Dick Longg: Sexual Saviour of the Universe (21 page)

BOOK: Dick Longg: Sexual Saviour of the Universe
11.56Mb size Format: txt, pdf, ePub

The Scientific Research Centre was the sort of environment that made the ten days Dick spent there feel like twenty. And those twenty feel like fifty. But even though Dick was bored, fidgety and fed up, he could see progress slowly being made.

Finally the last wire was connected, the last bolt tightened and the remaining diagnostic check carried out. It was D-day; the day of the demonstration which was set to take place in a small ground floor auditorium. Dick, Vera and Dr. Hargreaves were seated behind a large desk to one side of the stage. In front of them were two plain velvet curtains suspended from a sturdy metal framework and near to these was a fake brick wall. The setting had obviously piqued the curiosity of the various scientists and Party members in the audience who consulted notes, murmured, or did both. Dick felt a painful twinge in his upper leg and winced. It was Vera gripping his thigh. She turned and leaned towards him, forcing him back with her voluminous bosom.

‘Are you nervous Jeremy?’, she whispered.

‘A little’, Dick replied looking around at the audience which seemed, en masse, to be studying him.

‘So am I’, Vera admitted in the same low voice. ‘And when I get nervous I have to squeeze something tightly. It helps me relax’.

With that, she gripped his leg with more force than Dick could imagine was possible from anything other than a hydraulic press. Dick flinched and decided that he also wanted to squeeze something tightly; the part of Vera’s body that connected her body to her head. Vera indicated the various high-ranking Party members in the audience but the names meant nothing to Dick. He had hoped the Leader would be there in person but Vera explained that he made few personal appearances, relying instead on reports from various subordinates who were sitting here expectantly, waiting for the demonstration to begin. Dick took the hand-written speech out of his pocket, holding it tightly in his nervous fingers, re-reading it for the eighth time. The speech thanked the audience for attending and the team for their hard work. It then went on to explain the various problems in trying to find a solution for Project Gladstone, giving the audience a broad outline on the demonstration they were about to see. It was, Dick felt, a very inspiring speech and one that had taken a long time to compose.

Dick was reading it for the ninth time when Dr. Hargreaves
stood up to energetic applause. As this died down he began the proceedings by thanking the audience for attending, and for his own team’s hard work. He explained the various problems in trying to find a solution for Project Gladstone and then introduced Vera. Vera stood up and gave the audience a broad outline of the demonstration they were about to see. She then introduced Dick who realised that everything he was about to say had just been said. He looked around the auditorium and opened his mouth. No sounds came out so he closed it. He then repeated the motion a couple of times. To the audience Dick looked less like Jeremy Brunel, the man who had devised the brilliant solution to Project Gladstone, and more like Jeremy Brunel the Great Goldfish Impersonator. Feeling the sheer weight of expectation on his shoulders, all he could do in the circumstances was to shrug them.

The only thing Dick could think of saying was the very matter-of-fact and not very inspiring, ‘Could we raise curtain number one?’.

On cue a junior technician at the side of the stage turned a switch. A mechanical winch slowly raised the first curtain number until it revealed a life-sized mannequin dressed as a prostitute, which is to say that it was attractive, displaying an excess of make-up, stockinged-leg and cleavage.

‘Ladies and gentlemen’, Dick explained. ‘A prostitute, with which you will all be familiar’.

Half the audience gasped. Dick couldn’t make out what the other half were saying as they were all talking at once, although by their tone he could tell they were incensed and disgusted. And probably more than a little appalled.

‘What I mean’, Dick quickly added, trying to defuse the situation, ‘is that you will be familiar with mechanical prostitutes’.

More gasps.

‘When I say “familiar”’, Dick went on, ‘I mean “have knowledge of”, not have intimate relationships’. Now he was babbling. ‘And when I say “have knowledge” of, it’s not a metaphor for sexual relations’.

By now the audience were quite confused. Some of them were angry at the implications of what Dick was saying, but most of them were just confused. Dick thought it was best if he just kept talking.

‘Although authentic-looking in all respects, this prostitute is in fact a mechanical one especially constructed from the original plans to resemble one of the fifteen ‘rogue’ harlots currently on the loose’. Dick felt he’d said enough about prostitutes, mechanical or real and, mopping his brow, continued. ‘Raise curtain number two!’.

The same junior technician operated another switch and curtain two started to rise. It was just two feet from the stage floor when the winch gave a mechanical groan which abruptly turned into a mechanical death rattle. The curtain suddenly stopped. The audience stared at the two brown checked trouser legs that had been revealed beneath it. The junior technician frantically turned the switch on and off several times. To Dick’s relief it began to raise again, revealing more trouser leg. Then it again stopped suddenly at waist height. One of the Party members seated at the back shouted, ‘Rubbish!’.

Sensing that this momentous demonstration was rapidly deteriorating into a momentous farce Dick rushed over to the side of the stage, punched the junior technician in the face and ripped the second curtain down. Falling to the platform floor it revealed another mannequin; this one was a smartly-dressed gentleman in his thirties. Glaring at Dr. Hargreaves, Dick made a caustic remark about how he hoped the non-functioning curtain was not indicative of the technological skills of the good doctor and his team. In response to this comment he heard some sniggering from the audience and this made him feel better. This was Dick’s way of getting back at the technicians for excluding him. And especially for not letting him wear a white lab coat.

The mannequin wore a smart brown checked suit, a matching waistcoat, shiny black brogues, a light blue silk shirt, a dark blue cravat and a tan coloured bowler hat. He was very handsome and extremely dapper. If the audience were impressed with his appearance then they didn’t show it. Dick looked at them and they looked back at him. It was a look that hunched its shoulders and implied ‘So?’ One important-looking gentleman seated at the front peered through his monocle.

‘Is that what all we’ve come to see? A smartly-attired dummy?’, he said scornfully.

‘No’, Dick retorted, now becoming angry. ‘If I just wanted you to see a smartly-attired dummy I’d have invited you to look in a mirror’.

The monocle man blustered and harrumphed and before he could get any more words out Dick had walked around to the back of the prostitute mannequin and flicked a hidden switch at the nape of its neck, concealed by its long hair. The prostitute mannequin’s dull eyes glimmered, brightened and adjusted their focus. At the same time the figure shifted the weight on her feet, adjusting her balance and improving her posture. She looked around the room and smiled. Everything about her looked real, from her skin texture, her subtle facial expressions and the rise and fall of her ample bosom. Especially the ‘ample’ bit. She was, Dick thought, scarily human and even more scarily, scarily sexy.

Dick moved over to the male figure and operated the same concealed switch located just under its collar. It powered-up and came to life in a similar way. Dick looked into its eyes and shivered. He wondered if a mechanical man who was responding to a series of programmed algorithms and other words he had overheard but didn’t understand, could show menace. This one seemed to. Both figures stared at each other. Dick stared at his audience.

‘Lady and gentlemen’, (Vera was only one lady present and although her recent predatory behaviour had been far from lady-like, Dick thought it was only right to address her in this formal way). ‘This mechanical male will be sent into the seedier parts of the City in an attempt to flush out the concealed harlots. A handsome, strong figure; well-dressed with an air of confidence and the trappings and deportment of a wealthy man. Behold! A man willing and able to pay for sexual congress’.

The audience continued to look intently at Dick as he stood between the two motionless figures. ‘This man will, no doubt, attract the attention of the harlots. This demonstration will show how we expect any liaisons to play out’.

With that, Dick moved away from the figures and took up a position to the side of the stage near to the junior technician who, in a reflex as Dick approached, ducked down, holding his hands to his face. As if on cue (which it was, because that’s how she was programmed), the prostitute smiled at the man and raised her skirt and petticoats to reveal a cheeky garter on her shapely stockinged leg. The audience gasped at this wanton display of brazen sexuality. Outwardly they were shocked and horrified at what they were seeing. Inwardly however they were pleased they’d taken up a career as Party members or scientists because it meant they could freely observe a lady in her underwear as part of their job (and let’s face it, not many jobs outside of doctors and morticians allowed you this sort of opportunity).

Programmed to be attracted by the allure of the prostitute’s behaviour, the mechanical man approached. The two figures linked arms and walked over to the wall on the other side of the stage. Leaning back against it the prostitute raised her skirt around her waist pulling the man towards her and thrusting her tongue into his mouth. The man pulled himself away and in one fluid move covered her mouth with one cupped hand, while reaching into his jacket pocket with the other. There was a silver glint as the ceiling lights reflected off a very long and very sharp knife the man had pulled out. Before the prostitute realised what was happening the knife had delivered a vicious slash to her neck. Despite the fact that the harlot was a machine, the visual effect of this attack was not diminished in any way. The blade had severed her main oil feed, sending a spray of warm, amber-coloured hydraulic fluid across the first three rows of the audience who were too stunned, and too sticky, to cry out in alarm. With the force of a butcher and the skill of a surgeon the man then delivered two further deep cuts across her belly, making it resemble a hot cross bun, albeit a hot cross bun that was haemorrhaging vital fluids at an alarming rate.

The prostitute’s eyes dimmed and she slowly slumped to the stage. She writhed a few times as the last remaining volts of energy discharged then gave one last death rattle. If the audience had been disturbed by this violent display then they were positively distressed when the man reached into her exposed chest cavity and with the knife, deftly removed lengths of cabling, coolant tubes and her main capacitor. Placing these along side her lifeless body, the man wiped the knife on her petticoats and then placed it carefully back in his pocket. He stood up and moved away, standing silently but demonstrating, Dick felt, the tell-tale look of someone who’d just eviscerated a mechanical prostitute. The stunned audience remained frozen in their seats. Surprisingly, it was the monocle man who broke the silence first. He did this by standing up and clapping. After a few seconds he was joined by a serious looking colleague towards the back of the auditorium who supplemented his clapping by shouting ‘Bravo! Bravo!’.

The applause became as contagious as an outbreak of VD on the set of a cheap skin flick. Soon the entire audience were standing, well, except one or two of them who were so sticky from the oil that they were actually trapped in their seats. Vera smiled. Dick beamed. He drank in the adulation, vindicated that his proposal was a success. As the ovation died down and everyone became seated again, it was a senior Party member in the front row who spoke.

‘Mr. Brunel and Dr. Hargreaves. Thank you for an impressive demonstration’.

Dick was about to respond but before he had the chance, the doctor had stood up and thanked the Party for their support, his colleagues for their assistance and Vera for her encouragement. The only person he didn’t acknowledge was Dick. If Dick had previously taken a dislike to Dr. Hargreaves and his supercilious attitude, then he now absolutely loathed him. The senior Party member continued. ‘We will of course be discussing the results in detail and presenting them to the Leader but I’m sure that I speak on behalf of my illustrious colleagues here that I am quietly confident that it will receive full backing and implementation as soon as possible’.

Cue more applause, shouts of ‘Spiffing!’,
 
‘Well done, sir!’ and other polite words of encouragement.

A small man in the middle of the audience spoke. ‘One question though, Mr. Brunel. Is the degree of violence we have just witnessed, necessarily? Surely the mechanical man could just swiftly terminate the harlot with a single knife wound and then just walk discretely away so as not to attract unwelcome attention?’

Other members of the audience murmured in agreement.

‘He could do that’, Dick acknowledged, pleased that he was again the centre of attention. ‘But the extremely violent nature of these attacks is sure to be reported in the media. While these attacks obviously won’t discourage the mechanical harlots who will automatically obey their programming, they will act as a huge deterrent for any real women thinking of becoming prostitutes themselves’. Dick added, ‘Of course, the killer will replace the mechanical components removed from the victim’s bodies with authentic-looking imitation human organs’.

Other books

But Inside I'm Screaming by Flock, Elizabeth
The Treatment by Suzanne Young
Cameron's Control by Vanessa Fewings
The Tower of Fear by Cook, Glen
Surrender Your Independence by Trinity Blacio