Read Complete Works of Fyodor Dostoyevsky Online
Authors: Fyodor Dostoyevsky
“It’s that swarthy fellow is going to see her this evening,” I thought.
At the office, of course, I gave no sign of being consumed by these cares and anxieties. But soon I noticed some of the most progressive papers seemed to be passing particularly rapidly from hand to hand among my colleagues, and were being read with an extremely serious expression of face. The first one that reached me was the
News-sheet
, a paper of no particular party but humanitarian in general, for which it was regarded with contempt among us, though it was read. Not without surprise I read in it the following paragraph:
“Yesterday strange rumours were circulating among the spacious ways and sumptuous buildings of our vast metropolis. A certain well-known
bon-vivant
of the highest society, probably weary of the
cuisine
at Borel’s and at the X. Club, went into the Arcade, into the place where an immense crocodile recently brought to the metropolis is being exhibited, and insisted on its being prepared for his dinner. After bargaining with the proprietor he at once set to work to devour him (that is, not the proprietor, a very meek and punctilious German, but his crocodile), cutting juicy morsels with his penknife from the living animal, and swallowing them with extraordinary rapidity. By degrees the whole crocodile disappeared into the vast recesses of his stomach, so that he was even on the point of attacking an ichneumon, a constant companion of the crocodile, probably imagining that the latter would be as savoury. We are by no means opposed to that new article of diet with which foreign
gourmands
have long been familiar. We have, indeed, predicted that it would come. English lords and travellers make up regular parties for catching crocodiles in Egypt, and consume the back of the monster cooked like beefsteak, with mustard, onions and potatoes. The French who followed in the train of Lesseps prefer the paws baked-in hot ashes, which they do, however, in opposition to the English, who laugh at them. Probably both ways would be appreciated among us. For our part, we are delighted at a new branch of industry, of which our great and varied fatherland stands pre-eminently in need. Probably before a year is out crocodiles will be brought in hundreds to replace this first one, lost in the stomach of a Petersburg
gourmand
. And why should not the crocodile be acclimatised among us in Russia? If the water of the Neva is too cold for these interesting strangers, there are ponds in the capital and rivers and lakes outside it. Why not breed crocodiles at Pargolovo, for instance, or at Pavlovsk, in the Presnensky Ponds and in Samoteka in Moscow? While providing agreeable, wholesome nourishment for our fastidious
gourmands
, they might at the same time entertain the ladies who walk about these ponds and instruct the children in natural history. The crocodile skin might be used for making jewel-cases, boxes, cigar-cases, pocket-books, and possibly more than one thousand saved up in the greasy notes that are peculiarly beloved of merchants might be laid by in crocodile skin. We hope to return more than once to this interesting topic.”
Though I had foreseen something of the sort, yet the reckless inaccuracy of the paragraph overwhelmed me. Finding no one with whom to share my impression, I turned to Prohor Savvitch who was sitting opposite to me, and noticed that the latter had been watching me for some time, while in his hand he held the
Voice
as though he were on the point of passing it to me. Without a word he took the
News-sheet
from me, and as he handed me the
Voice
he drew a line with his nail against an article to which he probably wished to call my attention. This Prohor Savvitch was a very queer man: a taciturn old bachelor, he was not on intimate terms with any of us, scarcely spoke to any one in the office, always had an opinion of his own about everything, but could not bear to import it to any one. He lived alone. Hardly any one among us had ever been in his lodging.
This was what I read in the
Voice
.
“Every one knows that we are progressive and humanitarian and want to be on a level with Europe in this respect. But in spite of all our exertions and the efforts of our paper we are still far from maturity, as may be judged from the shocking incident which took place yesterday in the Arcade and which we predicted long ago. A foreigner arrives in the capital bringing with him a crocodile which he begins exhibiting in the Arcade. We immediately hasten to welcome a new branch of useful industry such as our powerful and varied fatherland stands in great need of. Suddenly yesterday at four o’clock in the afternoon a gentleman of exceptional stoutness enters the foreigner’s shop in an intoxicated condition, pays his entrance money, and immediately without any warning leaps into the jaws of the crocodile, who was forced, of course, to swallow him, if only from an instinct of self-preservation, to avoid being crushed. Tumbling into the inside of the crocodile, the stranger at once dropped asleep. Neither the shouts of the foreign proprietor, nor the lamentations of his terrified family, nor threats to send for the police made the slightest impression. Within the crocodile was heard nothing but laughter and a promise to flay him (
sic
), though the poor mammal, compelled to swallow such a mass, was vainly shedding tears. An uninvited guest is worse than a Tartar. But in spite of the proverb the insolent visitor would not leave. We do not know how to explain such barbarous incidents which prove our lack of culture and disgrace us in the eyes of foreigners. The recklessness of the Russian temperament has found a fresh outlet. It may be asked what was the object of the uninvited visitor? A warm and comfortable abode? But there are many excellent houses in the capital with very cheap and comfortable lodgings, with the Neva water laid on, and a staircase lighted by gas, frequently with a hall-porter maintained by the proprietor. We would call our readers’ attention to the barbarous treatment of domestic animals: it is difficult, of course, for the crocodile to digest such a mass all at once, and now he lies swollen out to the size of a mountain, awaiting death in insufferable agonies. In Europe persons guilty of inhumanity towards domestic animals have long been punished by law. But in spite of our European enlightenment, in spite of our European pavements, in spite of the European architecture of our houses, we are still far from shaking off our time-honoured traditions.
“Though the houses are new, the conventions are old.”
And, indeed, the houses are not new, at least the staircases in them are not. We have more than once in our paper alluded to the fact that in the Petersburg Side in the house of the merchant Lukyanov the steps of the wooden staircase have decayed, fallen away, and have long been a danger for Afimya Skapidarov, a soldier’s wife who works in the house, and is often obliged to go up the stairs with water or armfuls of wood. At last our predictions have come true: yesterday evening at half-past eight Afimya Skapidarov fell down with a basin of soup and broke her leg. We do not know whether Lukyanov will mend his staircase now, Russians are often wise after the event, but the victim of Russian carelessness has by now been taken to the hospital. In the same way we shall never cease to maintain that the house-porters who clear away the mud from the wooden pavement in the Viborgsky Side ought not to spatter the legs of passers-by, but should throw the mud up into heaps as is done in Europe,” and so on, and so on.
“What’s this?” I asked in some perplexity, looking at Prohor Savvitch. “What’s the meaning of it?”
“How do you mean?”
“Why, upon my word! Instead of pitying Ivan Matveitch, they pity the crocodile!”
“What of it? They have pity even for a beast, a
mammal
. We must be up to Europe, mustn’t we? They have a very warm feeling for crocodiles there too. He-he-he!”
Saying this, queer old Prohor Savvitch dived into his papers and would not utter another word.
I stuffed the
Voice
and the
News-sheet
into my pocket and collected as many old copies of the newspapers as I could find for Ivan Matveitch’s diversion in the evening, and though the evening was far off, yet on this occasion I slipped away from the office early to go to the Arcade and look, if only from a distance, at what was going on there, and to listen to the various remarks and currents of opinion. I foresaw that there would be a regular crush there, and turned up the collar of my coat to meet it. I somehow felt rather shy — so unaccustomed are we to publicity. But I feel that I have no right to report my own prosaic feelings when faced with this remarkable and original incident.
FROM SOMEBODY’S DIARY
Semyon Ardalyonovitch said to me all of a sudden the day before yesterday: “Why, will you ever be sober, Ivan Ivanovitch? Tell me that, pray.”
A strange requirement. I did not resent it, I am a timid man; but here they have actually made me out mad. An artist painted my portrait as it happened: “After all, you are a literary man,” he said. I submitted, he exhibited it. I read: “Go and look at that morbid face suggesting insanity.”
It may be so, but think of putting it so bluntly into print. In print everything ought to be decorous; there ought to be ideals, while instead of that....
Say it indirectly, at least; that’s what you have style for. But no, he doesn’t care to do it indirectly. Nowadays humour and a fine style have disappeared, and abuse is accepted as wit. I do not resent it: but God knows I am not enough of a literary man to go out of my mind. I have written a novel, it has not been published. I have written articles — they have been refused. Those articles I took about from one editor to another; everywhere they refused them: you have no salt they told me. “What sort of salt do you want?” I asked with a jeer. “Attic salt?”
They did not even understand. For the most part I translate from the French for the booksellers. I write advertisements for shopkeepers too: “Unique opportunity! Fine tea, from our own plantations ...” I made a nice little sum over a panegyric on his deceased excellency Pyotr Matveyitch. I compiled the “Art of pleasing the ladies,” a commission from a bookseller. I have brought out some six little works of this kind in the course of my life. I am thinking of making a collection of the
bon mots
of Voltaire, but am afraid it may seem a little flat to our people. Voltaire’s no good now; nowadays we want a cudgel, not Voltaire. We knock each other’s last teeth out nowadays. Well, so that’s the whole extent of my literary activity. Though indeed I do send round letters to the editors gratis and fully signed. I give them all sorts of counsels and admonitions, criticise and point out the true path. The letter I sent last week to an editor’s office was the fortieth I had sent in the last two years. I have wasted four roubles over stamps alone for them. My temper is at the bottom of it all.
I believe that the artist who painted me did so not for the sake of literature, but for the sake of two symmetrical warts on my forehead, a natural phenomenon, he would say. They have no ideas, so now they are out for phenomena. And didn’t he succeed in getting my warts in his portrait — to the life. That is what they call realism.
And as to madness, a great many people were put down as mad among us last year. And in such language! “With such original talent” ... “and yet, after all, it appears” ... “however, one ought to have foreseen it long ago.” That is rather artful; so that from the point of view of pure art one may really commend it. Well, but after all, these so-called madmen have turned out cleverer than ever. So it seems the critics can call them mad, but they cannot produce any one better.
The wisest of all, in my opinion, is he who can, if only once a month, call himself a fool — a faculty unheard of nowadays. In old days, once a year at any rate a fool would recognise that he was a fool, but nowadays not a bit of it. And they have so muddled things up that there is no telling a fool from a wise man. They have done that on purpose.
I remember a witty Spaniard saying when, two hundred and fifty years ago, the French built their first madhouses: “They have shut up all their fools in a house apart, to make sure that they are wise men themselves.” Just so: you don’t show your own wisdom by shutting some one else in a madhouse. “K. has gone out of his mind, means that we are sane now.” No, it doesn’t mean that yet.
Hang it though, why am I maundering on? I go on grumbling and grumbling. Even my maidservant is sick of me. Yesterday a friend came to see me. “Your style is changing,” he said; “it is choppy: you chop and chop — and then a parenthesis, then a parenthesis in the parenthesis, then you stick in something else in brackets, then you begin chopping and chopping again.”
The friend is right. Something strange is happening to me. My character is changing and my head aches. I am beginning to see and hear strange things, not voices exactly, but as though some one beside me were muttering, “
bobok, bobok, bobok
!”
What’s the meaning of this
bobok
? I must divert my mind.
I went out in search of diversion, I hit upon a funeral. A distant relation — a collegiate counsellor, however. A widow and five daughters, all marriageable young ladies. What must it come to even to keep them in slippers. Their father managed it, but now there is only a little pension. They will have to eat humble pie. They have always received me ungraciously. And indeed I should not have gone to the funeral now had it not been for a peculiar circumstance. I followed the procession to the cemetery with the rest; they were stuck-up and held aloof from me. My uniform was certainly rather shabby. It’s five-and-twenty years, I believe, since I was at the cemetery; what a wretched place!