Authors: Antoine de Saint-Exupéry
I was able to unblock the throttle of the port engine: the starboard throttle would not budge.
Now if I were forced down, I could reduce the speed of the port engine. But if I cut down the port engine, over which I have regained control, I should need to be able to offset the lateral traction exercised by the starboard engineâfor the accelerated rotation of the starboard engine would obviously tend to pivot the plane to port. There is a way of offsetting this tendency. I could do it by the play of my rudder. But the bar that governs my rudder has long been frozen stiff. Therefore I should be able to offset nothing at all. The moment I cut down my port engine I must go into a spin.
Here was another of the war's absurdities. Nothing worked properly. Our world was made up of gear-wheels that would not mesh. And where the gear-wheels will not mesh, there is obviously no watchmaker.
After nine months of war we had still not succeeded in persuading the industries concerned that aerial cannon and controls ought to be manufactured with regard to the climate of the upper altitudes in which they were employed. What we were up against was not the irresponsible attitude of the manufacturers. Men are for the most part decent and conscientious. I am sure that almost always their seeming lack of initiative is a result and not a cause of their ineffectualness.
Ineffectualness weighed us down, all of us in the uniform of France, like a sort of doom. It hung over the infantry that stood with fixed bayonets in the face of German tanks. It lay upon the air crews that fought one against ten. It infected those very men whose job it should have been to see that our guns and controls did not freeze and jam.
Â
We were living in the blind belly of an administration. An administration is a machine. The more perfect the machine, the more human initiative is eliminated from it. If, into a perfect machine, you introduce steel at one end, automobiles will come out of the other end. There will be no room for technical flaws, errors of measurement, human carelessness. And in a perfect administration, where man plays the part of a cog, such things as laziness, dishonesty, or injustice, cannot prevail.
But a machine is not built for creation. It is built for administration. It administers the transformation of steel into motor cars. It goes unvaryingly through motions pre-ordained once and for always. And an administration, like a machine, does not create. It carries on. It applies a given penalty to a given breach of the rules, a given method to a given aim. An administration is not conceived for the purpose of solving fresh problems. If, into your automobile-manufacturing machine, you inserted wood at one end, furniture would not come out at the other end. For this to happen, a man would have to intervene with authority to rip the whole thing up. But an administration is conceived as a safeguard against disturbances resulting from human initiative. The gear-wheels of the watch stand guard against the intervention of man. The watchmaker has no place among them.
Â
I was posted to Group 2-33 in November 1939. When I arrived, my fellow pilots gave me due warning.
“You'll be flying over Germany,” they said, “without guns or controls.”
And to console me, they added: “But don't take it too hard, for it really doesn't matter. The German fighters always down you before you know they are there.”
Six months later, in May 1940, the guns and the controls were still freezing up.
Â
In the spring of 1940, everybody was repeating an ancient French saw: “France is always saved at the eleventh hour by a miracle.”
There was a reason for the miracle. It used to happen occasionally that the beautiful administrative machine would break down and everybody would agree that it could not be repaired. For want of better, men would be substituted for the machine. And men would save France.
If a bomb had reduced the Air Ministry to ashes, a corporalâany corporal at allâwould have been summoned, and the government would have said to him:
“You are ordered to see that the controls are thawed out. You have full authority. It's up to you. But if they are still freezing up two weeks from now you go to prison.”
The controls would perhaps have been thawed out.
Â
I could cite a hundred examples of this flaw. The Requisitions Committee for the Department of the North, for example, used to requisition heifers quick with young, and the slaughter-houses of France were transformed into graveyards of fÅtuses. The requisitioning administration was a perfect machine. And because it was, not a single cog in the machine, not a single colonel on the board, had the slightest authority to act otherwise than as a cog. Each cog, as if the machine were a watch, was obedient to another cog. Revolt against the whole was useless. And this is why, once the machine began to go out of order, the cogs light-heartedly took to slaughtering freshened heifers. It may have been the lesser evil. Had the machine broken down altogether, the cogs might have begun to slaughter colonels.
I sat at my wheel discouraged to the marrow of my bones by this universal dilapidation. But as it seemed to me useless to blow up one of my engines, I fought again with the starboard throttle. In my disgust I forgot myself, wrestled with it too strenuously, and had to give it up. The effort had cost me another twinge at the heart. It was obvious that man was not made to do physical culture exercises at thirty-three thousand feet in the air. That twinge of pain was a warning, a sort of localized consciousness queerly come to life in the night of my organs.
“Let the engines blow up if they want to,” I said to myself, “I don't care a hang.” I was trying to catch my breath. It seemed to me that if I took my mind off my breath I should never be able to catch it again. The image of a pair of old-fashioned bellows came into my mind. I am stirring up my fire, I thought. And I prayed that it would make up its mind to catch.
Was there something I had wrenched beyond repair? At thirty-three thousand feet a slightly strenuous physical effort can strain the heart muscles. A heart is a frail thing. It has to go on working a long time. It is silly to endanger it for such coarse work. As if one burnt up diamonds in order to bake a potato.
As if one burnt up all the villages of France without by their destruction halting the German advance for a single day. And yet this stock of villages, this heritage, these ancient churches, these old houses with all the cargo of memories they carry, with their shining floors of polished walnut, the white linen in their cupboards, the laces at their windows that have served unfrayed so many generationsâhere they are burning from Alsace to the sea.
Burning is a great word when you look down from thirty-three thousand feet; for over the villages and the forests there is nothing to be seen but a pall of motionless smoke, a sort of ghastly whitish jelly. Below it the fires are at work like a secret digestion. At thirty-three thousand feet time slows down, for there is no movement here. There are no crackling flames, no crashing beams, no spirals of black smoke. There is only that grayish milk curdled in the amber air. Will that forest recover? Will that village recover? Seen from this height, France is being undermined by the secret gnawing of bacteria.
About this, too, there is much to be said. “We shall not hesitate to sacrifice our villages.” I have heard these words spoken. And it was necessary to speak them. When a war is on, a village ceases to be a cluster of traditions. The enemy who hold it have turned it into a nest of rats. Things no longer mean the same. Here are trees three hundred years old that shade the home of your family. But they obstruct the field of fire of a twenty-two-year-old lieutenant. Wherefore he sends up a squad of fifteen men to annihilate the work of time. In ten minutes he destroys three hundred years of patience and sunlight, three hundred years of the religion of the home and of betrothals in the shadows round the grounds. You say to him, “My trees!” but he does not hear you. He is right. He is fighting a war.
But how many villages have we seen burnt down only that war may be made to look like war? Burnt down exactly as trees are cut down, crews flung into the holocaust, infantry sent against tanks, merely to make war look like war. Small wonder that an unutterable disquiet hangs over the land. For nothing does any good.
One fact the enemy grasped and exploitedâthat men fill small space in the earth's immensity. A continuous wall of men along our front would require a hundred million soldiers. Necessarily, there were always gaps between the French units. In theory, these gaps are cancelled by the mobility of the units. Not, however, in the theory of the armored division, for which an almost unmotorized army is as good as unmanceuvrable. The gaps are real gaps. Whence this simple tactical rule: “An armored division should move against the enemy like water. It should bear lightly against the enemy's wall of defence and advance only at the point where it meets with no resistance.” The tanks operate by this rule, bear against the wall, and never fail to break through. They move as they please for want of French tanks to set against them; and though the damage they do is superficial,âcapture of unit Staffs, cutting of telephone cables, burning of villages,âthe consequences of their raids are irreparable. In every region through which they make their lightning sweep, a French army, even though it seem to be virtually intact, has ceased to be an army. It has been transformed into clotted segments. It has, so to say, coagulated. The armored divisions play the part of a chemical agent precipitating a colloidal solution. Where once an organism existed they leave a mere sum of organs whose unity has been destroyed. Between the clotsâhowever combative the clots may have remainedâthe enemy moves at will. An army, if it is to be effective, must be something other than a numerical sum of soldiers.
We stand to the enemy in the relation of one man to three. One plane to ten or twenty. After Dunkerque, one tank to one hundred. We have no time to meditate upon the past; no time to say to ourselves even thisâthat forty million farmers must lose an armament race run against eighty million industrial workers. We are engaged in the present. And the present is what it is. No sacrifice, at any moment, on any front, can serve to slow up the German advance.
Whence it comes that throughout the civil and military hierarchies, from the plumber to the minister of state, from the second-class private to the general, there reigns a sort of uneasiness which no one can or dares put into words. There is no dignity in sacrifice if it is mere parody or suicide. It is beautiful to sacrifice oneself. These die in order that the rest be saved. The flames are grimly fought when the conflagration has to be put out. Men fight to the death in the cut-off camp so that their rescuers may have time to come to their aid. Yes, but we are surrounded by the conflagration. We have no camp on which to fail back. We know no rescuers on whom we can pin our hope. And as for those for whom we fight, for whom we say we are fighting, what are we doing except, apparently, ensuring their murder? For the aeroplane, dropping its bombs on towns behind the lines, has made this such a war as was never dreamt of.
Â
I was later to hear foreigners reproach France with the few bridges that were not blown up, the handful of villages we did not burn, the men who failed to die. But here on the scene, it is the contrary, it is exactly the contrary, that strikes me so powerfully. It is our desperate struggle against self-evident fact. We know that nothing can do any good, yet we blow up bridges nevertheless, in order to play the game. We burn down real villages, in order to play the game. It is in order to play the game that our men die.
Of course some are overlooked! Bridges are overlooked, villages are overlooked, men are allowed to continue alive. But the tragedy of this rout is that all its acts are without meaning. The soldier who blows up a bridge can only do it reluctantly. He slows down no enemyâhe merely creates a ruined bridge. He destroys his country in order to turn it into a splendid caricature of war. But it was a real bridge, not a caricature, that was blown up.
If a man is to strive with all his heart, the significance of his striving must be unmistakable. The significance of the ashes of the village must be as telling as the significance of the village itself. But the ashes of our villages are meaningless. Our dead must be as meaningful as death itself. But our dead die in a charade. The enemy's hundred and sixty divisions are not impressed by our burnings and our dead.
The question used to be asked, Are our men dying well or badly? Meaningless question! The Staff know that a given town can hold out for three hours. Yet our men are ordered to hold it forever. Having no means of offense, they as good as beg the enemy to destroy the town in order that the rules of war be respected. They are like a friendly opponent at chess who says, “But you have forgotten to take your pawn.” Our men spend their time challenging the enemy.
“We are the defenders of the village,” they say in effect. “You are the attackers. Ready? Play!”
And under the burst of an enemy squadron the village is wiped out.
“Well played, Nazi!”
Â
Certainly inert men exist, but inertia is frustrated despair. Certainly fugitives exist, and I remember that twice or three times Major Alias had threatened to shoot occasional gloomy wretches picked up on the highways and evasive in the answers they gave to his questions. One's impulse is so strong to make somebody responsible for disaster, and to believe that by putting him out of the way all can be saved. The fugitives are responsible for the rout, since there would be no rout if there were no fugitives. Therefore, flourish a gun and all is well.
As well bury the sick in order to eliminate sickness. Major Alias always ended by slipping his gun back into its holster. He could see very well that there was something awfully pompous about that gun, like a comic-opera saber. Alias knew perfectly well that those mournful fellows were an effect, not a cause of the disaster. He knew absolutely that they were the same men, exactly the same men, as those who, somewhere else in France, at that very moment, were accepting the fact that they must die. In two short weeks one hundred and fifty thousand of them accepted the fact that they must die. But some men are stubborn and insist upon a reason why they should die.