Delphi Complete Works of Anton Chekhov (Illustrated) (163 page)

BOOK: Delphi Complete Works of Anton Chekhov (Illustrated)
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“But to make up to her -- that is, to make her the heroine of one of those impromptu affairs to which tourists are so prone -- was not easy and, indeed, hardly possible. I felt that as I gazed at her face. The way she looked, and the expression of her face, suggested that the sea, the smoke in the distance, and the sky had bored her long, long ago, and wearied her sight. She seemed to be tired, bored, and thinking about something dreary, and her face had not even that fussy, affectedly indifferent expression which one sees in the face of almost every woman when she is conscious of the presence of an unknown man in her vicinity.

“The fair-haired lady took a bored and passing glance at me, sat down on a seat and sank into reverie, and from her face I saw that she had no thoughts for me, and that I, with my Petersburg appearance, did not arouse in her even simple curiosity. But yet I made up my mind to speak to her, and asked: ‘Madam, allow me to ask you at what time do the waggonettes go from here to the town?’

“ ‘At ten or eleven, I believe. . . .’ “

“I thanked her. She glanced at me once or twice, and suddenly there was a gleam of curiosity, then of something like wonder on her passionless face. . . . I made haste to assume an indifferent expression and to fall into a suitable attitude; she was catching on! She suddenly jumped up from the seat, as though something had bitten her, and examining me hurriedly, with a gentle smile, asked timidly:

“ ‘Oh, aren’t you Ananyev?’

“ ‘Yes, I am Ananyev,’ I answered.

“ ‘And don’t you recognise me? No?’

“I was a little confused. I looked intently at her, and -- would you believe it? -- I recognised her not from her face nor her figure, but from her gentle, weary smile. It was Natalya Stepanovna, or, as she was called, Kisotchka, the very girl I had been head over ears in love with seven or eight years before, when I was wearing the uniform of a high-school boy. The doings of far, vanished days, the days of long ago. . . . I remember this Kisotchka, a thin little high-school girl of fifteen or sixteen, when she was something just for a schoolboy’s taste, created by nature especially for Platonic love. What a charming little girl she was! Pale, fragile, light -- she looked as though a breath would send her flying like a feather to the skies -- a gentle, perplexed face, little hands, soft long hair to her belt, a waist as thin as a wasp’s -- altogether something ethereal, transparent like moonlight -- in fact, from the point of view of a high-school boy a peerless beauty. . . . Wasn’t I in love with her! I did not sleep at night. I wrote verses. . . . Sometimes in the evenings she would sit on a seat in the park while we schoolboys crowded round her, gazing reverently; in response to our compliments, our sighing, and attitudinising, she would shrink nervously from the evening damp, screw up her eyes, and smile gently, and at such times she was awfully like a pretty little kitten. As we gazed at her every one of us had a desire to caress her and stroke her like a cat, hence her nickname of Kisotchka.

“In the course of the seven or eight years since we had met, Kisotchka had greatly changed. She had grown more robust and stouter, and had quite lost the resemblance to a soft, fluffy kitten. It was not that her features looked old or faded, but they had somehow lost their brilliance and looked sterner, her hair seemed shorter, she looked taller, and her shoulders were quite twice as broad, and what was most striking, there was already in her face the expression of motherliness and resignation commonly seen in respectable women of her age, and this, of course, I had never seen in her before. . . . In short, of the school-girlish and the Platonic her face had kept the gentle smile and nothing more. . . .

“We got into conversation. Learning that I was already an engineer, Kisotchka was immensely delighted.

“ ‘How good that is!’ she said, looking joyfully into my face. ‘Ah, how good! And how splendid you all are! Of all who left with you, not one has been a failure -- they have all turned out well. One an engineer, another a doctor, a third a teacher, another, they say, is a celebrated singer in Petersburg. . . . You are all splendid, all of you. . . . Ah, how good that is!’

“Kisotchka’s eyes shone with genuine goodwill and gladness. She was admiring me like an elder sister or a former governess. ‘While I looked at her sweet face and thought, ‘It wouldn’t be bad to get hold of her to-day!’

“ ‘Do you remember, Natalya Stepanovna,’ I asked her, ‘how I once brought you in the park a bouquet with a note in it? You read my note, and such a look of bewilderment came into your face. . . .’

“ ‘No, I don’t remember that,’ she said, laughing. ‘But I remember how you wanted to challenge Florens to a duel over me. . . .’

“ ‘Well, would you believe it, I don’t remember that. . . .’

“ ‘Well, that’s all over and done with . . .’ sighed Kisotchka. ‘At one time I was your idol, and now it is my turn to look up to all of you. . . .’

“From further conversation I learned that two years after leaving the high school, Kisotchka had been married to a resident in the town who was half Greek, half Russian, had a post either in the bank or in the insurance society, and also carried on a trade in corn. He had a strange surname, something in the style of Populaki or Skarandopulo. . . . Goodness only knows -- I have forgotten. . . . As a matter of fact, Kisotchka spoke little and with reluctance about herself. The conversation was only about me. She asked me about the College of Engineering, about my comrades, about Petersburg, about my plans, and everything I said moved her to eager delight and exclamations of, ‘Oh, how good that is!’

“We went down to the sea and walked over the sands; then when the night air began to blow chill and damp from the sea we climbed up again. All the while our talk was of me and of the past. We walked about until the reflection of the sunset had died away from the windows of the summer villas.

“ ‘Come in and have some tea,’ Kisotchka suggested. ‘The samovar must have been on the table long ago. . . . I am alone at home,’ she said, as her villa came into sight through the green of the acacias. ‘My husband is always in the town and only comes home at night, and not always then, and I must own that I am so dull that it’s simply deadly.’

“I followed her in, admiring her back and shoulders. I was glad that she was married. Married women are better material for temporary love affairs than girls. I was also pleased that her husband was not at home. At the same time I felt that the affair would not come off. . . .

“We went into the house. The rooms were smallish and had low ceilings, and the furniture was typical of the summer villa (Russians like having at their summer villas uncomfortable heavy, dingy furniture which they are sorry to throw away and have nowhere to put), but from certain details I could observe that Kisotchka and her husband were not badly off, and must be spending five or six thousand roubles a year. I remember that in the middle of the room which Kisotchka called the dining-room there was a round table, supported for some reason on six legs, and on it a samovar and cups. At the edge of the table lay an open book, a pencil, and an exercise book. I glanced at the book and recognised it as ‘Malinin and Burenin’s Arithmetical Examples.’ It was open, as I now remember, at the ‘Rules of Compound Interest.’

“ ‘To whom are you giving lessons?’ I asked Kisotchka.’

“ ‘Nobody,’ she answered. ‘I am just doing some. . . . I have nothing to do, and am so bored that I think of the old days and do sums.’

“ ‘Have you any children?’

“ ‘I had a baby boy, but he only lived a week.’

“We began drinking tea. Admiring me, Kisotchka said again how good it was that I was an engineer, and how glad she was of my success. And the more she talked and the more genuinely she smiled, the stronger was my conviction that I should go away without having gained my object. I was a connoisseur in love affairs in those days, and could accurately gauge my chances of success. You can boldly reckon on success if you are tracking down a fool or a woman as much on the look out for new experiences and sensations as yourself, or an adventuress to whom you are a stranger. If you come across a sensible and serious woman, whose face has an expression of weary submission and goodwill, who is genuinely delighted at your presence, and, above all, respects you, you may as well turn back. To succeed in that case needs longer than one day.

“And by evening light Kisotchka seemed even more charming than by day. She attracted me more and more, and apparently she liked me too, and the surroundings were most appropriate: the husband not at home, no servants visible, stillness around. . . . Though I had little confidence in success, I made up my mind to begin the attack anyway. First of all it was necessary to get into a familiar tone and to change Kisotchka’s lyrically earnest mood into a more frivolous one.

“ ‘Let us change the conversation, Natalya Stepanovna,’ I began. ‘Let us talk of something amusing. First of all, allow me, for the sake of old times, to call you Kisotchka.’

“She allowed me.

“ ‘Tell me, please, Kisotchka,’ I went on, ‘what is the matter with all the fair sex here. What has happened to them? In old days they were all so moral and virtuous, and now, upon my word, if one asks about anyone, one is told such things that one is quite shocked at human nature. . . . One young lady has eloped with an officer; another has run away and carried off a high-school boy with her; another -- a married woman -- has run away from her husband with an actor; a fourth has left her husband and gone off with an officer, and so on and so on. It’s a regular epidemic! If it goes on like this there won’t be a girl or a young woman left in your town!’

“I spoke in a vulgar, playful tone. If Kisotchka had laughed in response I should have gone on in this style: ‘You had better look out, Kisotchka, or some officer or actor will be carrying you off!’ She would have dropped her eyes and said: ‘As though anyone would care to carry me off; there are plenty younger and better looking. . . .’ And I should have said: ‘Nonsense, Kisotchka -- I for one should be delighted!’ And so on in that style, and it would all have gone swimmingly. But Kisotchka did not laugh in response; on the contrary, she looked grave and sighed.

“ ‘All you have been told is true,’ she said. ‘My cousin Sonya ran away from her husband with an actor. Of course, it is wrong. . . . Everyone ought to bear the lot that fate has laid on him, but I do not condemn them or blame them. . . . Circumstances are sometimes too strong for anyone!’

“ ‘That is so, Kisotchka, but what circumstances can produce a regular epidemic?’

“ ‘It’s very simple and easy to understand,’ replied Kisotchka, raising her eyebrows. ‘There is absolutely nothing for us educated girls and women to do with ourselves. Not everyone is able to go to the University, to become a teacher, to live for ideas, in fact, as men do. They have to be married. . . . And whom would you have them marry? You boys leave the high-school and go away to the University, never to return to your native town again, and you marry in Petersburg or Moscow, while the girls remain. . . . To whom are they to be married? Why, in the absence of decent cultured men, goodness knows what sort of men they marry -- stockbrokers and such people of all kinds, who can do nothing but drink and get into rows at the club. . . . A girl married like that, at random. . . . And what is her life like afterwards? You can understand: a well-educated, cultured woman is living with a stupid, boorish man; if she meets a cultivated man, an officer, an actor, or a doctor -- well, she gets to love him, her life becomes unbearable to her, and she runs away from her husband. And one can’t condemn her!’

“ ‘If that is so, Kisotchka, why get married?’ I asked.

“ ‘Yes, of course,’ said Kisotchka with a sigh, ‘but you know every girl fancies that any husband is better than nothing. . . . Altogether life is horrid here, Nikolay Anastasyevitch, very horrid! Life is stifling for a girl and stifling when one is married. . . . Here they laugh at Sonya for having run away from her husband, but if they could see into her soul they would not laugh. . . .’ “

Azorka began barking outside again. He growled angrily at some one, then howled miserably and dashed with all his force against the wall of the hut. . . . Ananyev’s face was puckered with pity; he broke off his story and went out. For two minutes he could be heard outside comforting his dog. “Good dog! poor dog!”

“Our Nikolay Anastasyevitch is fond of talking,” said Von Schtenberg, laughing. “He is a good fellow,” he added after a brief silence.

Returning to the hut, the engineer filled up our glasses and, smiling and stroking his chest, went on:

“And so my attack was unsuccessful. There was nothing for it, I put off my unclean thoughts to a more favourable occasion, resigned myself to my failure and, as the saying is, waved my hand. What is more, under the influence of Kisotchka’s voice, the evening air, and the stillness, I gradually myself fell into a quiet sentimental mood. I remember I sat in an easy chair by the wide-open window and glanced at the trees and darkened sky. The outlines of the acacias and the lime trees were just the same as they had been eight years before; just as then, in the days of my childhood, somewhere far away there was the tinkling of a wretched piano, and the public had just the same habit of sauntering to and fro along the avenues, but the people were not the same. Along the avenues there walked now not my comrades and I and the object of my adoration, but schoolboys and young ladies who were strangers. And I felt melancholy. When to my inquiries about acquaintances I five times received from Kisotchka the answer, ‘He is dead,’ my melancholy changed into the feeling one has at the funeral service of a good man. And sitting there at the window, looking at the promenading public and listening to the tinkling piano, I saw with my own eyes for the first time in my life with what eagerness one generation hastens to replace another, and what a momentous significance even some seven or eight years may have in a man’s life!

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