Delphi Complete Works of George Eliot (Illustrated) (89 page)

“Not at all!” said Mr. Poulter, contemptuously. “Nothing o’ the sort! Heads up!” he added, in a tone of stern command, which delighted Tom, and made him feel as if he were a regiment in his own person.

“No, no!” Mr. Poulter would continue, on coming to a pause in his discipline; “they’d better not talk to me about General Wolfe. He did nothing but die of his wound; that’s a poor haction, I consider. Any other man ‘ud have died o’ the wounds I’ve had. One of my sword-cuts ‘ud ha’ killed a fellow like General Wolfe.”

“Mr. Poulter,” Tom would say, at any allusion to the sword, “I wish you’d bring your sword and do the sword-exercise!”

For a long while Mr. Poulter only shook his head in a significant manner at this request, and smiled patronizingly, as Jupiter may have done when Semele urged her too ambitious request. But one afternoon, when a sudden shower of heavy rain had detained Mr. Poulter twenty minutes longer than usual at the Black Swan, the sword was brought,–just for Tom to look at.

“And this is the real sword you fought with in all the battles, Mr. Poulter?” said Tom, handling the hilt. “Has it ever cut a Frenchman’s head off?”

“Head off? Ah! and would, if he’d had three heads.”

“But you had a gun and bayonet besides?” said Tom. “I should like the gun and bayonet best, because you could shoot ‘em first and spear ‘em after. Bang! Ps-s-s-s!” Tom gave the requisite pantomime to indicate the double enjoyment of pulling the trigger and thrusting the spear.

“Ah, but the sword’s the thing when you come to close fighting,” said Mr. Poulter, involuntarily falling in with Tom’s enthusiasm, and drawing the sword so suddenly that Tom leaped back with much agility.

“Oh, but, Mr. Poulter, if you’re going to do the exercise,” said Tom, a little conscious that he had not stood his ground as became an Englishman, “let me go and call Philip. He’ll like to see you, you know.”

“What! the humpbacked lad?” said Mr. Poulter, contemptuously; “what’s the use of his looking on?”

“Oh, but he knows a great deal about fighting,” said Tom, “and how they used to fight with bows and arrows, and battle-axes.”

“Let him come, then. I’ll show him something different from his bows and arrows,” said Mr. Poulter, coughing and drawing himself up, while he gave a little preliminary play to his wrist.

Tom ran in to Philip, who was enjoying his afternoon’s holiday at the piano, in the drawing-room, picking out tunes for himself and singing them. He was supremely happy, perched like an amorphous bundle on the high stool, with his head thrown back, his eyes fixed on the opposite cornice, and his lips wide open, sending forth, with all his might, impromptu syllables to a tune of Arne’s which had hit his fancy.

“Come, Philip,” said Tom, bursting in; “don’t stay roaring ‘la la’ there; come and see old Poulter do his sword-exercise in the carriage-house!”

The jar of this interruption, the discord of Tom’s tones coming across the notes to which Philip was vibrating in soul and body, would have been enough to unhinge his temper, even if there had been no question of Poulter the drilling-master; and Tom, in the hurry of seizing something to say to prevent Mr. Poulter from thinking he was afraid of the sword when he sprang away from it, had alighted on this proposition to fetch Philip, though he knew well enough that Philip hated to hear him mention his drilling-lessons. Tom would never have done so inconsiderate a thing except under the severe stress of his personal pride.

Philip shuddered visibly as he paused from his music. Then turning red, he said, with violent passion,–

“Get away, you lumbering idiot! Don’t come bellowing at me; you’re not fit to speak to anything but a cart-horse!”

It was not the first time Philip had been made angry by him, but Tom had never before been assailed with verbal missiles that he understood so well.

“I’m fit to speak to something better than you, you poor-spirited imp!” said Tom, lighting up immediately at Philip’s fire. “You know I won’t hit you, because you’re no better than a girl. But I’m an honest man’s son, and your father’s a rogue; everybody says so!”

Tom flung out of the room, and slammed the door after him, made strangely heedless by his anger; for to slam doors within the hearing of Mrs. Stelling, who was probably not far off, was an offence only to be wiped out by twenty lines of Virgil. In fact, that lady did presently descend from her room, in double wonder at the noise and the subsequent cessation of Philip’s music. She found him sitting in a heap on the hassock, and crying bitterly.

“What’s the matter, Wakem? what was that noise about? Who slammed the door?”

Philip looked up, and hastily dried his eyes. “It was Tulliver who came in–to ask me to go out with him.”

“And what are you in trouble about?” said Mrs. Stelling.

Philip was not her favorite of the two pupils; he was less obliging than Tom, who was made useful in many ways. Still, his father paid more than Mr. Tulliver did, and she meant him to feel that she behaved exceedingly well to him. Philip, however, met her advances toward a good understanding very much as a caressed mollusk meets an invitation to show himself out of his shell. Mrs. Stelling was not a loving, tender-hearted woman; she was a woman whose skirt sat well, who adjusted her waist and patted her curls with a preoccupied air when she inquired after your welfare. These things, doubtless, represent a great social power, but it is not the power of love; and no other power could win Philip from his personal reserve.

He said, in answer to her question, “My toothache came on, and made me hysterical again.”

This had been the fact once, and Philip was glad of the recollection; it was like an inspiration to enable him to excuse his crying. He had to accept eau-de-Cologne and to refuse creosote in consequence; but that was easy.

Meanwhile Tom, who had for the first time sent a poisoned arrow into Philip’s heart, had returned to the carriage-house, where he found Mr. Poulter, with a fixed and earnest eye, wasting the perfections of his sword-exercise on probably observant but inappreciative rats. But Mr. Poulter was a host in himself; that is to say, he admired himself more than a whole army of spectators could have admired him. He took no notice of Tom’s return, being too entirely absorbed in the cut and thrust,–the solemn one, two, three, four; and Tom, not without a slight feeling of alarm at Mr. Poulter’s fixed eye and hungry-looking sword, which seemed impatient for something else to cut besides the air, admired the performance from as great a distance as possible. It was not until Mr. Poulter paused and wiped the perspiration from his forehead, that Tom felt the full charm of the sword-exercise, and wished it to be repeated.

“Mr. Poulter,” said Tom, when the sword was being finally sheathed, “I wish you’d lend me your sword a little while to keep.”

“No no, young gentleman,” said Mr. Poulter, shaking his head decidedly; “you might do yourself some mischief with it.”

“No, I’m sure I wouldn’t; I’m sure I’d take care and not hurt myself. I shouldn’t take it out of the sheath much, but I could ground arms with it, and all that.”

“No, no, it won’t do, I tell you; it won’t do,” said Mr. Poulter, preparing to depart. “What ‘ud Mr. Stelling say to me?”

“Oh, I say, do, Mr. Poulter! I’d give you my five-shilling piece if you’d let me keep the sword a week. Look here!” said Tom, reaching out the attractively large round of silver. The young dog calculated the effect as well as if he had been a philosopher.

“Well,” said Mr. Poulter, with still deeper gravity, “you must keep it out of sight, you know.”

“Oh yes, I’ll keep it under the bed,” said Tom, eagerly, “or else at the bottom of my large box.”

“And let me see, now, whether you can draw it out of the sheath without hurting yourself.” That process having been gone through more than once, Mr. Poulter felt that he had acted with scrupulous conscientiousness, and said, “Well, now, Master Tulliver, if I take the crown-piece, it is to make sure as you’ll do no mischief with the sword.”

“Oh no, indeed, Mr. Poulter,” said Tom, delightedly handing him the crown-piece, and grasping the sword, which, he thought, might have been lighter with advantage.

“But if Mr. Stelling catches you carrying it in?” said Mr. Poulter, pocketing the crown-piece provisionally while he raised this new doubt.

“Oh, he always keeps in his upstairs study on Saturday afternoon,” said Tom, who disliked anything sneaking, but was not disinclined to a little stratagem in a worthy cause. So he carried off the sword in triumph mixed with dread–dread that he might encounter Mr. or Mrs. Stelling–to his bedroom, where, after some consideration, he hid it in the closet behind some hanging clothes. That night he fell asleep in the thought that he would astonish Maggie with it when she came,–tie it round his waist with his red comforter, and make her believe that the sword was his own, and that he was going to be a soldier. There was nobody but Maggie who would be silly enough to believe him, or whom he dared allow to know he had a sword; and Maggie was really coming next week to see Tom, before she went to a boarding-school with Lucy.

If you think a lad of thirteen would have been so childish, you must be an exceptionally wise man, who, although you are devoted to a civil calling, requiring you to look bland rather than formidable, yet never, since you had a beard, threw yourself into a martial attitude, and frowned before the looking-glass. It is doubtful whether our soldiers would be maintained if there were not pacific people at home who like to fancy themselves soldiers. War, like other dramatic spectacles, might possibly cease for want of a “public.”

CHAPTER V

Maggie’s Second Visit

This last breach between the two lads was not readily mended, and for some time they spoke to each other no more than was necessary. Their natural antipathy of temperament made resentment an easy passage to hatred, and in Philip the transition seemed to have begun; there was no malignity in his disposition, but there was a susceptibility that made him peculiarly liable to a strong sense of repulsion. The ox–we may venture to assert it on the authority of a great classic–is not given to use his teeth as an instrument of attack, and Tom was an excellent bovine lad, who ran at questionable objects in a truly ingenious bovine manner; but he had blundered on Philip’s tenderest point, and had caused him as much acute pain as if he had studied the means with the nicest precision and the most envenomed spite. Tom saw no reason why they should not make up this quarrel as they had done many others, by behaving as if nothing had happened; for though he had never before said to Philip that his father was a rogue, this idea had so habitually made part of his feeling as to the relation between himself and his dubious schoolfellow, who he could neither like nor dislike, that the mere utterance did not make such an epoch to him as it did to Philip. And he had a right to say so when Philip hectored over him, and called him names. But perceiving that his first advances toward amity were not met, he relapsed into his least favorable disposition toward Philip, and resolved never to appeal to him either about drawing or exercise again. They were only so far civil to each other as was necessary to prevent their state of feud from being observed by Mr. Stelling, who would have “put down” such nonsense with great vigor.

When Maggie came, however, she could not help looking with growing interest at the new schoolfellow, although he was the son of that wicked Lawyer Wakem, who made her father so angry. She had arrived in the middle of school-hours, and had sat by while Philip went through his lessons with Mr. Stelling. Tom, some weeks ago, had sent her word that Philip knew no end of stories,–not stupid stories like hers; and she was convinced now from her own observation that he must be very clever; she hoped he would think her rather clever too, when she came to talk to him. Maggie, moreover, had rather a tenderness for deformed things; she preferred the wry-necked lambs, because it seemed to her that the lambs which were quite strong and well made wouldn’t mind so much about being petted; and she was especially fond of petting objects that would think it very delightful to be petted by her. She loved Tom very dearly, but she often wished that he cared more about her loving him.

“I think Philip Wakem seems a nice boy, Tom,” she said, when they went out of the study together into the garden, to pass the interval before dinner. “He couldn’t choose his father, you know; and I’ve read of very bad men who had good sons, as well as good parents who had bad children. And if Philip is good, I think we ought to be the more sorry for him because his father is not a good man. You like him, don’t you?”

“Oh, he’s a queer fellow,” said Tom, curtly, “and he’s as sulky as can be with me, because I told him his father was a rogue. And I’d a right to tell him so, for it was true; and he began it, with calling me names. But you stop here by yourself a bit, Maggie, will you? I’ve got something I want to do upstairs.”

“Can’t I go too?” said Maggie, who in this first day of meeting again loved Tom’s shadow.

“No, it’s something I’ll tell you about by-and-by, not yet,” said Tom, skipping away.

In the afternoon the boys were at their books in the study, preparing the morrow’s lesson’s that they might have a holiday in the evening in honor of Maggie’s arrival. Tom was hanging over his Latin grammar, moving his lips inaudibly like a strict but impatient Catholic repeating his tale of paternosters; and Philip, at the other end of the room, was busy with two volumes, with a look of contented diligence that excited Maggie’s curiosity; he did not look at all as if he were learning a lesson. She sat on a low stool at nearly a right angle with the two boys, watching first one and then the other; and Philip, looking off his book once toward the fire-place, caught the pair of questioning dark eyes fixed upon him. He thought this sister of Tulliver’s seemed a nice little thing, quite unlike her brother; he wished he had a little sister. What was it, he wondered, that made Maggie’s dark eyes remind him of the stories about princesses being turned into animals? I think it was that her eyes were full of unsatisfied intelligence, and unsatisfied beseeching affection.

“I say, Magsie,” said Tom at last, shutting his books and putting them away with the energy and decision of a perfect master in the art of leaving off, “I’ve done my lessons now. Come upstairs with me.”

“What is it?” said Maggie, when they were outside the door, a slight suspicion crossing her mind as she remembered Tom’s preliminary visit upstairs. “It isn’t a trick you’re going to play me, now?”

“No, no, Maggie,” said Tom, in his most coaxing tone; “It’s something you’ll like ever so.”

He put his arm round her neck, and she put hers round his waist, and twined together in this way, they went upstairs.

“I say, Magsie, you must not tell anybody, you know,” said Tom, “else I shall get fifty lines.”

“Is it alive?” said Maggie, whose imagination had settled for the moment on the idea that Tom kept a ferret clandestinely.

“Oh, I sha’n’t tell you,” said he. “Now you go into that corner and hide your face, while I reach it out,” he added, as he locked the bedroom door behind them. I’ll tell you when to turn round. You mustn’t squeal out, you know.”

“Oh, but if you frighten me, I shall,” said Maggie, beginning to look rather serious.

“You won’t be frightened, you silly thing,” said Tom. “Go and hide your face, and mind you don’t peep.”

“Of course I sha’n’t peep,” said Maggie, disdainfully; and she buried her face in the pillow like a person of strict honor.

But Tom looked round warily as he walked to the closet; then he stepped into the narrow space, and almost closed the door. Maggie kept her face buried without the aid of principle, for in that dream-suggestive attitude she had soon forgotten where she was, and her thoughts were busy with the poor deformed boy, who was so clever, when Tom called out, “Now then, Magsie!”

Nothing but long meditation and preconcerted arrangement of effects could have enabled Tom to present so striking a figure as he did to Maggie when she looked up. Dissatisfied with the pacific aspect of a face which had no more than the faintest hint of flaxen eyebrow, together with a pair of amiable blue-gray eyes and round pink cheeks that refused to look formidable, let him frown as he would before the looking-glass (Philip had once told him of a man who had a horseshoe frown, and Tom had tried with all his frowning might to make a horseshoe on his forehead), he had had recourse to that unfailing source of the terrible, burnt cork, and had made himself a pair of black eyebrows that met in a satisfactory manner over his nose, and were matched by a less carefully adjusted blackness about the chin. He had wound a red handkerchief round his cloth cap to give it the air of a turban, and his red comforter across his breast as a scarf,–an amount of red which, with the tremendous frown on his brow, and the decision with which he grasped the sword, as he held it with its point resting on the ground, would suffice to convey an approximate idea of his fierce and bloodthirsty disposition.

Maggie looked bewildered for a moment, and Tom enjoyed that moment keenly; but in the next she laughed, clapped her hands together, and said, “Oh, Tom, you’ve made yourself like Bluebeard at the show.”

It was clear she had not been struck with the presence of the sword,–it was not unsheathed. Her frivolous mind required a more direct appeal to its sense of the terrible, and Tom prepared for his master-stroke. Frowning with a double amount of intention, if not of corrugation, he (carefully) drew the sword from its sheath, and pointed it at Maggie.

“Oh, Tom, please don’t!” exclaimed Maggie, in a tone of suppressed dread, shrinking away from him into the opposite corner. “I shall scream–I’m sure I shall! Oh, don’t I wish I’d never come upstairs!”

The corners of Tom’s mouth showed an inclination to a smile of complacency that was immediately checked as inconsistent with the severity of a great warrior. Slowly he let down the scabbard on the floor, lest it should make too much noise, and then said sternly,–

“I’m the Duke of Wellington! March!” stamping forward with the right leg a little bent, and the sword still pointing toward Maggie, who, trembling, and with tear-filled eyes, got upon the bed, as the only means of widening the space between them.

Tom, happy in this spectator of his military performances, even though the spectator was only Maggie, proceeded, with the utmost exertion of his force, to such an exhibition of the cut and thrust as would necessarily be expected of the Duke of Wellington.

“Tom, I will not bear it, I will scream,” said Maggie, at the first movement of the sword. “You’ll hurt yourself; you’ll cut your head off!”

“One–two,” said Tom, resolutely, though at “two” his wrist trembled a little. “Three” came more slowly, and with it the sword swung downward, and Maggie gave a loud shriek. The sword had fallen, with its edge on Tom’s foot, and in a moment after he had fallen too. Maggie leaped from the bed, still shrieking, and immediately there was a rush of footsteps toward the room. Mr. Stelling, from his upstairs study, was the first to enter. He found both the children on the floor. Tom had fainted, and Maggie was shaking him by the collar of his jacket, screaming, with wild eyes. She thought he was dead, poor child! and yet she shook him, as if that would bring him back to life. In another minute she was sobbing with joy because Tom opened his eyes. She couldn’t sorrow yet that he had hurt his foot; it seemed as if all happiness lay in his being alive.