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Authors: Peter Robinson

Tags: #Fiction, #General, #Traditional British, #Police Procedural, #Mystery & Detective

Final Account (26 page)

BOOK: Final Account
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His memories of Leeds's city centre were vague, but he was sure that somewhere among the jungle of refurbished Victorian arcades and modern shopping centres there were a number of pubs down the dingy back alleys that riddled the heart of the old city centre.

And he was right.

The first one he found was an old brass, mirrors and dark wood Tetleys house with a fair-sized crowd and a jukebox at tolerable volume. He ordered a pint and stood sideways at the bar, just watching people chat and laugh. It was mostly a young crowd. Only kids seemed to venture into the city centres at night these days. Perhaps that was why their parents and grandparents stayed away. The pubs in Armley and Bramley, in Headingley and Kirkstall, would be full of locals of all age groups mixed together.

As he leaned against the bar, drinking and smoking, nobody paid him any attention. Banks had always been pleased that he didn't stand out as an obvious policeman. There'd be no mistaking Hatchley or Ken Blackstone no matter how “off duty” they were, but Banks could fit in almost anywhere without attracting too much attention. Over the years, he had found it a useful quality. It wasn't only that he didn't look like a copper, whatever that meant, but for some reason his presence didn't set off the usual warning bells. At the same time, he didn't like to sit or stand with his back to the door, and he didn't miss much.

He finished his pint quickly and ordered another one, lighting up again. He was smoking too much, he realized, and he would feel it in the morning. But that was the morning. In the meantime, it gave him something to do with his hands, which, left to their own devices, curled and hardened into fists.

His second pint went down easily, too. The ebb and flow of conversation washed over him. Loudest was a group of two middle-aged couples sitting behind the engraved smoked glass and dark wood at the side of the door. The only people over twenty-five, apart from Banks and the bar staff, they had all had a bit too much to drink. The men were on pints of bitter, and the women on oddly coloured concoctions with umbrellas sticking out of them and bits of fruit floating around. By the sound of things, they were celebrating the engagement of one couple's daughter, who wasn't present, and this brought forth all the old, blue jokes Banks had ever heard in his life.

“There's these three women,” said one of the men. “The prostitute, the nymphomaniac and the wife. After sex, the prostitute says, ‘That's it, then,' all businesslike. The nympho says, ‘That's
it
?' And the wife says, ‘Beige. I think the ceiling should be beige.'”

They howled with laughter. One of the women, a rather blowsy peroxide blonde, like a late-period Diana Dors, with too much
make-up and unfocused eyes, looked over and winked at Banks. He winked back and she nudged her friend. They both started to laugh. A man Banks assumed to be her husband popped his head around the divide and said, “Tha's welcome to her, lad, but I'll warn thee, she'll have thee worn out in a week. Bloody insatiable, she is.” She hit him playfully and they all laughed so much they had tears in their eyes. Banks laughed with them, then turned away. The barmaid raised her eyebrows and drew a finger across her throat. Banks drank up and moved on.

Outside, he noticed that the evening had turned a little cooler and dark clouds were fast covering the stars. There was an electric edge to the air that presaged a storm. As if he didn't feel tense and wound up enough already without the bloody weather conspiring against him, too.

The next pub, down another alley off Briggate, was busier. Groups of young people stood about outside, leaning against the wall or sitting on the wooden benches. The place danced with long shadows like something out of an old Orson Welles film. Banks took his pint out into the narrow, whitewashed alley and rested it on a ledge at elbow level, like a bar.

He thought of his last meeting with Pamela Jeffreys. She had run off in tears and he had stood there like an idiot in the park watching his ice-cream melt. He had wanted to apologize for treating her feelings so shoddily, but at the same time another part of him, the professional side, knew he had had to ask, and knew an apology would never be completely genuine. Still, he was only human; susceptible to beauty, he found her attractive, and he liked her warm, open personality, her enthusiasm for life and her sense of humour. Her connection with music also excited him. How much of that would she have left when she came out of hospital? If she came out.

Now, slurping his ale in a back alley in Leeds, he considered again what Blackstone had suggested about her involvement in the affair, but he didn't think Pamela Jeffreys was that good an actress. She had liked Calvert; they had had simple fun together, with no demands, no strings attached, no deep commitment. And what was wrong with that? She may have felt hurt when he found someone else—after all, nobody likes rejection—but she had liked him enough to swallow her pride and remain friends. She was young; she had energy enough to deal with a few hard knocks. If she had been jealous enough for murder, she would have killed Robert Calvert, probably in his Leeds flat, and if she had been involved in the laundering operation with Rothwell and Clegg, she wouldn't have phoned the Eastvale station and told them about Calvert.

It was close to eleven; most of the people had gone home. Banks ordered one more for the road, as he would be walking beside it, not driving on it. He was glad he had taken a little time out. The drink had helped douse his anger, or at least dampen it for a while. He was also rational enough to know that tomorrow he would be the professional again and nobody would ever know about his complex, knotted feelings of lust and guilt for Pamela Jeffreys.

He drained his glass, put his cigarettes back in his jacket pocket and set off down the alley. It was long and narrow, rough whitewashed stone on both sides, and lit only by a single high bulb behind wire mesh. When he was a couple of yards from the end, two men walked in from the street and blocked the exit. One of them asked Banks for a light.

Contrary to what one sees on television, detectives rarely find themselves in situations where immediate physical violence is threatened. Banks couldn't remember the last time he had been in a fight, but he didn't stop to try to remember. A number of thoughts flashed through his mind at once, but so quickly that an observer would not have seen him hesitate for a second.

First, he knew that they underestimated him; he was neither as drunk nor as unfit as they probably believed. Secondly, he had learned an important lesson from schoolyard fights: you go in first, fast, dirty and hard. Real violence doesn't take place in slow motion, like a Sam Peckinpah film; it's usually over before anyone realizes it has begun.

Before they could make their move, Banks took a step closer, pretended to fumble for matches, then grabbed the nearest one by his shirt-front and nutted him hard on the bridge of the nose. The man put his hands over his face and went down on his knees groaning as blood dripped down his shirt-front.

The other hesitated a moment to glance down at his friend. Mistake. Banks grabbed him by the arm, whirled him around and slammed him into the wall. Before the man could get his breath back, Banks punched him in the stomach, and as he bent forward in pain, brought his knee up into the man's face. He felt cheekbone or teeth smash against his kneecap. The man fell, putting his hands to his mouth to stem the flow of blood and vomit.

His mate had clambered to his feet by now and he threw himself at Banks, knocking him hard into the wall and banging the side of his head against the rough stone. He got in a couple of close body punches, but before he could gain any further advantage, Banks pushed him back far enough to start throwing quick jabs at his already broken nose. In the sickly light of the alley, Banks could see blood smeared over his attacker's face, almost closing one eye and dripping down his chin. The man backed off and slumped against the wall.

By this time, the other was back wobbling on his feet, and Banks went for him. He aimed one sharp blow to the head after the other, splitting an eyebrow, a lip, jarring a tooth loose. The other stumbled away towards the exit. There was no fight left in either of them, but Banks couldn't stop. He kept slugging away at the man in front of him, feeling the anger in him explode and pour out. When the man tried to protect his face with his hands, Banks pummelled his exposed stomach and ribs.

The man backed away, begging Banks to stop hitting him. His friend, swaying at the alley's exit now, yelled, “Come on, Kev, run for it! He's a fucking maniac! He'll fucking kill us both!” And they both staggered off towards Commercial Street.

Banks watched them go. There was no-one else around, thank God. The whole debacle couldn't have taken more than a couple of minutes. When they were out of sight, Banks fell back against the whitewashed wall, shaking, sweating, panting. He took several deep breaths, smoothed his clothes and headed back to the hotel.

ELEVEN

I

The storm broke in the middle of the night. Banks lay in the dark in his strange hotel bed tossing and turning as lightning flashed and thunder first rumbled in the distance then cracked so loudly overhead that the windows rattled.

Once unbound, the shape of his rage was fluid; it could be as easily warped and twisted into fanciful images by sleep as it had been channelled into violence earlier. He kept waking from one nightmare and drifting back into another. Rain lashed against the windows, and in the background something hissed constantly, the way something always hisses in hotel rooms.

In the worst nightmare, the one he remembered the most clearly, he was talking on the telephone to a woman who had dialled his number by mistake. She sounded disoriented, and the longer she spoke the longer the spaces stretched between her words. Finally, silence took over completely. Banks called hello a few times, then hung up. As soon as he had done so, he was stricken by panic. The woman was committing suicide. He knew it. She had taken an overdose of pills and fallen into a coma while she was still on the line. He didn't know her name or her telephone number. If he had kept the line open and not hung up, he would have been able to trace her and save her life.

He awoke feeling guilty and depressed. And it wasn't only his soul that hurt. His head pounded from too much whisky and from the “Glasgow handshake” he had given one of his attackers, his chest felt tight from smoking, his knuckles ached and his side felt sore where he had been slammed into the wall. His mouth tasted as dry as the bottom of a budgie's cage and as sour as month-old milk. When he got up to go to the toilet, he felt a stabbing pain shoot through his kneecap and found himself limping. He felt about ninety. He took three extra-strength Panadols from his traveller's survival kit and washed them down with two glasses of cold water.

It was four twenty-three
A
.
M
. by the red square numbers of the digital clock. Cars hissed by through the puddles in the road. Around the edges of the curtains, he could see the sickly amber glow of the street-lights and the occasional flash of distant lightning as the storm passed over to the north.

He didn't want to be awake, but he couldn't seem to get back to sleep. All he could do was lie there feeling sorry for himself, remembering what a bloody fool he had been. What had started as a simple bit of childish self-indulgence, drowning his sorrows in drink, had turned into a full-blown exhibition of idiocy, and both his skinned knuckles and the empty Scotch bottle on the bedside table were evidence enough of that.

After the fracas, he had dashed back to the hotel and hurried straight up to his room before anyone could notice his bloody knuckles or torn jacket. Once safe inside, he had poured himself a stiff drink to stop the shakes. Lying on the bed watching television until the programmes ended for the night, he had poured another, then another. Soon, the half-bottle was empty and he had fallen asleep. Now it was time to pay. He had heard once that guilt and shame contributed to the pain of hangovers, and at four thirty-two that morning, he certainly believed it.

Christ, it was so bloody easy to slide down one's thoughts into the pit of misery and self-recrimination at four thirty-two
A
.
M
. At four thirty-two, if you feel ill, you just
know
you have cancer; at four thirty-two, if you feel depressed, suicide seems the only way out. Four thirty-two is the perfect time for fear and self-loathing, the time of the dark night of the soul.

But it wouldn't do, he told himself. Feeling sorry for himself just wouldn't bloody well do. So he wasn't perfect. He had contemplated committing adultery. So what? He wasn't the first and he wouldn't be the last. He felt responsible for Pamela Jeffreys's injuries. Maybe, just
maybe,
he should have acted differently when he knew he was being followed—put a guard on everyone he had
talked to—but it was a big maybe. He wasn't God almighty; he couldn't anticipate everything.

Most detective work was pissing about in the dark, anyway, waiting for the light to grow slowly, as it was doing now outside. On rare occasions, the truth hit you quick as a lightning flash. But they were very rare occasions indeed. Even then, before the lightning hit you, you had spent months looking for the right place to stand.

So last night, in the alley, he had lost it. So what? Two yobbos had tried to mug him and he had gone wild on them, plastered them all over the walls. Most of it was a blur now, but he remembered enough to embarrass him.

They had just been kids, really, early twenties at most, out looking for aggro. But one had been black and one white, like the men who had put Pamela Jeffreys in hospital. Banks knew in his mind that they weren't the same ones, but when the bubble of his anger burst and the fury unleashed itself, when the blood started to flow, they were the ones he was lashing out at. No wonder they ran away shitting bricks. There was nothing rational about it; blinded by rage, he had thought he was hurting the people he really wanted to hurt. He had taken out his anger on two unwary substitutes. They had simply been in the wrong place at the wrong time.

BOOK: Final Account
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