Dress Her in Indigo (3 page)

some way in a series of robberies of the winter guests at the hotel. Jerome Nesta had been arrested three and a half years previously at Marathon, Florida, in a narcotics raid, had been charged with and had pleaded not guilty to possession of marijuana. When the case came to trial, there was insufficient proof that the marked and tagged container presented in court was in fact the same container taken from him when he was taken into custody, and a defense motion to dismiss was granted by the judge.

And that, of course, is the tragic flaw in the narcotics laws-that possession of marijuana is a felony. Regardless of whether it is as harmless as some believe, or as evil and vicious as others believe, savage and uncompromising law is bad law, and the good and humane judge will jump at any technicality that will keep him from imposing a penalty so barbaric and so cruel. The self-righteous pillars of church and society demand that "the drug traffic be stamped our and think that making posownHion a felony will do the trick. Their ignorance of the roots of the drug traffic is as extensive as their Ignorance of the law.

Let's say a kid in Florida, a college kid eighteen years old, is picked up with a couple of joints on him. He is convicted of possession, which is an automatic felony, and given a suspended sentence. What has he lost? The judge who imposes sentence knows the kid has lost the right to vote, the right to own a gun, the right to run for public office. He can never become a doctor, dentist, C.P.A., engineer, lawyer, architect, realtor, osteopath, physical therapist, private detective, pharmacist, school teacher, barber, funeral director, masseur, or stock broker. He can never get any job where he has to be bonded or licensed. He can't work for the city, county, or federal governments. He can't get into West Point, Annapolis, or the Air Force Academy. He can enlist in the military, but will be denied his choice of service, and probably be assigned to a labor battalion.

It is too rough. It slams too many doors. It effectively destroys the kid's life. It is too harsh a penalty for a little faddist experimentation. The judge knows it. So he looks for any out, and then nothing at all happens to the kid. Too many times harsh law ends up being, in effect, no law at all. All automatic felony laws are, without exception, bad law, from the Sullivan Act in New York State, to the hit and run in California. They destroy the wisdom and discretion of the Court, and defeat the purposes they are meant to serve.

I wondered if Jerry Nesta, sculptor, knew how close he had come to the edge. I wondered if it had marked him in any way. And I wondered if I'd ever get a chance to ask him.

So they had crossed over into Matamoros, Mexico, on January 10, and some seven months later, on August 3, a Sunday, according to the translation of the police report, Miss Beatrice Bowie, twenty-two years old, American tourist, had been driving at dusk down State Highway 175, heading southwest toward Oaxaca. At a steep and dangerous part of the highway, the vehicle left the road at a spot fifteen miles from the city. A bus driver on a switchback on the opposite side of a valley saw the bloom of flame and reported it when he reached the bus station in Oaxaca.

As night had fallen, the police were unable to locate the automobile until the following morning.

She had been alone. The car was a British Ford with State of Oaxaca plates, owned by a resident American named Bruce Bundy, age 44, of 81 Calle las Artes, Oaxaca.

He stated that on Saturday afternoon he had loaned his car to a young man, an American tourist, known to him only as George. He did not know why there was a girl alone in the car, or why she had been on that road. Police could find no identification. On Monday afternoon a woman came to the funeral parlor and made a positive identification of the body as that of Beatrice Bowie.

She made a statement to the effect that Miss Bowie and Miss McLeen had been staying in the
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guest apartment at her winter home on Avenida de las Mariposas in the section known as La Colonia. The woman, a French national, Madame Eva Vitrier, told the police that several days earlier her guests had evidently quarreled, and Miss McLeen had left for Mexico City. She said that Miss Bowie had seemed upset and depressed. When she did not return to the guest apartment on Sunday night, and when on Monday she heard of the recovery of the body of the unidentified woman, she had thought it might be Miss Bowie, and discovered that indeed it was.

She knew Mr. Bundy, but did not believe that Miss Bowie knew him. The name George did not mean anything to her. But it was probable that Miss Bowie knew him. All the young American tourists seemed to become known to one another.

The police had returned to Mrs. Vitrier's home with her and had there picked up Miss Bowie's personal effects, including her purse and her tourist card which, on the day of her death; was almost a month overdue for renewal. Their search for the young man known only as George had been unsuccessful.

As I put the papers away again, Meyer said, "Anything new?"

"Just more questions. When did she send for that bank draft to clean out her account?"

"Harl said it was in late March."

I had the address where they had sent it. She had been at Los Tres Rios Trailer Park at Culiacan, over in the State of Sinaloa, on the Gulf of California, and it had been made out to her, payable at the Culiacan branch of the Banco Nacional.

"My question right now, Meyer, has something to do with it being one hell of a trip from Brownsville to Culiacan and another hell of a trip from Culiacan down to Oaxaca. And did they all go, and did they go in that camper, and where and when and how did they split up? And the Mexicans are very touchy about people getting their vehicles back to the border in six months.

You can renew and go back in again, but don't get cute about overstaying your tourist card deadline. Why did she want the money, all of it, and why did she overstay her permit?"

"Shut up," said Meyer, "and look out at the nice volcano, McGee. I mean at the three nice volcanoes. No, by God, there are four of them."

"Citlaltepetl, Malinche, Ixtaccihuatl and Popocatopetl."

"Travis, do you have something caught in your throat?"

"If you want to cheat a little, you can call that one over there Orizaba instead of Citlaltepetl."

"I did not know you had any expertise on Mexico's snow-capped peaks."

"Once upon a time there was a roof garden in Puebla, and a little tile stairway going up to it, and the biggest mesh hammock you ever saw in your life, old friend. And when the moonlight was right and the night balmy, a fellow could go padding up the tile stairs and stretch out in that hammock, and one Maria Amparo Celestina Rodriguez de la Vega would take up her warm one third of said hammock and make a fellow name each volcano and name it right."

"Is that where you got your pidgin Mexican, senor?"

"It helped."

So fasten seat belts, and, in the late afternoon, head down and into that misty, poisonous, saffron smutch that fills the mountain bowl of that great city half full. Better than six million of the fifty million Mexicans live on that swampy plateau seven thousand five hundred feet high. An inaccurate comparison would be twenty-four million Americans living in Denver. Mountains rim the Mexico plateau, enclosing and holding the exhaust fumes of uncounted thousands of trucks and buses ranging from brand new to items so ancient they have a sidelong, clattering shamble, steaming and groaning. And the exhaust of a bedazzling number of Volkswagens. A big new plant on the Puebla highway stamps them out like production-line tacos, and every boulevard is a combination scrambling road rally, dodgit game, and demonstration of machismo. Add the smoke of a few hundred thousand little charcoal cooking fires, and the city is in an unending haze, saffron-gold on the sunny days, purple-brown when it is cloudy.

Our cab driver was a large, loud, jolly type with a dashboard covered with religious statuary and medallions. With graceful little flourishes of hand and wrist on the wheel, he slid through openings that opened just as he got there, closed just as he got through. He said we were very lucky it was not yet five o'clock, because we would make the trip to the Hotel Camino Real in perhaps twenty minutes, and a half hour later it might take an hour and twenty minutes. I translated for Meyer. Meyer sat with his eyes shut and said he would have preferred the hour and twenty minute version.

Once he got to the Paseo de la Reforma heading out toward Chapultepec, he was able to play the chicken game at each traffic circle-at Colon, Cuauhtemoc, Independencia, Diana. To play the game properly, you get into five-abreast traffic and accelerate to fifty as you enter the traffic circle, then all go screaming and swaying around the monument in the middle and find room to peel off and out of the group and exit from the circle at the street you want.

Meyer had opened his eyes: They were too far open. I tried to take his mind off the chicken game by telling him bits of lore-such as the fact that Chapultepec means Grasshopper Hill. But all he could say, watching the traffic inches away, was a barely audible "Dear kindly Jesus." He said it several times.

We popped out of the flow at Diana, sped across the bow of several buses, and gradually slowed down as we went along Mariano Escobedo. The driver turned into the hotel entrance, stopped abruptly, hitched around to face us, looked at his watch, and with a big grin said in semi-English, "Twenny-toos minootis!"

"I'll just sit right here for a while," Meyer said. But a large young man garbed like an Ecuadorian admiral handed us out and got us and our luggage into the incoming flow. My first look at the Camino Real. Twenty-five million dollars worth of it. Seven connected buildings, the tallest only five stories. Entrance lobby the size of a football field, paved with little oblongs of gleaming hardwood, each piece smaller than the end of a pack of cigarettes. Bold colors, daring architecture, startling vistas, all of it a maze of shops and bars and lounges, fountains and pools and restaurants, stairways and corridors and carpeted luxury. Seven hundred and something rooms and suites.

The reservation was in order, the bellhops brisk, and after a very short elevator ride and a very long walk, we were deposited in a pair of interconwcting singles on the third floor of a bedroom wing. Drinks came swiftly. I unpacked. I heard Meyer's voice raised in sonorous melody, and wandered into his place and found him in his giant tub, his drink on the broad marble encircling
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slab, the black pelt on chest and shoulders foamed with soap.

"About those last lions," he said. "Too damned fat and sleepy and indifferent. Send the boys out to get some lean and hungry lions. How can we put the fear of God into those Christians unless we use faster lions?"

"Anything else?"

"Who catered that last orgy? There were only three dancing girls apiece. An austere orgy is no orgy at all."

"I'll make a note of it."

"And get me my fiddle."

"So soon? We haven't put out the last fire yet."

He hoisted his glass. "Here's to primitive, backward Mexico. Here's to hardship."

I left him there, paddling happily, soaping and singing, and went back into my room and looked up Ron Townsend's number in the oversized phone book. The hotel operator told me I could dial direct. There was a little gadget on the phone. Push the gadget and dial.

A girl answered and I asked for Ron.

She had a good voice, husky and very personal. She got my name and came back and said,

"Hang in there while waterboy gets the soap out of his eyes, friend."

He came on the line, properly enthusiastic. He is a young partner in a Miami advertising firm.

He was born and partially raised in Cuba. He is the agency expert in Mexico and doing well. I had made a good recovery for them some time ago when a secretary, unbonded, took off with enough cash out of the safe to sting them pretty good. He was delighted to learn Meyer was with me, and apologetic about having a date he couldn't break. But he said he could stop off on the way, so in thirty minutes or so he joined us at the bar in the Camino Real which he favored, named Azulejos, bringing with him the voice on his phone, a young girl at least five ten, suitably spectacular, and clad in minileather fastened with big brass chains and galoshes snaps. Her name was Miranda Dale and she had just finished a bit part in a West German motion picture they had shot at Mazatlan, on Mexico's west coast.

I told Ron our problem, and the girl listened to it with a pretty and sympathetic show of interest.

I asked him if he could recommend a useful and influential contact in Oaxaca, and he came up with one named Enelio Fuentes and wrote it on the back of his business card and slid it across to me. He said Enelio was an old friend, had a big VW agency and other business interests scattered around the State of Oaxaca. But he couldn't help with a name in Culiacan. He said he would phone Fuentes and tell him to take care of me if I had to look him up.

Then I asked him how he would go about checking on the Chevrolet truck and camper with Florida plates, registered to a Walter Rockland, and he said he wouldn't even try. In theory you get car papers at the border, and they keep a copy at the place where you enter, and if you leave at some other border town, the stamped papers are supposed to go back to the place where you entered, and then the set is supposed to be sent to Mexico City and filed somewhere, possibly by
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some branch of the Mexican Tourist Bureau. But that was only theory.

I said we'd be back in Mexico City sooner or later, but right now the most useful thing to do was get down to Oaxaca while there was still a good chance that friends of Miss Bix might be around.

They had to leave. Went across the dim and crowded room. Those long, sweet, taffy-sleek legs, from boot leather to mini-leather, seemed to gather available light and reflect it. Three mariachi types were on the stand, one singing a ballad, and he inserted an improvisation I could not catch.

Ron turned, grinning, and called something to the musicians, and there was laughter and applause.