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Authors: Clive Barker

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“You're the only one in the family who can write all this down, Eddie. You've got all the journals here, all the diaries. You still get letters from you-know-who.”

“Three in the last forty years. It's scarcely a thriving correspondence. And for God's sake, Marietta, use his name.”

“Why should I? I hate the little bastard.”

“That's the one thing he certainly isn't, Marietta. Now why don't you just drink your gin and leave me alone?”

“Are you telling me
no
, Eddie?”

“You don't hear that very often, do you?”

“Eddie . . .
” she simpered.

“Marietta. Darling. I'm not going to throw my life into turmoil because you want me to write a family history.”

She gave me a sharp little look and downed her gin in one throatful, setting the glass on the balcony railing. I could tell by the precision of this motion, and her pause before she spoke, that she had an exit line in readiness. She has a fine theatrical flair, my Marietta.

“You don't want to throw your life into turmoil? Don't be so perfectly pathetic. You don't
have
a life, Eddie. That's why you've got to write this book. If you don't, you're going to die without having done a damn thing.”

III
i

S
he knew better of course. I've lived, damn her! Before my injury I had almost as great an appetite for experience as Nicodemus. I take that back. I was never as interested in the sexual opportunities afforded by my travel as he was. He knew all the great bordellos of Europe intimately; I preferred to wander the cathedrals or drink myself into a stupor in a bar. Drink is a weakness of mine, no question, and it's got me into trouble more than once. It's made me fat too. It's hard, of course, to stay thin when you're in a wheelchair. Your backside gets big, your waistline spreads; and Lord, my face, which used to be so well made I could walk into any gathering and take my pick of the female company, is now pasty and round. Only in my eyes might you glimpse the magnetism I once exercised. They are a peculiar color: mingled flecks of blue and gray. The rest of me's just gone to hell.

I suppose that happens to everybody sooner or later. Even Marietta, who is a pure-blooded Barbarossa, has said that over the years she's noticed some subtle signs of aging; it's just much, much slower than it would be for a human being. One gray hair every decade or so isn't anything to bitch about, I remind her, especially when nature had given her so much else: she has Cesaria's flawless skin (though neither she nor Zabrina are quite as black as their mother) and Nicodemus's physical ease. She also shares my delight in getting drunk, but as yet it's taken no toll on her waist or her buttocks. I digress; again. How did I get onto the subject of Marietta's backside? Oh yes, I was talking about how I traveled as my father's envoy. It was wonderful. I stood in the shit in a lot of stables over the years, of course, but I also visited some of this planet's glories: the wilds of Mongolia, the deserts of North Africa, the plains of Andalusia. So please understand
that though I'm now reduced to being a voyeur, this wasn't always the case. I don't write as a theorist, pontificating on the state of a world that I only knew from my newspapers and my television screen.

As I get deeper into the story I'll no doubt season it with talk of the sights I saw and the people I knew on my journeys. For now, let me just talk of England, the country where I was conceived. My birth mother was a woman by the name of Moira Feeney, and, though she died a short time after my birth, of a sickness I've never quite comprehended, I passed the first seven years of my life in her native country, looked after by her sister, Gisela. It was not by any means a cosseted existence; Gisela was enraged when she discovered the father of her sister's child did not intend to bring us into his charmed circle, and rather than accept the substantial sums he offered her to help raise me, she proudly, and foolishly, refused all subsidy. She also refused to see him. It wasn't until Gisela also died (she was struck, somewhat suspiciously, by lightning) that my father appeared in my life, and took me with him on his travels. In the next five years we lived in a number of extraordinary houses,
the guests of great men who wanted my father's advice as a horse breeder (and Lord knows what else besides; I think he was probably shaping the destinies of nations behind the scenes). But for all the glamour of those years—two summers in Granada, a spring in Venice; so much more that I can't recall—it is my years in Blackheath with Gisela that I still return to most fondly. Gentle seasons these; and my gentle human aunt, and milk and rain and the plum tree at the back of the cottage, from the topmost branches of which I could see the dome of St. Paul's.

I have a pristine memory of what it was like to perch in those gnarled branches, where I would linger for hour upon hour, lulled into a happy trance by rhymes and songs. One of those rhymes I remember to this day.

It seems I am,

It seems I was,

It seems I will

Be born, because

It seems I am,

It seems I was,

It seems I will

Be born because—

And so on, round and round.

Marietta's right, I
do
miss England, and I do what I can to keep remembrance of it. English gin, English syntax, English melancholy. But the England I yearn for, the England I dream of when I doze in my chair, no longer exists. It was just a view from a plum tree, and a happy child. Both went into history a long time ago. It is, however, the
second
reason why I am writing this book. In opening the floodgates of memory, I hope to be carried, at least for a little while, back into the bliss of my childhood.

ii

I should tell you, just briefly, about what happened the day I told Marietta I'd begun this book, because you'll understand better what it's like to live in this house. I had been sitting on my balcony with the birds (there are eleven individuals—cardinals, buntings, soldier-wing blackbirds—who come to feed from my hand and then stay to make music for me), and while I was feeding them I heard her down below having a furious argument with my other half-sister, Zabrina. As far as I could gather Marietta was being her usual imperious self, and Zabrina—who keeps out of everybody's way most of the time, and when she does encounter one of the family doesn't say much—was for once standing up for her own opinions. The gist of the exchange was this: Marietta had apparently brought one of her lovers into the house the previous night, and the visitor had proved to be quite the detective. Apparently she'd got up while Marietta was asleep, had gone wandering around
the house and seen something she should not have seen.

Now she was apparently in a state of panic, and Marietta was quite out of patience with her, so she was trying to cajole Zabrina into cooking up some spiked candy that would wipe the woman's memory clean. Then Marietta could take her back home, and the whole untidy business could be forgotten.

“I told you last time I don't
approve—
” Zabrina's voice is normally reedy and thin; now it was positively shrill.

“Oh
Lord,
” said Marietta wearily. “Don't be so high-handed.”

“You know you should keep ordinary folks away from the house,” Zabrina went on; “It's asking for trouble, bringing somebody here.”

“This one's special,” Marietta said.

“So why do you want me to wipe her memory?”

“Because I'm afraid she's going to lose her mind if you don't.”

“What did she see?”

There was a pause. “I don't know,” Marietta finally admitted. “She's too incoherent to tell me.”

“Well where did you find her?”

“On the stairs.”

“She didn't see Mama?”

“No, Zabrina. She didn't see Mama. If she'd seen Mama—”

“She'd be dead.”

“—she'd be dead.”

There was a pause. Finally Zabrina said:
“If
I do this—”

“Yes?”

“Quid pro quo.

“That's not very sisterly,” Marietta groused. “But all right.
Quid pro quo.
What do you want?”

“I don't know yet,” Zabrina said. “But I'll think of something, don't worry. And you won't like it. I'll make sure of that.”

“How very petty of you,” Marietta observed.

“Look. Do you want me to do it or don't you?”

Again there was a pause. “She's in my bedroom,” Marietta said. “I had to tie her to the bed.”

Zabrina giggled.

“It's not funny.”

“They're
all
funny,” Zabrina replied. “Weak heads, weak hearts. You're never going to find anyone who can really be with you. You know that don't you? It's impossible. We're on our own, to the very end.”

About an hour later Marietta appeared in my room. She looked ashen; her gray eyes full of sadness.

“You heard the conversation,” she said. I didn't bother to reply. “Sometimes that bitch makes me want to hit her. Hard. Not that she'd feel it. Fat cow.”

“You just can't bear to be in anybody's debt.”

“I wouldn't mind with you,” she said.

“I don't count.”

“No, I guess you don't,” she replied. Then, seeing the expression on my face.
“Now
what have I said? I'm just agreeing with you, for God's sake! Why is everybody so damn
sensitive
around here?” She went to my desk and examined the contents of the gin bottle. There was barely a shot remaining. “Got any more?”

“There's half a case in the closet in the bedroom.”

“Mind if I—?”

“Help yourself.”

“You know we should talk more often, Eddie,” she called back to me while she dug for the gin. “Get to know one another. I don't have anything in common with Dwight and Zabrina's been in the foulest mood for the last couple of months. She's so
obese
these days, Eddie. Have you seen her? I mean, she's grossly fat.”

Though both Zabrina and Marietta insist that they're completely unlike—and in many regards this is true—they have some essential qualities in common. At their cores they're both willful, stubborn, obsessive women. But whereas Marietta, who's eleven years Zabrina's junior, has always prided herself on her athleticism, and is as lean as a woman can get and still have a lushness about her body, Zabrina gave into her cravings for praline brittle and pecan pie years ago. Occasionally I'll see her from my window, wandering rotundly across the lawn. At the last sighting she was probably three hundred and fifty pounds. (We are, you've doubtless begun to grasp, a profoundly wounded group of people. But trust me, when you better know the circumstances of our lives, you'll be astonished we're as functional as we are.)

Marietta had emerged with a fresh bottle of gin, and, unscrewing the top, poured herself an ample measure.

“Why do you keep all those clothes in the closet?” she said, knocking back a mouthful. “You're never going to wear most of them.”

“I presume that means you have your eye on something.”

“The smoking jacket.”

“Take it.”

She leaned forward and kissed my cheek. “I've underrated you all these years,” she said, and went back into the bedroom to fetch the jacket in case I changed my mind.

“I've decided to write the book,” I told her when she emerged.

She tossed the jacket at Nicodemus's chair and fairly danced with excitement. “That's so wonderful,” she said. “Oh my God, Eddie, we're going to have
such fun.

“We?”

“Yes,
we.
I mean, you'll be writing it most of the time, but I'll be helping. There's a lot you don't know. Dirt about Cesaria that she told me when I was little.”

“Maybe you should keep your voice down.”

“She can't hear me. She's always in her chambers these days.”

“We don't know what she can hear,” I said. There was a story that she'd had Jefferson design the house so that it funneled sounds to her chambers (which I've never entered, by the way; nor has Marietta). The story may be apocryphal, but I wonder. Though it's many, many months since I caught sight of the woman I don't have difficulty believing she sits there in her boudoir listening to her children, and her husband's children, conniving and weeping and slowly losing their minds. She probably enjoys it.

“Well if she can hear me, so what? She should be happy we're going to all this trouble. I mean, it's going to be a history of the Barbarossas. It'll make her immortal.”

“If she isn't already.”

“Oh no . . . she's getting old. Zabrina sees her all the time and she says the old bitch is failing.”

“I find that hard to imagine.”

“It was her saying that which started me thinking about our book.”

“It's not
our
book,” I insisted. “If I'm going to do it, it's going to be done my way. Which means it's not going to simply be a history of the Barbarossas.”

She emptied her glass. “I see,” she said, with a little chill in her voice. “So what's it going to be?”

“Oh, it'll be about the family. But it'll be about the Gearys too.”

Now she fell silent and stared out of the window at the place where I sit with the birds. It took her fully a minute to bring herself to speak again. “If you write about the Gearys, then I'm having nothing to do with the fucking thing.”

“How can I write—”


Or indeed you.”

“Let me finish,
will you? How can I write about this family—particularly the recent history of this family—and
not
write about the Gearys?”

“They're scum, Eddie.
Human scum.
And vicious. Every one of them.”

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