Complete Works of Fyodor Dostoyevsky (512 page)

“Why, you’ll spoil him!” cried Pyotr Stepanovitch, bursting into the room. “I’ve only just got him in hand — and in one morning he has been searched, arrested, taken by the collar by a policeman, and here ladies are cooing to him in the governor’s drawing-room. Every bone in his body is aching with rapture; in his wildest dreams he had never hoped for such good fortune. Now he’ll begin informing against the Socialists after this!”

“Impossible, Pyotr Stepanovitch! Socialism is too grand an idea to be unrecognised by Stepan Trofimovitch.” Yulia Mihailovna took up the gauntlet with energy.

“It’s a great idea but its exponents are not always great men,
et brisons-id, mon cher,”
Stepan Trofimovitch ended, addressing his son and rising gracefully from his seat.

But at this point an utterly unexpected circumstance occurred. Von Lembke had been in the room for some time but seemed unnoticed by anyone, though every one had seen him come in. In accordance with her former plan, Yulia Mihailovna went on ignoring him. He took up his position near the door and with a stern face listened gloomily to the conversation. Hearing an allusion to the events of the morning, he began fidgeting uneasily, stared at the prince, obviously struck by his stiffly starched, prominent collar; then suddenly he seemed to start on hearing the voice of Pyotr Stepanovitch and seeing him burst in; and no sooner had Stepan Trofimovitch uttered his phrase about Socialists than Lembke went up to him, pushing against Lyamshin, who at once skipped out of the way with an affected gesture of surprise, rubbing his shoulder and pretending that he had been terribly bruised.

“Enough!” said Von Lembke to Stepan Trofimovitch, vigorously gripping the hand of the dismayed gentleman and squeezing it with all his might in both of his. “Enough! The filibusters of our day are unmasked. Not another word. Measures have been taken. . . .”

He spoke loudly enough to be heard by all the room, and concluded with energy. The impression he produced was poignant. Everybody felt that something was wrong. I saw Yulia Mihailovna turn pale. The effect was heightened by a trivial accident. After announcing that measures had been taken, Lembke turned sharply and walked quickly towards the door, but he had hardly taken two steps when he stumbled over a rug, swerved forward, and almost fell. For a moment he stood still, looked at the rug at which he had stumbled, and, uttering aloud “Change it!” went out of the room. Yulia Mihailovna ran after him. Her exit was followed by an uproar, in which it was difficult to distinguish anything. Some said he was “deranged,” others that he was “liable to attacks”; others put their fingers to their forehead; Lyamshin, in the corner, put his. two fingers above his forehead. People hinted at some domestic difficulties — in a whisper, of course. No one took up his hat; all were waiting. I don’t know what Yulia Mihailovna managed to do, but five minutes later she came back, doing her utmost to appear composed. She replied evasively that Andrey Antonovitch was rather excited, but that it meant nothing, that he had been like that from a child, that she knew “much better,” and that the fete next day would certainly cheer him up. Then followed a few flattering words to Stepan Trofimovitch simply from civility, and a loud invitation to the members of the committee to open the meeting now, at once. Only then, all who were not members of the committee prepared to go home; but the painful incidents of this fatal day were not yet over.

I noticed at the moment when Nikolay Stavrogin came in that Liza looked quickly and intently at him and was for a long time unable to take her eyes off him — so much so that at last it attracted attention. I saw Mavriky Nikolaevitch bend over her from behind; he seemed to mean to whisper something to her, but evidently changed his intention and drew himself up quickly, looking round at every one with a guilty air. Mkolay Vsyevolodovitch too excited curiosity; his face was paler than usual and there was a strangely absent-minded look in his eyes. After flinging his question at Stepan Trofimovitch he seemed to forget about him altogether, and I really believe he even forgot to speak to his hostess. He did not once look at Liza — not because he did not want to, but I am certain because he did not notice her either. And suddenly, after the brief silence that followed Yulia Mihailovna’s invitation to open the meeting without loss of time, Liza’s musical voice, intentionally loud, was heard. She called to Stavrogin.

“Nikolay Vsyevolodovitch, a captain who calls himself a relation of yours, the brother of your wife, and whose name is Lebyadkin, keeps writing impertinent letters to me, complaining of you and offering to tell me some secrets about you. If he really is a connection of yours, please tell him not to annoy me, and save me from this unpleasantness.”

There was a note of desperate challenge in these words — every one realised it. The accusation was unmistakable, though perhaps it was a surprise to herself. She was like a man who shuts his eyes and throws himself from the roof.

But Nikolay Stavrogin’s answer was even more astounding.

To begin with, it was strange that he was not in the least surprised and listened to Liza with unruffled attention. There was no trace of either confusion or anger in his face. Simply, firmly, even with an air of perfect readiness, he answered the fatal question:

“Yes, I have the misfortune to be connected with that man. I have been the husband of his sister for nearly five years. You may be sure I will give him your message as soon as possible, and I’ll answer for it that he shan’t annoy you again.”

I shall never forget the horror that was reflected on the face of Varvara Petrovna. With a distracted air she got up from her seat, lifting up her right hand as though to ward off a blow. Mkolay Vsyevolodovitch looked at her, looked at Liza, at the spectators, and suddenly smiled with infinite disdain; he walked deliberately out of the room. Every one saw how Liza leapt up from the sofa as soon as he turned to go and unmistakably made a movement to run after him. But she controlled herself and did not run after him; she went quietly out of the room without saying a word or even looking at anyone, accompanied, of course, by Mavriky Nikolaevitch, who rushed after her.

The uproar and the gossip that night in the town I will not attempt to describe. Varvara Petrovna shut herself up in her town house and Nikolay Vsyevolodovitch, it was said, went straight to Skvoreshniki without seeing his mother. Stepan Trofimovitch sent me that evening to
cette chere amie
to implore her to allow him to come to her, but she would not see me. He was terribly overwhelmed; he shed tears. “Such a marriage! Such a marriage! Such an awful thing in the family!” he kept repeating. He remembered Karmazinov, however, and abused him terribly. He set to work vigorously to prepare for the reading too and — the artistic temperament! — rehearsed before the looking-glass and went over all the jokes and witticisms uttered in the course of his life which he had written down in a separate notebook, to insert into his reading next day.

“My dear, I do this for the sake of a great idea,” he said to me, obviously justifying himself. “
Cher ami,
I have been stationary for twenty-five years and suddenly I’ve begun to move — whither, I know not — but I’ve begun to move. . . .”

PART III

CHAPTER I.

THE FETE — FIRST PART

the fete took place in spite of all the perplexities of the preceding “Shpigulin” day. I believe that even if Lembke had died the previous night, the fete would still have taken place next morning — so peculiar was the significance Yulia Mihailovna attached to it. Alas! up to the last moment she was blind and had no inkling of the state of public feeling. No one believed at last that the festive day would pass without some tremendous scandal, some “catastrophe” as some people expressed it, rubbing their hands in anticipation. Many people, it is true, tried to assume a frowning and diplomatic countenance; but, speaking generally, every Russian is inordinately delighted at any public scandal and disorder. It is true that we did feel something much more serious than the mere craving for a scandal: there was a general feeling of irritation, a feeling of implacable resentment; every one seemed thoroughly disgusted with everything. A kind of bewildered cynicism, a forced, as it were, strained cynicism was predominant in every one. The only people who were free from bewilderment were the ladies, and they were clear on only one point:’ their remorseless detestation of Yulia Mihailovna. Ladies of all shades of opinion were agreed in this. And she, poor dear, had no suspicion; up to the last hour she was persuaded that she was “surrounded by followers,” and that they were still “fanatically devoted to her.”

I have already hinted that some low fellows of different sorts had made their appearance amongst us. In turbulent times of upheaval or transition low characters always come to the front everywhere. I am not speaking now of the so-called “advanced” people who are always in a hurry to be in advance of every one else (their absorbing anxiety) and who always have some more or less definite, though often very stupid, aim. No, I am speaking only of the riff-raff. In every period of transition this riff-raff, which exists in every society, rises to the surface, and is not only without any aim but has not even a symptom of an idea, and merely does its utmost to give expression to uneasiness and impatience. Moreover, this riff-raff almost always falls unconsciously under the control of the little group of “advanced people” who do act with a definite aim, and this little group can direct all this rabble as it pleases, if only it does not itself consist of absolute idiots, which, however, is sometimes the case. It is said among us now that it is all over, that Pyotr Stepanovitch was directed by the
Internationale,
and Yulia Mihailovna by Pyotr Stepanovitch, while she controlled, under his rule, a rabble of all sorts. The more sober minds amongst us wonder at themselves now, and can’t understand how they came to be so foolish at the time.

What constituted the turbulence of our time and what transition it was we were passing through I don’t know, nor I think does anyone, unless it were some of those visitors of ours. Yet the most worthless fellows suddenly gained predominant influence, began loudly criticising everything sacred, though till then they had not dared to open their mouths, while the leading people, who had till then so satisfactorily kept the upper hand, began listening to them and holding their peace, some even simpered approval in a most shameless way. People like Lyamshin and Telyatnikov, like Gogol’s Tentyotnikov, drivelling home-bred editions of Radishtchev, wretched little Jews with a mournful but haughty smile, guffawing foreigners, poets of advanced tendencies from the capital, poets who made up with peasant coats and tarred boots for the lack of tendencies or talents, majors and colonels who ridiculed the senselessness of the service, and who would have been ready for an extra rouble to unbuckle their swords, and take jobs as railway clerks; generals who had abandoned their duties to become lawyers; advanced mediators, advancing merchants, innumerable divinity students, women who were the embodiment of the woman question — all these suddenly gained complete sway among us and over whom? Over the club, the venerable officials, over generals with wooden legs, over the very strict and inaccessible ladies of our local society. Since even Varvara Petrovna was almost at the beck and call of this rabble, right up to the time of the catastrophe with her son, our other local Minervas may well be pardoned for their temporary aberration. Now all this is attributed, as I have mentioned already, to the
Internationale.
This idea has taken such root that it is given as the explanation to visitors from other parts. Only lately councillor Kubrikov, a man of sixty-two, with the Stanislav Order on his breast, came forward uninvited and confessed in a voice full of feeling that he had beyond a shadow of doubt been for fully three months under the influence of the
Internationale.
When with every deference for his years ‘and services he was invited to be more definite, he stuck firmly to his original statement, though he could produce no evidence except that “he had felt it in all his feelings,” so that they cross-examined him no further.

I repeat again, there was still even among us a small group who held themselves aloof from the beginning, and even locked themselves up. But what lock can stand against a law of nature? Daughters will grow up even in the most careful families, and it is essential for grown-up daughters to dance.

And so all these people, too, ended by subscribing to the governesses’ fund.

The ball was assumed to be an entertainment so brilliant, so unprecedented; marvels were told about it; there were rumours of princes from a distance with lorgnettes; of ten stewards, all young dandies, with rosettes on their left shoulder; of some Petersburg people who were setting the thing going; there was a rumour that Karmazinov had consented to increase the subscriptions to the fund by reading his
Merci
in the costume of the governesses of the district; that there would be a literary quadrille all in costume, and every costume would symbolise some special line of thought; and finally that “honest Russian thought” would dance in costume — which would certainly be a complete novelty in itself. Who could resist subscribing? Every one subscribed.

II

The programme of the fete was divided into two parts: the literary matinee from midday till four o’clock, and afterwards a ball from ten o’clock onwards through the night. But in this very programme there lay concealed germs of disorder. In the first place, from the very beginning a rumour had gained ground among the public concerning a luncheon immediately after the literary matinee, or even while it was going on, during an interval arranged expressly for it — a free luncheon, of course, which would form part of the programme and be accompanied by champagne. The immense price of the tickets (three roubles) tended to confirm this rumour. “As though one would subscribe for nothing? The fete is arranged for twenty-four hours, so food must be provided. People will get hungry.” This was how people reasoned in the town. I must admit that Yulia Mihailovna did much to confirm this disastrous rumour by her own heedlessness. A month earlier, under the first spell of the great project, she would babble about it to anyone she met; and even sent a paragraph to one of the Petersburg papers about the toasts and speeches arranged for her fete. What fascinated her most at that time was the idea of these toasts; she wanted to propose them herself and was continually composing them in anticipation. They were to make clear what was their banner (what was it? I don’t mind betting that the poor dear composed nothing after all), they were to get into the Petersburg and Moscow papers, to touch and fascinate the higher powers and then to spread the idea over all the provinces of Russia, rousing people to wonder and imitation.