Authors: Graciela Limón
“It couldn't have been me.”
She studied her face: brown angular features, high cheekbones. Adriana concentrated, turning her gaze on her mouth and head: thick lips; short, curled hair. Then she went back into the hut, stretched out on the cot and stared at the palm-frond ceiling. She reflected on her nightmare, the baying of dogs still echoed in her memory as did the sensation of pain. She brought her hands close to her eyes, turning them palms up, then down. There were no cuts, no bruises.
She touched her forearms, searching, but her fingertips found only the scar tissue inflicted on her left forearm by scalding water when she was a child; she had been seven years old when that happened. Adriana's mind halted for a few seconds, remembering that day. Then she returned her attention to the dream, to any traces it might have left on her. She went on feeling her body, pausing, searching for signs of pain, or even a slight indication of having been hurt, but she discovered nothing.
A nagging sense of loss forced Adriana to shut her eyes because she felt the sting of tears burning behind her eyeballs. She flung her arm across her face and remembered her life, how ever since she could remember, she had felt lost, separated, alone, always filled with fear. She was twenty-four years old, but sometimes she still felt as she had when she was a child; nothing in her life seemed to changeânot inside of her. She was now a woman, on her own, making a living as a photographer. Wanting to be accomplished in her profession, to publish her work, she had chosen to come to the jungle to create a photo history of the women of the Lacandona.
Adriana stared at the thatched ceiling, her eyes wide open and vacant. She was remembering that when she had finished college in Los Angeles, she had drifted to New Mexico, where she stayed a short while. After that she decided to go south to Chiapas, so she made her way to the border, and from that point down to Mexico City, and from there she traveled to Mérida, Yucatán, where she stayed only a few
days. Then she pushed on to Palenque, attracted by the prospect of capturing on film what was left of Mayan civilization, but once there, she realized that it was for living faces that she searched. So she put her things on a dilapidated bus that had
Pueblos IndÃgenas
painted in large letters on its windshield. When she got off the vehicle, she was in Pichucalco, on the edge of the Lacandona Jungle.
Her thoughts drifted back to her childhood, probing incidents in her life, trying to explain why she had always felt such deep isolation. Then she relaxed her body, allowing her memory to return to the past.
Adriana was barely four years old the night she was awakened by loud voices. She sat up, hugging her raggedy stuffed rabbit, listening, turning her head toward the door, trying to make out who was screaming. Her eyes were beginning to adjust to the darkness of the room when a blast silenced the voices. The girl was struggling to make out the noise, when a second detonation shook the walls. Time passed but nothing happened. Then a smoky stench seeped into her room from beneath the closed door. There was no more yelling, no more explosions, so she slipped back onto her pillow.
Everything was quiet again; she could not hear or see anything, not even when she peeked out from under the covers. The girl listened for her mother's voice, or the sound of her father's heavy footsteps, but all she heard were cars driving by their apartment. She wanted her mother to come and wrap her arms around her, but there was only silence. Adriana drifted back to sleep.
She opened her eyes again, but this time it was the sun that had awakened her. With the frayed rabbit still in her arms and her legs cramped from being rolled in against her body, she stretched and looked around the room. In one corner were her toys and on the other side was the small closet. She could see her dresses hanging neatly, one next to the other.
“Mamá?”
Adriana called her mother just as she did every morning. She waited, hugging her toy to her chest, but nothing happened. Her mother did not open the door and peek around it to smile at her. Trying to
see the sky, she looked out the window. There was nothing there except the bare branches of a tree.
“Mamá?”
This time Adriana's voice was edged with tears because she was remembering the noises she had heard the night before. She began to shiver, thinking that her mother and father had gone away, leaving her alone. She had never before heard the house that quiet. She decided to go out to the kitchen to find them.
Adriana, with her rabbit dangling from one hand, shuffled down the hallway to the bathroom, where she struggled onto the toilet. After that she went to the kitchen. When she walked in, she felt happy all of a sudden because she saw her father taking a nap at the table. She looked carefully, taking in how he was sitting in his favorite chair, leaning his head in his cradled arms. She was relieved to see him, although she had never seen him sleep that way.
She tiptoed across the kitchen to the stove, where she expected to find her breakfast. At that moment, she wondered why her mother was not there. She looked first in the service porch, thinking her mother might be putting laundry into the washer. When she did not find her there, Adriana searched the small front room, where she found the television set turned on. That was all. From there she made her way to her parent's bedroom.
“Mamá? Mamá?”
She found her mother lying on the bed; she was taking a nap, too. Adriana decided not to go near her; she might awaken her. Still clinging to the dingy stuffed rabbit, Adriana returned to the kitchen because she was hungry. Trying not to make noise, she opened the cupboard and looked for her favorite cookies, but when she saw that the package was on a shelf too high for her to reach, she put down the toy and struggled to edge a chair into position. She was able to do this quietly up until the last pull, when one of the legs stuck in a crack in the linoleum. She yanked, then flinched at the loud, grinding noise that filled the kitchen. She shut her eyes and hunched her shoulders, expecting her father to wake up and scold her, but nothing happened. When she opened her eyes to look at him, she saw that he was still
asleep. Relieved, she climbed up and lowered the box. Then she went to the refrigerator, where she found a small carton of milk. Again she could not reach a glass, so she took the cookies and the container to the front room, where she munched as she watched cartoons until late into the afternoon.
When she needed to go to the bathroom again, she decided to awaken her mother. As she neared the bed, Adriana saw that the sheets and bedspread were stained red, and that her mother held her father's gun in one hand. She saw also that there was a big bump on one side of her mother's forehead, and that, too, was dripping with a red mess.
Adriana was so frightened that she felt pee dripping between her legs; she could not help it, and she did not know what to do. She reached out and grabbed one of her mother's shoulders and shook her, trying to awaken her, but she felt that her mother was stiff and cold. Crying, she ran to where her father was still sleeping, and she tugged at his shirt, hoping that he would wake up to help with her mother. Instead, her pulling pried loose one of his arms; it fell inertly and dangled from his shoulder.
She understood that something awful had happened to her mother and father. She ran to the front door. Doña Elvira would know what to do; she always did. When Adriana tried to open the door, however, she realized that the dead bolt was engaged and that it was too high up for her to reach, even if she stood on a chair. She screamed and pounded on the door, but no one heard her cries for help; no one heard her frail fists beating on the door.
Night was falling, and the gloom inside the apartment terrified Adriana so much that she ran to her room, where she hid under the bed, clutching her stuffed rabbit. She came out only to nibble on crackers or to drink water that was in a container by the sink. She banged on the front door several times during the days that followed, but gave up when no one heard her. Each time, she returned to the hideaway under her bed; its narrowness gave her comfort and lessened her fear. But the tiny space began to lose its protection for Adriana; its confines seemed to close in on her, taking away her breath, making her heart race and pound until she lost consciousness. She did not know how many times this happened to her.
Finally, it was the stench, not Adriana's weak pounding, that alerted Doña Elvira Luna. When that happened, the elderly neighbor stood outside the Mora apartment wearing an apron and still clutching a wooden cooking spoon in her hand. She twitched her nose, sniffing around the edges and hinges of the locked door, then banging on it as she stuck her nose up into the air, wiggling her nostrils and upper lip, her wide open mouth gasping because of the foulness that was polluting the air. When she realized what it was that she was smelling, she ran down to the manager's office.
“Don Luis, come with me! Now! Something is terribly wrong in the Mora apartment.”
“What do you mean?”
“Don't talk! Come!”
The man and woman ran up the stairs and when they turned the corner going in the direction of Adriana's apartment, Don Luis came to a sudden halt. He, too, smelled the vile stench.
“¡Santo Dios!”
His hands were shaking so much that he could not insert the master key into its slot, so Doña Elvira snatched the ring, slid the key into place, disengaged the latch and opened the door. The manager flung himself backward as if he had been struck with a blunt weapon; he gagged and reached into his back pocket for a handkerchief, which he nearly stuffed into his mouth.
Doña Elvira was just as shaken, but she regained her balance after a few seconds. Taking off her apron, she tied it around her nostrils and mouth, and entered the gloomy pestilent place, going first to the kitchen. When she saw Mario Mora slouched over the table, one arm stiff and dangling, she knew he was dead.
“¡Marisa! ¡Adriana! ¿Dónde están?”
Shouting for the girl and her mother, Doña Elvira ran from the kitchen to the front room, where the television set was on but inaudible. Then she staggered to the larger bedroom; there she discovered Marisa Mora's decomposing body.
“¡Virgen SantÃsima!”
She spun around looking for the child's room, but when she finally found it, the door was closed. She flung it open and looked around;
it was empty. She was about to leave when something told her to search, so she went to the closet and began poking and pulling at hanging dresses and playsuits, but she found nothing. Then she glanced at the unmade bed. With difficulty, Doña Elvira got down on her hands and knees to peer under it; there she discovered Adriana, who at first also looked dead. Doña Elvira let out a wail so loud that even the cringing Don Luis forced himself into the apartment.
By that time, Doña Elvira had recuperated enough to drag Adriana out from under the bed. As she did this, she realized that the girl was not dead but unconscious. With the manager's assistance, the elderly woman got to her feet with Adriana in her arms, and with unexpected energy, she ran past Mario Mora's body, past the room where Marisa Mora lay; nothing stopped her until she reached her apartment. There, she put Adriana on the front room sofa. Adriana lay there for hours before she could be awakened from her trance, despite the ambulances, patrol cars, coroners, television reporters, investigators, and curious neighbors swarming through the apartment complex.
The girl finally sat up; she was groggy, hair disheveled, confused, but aware of two men speaking in hushed tones in the kitchen. She felt Doña Elvira hugging her at one moment, then gently nudging her out of sleep.
“Adriana, you have to wake up. Open your eyes!”
The girl struggled with confusion, trying to focus her blurred eyes on Doña Elvira. Suddenly, one of the men came and plucked her off the sofa and carried her to the kitchen, where the light bulb hanging from a cord made her blink even more. She thought she overheard Doña Elvira whispering to her husband, and she was almost sure she could make out the woman's words.
“No le digas ahorita.”
“But we must tell her now. Later will be worse. You have to remember that the police want to talk to her. She has to know before then.”
Doña Elvira's husband spoke loudly, clearly. He was opposing his wife's warning not to tell the girl what had happened.
“¡No!”
“¡SÃ!”
Adriana was now fully awake and she knew something terrible was happening. Whatever had occurred was so bad that Doña Elvira and her husband were almost arguing over it. The man carrying Adriana intervened.
“Your husband is right, Doña Elvira. The child must be told. If you wait until later, it will only hurt her more.”
Adriana looked at Doña Elvira and at her husband, then at the man who held her. They were neighbors, and although very old in her eyes, they were kind. They often looked after her while her mother and father were at work or out of the house.
“M'ijita⦠“
Doña Elvira's voice quivered, then broke off, leaving her unable to speak. She turned away and put her hands on the side of the kitchen sink. Her husband picked up where Doña Elvira had stopped.
“Adrianita. Listen to me very carefully. Something has happened to your mamá and papá. They were in a bad car accident. And now⦠now⦠they are in heaven. Now you must stay with us.”
Adriana knew. She had lost her mother and father. They were dead, and she knew that it had not been in a car accident. Adriana was only four years old, but she knew that her mother had killed her father. She knew because she had been there when it had happened. What she did not understand was the reason why her mother had done such a thing, or why her mother had abandoned her. Knowing, in conflict with understanding, collided in the girl's mind, causing her to lose her breath, strangling the air out of her lungs, and it was there, in Doña Elvira's kitchen, that Adriana experienced her first asthma attack.