Delphi Complete Works of H. P. Lovecraft (Illustrated) (189 page)

Just before he made the plunge the violet light went out and left him in utter blackness. The witch — old Keziah — Nahab — that must have meant her death. And mixed with the distant chant of the Sabbat and the whimpers of Brown Jenkin in the gulf below he thought he heard another and wilder whine from unknown depths. Joe Mazurewicz — the prayers against the Crawling Chaos now turning to an inexplicably triumphant shriek — worlds of sardonic actuality impinging on vortices of febrile dream — Iä! Shub-Niggurath! The Goat with a Thousand Young. . . .

They found Gilman on the floor of his queerly angled old garret room long before dawn, for the terrible cry had brought Desrochers and Choynski and Dombrowski and Mazurewicz at once, and had even wakened the soundly sleeping Elwood in his chair. He was alive, and with open, staring eyes, but seemed largely unconscious. On his throat were the marks of murderous hands, and on his left ankle was a distressing rat-bite. His clothing was badly rumpled, and Joe’s crucifix was missing. Elwood trembled, afraid even to speculate on what new form his friend’s sleep-walking had taken. Mazurewicz seemed half-dazed because of a “sign” he said he had had in response to his prayers, and he crossed himself frantically when the squealing and whimpering of a rat sounded from beyond the slanting partition.

When the dreamer was settled on his couch in Elwood’s room they sent for Dr. Malkowski — a local practitioner who would repeat no tales where they might prove embarrassing — and he gave Gilman two hypodermic injections which caused him to relax in something like natural drowsiness. During the day the patient regained consciousness at times and whispered his newest dream disjointedly to Elwood. It was a painful process, and at its very start brought out a fresh and disconcerting fact.

Gilman — whose ears had so lately possessed an abnormal sensitiveness — was now stone deaf. Dr. Malkowski, summoned again in haste, told Elwood that both ear-drums were ruptured, as if by the impact of some stupendous sound intense beyond all human conception or endurance. How such a sound could have been heard in the last few hours without arousing all the Miskatonic Valley was more than the honest physician could say.

Elwood wrote his part of the colloquy on paper, so that a fairly easy communication was maintained. Neither knew what to make of the whole chaotic business, and decided it would be better if they thought as little as possible about it. Both, though, agreed that they must leave this ancient and accursed house as soon as it could be arranged. Evening papers spoke of a police raid on some curious revellers in a ravine beyond Meadow Hill just before dawn, and mentioned that the white stone there was an object of age-long superstitious regard. Nobody had been caught, but among the scattering fugitives had been glimpsed a huge negro. In another column it was stated that no trace of the missing child Ladislas Wolejko had been found.

The crowning horror came that very night. Elwood will never forget it, and was forced to stay out of college the rest of the term because of the resulting nervous breakdown. He had thought he heard rats in the partitions all the evening, but paid little attention to them. Then, long after both he and Gilman had retired, the atrocious shrieking began. Elwood jumped up, turned on the lights, and rushed over to his guest’s couch. The occupant was emitting sounds of veritably inhuman nature, as if racked by some torment beyond description. He was writhing under the bedclothes, and a great red stain was beginning to appear on the blankets.

Elwood scarcely dared to touch him, but gradually the screaming and writhing subsided. By this time Dombrowski, Choynski, Desrochers, Mazurewicz, and the top-floor lodger were all crowding into the doorway, and the landlord had sent his wife back to telephone for Dr. Malkowski. Everybody shrieked when a large rat-like form suddenly jumped out from beneath the ensanguined bedclothes and scuttled across the floor to a fresh, open hole close by. When the doctor arrived and began to pull down those frightful covers Walter Gilman was dead.

It would be barbarous to do more than suggest what had killed Gilman. There had been virtually a tunnel through his body — something had eaten his heart out. Dombrowski, frantic at the failure of his constant rat-poisoning efforts, cast aside all thought of his lease and within a week had moved with all his older lodgers to a dingy but less ancient house in Walnut Street. The worst thing for a while was keeping Joe Mazurewicz quiet; for the brooding loomfixer would never stay sober, and was constantly whining and muttering about spectral and terrible things.

It seems that on that last hideous night Joe had stooped to look at the crimson rat-tracks which led from Gilman’s couch to the nearby hole. On the carpet they were very indistinct, but a piece of open flooring intervened between the carpet’s edge and the base-board. There Mazurewicz had found something monstrous — or thought he had, for no one else could quite agree with him despite the undeniable queerness of the prints. The tracks on the flooring were certainly vastly unlike the average prints of a rat, but even Choynski and Desrochers would not admit that they were like the prints of four tiny human hands.

The house was never rented again. As soon as Dombrowski left it the pall of its final desolation began to descend, for people shunned it both on account of its old reputation and because of the new foetid odour. Perhaps the ex-landlord’s rat-poison had worked after all, for not long after his departure the place became a neighbourhood nuisance. Health officials traced the smell to the closed spaces above and beside the eastern garret room, and agreed that the number of dead rats must be enormous. They decided, however, that it was not worth their while to hew open and disinfect the long-sealed spaces; for the foetor would soon be over, and the locality was not one which encouraged fastidious standards. Indeed, there were always vague local tales of unexplained stenches upstairs in the Witch House just after May-Eve and Hallowmass. The neighbours grumblingly acquiesced in the inertia — but the foetor none the less formed an additional count against the place. Toward the last the house was condemned as an habitation by the building inspector.

Gilman’s dreams and their attendant circumstances have never been explained. Elwood, whose thoughts on the entire episode are sometimes almost maddening, came back to college the next autumn and graduated in the following June. He found the spectral gossip of the town much diminished, and it is indeed a fact that — notwithstanding certain reports of a ghostly tittering in the deserted house which lasted almost as long as that edifice itself — no fresh appearances either of old Keziah or of Brown Jenkin have been muttered of since Gilman’s death. It is rather fortunate that Elwood was not in Arkham in that later year when certain events abruptly renewed the local whispers about elder horrors. Of course he heard about the matter afterward and suffered untold torments of black and bewildered speculation; but even that was not as bad as actual nearness and several possible sights would have been.

In March,
1931, a
gale wrecked the roof and great chimney of the vacant Witch House, so that a chaos of crumbling bricks, blackened, moss-grown shingles, and rotting planks and timbers crashed down into the loft and broke through the floor beneath. The whole attic story was choked with debris from above, but no one took the trouble to touch the mess before the inevitable razing of the decrepit structure. That ultimate step came in the following December, and it was when Gilman’s old room was cleared out by reluctant, apprehensive workmen that the gossip began.

Among the rubbish which had crashed through the ancient slanting ceiling were several things which made the workmen pause and call in the police. Later the police in turn called in the coroner and several professors from the university. There were bones — badly crushed and splintered, but clearly recognisable as human — whose manifestly modern date conflicted puzzlingly with the remote period at which their only possible lurking-place, the low, slant-floored loft overhead, had supposedly been sealed from all human access. The coroner’s physician decided that some belonged to a small child, while certain others — found mixed with shreds of rotten brownish cloth — belonged to a rather undersized, bent female of advanced years. Careful sifting of debris also disclosed many tiny bones of rats caught in the collapse, as well as older rat-bones gnawed by small fangs in a fashion now and then highly productive of controversy and reflection.

Other objects found included the mingled fragments of many books and papers, together with a yellowish dust left from the total disintegration of still older books and papers. All, without exception, appeared to deal with black magic in its most advanced and horrible forms; and the evidently recent date of certain items is still a mystery as unsolved as that of the modern human bones. An even greater mystery is the absolute homogeneity of the crabbed, archaic writing found on a wide range of papers whose conditions and watermarks suggest age differences of at least 150 to 200 years. To some, though, the greatest mystery of all is the variety of utterly inexplicable objects — objects whose shapes, materials, types of workmanship, and purposes baffle all conjecture — found scattered amidst the wreckage in evidently diverse states of injury. One of these things — which excited several Miskatonic professors profoundly — is a badly damaged monstrosity plainly resembling the strange image which Gilman gave to the college museum, save that it is larger, wrought of some peculiar bluish stone instead of metal, and possessed of a singularly angled pedestal with undecipherable hieroglyphics.

Archaeologists and anthropologists are still trying to explain the bizarre designs chased on a crushed bowl of light metal whose inner side bore ominous brownish stains when found. Foreigners and credulous grandmothers are equally garrulous about the modern nickel crucifix with broken chain mixed in the rubbish and shiveringly identified by Joe Mazurewicz as that which he had given poor Gilman many years before. Some believe this crucifix was dragged up to the sealed loft by rats, while others think it must have been on the floor in some corner of Gilman’s old room all the time. Still others, including Joe himself, have theories too wild and fantastic for sober credence.

When the slanting wall of Gilman’s room was torn out, the once sealed triangular space between that partition and the house’s north wall was found to contain much less structural debris, even in proportion to its size, than the room itself; though it had a ghastly layer of older materials which paralysed the wreckers with horror. In brief, the floor was a veritable ossuary of the bones of small children — some fairly modern, but others extending back in infinite gradations to a period so remote that crumbling was almost complete. On this deep bony layer rested a knife of great size, obvious antiquity, and grotesque, ornate, and exotic design — above which the debris was piled.

In the midst of this debris, wedged between a fallen plank and a cluster of cemented bricks from the ruined chimney, was an object destined to cause more bafflement, veiled fright, and openly superstitious talk in Arkham than anything else discovered in the haunted and accursed building. This object was the partly crushed skeleton of a huge, diseased rat, whose abnormalities of form are still a topic of debate and source of singular reticence among the members of Miskatonic’s department of comparative anatomy. Very little concerning this skeleton has leaked out, but the workmen who found it whisper in shocked tones about the long, brownish hairs with which it was associated.

The bones of the tiny paws, it is rumoured, imply prehensile characteristics more typical of a diminutive monkey than of a rat; while the small skull with its savage yellow fangs is of the utmost anomalousness, appearing from certain angles like a miniature, monstrously degraded parody of a human skull. The workmen crossed themselves in fright when they came upon this blasphemy, but later burned candles of gratitude in St. Stanislaus’ Church because of the shrill, ghostly tittering they felt they would never hear again.

The Man of Sto
ne

By H. P Lovecraft and Hazel Heald

Ben Hayden was always a stubborn chap, and once he had heard about those strange statues in the upper Adirondacks, nothing could keep him from going to see them. I had been his closest acquaintance for years, and our Damon and Pythias friendship made us inseparable at all times. So when Ben firmly decided to go — well, I had to trot along too, like a faithful collie.

“Jack,” he said, “you know Henry Jackson, who was up in a shack beyond Lake Placid for that beastly spot in his lung? Well, he came back the other day nearly cured, but had a lot to say about some devilish queer conditions up there. He ran into the business all of a sudden and can’t be sure yet that it’s anything more than a case of bizarre sculpture; but just the same his uneasy impression sticks.

“It seems he was out hunting one day, and came across a cave with what looked like a dog in front of it. Just as he was expecting the dog to bark he looked again, and saw that the thing wasn’t alive at all. It was a stone dog — such a perfect image, down to the smallest whisker, that he couldn’t decide whether it was a supernaturally clever statue or a petrified animal. He was almost afraid to touch it, but when he did he realised it was surely made of stone.

“After a while he nerved himself up to go into the cave — and there he got a still bigger jolt. Only a little way in there was another stone figure — or what looked like it — but this time it was a man’s. It lay on the floor, on its side, wore clothes, and had a peculiar smile on its face. This time Henry didn’t stop to do any touching, but beat it straight for the village, Mountain Top, you know. Of course he asked questions — but they did not get him very far. He found he was on a ticklish subject, for the natives only shook their heads, crossed their fingers, and muttered something about a ‘Mad Dan’ — whoever he was.

“It was too much for Jackson, so he came home weeks ahead of his planned time. He told me all about it because he knows how fond I am of strange things — and oddly enough, I was able to fish up a recollection that dovetailed pretty neatly with his yarn. Do you remember Arthur Wheeler, the sculptor who was such a realist that people began calling him nothing but a solid photographer? I think you knew him slightly. Well, as a matter of fact, he ended up in that part of the Adirondacks himself. Spent a lot of time there, and then dropped out of sight. Never heard from again. Now if stone statues that look like men and dogs are turning up around there, it looks to me as if they might be his work — no matter what the rustics say, or refuse to say, about them. Of course a fellow with Jackson’s nerves might easily get flighty and disturbed over things like that; but I’d have done a lot of examining before running away.

“In fact, Jack, I’m going up there now to look things over — and you’re coming along with me. It would mean a lot to find Wheeler — or any of his work. Anyhow, the mountain air will brace us both up.”

So less than a week later, after a long train ride and a jolting bus trip through breathlessly exquisite scenery, we arrived at Mountain Top in the late, golden sunlight of a June evening. The village comprised only a few small houses, a hotel, and the general store at which our bus drew up; but we knew that the latter would probably prove a focus for such information. Surely enough, the usual group of idlers was gathered around the steps; and when we represented ourselves as health-seekers in search of lodgings they had many recommendations to offer.

Though we had not planned to do any investigating till the next day, Ben could not resist venturing some vague, cautious questions when he noticed the senile garrulousness of one of the ill-clad loafers. He felt, from Jackson’s previous experience, that it would be useless to begin with references to the queer statues; but decided to mention Wheeler as one whom we had known, and in whose fate we consequently had a right to be interested.

The crowd seemed uneasy when Sam stopped his whittling and started talking, but they had slight occasion for alarm. Even this barefoot old mountain decadent tightened up when he heard Wheeler’s name, and only with difficulty could Ben get anything coherent out of him.

“Wheeler?” he had finally wheezed. “Oh, yeh — that feller as was all the time blastin’ rocks and cuttin’ ’em up into statues. So yew knowed him, hey? Wal, they ain’t much we kin tell ye, and mebbe that’s too much. He stayed out to Mad Dan’s cabin in the hills — but not so very long. Got so he wa’nt wanted no more . . . by Dan, that is. Kinder soft-spoken and got around Dan’s wife till the old devil took notice. Pretty sweet on her, I guess. But he took the trail sudden, and nobody’s seen hide nor hair of him since. Dan must a told him sumthin’ pretty plain — bad feller to get agin ye, Dan is! Better keep away from thar, boys, for they ain’t no good in that part of the hills. Dan’s ben workin’ up a worse and worse mood, and ain’t seen about no more. Nor his wife, neither. Guess he’s penned her up so’s nobody else kin make eyes at her!”

As Sam resumed his whittling after a few more observations, Ben and I exchanged glances. Here, surely, was a new lead which deserved intensive following up. Deciding to lodge at the hotel, we settled ourselves as quickly as possible; planning for a plunge into the wild hilly country on the next day.

At sunrise we made our start, each bearing a knapsack laden with provisions and such tools as we thought we might need. The day before us had an almost stimulating air of invitation — through which only a faint undercurrent of the sinister ran. Our rough mountain road quickly became steep and winding, so that before long our feet ached considerably.

After about two miles we left the road — crossing a stone wall on our right near a great elm and striking off diagonally toward a steeper slope according to the chart and directions which Jackson had prepared for us. It was rough and briery travelling, but we knew that the cave could not be far off. In the end we came upon the aperture quite suddenly — a black, bush-grown crevice where the ground shot abruptly upward, and beside it, near a shallow rock pool, a small, still figure stood rigid — as if rivalling its own uncanny petrification.

It was a grey dog — or a dog’s statue — and as our simultaneous gasp died away we scarcely knew what to think. Jackson had exaggerated nothing, and we could not believe that any sculptor’s hand had succeeded in producing such perfection. Every hair of the animal’s magnificent coat seemed distinct, and those on the back were bristled up as if some unknown thing had taken him unaware. Ben, at last half-kindly touching the delicate stony fur, gave vent to an exclamation.

“Good God, Jack, but this can’t be any statue! Look at it — all the little details, and the way the hair lies! None of Wheeler’s technique here! This is a real dog — though heaven only knows how he ever got in this state. Just like stone — feel for yourself. Do you suppose there’s any strange gas that sometimes comes out of the cave and does this to animal life? We ought to have looked more into the local legends. And if this is a real dog — or was a real dog — then that man inside must be the real thing too.”

It was with a good deal of genuine solemnity — almost dread — that we finally crawled on hands and knees through the cave-mouth, Ben leading. The narrowness looked hardly three feet, after which the grotto expanded in every direction to form a damp, twilight chamber floored with rubble and detritus. For a time we could make out very little, but as we rose to our feet and strained our eyes we began slowly to descry a recumbent figure amidst the greater darkness ahead. Ben fumbled with his flashlight, but hesitated for a moment before turning it on the prostrate figure. We had little doubt that the stony thing was what had once been a man, and something in the thought unnerved us both.

When Ben at last sent forth the electric beam we saw that the object lay on its side, back toward us. It was clearly of the same material as the dog outside, but was dressed in the mouldering and unpetrified remains of rough sport clothing. Braced as we were for a shock, we approached quite calmly to examine the thing; Ben going around to the other side to glimpse the averted face. Neither could possibly have been prepared for what Ben saw when he flashed the light on those stony features. His cry was wholly excusable, and I could not help echoing it as I leaped to his side and shared the sight. Yet it was nothing hideous or intrinsically terrifying. It was merely a matter of recognition, for beyond the least shadow of a doubt this chilly rock figure with its half-frightened, half-bitter expression had at one time been our old acquaintance, Arthur Wheeler.

Some instinct sent us staggering and crawling out of the cave, and down the tangled slope to a point whence we could not see the ominous stone dog. We hardly knew what to think, for our brains were churning with conjectures and apprehensions. Ben, who had known Wheeler well, was especially upset; and seemed to be piecing together some threads I had overlooked.

Again and again as we paused on the green slope he repeated “Poor Arthur, poor Arthur!” but not till he muttered the name “Mad Dan” did I recall the trouble into which, according to old Sam Poole, Wheeler had run just before his disappearance. Mad Dan, Ben implied, would doubtless be glad to see what had happened. For a moment it flashed over both of us that the jealous host might have been responsible for the sculptor’s presence in this evil cave, but the thought went as quickly as it came.

The thing that puzzled us most was to account for the phenomenon itself. What gaseous emanation or mineral vapour could have wrought this change in so relatively short a time was utterly beyond us. Normal petrification, we know, is a slow chemical replacement process requiring vast ages for completion; yet here were two stone images which had been living things — or at least Wheeler had — only a few weeks before. Conjecture was useless. Clearly, nothing remained but to notify the authorities and let them guess what they might; and yet at the back of Ben’s head that notion about Mad Dan still persisted. Anyhow, we clawed our way back to the road, but Ben did not turn toward the village, but looked along upward toward where old Sam had said Dan’s cabin lay. It was the second house from the village, the ancient loafer had wheezed, and lay on the left far back from the road in a thick copse of scrub oaks. Before I knew it Ben was dragging me up the sandy highway past a dingy farmstead and into a region of increasing wildness.

It did not occur to me to protest, but I felt a certain sense of mounting menace as the familiar marks of agriculture and civilisation grew fewer and fewer. At last the beginning of a narrow, neglected path opened up on our left, while the peaked roof of a squalid, unpainted building shewed itself beyond a sickly growth of half-dead trees. This, I knew, must be Mad Dan’s cabin; and I wondered that Wheeler had ever chosen so unprepossessing a place for his headquarters. I dreaded to walk up that weedy, uninviting path, but could not lag behind when Ben strode determinedly along and began a vigorous rapping at the rickety, musty-smelling door.

There was no response to the knock, and something in its echoes sent a series of shivers through one. Ben, however, was quite unperturbed; and at once began to circle the house in quest of unlocked windows. The third that he tried — in the rear of the dismal cabin — proved capable of opening, and after a boost and a vigorous spring he was safely inside and helping me after him.

The room in which we landed was full of limestone and granite blocks, chiselling tools and clay models, and we realised at once that it was Wheeler’s erstwhile studio. So far we had not met with any sign of life, but over everything hovered a damnably ominous dusty odour. On our left was an open door evidently leading to a kitchen on the chimney side of the house, and through this Ben started, intent on finding anything he could concerning his friend’s last habitat. He was considerably ahead of me when he crossed the threshold, so that I could not see at first what brought him up short and wrung a low cry of horror from his lips.

In another moment, though, I did see — and repeated his cry as instinctively as I had done in the cave. For here in this cabin — far from any subterranean depths which could breed strange gases and work strange mutations — were two stony figures which I knew at once were no products of Arthur Wheeler’s chisel. In a rude armchair before the fireplace, bound in position by the lash of a long rawhide whip, was the form of a man — unkempt, elderly, and with a look of fathomless horror on its evil, petrified face.

On the floor beside it lay a woman’s figure; graceful, and with a face betokening considerable youth and beauty. Its expression seemed to be one of sardonic satisfaction, and near its outflung right hand was a large tin pail, somewhat stained on the inside, as with a darkish sediment.

We made no move to approach those inexplicably petrified bodies, nor did we exchange any but the simplest conjectures. That this stony couple had been Mad Dan and his wife we could not well doubt, but how to account for their present condition was another matter. As we looked horrifiedly around we saw the suddenness with which the final development must have come — for everything about us seemed, despite a heavy coating of dust, to have been left in the midst of commonplace household activities.

The only exception to this rule of casualness was on the kitchen table; in whose cleared centre, as if to attract attention, lay a thin, battered, blank-book weighted down by a sizeable tin funnel. Crossing to read the thing, Ben saw that it was a kind of diary or set of dated entries, written in a somewhat cramped and none too practiced hand. The very first words riveted my attention, and before ten seconds had elapsed he was breathlessly devouring the halting text — I avidly following as I peered over his shoulder. As we read on — moving as we did so into the less loathsome atmosphere of the adjoining room — many obscure things became terribly clear to us, and we trembled with a mixture of complex emotions.