Final Account (41 page)

“But you can't prove I was there. It's only your word against mine. I could say they were taking me out to kill both of us. I managed to get away and I ran and hid here. They killed Daniel, but I escaped.”

“They killed him in
your
clothes?” Banks shook his head slowly. “It won't wash, Keith.”

“But it's all circumstantial. Jameson and Pembroke are both dead. A good lawyer could get me off, and you know it.”

“You're dreaming. Say you do beat the murder conspiracy charge, which I think is unlikely, there's still the money-laundering and the rest.”

Rothwell looked around the room, mouth set firmly. “I'm not going back,” he said. “You can't make me. I know there are European extradition treaties. Procedures to follow. They take time. You can't just take me in like some bounty hunter.”

“Of course I can't,” said Banks. “That was never my intention.” He heard the gate open and walked over to the window.

A pale, beautiful woman in a yellow sun-dress, red-blonde hair piled and knotted high on her head, had walked into the courtyard and paused to check on the flowers and potted plants. She carried a basket of fresh bread and other foodstuffs in the crook of her arm. She put out her free hand and bent to hold a purple blossom gently between her fingers for a moment, then inspected the herbs. The sun brought out the blonde highlights in her hair. “It looks like Julia's back,” Banks said. “Doesn't tan well, does she?”

Rothwell jumped up and looked out. “Julia knows nothing,” he said quickly, speaking quietly so she couldn't hear him. “You have to believe that. I told her I had business problems, that I had to burn a lot of bridges if we were to be together, that we'd be well set up for life but we couldn't go back. Ever. She agreed. I don't know if you can understand this or not, but
I love her,
Banks, more than anyone or anything I've ever loved in my life. I mean it. It's the first time I've ever … I already told you. I love her. She knows nothing. You can do what you want with me, but leave her alone.”

Banks kept quiet.

“You'll never be able to prove anything,” Rothwell added.

“Maybe I don't even want to take that risk,” said Banks. By now they could both see Julia and hear her humming softly as she rubbed the leaves on a pot of basil and sniffed her fingers. “Maybe I'd rather you made a clean breast of it,” he went on, keeping his voice low. “A confession. It might even go in your favour, you never know. Especially the love bit. Juries love lovers.”

Julia stood up. Some of her piled tresses had come loose and trailed over her cheeks. She was flushed from the walk and some of the hairs stuck to her face, dampened with sweat.

“You must be mad if you think I'd give all this up willingly,” Rothwell said.

“You can't buy paradise with blood, Keith,” said Banks. “Come on home. Tell us everything about Martin Churchill's finances, everything you know about the bastard. Let's go public, make plenty of noise, sing louder than a male-voice choir. We can make sure he never sets foot in the country even if he turns up looking like Mr Bean. We could offer you protection, then perhaps another identity, another new life. You'd do some time, of course, but I'm willing to bet that by the time you got out, Martin Churchill would be just another of history's unpleasant footnotes, and Julia would be still waiting.”

“You're insane, do you know that? I'd kill you before I'd do what you're suggesting.”

“No, you wouldn't, Keith. Besides, there'd be others after me.”

Rothwell paused on his way to the door and stared at Banks, eyes wide open and wild, no longer calm and steady. “Do you know what will happen if I go home?”

“It might not be half as bad as what will happen if I let Churchill know you're still alive,” said Banks. “They say he has a long reach and a nasty line in revenge.” Julia had almost reached the door. “It wouldn't stop at you,” Banks said.

Rothwell froze. “You wouldn't. No. Not even
you
would do a thing like that.”

At that moment, Banks hated himself probably more than at any other time in his life. He felt sorry for Rothwell, and he found himself on the verge of relenting.

Then he remembered Mary Rothwell, living in a haze of tranquillizers; Alison, burying her head deep in her books and fast losing touch with the real world; and Tom, flailing around in his own private mire of guilt and confusion. Rothwell could have helped these people. Then he thought of Pamela Jeffreys, just out of hospital, physically okay, but still afraid of every knock at her door and unsure whether she would get back the confidence to play her viola again.

For this man's gamble on paradise, Daniel Clegg lay in his grave with his head blown off, Barry Miller had died on a wet road at midnight and Grant Everett might have to spend the next few years of his life relearning how to walk and talk. Even Arthur Jameson and Donald Pembroke were Rothwell's victims, in a way.

And, much farther away but no less implicated, was a dictator who got fat while his people starved, a man who liked to watch people eat glass, a man who, now, if Banks could help it, would never enjoy a peaceful retirement in the English countryside, no matter what he had on some powerful members of the establishment.

And the more Banks thought about these people, victims and predators alike, the less able he was to feel sorry for the fallen lovers.

“Try me,” he said.

Rothwell glared at him, then all the life seemed to drain out of him until he resembled nothing more than a tired, middle-aged accountant. Banks still felt dirty and miserable, and despite his resolve, he wasn't certain he could go through with his threat. But Rothwell believed him now, and that was all that mattered. This bastard had caused enough trouble already. There was no more room for pity. Banks felt his pulse race, his jaw clench. Then the door opened and Julia drifted in, all blonde and yellow, with a big smile for Rothwell.

“Hello, darling! Oh,” she said, noticing Banks. “We've got company. How nice.”

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In a Dry Season

Peter Robinson

In the blistering, dry summer, the waters of Thornfield Reservoir have been depleted, revealing the ruins of a small Yorkshire village that lay at its bottom, bringing with it the unidentified bones of a brutally murdered young woman. Banks faces a daunting challenge: he must unmask a killer who has escaped detection for half a century.

“A wonderful novel.”

Michael Connelly

“Once again, Robinson's work stands out for its psychological and moral complexity, its startling evocation of pastoral England and its gritty, compassionate portrayal of modern sleuthing.”

Publishers Weekly

 

 

Find out more about Peter Robinson mysteries at www.penguin.ca/mystery

 

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Dead Right

Peter Robinson

On a rainy night in Eastvale, a teenager is found brutally beaten to death after what appears to be a pub brawl gone wrong. As Banks investigates, the case becomes more complex and more sinister, and solving the mystery becomes imperative as escalating racial tensions threaten more violence to come.

“This novel is Robinson at his best.”

The Gazette
(Montreal)

“Robinson continues to be one of the finest mystery novelists writing today.”

The Daily News
(Halifax)

 

 

Find out more about Peter Robinson mysteries at www.penguin.ca/mystery