Family Album

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Authors: Penelope Lively

Tags: #Literary, #Psychological, #General, #Family Life, #Fiction

BOOK: Family Album
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Table of Contents
 
BY THE SAME AUTHOR
FICTION
Consequences
Making It Up
The Photograph
Going Back
The Road to Lichfield
Treasures of Time
Judgment Day
Next to Nature, Art
Perfect Happiness
According to Mark
Pack of Cards and Other Stories
Moon Tiger
Passing On
City of the Mind
Cleopatra’s Sister
Heat Wave
Beyond the Blue Mountains
Spiderweb
 
AUTOBIOGRAPHY
Oleander, Jacaranda: A Childhood Perceived
A House Unlocked
VIKING
Published by the Penguin Group
Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A.
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.)
Penguin Books Ltd, 80 Strand, London WC2R 0RL, England
Penguin Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd)
Penguin Books Australia Ltd, 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd)
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Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue, Rosebank,
Johannesburg 2196, South Africa
Penguin Books Ltd, Registered Offices: 80 Strand, London WC2R 0RL, England
Published in 2009 by Viking Penguin, a member of Penguin Group (USA) Inc.
Copyright © Penelope Lively, 2009
All rights reserved
PUBLISHER’S NOTE: This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Lively, Penelope, 1933-
Family album / Penelope Lively. p. cm.
eISBN : 978-1-101-14077-2
1. Children—England—Fiction. 2. Family secrets—Fiction. 3. Domestic fiction. I. Title. PR6062.I89F’.914—dc22 2009004081
Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.
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To Kay and Stephen
ALLERSMEAD
 
 
 
 
G
ina turned the car off the road and into the driveway of Allersmead. At this point she seemed to see her entire life flash by. As the drowning are said to do. She thought of this, and that the genuinely drowning can never have been recorded on the matter.
Philip, in the passenger seat, saw a substantial Edwardian house, a wide flight of steps up to a front door with stained-glass panels, a weedy sweep of gravel in front. Emphatic trees all around. Sprawling shrubs. Stone urns that spilled lanky geraniums at the bottom of the steps. He had known Gina for six months and had been her lover for five of these.
Gina saw Alison standing on the top step, arms raised in rather theatrical greeting. She saw Charles emerge from the hall, staring down at them in what seemed mild surprise.
Philip saw a plump smiling elderly woman with hair tumbling untidily from a bun, who was joined by a tall stooped man wearing the kind of tweed jacket that you had thought laid to rest by the 1970s. A large dog shambled at his heels, and slumped down on the top step.
Gina saw various specters and dismissed them. Many people spoke, saying things they had been saying for years, and were also wiped. She brought the car to a stop and got out, as did Philip. She said, “Hi, there. This is Philip.”
Alison came down the steps, embraced Gina, and beamed upon Philip. “I’m Alison. Lovely to meet you.”
Charles simply stood. The dog thumped its tail.
Philip took the bags from the boot. He and Gina climbed the steps. Gina said, “Philip, this is Charles—my father.”
Charles seemed to consider Philip, as though wondering if he might have seen him before. “And Ingrid,” Gina continued.
Philip now saw another woman waiting in the large hall (black-and-white-tiled floor, grandfather clock, umbrella stand, row of pegs loaded with raincoats, oak table strewn with junk mail); a statuesque and somewhat younger woman with fair straight hair and a pink face, holding a garden basket full of greenery.
“Ingrid has such a splendid vegetable crop this year,” said Alison. “We have broad beans coming out of our ears.”
The house smelled of cooking. You could unravel the constituent ingredients: garlic, herbs, wine—some earthy casserole, a coq au vin perhaps, or a
boeuf en daube
.
Philip observed the staircase with oak banisters, the landing halfway up with window seat and further stained-glass window, the door open into a room apparently filled with books. A big house. A house from the days when people—a kind of person—assumed a big house.
Gina experienced nostalgia, exasperation, and a passionate need to be in their flat in Camden, with Philip opening a bottle of something after work.
Someone came galloping down the stairs, and halted at the bend, eyes on Gina. “Christ!” he said. “Not you again!”
“Sod off,” said Gina amiably.
Philip saw grubby jeans, a frayed sweater, and some eerie affinity with Gina.
“Honestly, Paul!” cried Alison. “Gina hasn’t
been
here for over a year.”
“It’s called irony,” said Gina. “Not that he’d know that. So how are things, you?”
Paul came down the stairs. “Why are you that brown color?”
“Africa.”
“We saw you on the news,” said Ingrid. “Talking to those people fighting somewhere. Terrible.”
“Indeed. Paul—this is Philip.”
“Hi, Philip. Do you do Africa and stuff too?”
“I’m in editorial. I stay behind a desk mostly.”
“Very wise.” Charles was moving towards the book-filled room but now halted. “
The Times,
isn’t it?”
“No,” said Gina. “You haven’t met Philip before. Not
The Times
.”
“Forgive me.” A kindly smile. “Not that I read it any longer. Once, it was the thinking man’s paper. Now, one shops around, and is generally dissatisfied. What do you read?”
“The Independent,”
said Philip, after a moment. “By and large.” He felt at a disadvantage, for reasons he could not identify.
“For the compost heap those small papers are better,” said Ingrid. “The ones with big headlines—what do you call them?”
“Tabloids.” Gina picked up her bag. “Which room, Mum?”
“I do not know why,” Ingrid went on. “It is perhaps to do with the ink. I am putting on the kettle now.” She walked away through a door in the back of the hall.
“The big spare room, dear. And then come down and have tea. My orange and lemon cake. It used to be your favorite.”
Gina and Philip climbed the stairs. Gina led the way into a bedroom. Philip glanced around and sensed a room that had remained the way it was for some time: functional rather than aspiring—an Indian print bedspread, the walls in need of a lick of paint. He went to the window and saw a great sweep of garden: a terrace, and then a huge lawn skirted by trees, dropping away to other areas, furtive and invisible.
“Plenty of space.”
“Just as well. There were six of us.”
“Did David work on
The Times
?”
“At one point.”
They were still at the stage when they skirted each other’s impedimenta. Philip’s ex-wife lurked in the wings. A former boyfriend of Gina’s sometimes surfaced in this way, causing slight difficulty. And there was Allersmead, which Gina had decided had best be confronted head-on. Philip’s parents were in undemanding retirement in Cornwall, and had already been dealt with, over a weekend.
“So what’s the difference?” Philip had said. “With your lot? Why is it apparently a bigger deal?”
“You’ll see,” she had replied.
Philip walked around the room. He picked up a photo on the mantelpiece. “Six. Only five here.”
“Presumably someone wasn’t yet born.”
“Paul is . . . ?”
“That one. He came before me. Eldest.”
“And you had braces on your teeth. Your fans would be aghast.”
“Shut up.” She was emptying her bag onto the bed. T-shirt, toilet things, not much else. She always traveled light. In the wardrobe at the flat, there was the other bag, permanently packed with basic clothes, passport, cash—in case she had to go somewhere at a moment’s notice.
“Braces and all, you were a fetching little girl.”
“No one thought so at the time. Sandra was the pretty one.”
He moved back to the window. “Halcyon summer days. Hide-and-seek. Picnics on the grass. It’s the stuff of dreams.”
“Huh! By the way, the bathroom’s on the other side of the landing. The door sticks. You just push hard.”
“Who does the cooking? Something smells amazing.”
“My mother mostly, sometimes Ingrid.” She had opened his bag and was taking out his things. “Which side of the bed do you want?”
“Left. I like that window. Who is Ingrid?”
“The au pair girl.”
“But . . .”
“But she is no girl? Indeed. Ingrid has been the au pair girl for many years.”
Philip appeared to consider this. “And she is . . . not exactly English?”
“Swedish or Danish or something. Once.”

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