to this speed, and my lungs felt as though they were scorched. I forbade myself to think I was too late and focused all my strength on moving toward home.

Foolishly, I misjudged, and meaning to take a shortcut to the stream, I swerved from the path to dash through the trees. To my horror, I found myself trapped.

I pulled to free my long blue skirts from the blackberry brambles that ensnared me. As I ripped my way out, Elly caught up to me. She attached herself to my arm, sobbing and trying to hold me back. Though a seven-year-old is no match for a grown woman, she fought fiercely, with strength fostered by her own terror. In my frenzy, I pushed her to the ground. She stared at me with disbelieving eyes.

“Stay here,” I begged, and raced back down the path until I reached the stream. I meant to cross over by stepping on the rocks in the shallow water, but I didn't remove my shoes, which was a mistake. Halfway over, I slipped on the river stones, and with a splash, I fell. The cold water shocked me, and for a moment I sat stunned, water bubbling by, until I looked up and recognized our smokehouse on the other side of the stream. The gray building reminded me that I was close to home. I rose, my skirts soaked and
heavy, and scrambled my way across the water by clinging to the jutting rocks.

At the base of the hill, I leaned forward to breathe, gasping for air. Somehow Elly had reached my side again, and this time she clung like a kitten to my wet skirts. I was terrified of what she might see, but it was too late now, so I grasped her hand, and together we crested the bluff. There, I froze. Elly saw it, too, and whimpered; her hand slipped from mine as she sat on the ground. I moved forward slowly, as though in a dream.

Our massive oak tree stood at the top of the hill, its lush green leaves shading the thick branch that bore the weight of the hanging body. I refused to look up again after I caught sight of the green headscarf and the handmade shoes that pointed down.

C
HAPTER
O
NE

1791

Lavinia

I
N THAT SPRING OF 1791
,
I did not understand that the trauma of loss had taken my memory. I knew only that after I woke, wedged between crates and bags, I was terror-stricken to discover that I did not know where I was, nor could I recall my name. I was frail after months of rough travel, and when the man lifted me from the wagon, I clung to his broad shoulders. He was having none of that and easily pulled my arms loose to set me down. I began to cry and reached back up for him, but he pushed me instead toward the old Negro male who was hurrying toward us.

“Jacob, take her,” the man said. “Give her to Belle. She's hers for the kitchen.”

“Yes, Cap'n.” The old man kept his eyes low.

“James! James, you're home!”

A woman's call! Hopeful, I stared up at the enormous house in front of me. It was made of clapboard and painted white, and a wide porch framed the full length of the front. Towering columns circled with vines of green and violet wisteria stood on either side of the broad front steps, and the air was thick with the fragrance this early April morning.

“James, why didn't you send word?” the woman sang out into the morning mist.

Hands on his hips, the man leaned back for a better view. “I warn you, wife. I've come home for you. Best come down before I come up.”

Above, at a window that appeared open to the floor, she
laughed, a figure of white froth capped by billowing auburn hair. “Oh no, James. You stay away until you've been washed.”

“Mrs. Pyke. Prepare yourself,” he shouted, and bounded over the threshold. Inside, he continued to shatter the peace. “Where is everyone?” I heard him call. “I'm home!”

At a run, I began to follow, but the dark old man caught my arm and held me. When I fought him, he lifted me up, and I screamed in terror. Swiftly, he carried me to the back of the house. We were high on a hill, and out farther, lesser hills surrounded us. A horn blasted, frightening me further, and I began to hit at my captor. He shook me firmly. “You stop this now!” I stared at him, at his foreign dark brown skin that contrasted so with his white hair, and his dialect so strange that I scarcely understood. “What you fightin' me for?” he asked. I was exhausted by it all and dropped my head on the man's thin shoulder. He continued on to the kitchen house.

“Belle?” the old man called. “Belle?”

“Uncle Jacob? Come in,” a feminine voice called, and the wooden door creaked as he pushed it open with his foot.

Uncle Jacob slid me to my feet while a young woman came slowly down the stairs, then came forward, quickly tying a band of green calico around a thick braid of glossy black hair. Her large green eyes grew wide in disbelief as she took me in. I was comforted to see that she was not as foreign-looking as the man who had brought me to her, for though her light brown skin still differed from mine, her facial features more resembled my own.

Uncle Jacob spoke. “The cap'n send this chil' to you. He say she for the kitchen house.”

“What's that man thinking? Can't he see she's white?” The woman sank in front of me and turned me around. “You been sick?” She wrinkled her nose. “I've got to burn these clothes. You nothing but bones. You wanting something to eat?” She pried my thumb from my mouth and asked if I could speak. I could find no voice and looked around, trying to place myself.

Belle went to the enormous fireplace that stretched the length of the room. There she poured steaming milk into a wooden mug.
When she held it to my mouth, I choked on the milk, and my body began an involuntary tremor. I vomited, then I passed out.

I
AWOKE ON A PALLET
in an upstairs room, too frightened to move after realizing that I still had no memory. My head ached, but when I rubbed it, I withdrew my hands in shock. My long hair had been cut short.

I had been scrubbed pink, and my skin was tender under the coarse brown shirt that covered me. My stomach turned from the scent of unfamiliar food rising up the open stairway from the kitchen below. My thumb pacified me, and I soothed myself as I studied the room. Clothes hung from pegs on the wall, and a pole bed stood off to one side with a small plain chest next to it. Sun streamed through a window, open and undraped, and from the outdoors came the sudden peal of a child's laughter. It rang familiar, and forgetting all else, I sprang to the window. The brightness stung so that I needed both hands to shade my eyes. First all I saw was rolling green, but below the window, I saw a path. It cut past a large fenced-in garden and led to a log house where, on steps, sat two small dark brown girls. They were watching a scene up toward the big house. I leaned out farther and saw a towering oak. From a thick low branch, a little girl on a swing sang out to a boy behind her.

When he pushed the swing, the little girl, all blue and blond, squealed. The tall boy laughed. There it was again! A laugh I recognized. Driven by hope, I ran down the wooden stairs, out the open door of the kitchen, and up the hill to them. The boy pulled the swing to a stop, and the two gaped at me. Both had deep blue eyes, and both exuded vibrant health.

“Who are you? Where did you come from?” the boy asked, his yellow hair glinting in the bright light.

I could only stare back, dumb in my disappointment. I did not know him.

“I'm Marshall,” the boy tried again, “and this is my sister, Sally.”

“I'm four,” said Sally, “how old are you?” She tapped the air with
her blue shoes and peeked out at me from under the flopping brim of a white bonnet.

I couldn't find a voice to answer, so I felt a rush of gratitude for Marshall when he pulled the attention away from me by jiggling the swing. “How old am I?” he asked his sister.

“You're two,” said Sally, trying to poke at him with her foot.

“No, I'm not.” Marshall laughed. “I'm eleven.”

“No, you're two,” teased Sally, enjoying a familiar game.

Suddenly, I was swooped up in Belle's arms. “Come back in,” she said sharply, “you stay with me.”

Inside the kitchen house, Belle set me on a corner pallet opposite a dark brown woman who was suckling a baby. I stared, hungry at the intimacy. The mother looked at me and although her face was young, she had deep lines around her eyes.

“What your name?” she asked. When I didn't answer, she continued, “This be my baby, Henry,” she said, “and I his mama, Dory.”

The baby suddenly pulled back from her breast and gave a high shrill cry. I jammed my thumb into my mouth and shrank back.

N
OT KNOWING WHAT WAS EXPECTED
of me, I stayed put on a pallet in the kitchen. In those first days, I studied Belle's every move. I had no appetite, and when she insisted that I eat, my stomach emptied violently. Each time I was sick, it meant another cleaning. As Belle's frustration with me grew, so did my fear of upsetting her. At night I slept on a pallet in a corner of Belle's upstairs room. On the second night, unable to sleep, I went to stand at Belle's bedside, comforted by the sound of her soft night breathing.

BOOK: Glory Over Everything
5.54Mb size Format: txt, pdf, ePub
ads

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